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Interesting to see Lorne Balfe replacing Jablonsky now with Micheal Bay.6 Underground is totally crazy and Balfe’s score equals it.Also has emotion like 13 Hours.<br>Doesn’t beat His Dark Materials but a great scoreSorry, das ist doch ein Witz, Dortmund ist nicht dabei :(Way too many songs.<br>Lorne Balfe score nailed it.Great to see Bay working with Balfe now.This is an RCP website, those scores aren't by RCP composers...Power anthems ???? Obviously you haven’t watched the movie.They would not fit in this movie.<br><br>Balfe’s score is really cool and not expected.Already listened to it 4 times!
I agree completely.<br><br>The movie was awesome, the score works perfectly, and the only thing I didn't like was the use of songs. Too much of them. Songs rarely work during intense action scenes. They distract.<br><br>But every time the score started, I liked it. Bay may be known as the big action guy, but when it comes to scoring the more intimate/emotional moments, he and the composer (no matter who he is) always do a good job.Greenaway for President! :))I agree with Knight.<br><br>It seems some peeps were expecting power anthems left and right. Yes, this is a big movie, but not a "Transformers-big" movie. I didn't like the use of source music (I hate songs in action movies) but when Balfe's work popped up I noticed it right away.<br><br>The more emotional cues were definitely the most memorable.What a fantastic soundtrack.<br>It’s totally crazy and works brilliantly in the film.<br>The bit emotional sections are very classic Bay but Balfe’s electronic weirdness is very unique.<br>It’s nothing like Balfe’s Dark Materials BUT why I’m earth should it be !<br>10/10Gavin should be listed as conductor
Because Ice Age was composed by David Newman and Collision Course was composed by John DebneyWhen i heard just the sound clips, i thought wtf. Sounds like the worst score, a michael bay movie ever had. Then i listened to the whole album and i have to say, there are some pretty cool tracks. I really like the electronic rhythmic stuff. Welcome to florence is awesome. The emotional moments are nice, but standard balfe stuff. In the movie, the music works really good. I think this music style is the only style, that works in THIS movie. And as hybrid says a mish mash of score and songs. The movie itself is.....strange. but at least the action rocks as hell.If "The Meltdown," "Dawn of The Dinosaurs" and "Continental Drift" are added, then how come "Ice Age" and "Collision Course" aren't?I haven't heard the album yet but there isn't much score in the film. It's like Bad Boys II meets Domino in terms of editing, songs everywhere (19 sourced songs used), short cues... Hell there's even a 13 Hours cue tracked in the film ("Getting Aboard The Plane")."Second time"... lol
Another awsome score by lorne balfe. I really like the film 6 underground directed by michael bay, is very awsome and intense and i begin to hear the score composed by lorne balfe, and its phenomenal and his second time working with michael bay since 13 hours, which i like lorne balfe's score too. Balfe's work is really inspiring in his film score.I don't expect Lorne to make a masterpiece with each movie, but it is true that most of her films are action candies, and I can't understand how she can deliver 6 underground and then make His dark materials. It seems that within Lorne there are a thousand different composers. And I don't know what to expect from Lorne again.Can't help noticing not one, but two Zimmer titles in here.... Tracks 14 and 16. lol.What is most disappointing is that this is a Michael Bay movie with a score being so bad. Historically his movies have fantastic scores by either Hans, Steve Jablonsky, and even Lorne Balfe. But this is hands down the worst Michael Bay score I’ve ever heard. <br><br>It’s functional, yes, but nothing compared to 13 Hours, any of the Transformers movies, The Rock, Pearl Harbor, etc. I definitely had high hopes for another good “power anthem” score... and the only cues that are any good are just Time ripoffs.<br><br>Highly disappointing.Again, if we have to expect every piece of work of one composer is have to be as good like his others pieces of work, that's pretty underwhelming and impossible.<br><br>Yeah, 6 Underground is not a good score by any means (neither Gemini Man, but is far more listenable), but works perfectly in the hiperbolic movie.
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 LATEST RELEASES
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  2004, February 26
It wasn't for The Golden Globes‚ it won't be for the Oscars‚ but...
 
The International Press Academy'sSATELLITE? Awards was acknowledge this year's outstanding artists‚ films‚ shows and interactive media. The ceremony took place on February‚ the 21.th‚ and Hans Zimmer received an award for his music for the film "The Last Samurai"
More details...
Great Thanks to Demetris :-)

  2004, February 23
Interview with Geoff ZANELLI - Part II
Working With Hans & Mediaventures
 
In our first part‚ Geoff Zanelli introduce himself and talked about the way he manage to compose some of his additional score. Wether or not it is a secondary job as opposed to the main composer has never been his feeling. So‚ back to the process‚ we are going to hear more from the newcomer composer of Oz about his interaction with Hans Zimmer and Mediaventures during Pirates of Caribeans and The Last Samurai.
 
By Fabrice

  2004, February 22
SECRET WINDOW STORY
 
Interesting to know is that‚ coming from Geoff Zanelli‚ the story told by Musicfromthemovies.com was true. James Newton-Howard before his replacement (reasons to be discovered) was going to compose with Hans Zimmer. Being replaced‚ Hans Zimmer bowed out as well.
 

Last but not least‚ Thunderbirds is confirmed. Hans Zimmer is composing right now for the adaptation of the TV show onto the bigscreen.

  2004, February 11
Various / Don Harper



Lion King 1 1/2
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