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i believe that glimpses of the original would have solved the problem ;)Not actually though...probably a bit more Jackman than there actually is, eh? ;)@James<br><br>I have heard the original Vangelis theme but I was referring to a new theme for this new movie.Okay. I'm on the Lorne Balfe bandwagon now. I don't care if this movie is trash, this is a great listening experience, which is sometimes difficult to find in a score these days.Composer credits !
@spectre<br><br>She has a theme! Search for "Rachael's Song"!I agree. It is the most beautiful theme of the previous film and one of the biggest in Vangelis' career.I feel like there should have been a proper theme for Rachael. She was a really important character in both movies and it would have been nice to hear a sad melancholic melody for in her in some kind of Flashback or dream sequence for Deckard.$$$$$$ the soundtrack is FANTASTICSame here, I want to re-live the whole film through score and there is so much more we havent heard yet. Keeping my fingers crossed.
Just listen to all of it !!!! It’s a great classic soundtrack with cool electronics and great tunes- balfe is the topListen all the score and make the list yourself with the best moments for you, guy! Lolcan anybody recommend the absolute best themes on this score to me please!No he is not. It's just the musical palette created for all the futuristic scifi films that are inspired by what Vangelis did in 1982.Balfe is doing a Reddit interview in 2 hours time . Hopefully we can get to the bottom of Why he replaced Pinar and Clint Mansell on Ghost in The Shell
I totally agree with you. I was let down when I first heard the album. It's great but it's a selection of the score. I feel like they could've done a better job crafting the album. <br>Hell, something experimental like releasing the music as it is as a long (digital) track would've been interesting. <br><br>I think what made it difficult for them is how the tempo changes all the time, which might have resulted in an unpleasant listening experience (I think that might have been their point of view). For example, in the movie, the tempo of the cue "Home" changes a lot and some layers are taken out while the album version has a constant tempo.<br><br>Unfortunately, the number of people who noticed how unsatisfying this release is, is quite small, so there won't be anything official. Once again, we have to wait for leaks or bootlegs.also seems very like ghost in the shell. Did Balfe also help out on this score ?I can hear it<br>'Her Eyes were Green' gave me a heavy Arrival-vibe for example<br>Am I the Only one that feels Johánn Johánnsson touch everywere along this score?<br>Truly is the Vangelis reminiscense in each song, but the style is more near to Johánnsson than Wallfisch and of course Zimmer.<br>Could be Denis Villeneuve's suggestion, or maybe Benjamin has study Villeneuve last works, but is unquestionable that 2049 score sounds very Johánnsson.<br><br>Many people these days talking bad about 2049 score (No melodies, No Vangelis, All ambiance...), but the reality is that this work has perfect match with the rest of the film.<br><br>2049 is different to the original Blade Runner. Yes it has the same world and feeling, but is another director's vision, and the music follows (perfectly) the same way.OK, there seems to be a regular edition at amazon and other retailers with the same content (2 CD) for a cheaper price than the limited one. It's nonsense. Will the record label pay me back a couple of bucks? I don't think it is ethical business at all.
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  2004, March 24
MATCHSTICK MEN
 
DVD Bonus

For a movie rather unusual done exactly afterwards “GLADIATOR” and “BLACK HAWK DOWN” in the career of Ridley SCOTT‚ it marks a certain contrast with this story more intimate of a crook full of weird acts interpreted by Nicolas CAGEWarner saves us from various editions (collectors‚ supra collectors and other deluxe editions) to offer a nice product full of supplements. The simplest is the best....

(click on the picture to read more)


  2004, March 19
Geoff Zanelli's Secret Window
 
Philipp Glass was hired to score Secret Window to replace James Newton-Howard (and Hans Zimmer planned to work with him)‚ and the story seemed to have reached its end.
Not really. Behind Philipp Glass was Geoff Zanelli who composed a lot of extra music in two weeks.
Heres is what can be said about this by Zanelli:
 
They moved the schedule up by about six weeks which made it difficult for one man to finish the score‚ so I was asked to help. The credits will read "Music by Philip Glass‚" ‚ "Additional Music By Geoff Zanelli." I wrote a little more than half of the score‚ but I haven't heard what Philip wrote yet. I guess I'll hear it in the theater... So‚ instead of Zimmer/Newton-Howard‚ you get Glass/Zanelli scoring Secret Window.
It will be pretty easy to tell what music I wrote for Secret Window and what music is Philip Glass. There isn't much overlap stylistically in what we each did. Both parts of the score are purely orchestra -- there is not a single synth‚ and only a tiny bit of percussion.


  2004, March 10
Jeff Rona



Traffic - The Miniseries


  2004, March 01



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