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;)I'm guessing, based on the credits, that Williams worked on "Dice and Roll" directly?He is.i don't doubt it, he and the director are good frineds and fans of each other, also they worked together on Annabelle so I'm willing to bet money he's the composer which is AWESOMEWallfisch just Retweeted the Shazam! trailer. Does that mean he is scoring it then? Hybrid can you say anything about this?
On Millers water planet, those ticking noises happen every 1.25 seconds. Each tick you hear is a while day passing on Earth.@MikeOTM<br>Youíre absolutely right. Powell did an awesome job of staying within the musical sandbox of the SW musical universe but also was able to bring something fresh and original to the overall sound, something Star Wars really needs right now.Sweet. I've gotta say, this score surprised me in a good way. I've always loved Powell, but if you told me two years ago he'd write a Star Wars score, I'd have been hesitant about it. But Solo is really, really solid, even without the John Williams main theme. In fact, I like what Powell does with the JW theme better than the theme as JW wrote it.Wowww so many solo Powell!His part is not in the OST release...
No Paul Mounsey credits?Credits added !
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<br>I didn't credit here JW for every arrangements of his theme & old SW themes that can be heard throughout the score.MoS, TASM2Badelt's "Solomon"?<br><br>This must be the "famous" Dark Knight reference that the "critics" are talking about.I could have sworn I had heard the Solomon theme and some of the same<br>Chords that Kraemer had used...<br>My mistake lol<br><br>And Balfe does seem like a genuinely nice person. Hell he even takes the time to put out unreleased music, not something most composers do. <br>That is exactly why I hate when people take personal jabs at composers (usually at Junkie XL for some reason). Itís fine to not like the music, everyone has different tastes, but donít criticize a composer for writing what he was asked to write.
I agree! He actually invited me to come to a recording session in London for this film, man it killed me that I couldnít afford to go. But I was so thankful he even thought to ask! Top notch guy.Say what you want about Balfe but he's a really nice guy, and always answers my questions on FB and others on twitter.I believe him as I didn't hear anything from Kraemer.I asked Balfe on Facebook if he used any of Kraemers theme and he said noI Know, Hybrid, just sayin' that i a fan of Benjamin Wallfisch's music Scores since lights Out to Blade Runner 2049 and i say this is another excelent Work from Wallfisch
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 LATEST RELEASES
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  2004, March 24
MATCHSTICK MEN
 
DVD Bonus

For a movie rather unusual done exactly afterwards “GLADIATOR” and “BLACK HAWK DOWN” in the career of Ridley SCOTT‚ it marks a certain contrast with this story more intimate of a crook full of weird acts interpreted by Nicolas CAGEWarner saves us from various editions (collectors‚ supra collectors and other deluxe editions) to offer a nice product full of supplements. The simplest is the best....

(click on the picture to read more)


  2004, March 19
Geoff Zanelli's Secret Window
 
Philipp Glass was hired to score Secret Window to replace James Newton-Howard (and Hans Zimmer planned to work with him)‚ and the story seemed to have reached its end.
Not really. Behind Philipp Glass was Geoff Zanelli who composed a lot of extra music in two weeks.
Heres is what can be said about this by Zanelli:
 
They moved the schedule up by about six weeks which made it difficult for one man to finish the score‚ so I was asked to help. The credits will read "Music by Philip Glass‚" ‚ "Additional Music By Geoff Zanelli." I wrote a little more than half of the score‚ but I haven't heard what Philip wrote yet. I guess I'll hear it in the theater... So‚ instead of Zimmer/Newton-Howard‚ you get Glass/Zanelli scoring Secret Window.
It will be pretty easy to tell what music I wrote for Secret Window and what music is Philip Glass. There isn't much overlap stylistically in what we each did. Both parts of the score are purely orchestra -- there is not a single synth‚ and only a tiny bit of percussion.


  2004, March 10
Jeff Rona



Traffic - The Miniseries


  2004, March 01



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