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So why exactly did Hans fight for Rupert with Wonder Woman and why is he scoring '84? Not criticizing, I just remember him thinking that it was better for more women to be involved as composers or performers on Wonder Woman projects. <br><br>I don't even necessarily agree with the concept that a woman needs to score a movie about women, I'm just curious why he wanted Rupert in and why he himself took over for the sequel if he felt that way?I would have gone with...<br>Music was good, didn't fit the DCEU, film was the worst thing ever. <br><br>Hans is fine, prefer his older stuff.Hybrid, do you have the Inception credits?Hybrid? Any chance you could upload some unreleased tracks from this to your channel? Or just that suite, that you did but was removed :/Welp, necro thread i guess.
Back then people still used CDs from time to time and a CD can only fit a little more than an hour worth of MP3s on it.Music was good, film was better. Nay, good. nothing, better than Hans<br><br>Hans, for you. <3<br><br>Sincerely,<br>RicardoSometimes, I wish the world was, one with iself. This, music and harmony set into one man's vision. Hans, you inspire us. You, alone. <br><br>Sincerely,<br>RicardoIt's not officially available but a clear version can be found on the bleeding fingers website under Andrew Christie.Can someone ask Powell or Zimmer to put up some demos or suites from this score for study. It's such a great score and a real demonstration that a team effort can produce real quality.
@Hybrid Soldier<br>Did HZ just do the first season of wormhole and then his stuff gets reused/rearranged by Jacob Shea or did he consistently write throughout several seasons?Thanks for the great insight as always Hybrid!Any idea when can we expect a track list of Tom's score ?It depens on person, you don't like it but this ost got millions of likes. You are only free to express your opinion.Mmmh yeah let's say he acted like a music producer until Rupert was in, even as early as 2016 (right after BVS) he met with Patty Jenkins, he was never gonna do it because he was on tour anyway but he had the ideas as to who could/should score it. He had many ideas, submitted names etc.<br><br>Rupert got the gig in the end. Rupert I think could actually have come back to WW84, WW was a tough project but there was no problem (hell, he nailed it with Aquaman too, which was much easier cause there was no "legacy" to follow), but it really is Hans who showed interest to actually do it. Hans got really attached to Wonder Woman, playing the theme in his 2017 Live Tour. I think he wanted more than be the "WW Theme Writer", he wanted to have a full WW score.
@Hybrid to what extent was HZ involved on the first Wonder Woman?<br>He said in an interview for WW84 that he was reluctant to accept because he had ę†fought hard to get Rupert the gig†Ľ<br>Is it a case of the producers/director wanted him and he said ę†I canít do it but Ruper can†Ľ? And was the first one a mess, hence the fact that RGW isnít scoring the sequel?Itís encouraging to know that Tom was proud of this score, as excited as I am to hear his reuse of themes I am just as excited to see what new ideas he came up with for the project. <br>Someone who supposedly heard a bit of the music on here (I think they worked as his assistant) said it sounded a bit like Fury Road and Deadpool mixed, but who knows. <br><br>If the score hasnít been recorded yet my personal wish is for Conrad Pope to be involved somehow lolHey, so...a new expanded album for KFP2 seems to have leaked last January, and I haven't seen it listed on this site yet.  I bring it up because it finally honest-to-God included a cue from the Zen Ball sequence I've been waiting to hear isolated for years, since BOTH the other albums just completely omitted it.  And I dunno, I guess I feel like it deserves some acknowledgement.It would be cool if Junkie has the chance to use Rubert's Aquaman theme as well now that we have it. It would make the score feel even more complete!Only things I can say about the whole Hans / Superheroes / Justice League thing from a few years ago, or why Hans didn't want to return for JL, is simply because he didn't like doing Batman again. Just too weird, being committed to the TDK trilogy for so many years and have to redo it.<br><br>But the good part for him in BVS was that without it, no Wonder Woman, and he's glad to be expanding that since he was so close to production of the first score and did WW84.<br><br>But it's not like there was a problem with Snyder or Superheroes in general, more like just "Please, I'm done with Batman" ! :D<br><br>As for Tom's score for Justice League, Hans had not heard it, but he knew Tom was proud of it. So yeah, I'm glad we'll finally see that happening. Hans wrote enough material for Superman, Batman, WW and other themes in these movies, I'm sure Tom could have a lot of fun using all that and add his own touch. I honestly don't know if it was really finished or not, recorded, even partially (BVS was recorded in august/september 2015, 6 months before the film was released, and the score was reworked until the very end for the Ultimate Edition). Wait & see !
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  2004, March 24
MATCHSTICK MEN
 
DVD Bonus

For a movie rather unusual done exactly afterwards “GLADIATOR” and “BLACK HAWK DOWN” in the career of Ridley SCOTT‚ it marks a certain contrast with this story more intimate of a crook full of weird acts interpreted by Nicolas CAGEWarner saves us from various editions (collectors‚ supra collectors and other deluxe editions) to offer a nice product full of supplements. The simplest is the best....

(click on the picture to read more)


  2004, March 19
Geoff Zanelli's Secret Window
 
Philipp Glass was hired to score Secret Window to replace James Newton-Howard (and Hans Zimmer planned to work with him)‚ and the story seemed to have reached its end.
Not really. Behind Philipp Glass was Geoff Zanelli who composed a lot of extra music in two weeks.
Heres is what can be said about this by Zanelli:
 
They moved the schedule up by about six weeks which made it difficult for one man to finish the score‚ so I was asked to help. The credits will read "Music by Philip Glass‚" ‚ "Additional Music By Geoff Zanelli." I wrote a little more than half of the score‚ but I haven't heard what Philip wrote yet. I guess I'll hear it in the theater... So‚ instead of Zimmer/Newton-Howard‚ you get Glass/Zanelli scoring Secret Window.
It will be pretty easy to tell what music I wrote for Secret Window and what music is Philip Glass. There isn't much overlap stylistically in what we each did. Both parts of the score are purely orchestra -- there is not a single synth‚ and only a tiny bit of percussion.


  2004, March 10
Jeff Rona



Traffic - The Miniseries


  2004, March 01



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