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Yea But it isn't like they would lost Money with such a Giant Score like the TF3 one. Well I still Hope that we will get it one day :)@meta I'm feeling the same way. TF movies have always been flawed but very enjoyable for me thanks to Michael Bay's trademark. But this one... is so bad not even Michael Bay can save it. I really don't know what the screenwriters did in their "collaboration room"... but for sure they didn't collaborate a lot, because this "story" is probably the most disjointed mess I've ever seen.<br><br>The saving grace for me was the track "We Have To Go", which plays entirely without cut, that whole scene was pretty bad-ass.@Ds: Actually I prefer Ender's Game (also released by Varese Sarabande) over P&G (but the movie is cool)Pain and Gain is not a bad score, actually it's maybe better than the TF scores, in its own genre.<br><br>But it's entirely electronic so I guess there are no musicians to pay!<br><br>Also, maybe a lot of releases have the same deal as TF3 and TF4, but so few people buy them, they remain for sale forever because the maximum allowed number of sales is never reached...I must be the biggest weirdo in all of film score history, because the highlight of DMTNT for me was "I've Come With the Butcher's Bill." It resonated instrumentally, most notably that badass cello (?) at around the 2:35 mark, it was the perfect blend of old and new themes, and best of all, it sounded like a swashbuckling theme. As much as I loved the  action cues in the first three, I sometimes felt that they resembled a Latin hell choir more than a traditional pirate piece, especially AWE. It's good listening, but sometimes it sounded more like Gregorian Chanters of the Caribbean. :P <br>I seriously blast Butcher's Bill out loud on the highway, I love it so much.
one more question. Who wrote the Bumblebee theme?Does an instrumental version of BATTLE CRY exist?? 0.oAwesome Thx.which tracks are suites, cuz it seems like a bunch are...?Love Izzy!
I take it back...<br><br>Just saw the movie and the only good thing to come out of it is the score....<br><br>What the Hell Michael Bay? Who the hell is writing this crap and how the hell did you approve this story? By far the worst of the 5.....and I don't blame Jablonsky at all.There's also a little hint in "Code Red" too...Year there Are some interesting hidden thinks in this Score ! And i Hope that You Are Right and that we will get Even more Original themes in the next one. I Personally Hope that er will get a New arrival to Earth Version !Well ok but I don't See a Problem with paying the musicians cause many People would buy it especially the Third one. I mean every other Score gets released These days and many Are Not as half as good as the TF3 score is and it Looks like Even the Bad Scores like pain and gain Are paying of so for me it seems very unnatural and Strange. I guess we have to Hope that they will Release a Soundtrack Box one day like the tresure Collection from Pirates of the caribbean...Exactly! How is it possible that a major movie franchise has no consistency in their scores? To me very strange! I downloaded the scores of the old Robocop movies (except Robocop 3 is everything there) although this franchise is "dead". From a FAN point of view I would appreciate the Return of TF3 & TF4 scores.
Lea Halalela on CD “RHYTHM of the PRIDE LANDS“ from 1995;...<br>Frankfurt show was amazing, Leipzig tooHey guys! When listening to it again, I discovered that the first few notes of the Autobot theme is played near the end of History of Transformers. This score really does feel like a return to form for Jablonsky.Technically Paramount could release the 3rd and 4th scores again, but they would have to pay extra money to the musicians & orchestra, if I understand this correctly.<br><br>The EP is still on iTunes because it's only demos I think.Well it's strange because the score of TF3 is (in my opinion) with the first one the best. I didn't see the deal working cause obviously there are many people out here that would definitely buy it. And with the fourth one, well I do remember one or two weeks after the movie was released there was the full score and a few days later they changed it to the EP version. Very strange and sad especially cause it effects this beautiful score.Thanks for sharing! It is a petty that the TF3 is not distributed any more,it makes no sense to me. Hope it re-appears one day because fans want to have a complete selection of scores!<br><br>Greetings from Southampton/England
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 LATEST RELEASES
 NEWS
  2004, October 30
Mick Jagger / Dave Stewart / John Powell



Alfie


  2004, October 21
Original Review of Lauras Stern
by Peter Simons for Movie Music UK

"The original score is mostly written by Nick Glennie-Smith‚ though Hans Zimmer receives the main credit‚ and additional music was composed by Henning Lohner. After the disappointments that were King Arthur and Thunderbirds‚ it almost seemed the year would slip by without any noteworthy score from Zimmer‚ but luckily Lauras Stern turns out to be a very charming score saving Zimmer's grace - and Glennie-Smith's too for that matter - in the nicest of ways."

>> Read more


  2004, October 19
Bridget Jones - The Edge Of Reason
Original Soundtrack

Harry Gregson-Williams / Various artists





Release date : 2004‚ November 8th
The CD will include only one track of score "Bridget's Theme" ;-(
Label : Island


  2004, October 19
According to BSOSpirit‚ Hans Zimmer will compose the score for August Rush.

>> Read more


  2004, October 18
Earthsea
Soundtrack composed by Jeff Rona




"This epic‚ magical and thrilling orchestral score is a new fantasy classic for those that love great music and the genre." (from www.varesesarabande.com)

Release Date : 11/23/04 on the Varese Sarabande label


  2004, October 15

KINGDOM OF HEAVEN

Harry Gregson-Williams will score the next Ridley Scott's film‚ while Hans Zimmer was thought to be on the project. Let's hope it will be the great occasion for Harry to compose a great epical score?

Picture by Anthony D'Angio
 


  2004, October 15

TEAM AMERICA : WORLD POLICE

Listen to Harry GREGSON-WILLIAMS's new score on AOL.COM.
The original score begins at 18'40'' !
You will have to wait until November the 2nd for the CD release...

Thanks to Blooshadow
 


  2004, October 14
WHEN JEAN-PIERRE MET HANS

Back in 2002‚ while promoting AmelieJean-Pierre JEUNET thought about Hans ZIMMER for scoring A Very Long Engagement. As an admirer of Hans ZIMMER's Gladiator‚ he thought Zimmer would be one of the best choice for scoring his new movie‚ an epic drama set around the World War 1.
Hans Zimmer who loved Amelie was thrilled by the idea. Unfortunaly‚ time schedule between them couldn't be synchronised and each of them went their ways. Finally‚ the movie was scored by Angelo Badalamenti who previously worked with Jean-Pierre JEUNET for the City of Lost Children. However‚ the french director told us that this is not an end and sometimes in the future a collaboration could occurs.


  2004, October 12
Directors Cut



Ligh Drama
Directors Cut



Epic Adventure



  2004, October 08
Nick Glennie-Smith and Zimmer



Lauras Stern


  2004, October 05


End of a rumor : All the music on the METAL GEAR SOLID 3 (The First Bite) Promo CD is composed by Norihiko Hibino and not Harry Gregson-Williams

Tracklist :

1. Snake Eater (abstracted camouflage) vocal by Cynthia Harrell
2. Infiltration Into The Jungle
3. Escape
4. Chivalry
5. The Treading Behemoth
6. Snake Eater (Japanese version) vocal by W.A



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