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Several clips of the film are on YT. With some music. Sounds like 90's score from HZ. Too bad the directing seems to come from an age movies didn't exist...No. It’s a boys choir. S&K bros is a girl’s choirSeems like Scala & Kolacny Brothers.In what way is it "obvious", exactly, that Djawadi had more influence on that Training cue than Zimmer? It's basically just a statement of Zimmer's theme, and doesn't really sound notably "Djawadi-esque" to me in any way.Thanks for the credits update
A bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.
I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.
Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.
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 LATEST RELEASES
 NEWS
  2004, October 30
Mick Jagger / Dave Stewart / John Powell



Alfie


  2004, October 21
Original Review of Lauras Stern
by Peter Simons for Movie Music UK

"The original score is mostly written by Nick Glennie-Smith‚ though Hans Zimmer receives the main credit‚ and additional music was composed by Henning Lohner. After the disappointments that were King Arthur and Thunderbirds‚ it almost seemed the year would slip by without any noteworthy score from Zimmer‚ but luckily Lauras Stern turns out to be a very charming score saving Zimmer's grace - and Glennie-Smith's too for that matter - in the nicest of ways."

>> Read more


  2004, October 19
Bridget Jones - The Edge Of Reason
Original Soundtrack

Harry Gregson-Williams / Various artists





Release date : 2004‚ November 8th
The CD will include only one track of score "Bridget's Theme" ;-(
Label : Island


  2004, October 19
According to BSOSpirit‚ Hans Zimmer will compose the score for August Rush.

>> Read more


  2004, October 18
Earthsea
Soundtrack composed by Jeff Rona




"This epic‚ magical and thrilling orchestral score is a new fantasy classic for those that love great music and the genre." (from www.varesesarabande.com)

Release Date : 11/23/04 on the Varese Sarabande label


  2004, October 15

KINGDOM OF HEAVEN

Harry Gregson-Williams will score the next Ridley Scott's film‚ while Hans Zimmer was thought to be on the project. Let's hope it will be the great occasion for Harry to compose a great epical score?

Picture by Anthony D'Angio
 


  2004, October 15

TEAM AMERICA : WORLD POLICE

Listen to Harry GREGSON-WILLIAMS's new score on AOL.COM.
The original score begins at 18'40'' !
You will have to wait until November the 2nd for the CD release...

Thanks to Blooshadow
 


  2004, October 14
WHEN JEAN-PIERRE MET HANS

Back in 2002‚ while promoting AmelieJean-Pierre JEUNET thought about Hans ZIMMER for scoring A Very Long Engagement. As an admirer of Hans ZIMMER's Gladiator‚ he thought Zimmer would be one of the best choice for scoring his new movie‚ an epic drama set around the World War 1.
Hans Zimmer who loved Amelie was thrilled by the idea. Unfortunaly‚ time schedule between them couldn't be synchronised and each of them went their ways. Finally‚ the movie was scored by Angelo Badalamenti who previously worked with Jean-Pierre JEUNET for the City of Lost Children. However‚ the french director told us that this is not an end and sometimes in the future a collaboration could occurs.


  2004, October 12
Directors Cut



Ligh Drama
Directors Cut



Epic Adventure



  2004, October 08
Nick Glennie-Smith and Zimmer



Lauras Stern


  2004, October 05


End of a rumor : All the music on the METAL GEAR SOLID 3 (The First Bite) Promo CD is composed by Norihiko Hibino and not Harry Gregson-Williams

Tracklist :

1. Snake Eater (abstracted camouflage) vocal by Cynthia Harrell
2. Infiltration Into The Jungle
3. Escape
4. Chivalry
5. The Treading Behemoth
6. Snake Eater (Japanese version) vocal by W.A



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