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;)I'm guessing, based on the credits, that Williams worked on "Dice and Roll" directly?He is.i don't doubt it, he and the director are good frineds and fans of each other, also they worked together on Annabelle so I'm willing to bet money he's the composer which is AWESOMEWallfisch just Retweeted the Shazam! trailer. Does that mean he is scoring it then? Hybrid can you say anything about this?
On Millers water planet, those ticking noises happen every 1.25 seconds. Each tick you hear is a while day passing on Earth.@MikeOTM<br>Youíre absolutely right. Powell did an awesome job of staying within the musical sandbox of the SW musical universe but also was able to bring something fresh and original to the overall sound, something Star Wars really needs right now.Sweet. I've gotta say, this score surprised me in a good way. I've always loved Powell, but if you told me two years ago he'd write a Star Wars score, I'd have been hesitant about it. But Solo is really, really solid, even without the John Williams main theme. In fact, I like what Powell does with the JW theme better than the theme as JW wrote it.Wowww so many solo Powell!His part is not in the OST release...
No Paul Mounsey credits?Credits added !
<br>
<br>I didn't credit here JW for every arrangements of his theme & old SW themes that can be heard throughout the score.MoS, TASM2Badelt's "Solomon"?<br><br>This must be the "famous" Dark Knight reference that the "critics" are talking about.I could have sworn I had heard the Solomon theme and some of the same<br>Chords that Kraemer had used...<br>My mistake lol<br><br>And Balfe does seem like a genuinely nice person. Hell he even takes the time to put out unreleased music, not something most composers do. <br>That is exactly why I hate when people take personal jabs at composers (usually at Junkie XL for some reason). Itís fine to not like the music, everyone has different tastes, but donít criticize a composer for writing what he was asked to write.
I agree! He actually invited me to come to a recording session in London for this film, man it killed me that I couldnít afford to go. But I was so thankful he even thought to ask! Top notch guy.Say what you want about Balfe but he's a really nice guy, and always answers my questions on FB and others on twitter.I believe him as I didn't hear anything from Kraemer.I asked Balfe on Facebook if he used any of Kraemers theme and he said noI Know, Hybrid, just sayin' that i a fan of Benjamin Wallfisch's music Scores since lights Out to Blade Runner 2049 and i say this is another excelent Work from Wallfisch
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 LATEST RELEASES
 NEWS
  2004, October 30
Mick Jagger / Dave Stewart / John Powell



Alfie


  2004, October 21
Original Review of Lauras Stern
by Peter Simons for Movie Music UK

"The original score is mostly written by Nick Glennie-Smith‚ though Hans Zimmer receives the main credit‚ and additional music was composed by Henning Lohner. After the disappointments that were King Arthur and Thunderbirds‚ it almost seemed the year would slip by without any noteworthy score from Zimmer‚ but luckily Lauras Stern turns out to be a very charming score saving Zimmer's grace - and Glennie-Smith's too for that matter - in the nicest of ways."

>> Read more


  2004, October 19
Bridget Jones - The Edge Of Reason
Original Soundtrack

Harry Gregson-Williams / Various artists





Release date : 2004‚ November 8th
The CD will include only one track of score "Bridget's Theme" ;-(
Label : Island


  2004, October 19
According to BSOSpirit‚ Hans Zimmer will compose the score for August Rush.

>> Read more


  2004, October 18
Earthsea
Soundtrack composed by Jeff Rona




"This epic‚ magical and thrilling orchestral score is a new fantasy classic for those that love great music and the genre." (from www.varesesarabande.com)

Release Date : 11/23/04 on the Varese Sarabande label


  2004, October 15

KINGDOM OF HEAVEN

Harry Gregson-Williams will score the next Ridley Scott's film‚ while Hans Zimmer was thought to be on the project. Let's hope it will be the great occasion for Harry to compose a great epical score?

Picture by Anthony D'Angio
 


  2004, October 15

TEAM AMERICA : WORLD POLICE

Listen to Harry GREGSON-WILLIAMS's new score on AOL.COM.
The original score begins at 18'40'' !
You will have to wait until November the 2nd for the CD release...

Thanks to Blooshadow
 


  2004, October 14
WHEN JEAN-PIERRE MET HANS

Back in 2002‚ while promoting AmelieJean-Pierre JEUNET thought about Hans ZIMMER for scoring A Very Long Engagement. As an admirer of Hans ZIMMER's Gladiator‚ he thought Zimmer would be one of the best choice for scoring his new movie‚ an epic drama set around the World War 1.
Hans Zimmer who loved Amelie was thrilled by the idea. Unfortunaly‚ time schedule between them couldn't be synchronised and each of them went their ways. Finally‚ the movie was scored by Angelo Badalamenti who previously worked with Jean-Pierre JEUNET for the City of Lost Children. However‚ the french director told us that this is not an end and sometimes in the future a collaboration could occurs.


  2004, October 12
Directors Cut



Ligh Drama
Directors Cut



Epic Adventure



  2004, October 08
Nick Glennie-Smith and Zimmer



Lauras Stern


  2004, October 05


End of a rumor : All the music on the METAL GEAR SOLID 3 (The First Bite) Promo CD is composed by Norihiko Hibino and not Harry Gregson-Williams

Tracklist :

1. Snake Eater (abstracted camouflage) vocal by Cynthia Harrell
2. Infiltration Into The Jungle
3. Escape
4. Chivalry
5. The Treading Behemoth
6. Snake Eater (Japanese version) vocal by W.A



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