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Tom Holkenborg:<br><br>After Funeral<br>Anguilo Bugged<br>Bathroom<br>Big Italian Dead<br>Billy Connolly Lunch<br>End Credit Suite<br>Main Title Theme<br>Bring Jimmy Into The Tent<br>Connolly and Marianne In The Kitchen<br>Death of Deborah<br>Death of Halloran<br>Death of McIntyre<br>Death of Mickey<br>Death of Wheeler<br>The Disappearance of Whitey Bulger<br>Halloran Interview<br>Hospital Cafeteria<br>I’ll Ask You Again<br>Informing Connolly <br>Jimmy and Marianne/Loading Valhalla<br>Jimmy and Connolly’s First Meeting<br>Make A Case Against Him<br>McGuire’s Phone Call<br>Native of Southie<br>Picking Up Tommy King<br>Source Overlay<br>Steak Dinner<br>There’s Nothing More I’m Going To Know<br>Utmost Respect<br>We’re Doing This<br>2 MinutesTom Holkenborg:<br><br>Jimmy Arrives at Cabin<br>Main On Ends<br>Opening <br>Main Title Transition<br>Alley Transition<br>Happy Ending <br>Hospital Visit<br>Because You’re Trash<br>Cops Take Michael <br>Execution/Foot Chase<br>I Used To Watch Your Fights Pt. 1-3<br>I’m Coming After Michael Pt. 1-2<br>Jimmy Calls On Michael<br>Michael Calls Police <br>Jimmy Dies<br>Jimmy Hesitates<br>Jimmy Says Goodbye<br>Sean Kills Kid<br>Sean Dies<br>Sean To Michael Transition<br>Street Source<br>Times Square Transition<br>Us Before You<br>Stay Off Main Streets<br>What’s The Number, Jim?<br>Hit Man Price<br>Jimmy’s Coming<br>Shootout in Woods<br>Train Station Pursuit Pt. 1/2<br><br>Tom Holkenborg, Christian Vorlander<br><br>Car Chase<br>Best Chance You’ve Got<br>New York Transition<br>He Killed His Own Cousin<br>The Projects Pt. 1/2Think Hans probably wrote a few notes in a piano mock-up and Lorne did the rest from that starting point... lolSaw the film today. If to talk music only, I heard Max mostly, but... nothing really different from his previous works. I heard the same motif as used in Hostiles and Morgan and probably elsewhere again and again... Nonetheless, enjoyed the movie itself immensely.From Deuscthe Grammophon.<br><br>BTW, i expect the Max Ritcher soundtrack
@MrZimmerFan Ok, thank you for the update about the full soundtrack next monthfrom Max or Lorne?Expected the full soundtrack next month<br><br>btw...<br>deutsche grammophon release tomorrow a track called "to the stars" from max richteroh man, oh man...<br>let's see what happend tomorrow
@Anonymous: technically it's already Friday in some countries, and there's no sign of any album on the iTunes of these countries. And if that were the case, filmmusicreporter would have announced it already, anyway.@DS Possible, but you are right, it could be film release, but why he put hashtags by #soundtrack? I have to wait till filmusicreporter announced for Ad Astra, but if not happen by the soundtrack tomorrow, then, I have to wait till the confirm from the news.@Anonymous: Are you sure Lorne mentionned the soundtrack release, or just the film release? His posts I've seen just say "Ad Astra is released on the 20th"... Pretty sure he means the film.<br><br>@Ahmad: Totally agree with what you wrote. It's an overall dull score, with some nice ideas that go nowhere. A few bits are obviously Lorne (like the opening cue, beautiful but how original is it to use an organ for a space scene?). And a few bits are obviously Richter, who is really on autopilot here (Hostiles - Mary Queen Of Scots - Werk Ohne Autor are nice scores, but all constructed in the exact same way). And the majority of it is quite anonymous, just ambient sounds far in the background. Also it seems like what they did with the score, they did it with the screenplay as well, because that's a freaking mess that doesn't seem to know which kind of movie it wants to be, and ends up being quite flat on all sides. Quite disappointing. Awesome visuals, though, but it's already been seen in the likes of Sunshine, Gravity, Interstellar, The Martian... all vastly superior pieces of cinema.<br><br>Anybody haven't you seen two new tweets update recently by Lorne Balfe from his twitter it said Ad Astra soundtrack will released tomorrow.So Zimmer being listed as the main theme composer at the top of the page is inaccurate too? It definitely sounds more like Lorne than Hans.
h ttps://www.youtube.com/watch? v=sekmQqx OhWM<br><br>From the developers.<br><br>Producer: Hans Zimmer<br>Composer: Lorne Baffle<br>Symphony Orchestra: Chamber Orchestra of London<br>Recording Studio: Abbey Road Studio<br><br>Fun theme by Lorne.But maybe at that time he didn’t have that version yet (in his mind i mean)<br>But... the intensity was crazy!Everything is great, except one thing - he did not add that intense music that played on the train when there was a battle. Well maybe I missed something while listening the album.Zimmer = Lorne is your answer.WAA WAA WAAAAAAAA
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 LATEST RELEASES
 NEWS
  2004, October 30
Mick Jagger / Dave Stewart / John Powell



Alfie


  2004, October 21
Original Review of Lauras Stern
by Peter Simons for Movie Music UK

"The original score is mostly written by Nick Glennie-Smith‚ though Hans Zimmer receives the main credit‚ and additional music was composed by Henning Lohner. After the disappointments that were King Arthur and Thunderbirds‚ it almost seemed the year would slip by without any noteworthy score from Zimmer‚ but luckily Lauras Stern turns out to be a very charming score saving Zimmer's grace - and Glennie-Smith's too for that matter - in the nicest of ways."

>> Read more


  2004, October 19
Bridget Jones - The Edge Of Reason
Original Soundtrack

Harry Gregson-Williams / Various artists





Release date : 2004‚ November 8th
The CD will include only one track of score "Bridget's Theme" ;-(
Label : Island


  2004, October 19
According to BSOSpirit‚ Hans Zimmer will compose the score for August Rush.

>> Read more


  2004, October 18
Earthsea
Soundtrack composed by Jeff Rona




"This epic‚ magical and thrilling orchestral score is a new fantasy classic for those that love great music and the genre." (from www.varesesarabande.com)

Release Date : 11/23/04 on the Varese Sarabande label


  2004, October 15

KINGDOM OF HEAVEN

Harry Gregson-Williams will score the next Ridley Scott's film‚ while Hans Zimmer was thought to be on the project. Let's hope it will be the great occasion for Harry to compose a great epical score?

Picture by Anthony D'Angio
 


  2004, October 15

TEAM AMERICA : WORLD POLICE

Listen to Harry GREGSON-WILLIAMS's new score on AOL.COM.
The original score begins at 18'40'' !
You will have to wait until November the 2nd for the CD release...

Thanks to Blooshadow
 


  2004, October 14
WHEN JEAN-PIERRE MET HANS

Back in 2002‚ while promoting AmelieJean-Pierre JEUNET thought about Hans ZIMMER for scoring A Very Long Engagement. As an admirer of Hans ZIMMER's Gladiator‚ he thought Zimmer would be one of the best choice for scoring his new movie‚ an epic drama set around the World War 1.
Hans Zimmer who loved Amelie was thrilled by the idea. Unfortunaly‚ time schedule between them couldn't be synchronised and each of them went their ways. Finally‚ the movie was scored by Angelo Badalamenti who previously worked with Jean-Pierre JEUNET for the City of Lost Children. However‚ the french director told us that this is not an end and sometimes in the future a collaboration could occurs.


  2004, October 12
Directors Cut



Ligh Drama
Directors Cut



Epic Adventure



  2004, October 08
Nick Glennie-Smith and Zimmer



Lauras Stern


  2004, October 05


End of a rumor : All the music on the METAL GEAR SOLID 3 (The First Bite) Promo CD is composed by Norihiko Hibino and not Harry Gregson-Williams

Tracklist :

1. Snake Eater (abstracted camouflage) vocal by Cynthia Harrell
2. Infiltration Into The Jungle
3. Escape
4. Chivalry
5. The Treading Behemoth
6. Snake Eater (Japanese version) vocal by W.A



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