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The 'Allentown Brothers' track is pretty damn awesome (find it on YouTube). It's like a mix between gothic Elfman, Desperate Housewives and Transformers. I love it.<br><br>It's one of those scores that people don't talk about much but it's actually pretty cool. <br><br>An awesome venue would be the Opera House in Odessa.Want this so bad!!!Does anyone have a breakdown of this with the official score album?<br>Hats off to Batu Sener for working on many of the score's best cues though!
It all comes to personal preference I think. Personally Iíve moved on from collecting cdís (or anything really) and would rather have everything digital simply to utilize space. <br><br>That being said, I completely understand the appeals of having physical media, it would be sad to see that go away for the people who really love it.It's not only to appreciate the work, its to have something "real" in your hands, for your music collection. I don't like only to have a digital music archive. Of course, i rip all the cds i own to WAV and MP3. But i want to have them in my physical music collection.These day, sure. But we usually get news of the next one by the time he's finished wrapping up the current one.Powell only does 1 score a year.Still no news on his next score? Is he taking a break or something? Working on more concert stuff?
Was pleasantly surprised by this one when I first heard it. Outside of the Ďmodern scoringí portions you get some fun noir music for the squad, solid action writing, and even some good emotional cues.<br><br>Also gotta love the rhythmic idea from Antz popping up here...Also, the use of the guitars by Jablonsky, are still the best since the 90sI give a spin (almost 4 years after my last listening), it grown on me (still don't consider of the best of Jab), but much better than Skyscraper (ok score) and Battleship (guilty pleasure, but not a good score by any means), i like the style of Jablonsky in this one, his rhythms (but i still don't care about the 'motif' for Cohen or certain sound design tracks like 'You Can't Shoot Me' or 'You Know the Drill')<br><br>But still has such cool action moments (Hot Potato With a Grenade) and emotional/romantic moments, and still enjoyed that from this.<3 Buck Takes the LeadHybrid do you know what cues Mancina worked on here? I read in the Twister booklet that the director heard a cue from this and wanted Hans for Twister but he told him that it was actually Mark.
100% for HybridSoldier!I am very glad we have 2 scores by Steve this year. Waiting for Spenser Confidential.Agree!!!!! Please organize a concert in Budapest again! The 2017 live concert and this year's World of HZ concert was totally full house in Budapest!thank you, I appreciate that:) I should say that I am inspired by the music of the 90's, I started producing music on a cheap 200$ Yamaha between 1998-2000, and thanks to a few projects I worked on was able to purchase A more high end synthesizer. Right now I kind of just make music as a hobby but hopefully one day could compose A score for A Movie or even A video Game, that would be pretty cool. I'll be adding more tracks as well for this particular project. The next track I am planning will be a more orchestral reprise of the Miami Heat track I uploaded. I'm trying to get better at themes which is an area that I'm trying to improve on.Damn Powell is doing a lot of music on his own now a days with not many additional writers. I hope he takes on more project that arenít just animated. I really miss his music, heís so ridiculously talented.
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 LATEST RELEASES
 NEWS
  2004, October 30
Mick Jagger / Dave Stewart / John Powell



Alfie


  2004, October 21
Original Review of Lauras Stern
by Peter Simons for Movie Music UK

"The original score is mostly written by Nick Glennie-Smith‚ though Hans Zimmer receives the main credit‚ and additional music was composed by Henning Lohner. After the disappointments that were King Arthur and Thunderbirds‚ it almost seemed the year would slip by without any noteworthy score from Zimmer‚ but luckily Lauras Stern turns out to be a very charming score saving Zimmer's grace - and Glennie-Smith's too for that matter - in the nicest of ways."

>> Read more


  2004, October 19
Bridget Jones - The Edge Of Reason
Original Soundtrack

Harry Gregson-Williams / Various artists





Release date : 2004‚ November 8th
The CD will include only one track of score "Bridget's Theme" ;-(
Label : Island


  2004, October 19
According to BSOSpirit‚ Hans Zimmer will compose the score for August Rush.

>> Read more


  2004, October 18
Earthsea
Soundtrack composed by Jeff Rona




"This epic‚ magical and thrilling orchestral score is a new fantasy classic for those that love great music and the genre." (from www.varesesarabande.com)

Release Date : 11/23/04 on the Varese Sarabande label


  2004, October 15

KINGDOM OF HEAVEN

Harry Gregson-Williams will score the next Ridley Scott's film‚ while Hans Zimmer was thought to be on the project. Let's hope it will be the great occasion for Harry to compose a great epical score?

Picture by Anthony D'Angio
 


  2004, October 15

TEAM AMERICA : WORLD POLICE

Listen to Harry GREGSON-WILLIAMS's new score on AOL.COM.
The original score begins at 18'40'' !
You will have to wait until November the 2nd for the CD release...

Thanks to Blooshadow
 


  2004, October 14
WHEN JEAN-PIERRE MET HANS

Back in 2002‚ while promoting AmelieJean-Pierre JEUNET thought about Hans ZIMMER for scoring A Very Long Engagement. As an admirer of Hans ZIMMER's Gladiator‚ he thought Zimmer would be one of the best choice for scoring his new movie‚ an epic drama set around the World War 1.
Hans Zimmer who loved Amelie was thrilled by the idea. Unfortunaly‚ time schedule between them couldn't be synchronised and each of them went their ways. Finally‚ the movie was scored by Angelo Badalamenti who previously worked with Jean-Pierre JEUNET for the City of Lost Children. However‚ the french director told us that this is not an end and sometimes in the future a collaboration could occurs.


  2004, October 12
Directors Cut



Ligh Drama
Directors Cut



Epic Adventure



  2004, October 08
Nick Glennie-Smith and Zimmer



Lauras Stern


  2004, October 05


End of a rumor : All the music on the METAL GEAR SOLID 3 (The First Bite) Promo CD is composed by Norihiko Hibino and not Harry Gregson-Williams

Tracklist :

1. Snake Eater (abstracted camouflage) vocal by Cynthia Harrell
2. Infiltration Into The Jungle
3. Escape
4. Chivalry
5. The Treading Behemoth
6. Snake Eater (Japanese version) vocal by W.A



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