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Hey there.. Your music score is really good, I liked them all. I wanna know within how many days after your submission, were your tracks posted over here?Can anyone point me to where I can get a copy of this? I'd love to have this in my collection.It's been nearly 27 years since this came out in 1991.Nop, you're not the only one.<br><br>I can say everything i listen John Powell is something with quality and personality.<br><br>How to Train Your Dragon is one of his best. You are missing out. <br><br>But I may be the only person who thinks Face/Off is one of his best scores. I love that score more than nearly any John Powell scores.
I'm agree thatThey are independent events, but I think they are working in conjunction with each other. I based this on the description on the Vienna website. Their program is called The World of Hans Zimmer and some of the arrangements will be written by Zimmer himself. That leads me to believe this year's gala is a bit different and is just a stop for Zimmer's tour.Probably not. The two are indepedent events.@Edmund<br><br>actually i wasn't interested in the Dragon scores...or Pan, for that matter. Xmen 3 wasn't too bad, but he still had that tight RCP score techniques...Yeah, I think he must have changed his methods since Hancock/Green Zone...Because I'm not interested in hsi work after that. Must be those pesky drums he doesnt use anymore?Yeah, I know there's more than just the main theme in those Trek scores, I was just exaggerating to make a point. :p
Pretty sure the reason HGW works with Washington so often is because Tony Scott worked with him so often... :pWait, Meta, you haven't liked Powell since Hancock? This despite putting out his career peak in the How to Train Your Dragon scores? I mean, if there's anything that proves he's got the chops for Star Wars style orchestral and thematic music, it's those two (and X-Men: The Last Stand, and Pan).Excellent score!  Reminds me of pieces of The Rock, BHD, Drop Zone, stuff from The Pacific.  Great job Andrew!  Nice themes!  Fun RCP stuff!Yes it was announced a while back, Harry returns !I can confirm that he is working on it.
I'm waiting for Harry's response for returning for the sequel or not? My opinion is, I think Harry seem like working with Denzel Washington often in the movies like Man Of Fire, Deja Vu, and The Taking Of Pelham 123 and Unstoppable, The Equalizer, I think Antoine Fuqua director should hire him back again, but I don't know if his schedule conflicts with busy working with MEG Score.@superultramegaa and others<br><br>Honestly, if you take an objective look back, you can still see RC written all over Powell...And thats all well and good, because I like Powell. Well, maybe not since Hancock, but I like his style.<br><br>That being said, This will be the official first Star Wars outing with an RC score. Sure, Williams phoned in a theme...But going forward I expect RC influence to be the norm.<br><br>And, as for Giacchino...Jesus Christ. For someone who practically MADE his career apeing Williams (Jurassic Park and Medal of Honor video games spring to mind), his Rogue One was  dreadful...I cant disagree with you. <br><br><br>Powell is heavily influenced by Zimmer. The only thing that differs him from the others is that he really has a style of his own that matches the traces of the career he shared with Zimmer. If you listen to any of your action scores, you will notice that they are clearly RCP scores. Even the orchestral, especially "Pan" have some passages that are very reminiscent of Pirates, Prince of Egypt and Gladiator.Really awesome "Is She With You?" cover by Nir Shor!Hey Hybrid Soldier, is Harry returning for the Sequel??
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 LATEST RELEASES
 NEWS
  2004, December 30
SPANGLISH : Hans Zimmer - James L. Brooks collaboration

A short video interview based upon questions asked by fans to director James L. Brooks can be seen at˙Spanglishmovie.com. Just click on Ask the director at the bottom of the page. Then‚ again on the handwrited text at the bottom and you will hear James L. Brooks talk about actors‚ his hopes and collaboration with his composer and friend Hans Zimmer.


  2004, December 17
Spanglish
Hans Zimmer



  2004, December 17
Golden Stellite awards nominations have been announced and this time, it is John Powell turn to be on the list of possible winners for the Best Original Score and Best Original Song.

His collaboration with Dave Stewart and Mick Jagger on ALFIE seems to be more appreciated by people in the business than by fans.

17. Original Score
a. Michael Giacchino - The Incredibles (Disney/Pixar)
b. David A. Stewart, John Powell, Mick Jagger - Alfie (Paramount)
c. HOWARD SHORE - The Aviator (Miramax)
d. Danny Elfman - Spiderman 2 (Columbia)
e. John Swihart - Napoleon Dynamite (Fox Searchlight)
f. Jan A.P. Kaczmarek - Finding Neverland (Miramax)


18. Original Song
a. "Million Voices" - Hotel Rwanda - Wyclef Jean, Jerry ?Wonder? Duplessis & Andrea Guerra
b. "The Book Of Love" - Shall We Dance - Stephen Merritt
c. "Blind Leading the Blind" - Alfie - Mick Jagger & Dave Stewart
d. "Shine Your Light" - Ladder 49 - Robbie Robertson
e. "Learn To Be Lonely" - The Phantom of the Opera - Andrew Lloyd Weber
f. "Believe" - The Polar Express - Glen Ballard & Alan Silvestri


  2004, December 17
Classic Zimmer
by Fabrice Roux


  2004, December 16
METAL GEAR SOLID 3 Interviews at www.music4games.net

Interview with Justin Burnett, Composer for Metal Gear Solid 3: Snake Eater.
Justin Burnett has co-composed the original soundtrack for Metal Gear Solid 3: Snake Eater, along with Harry Gregson-Williams and Norihiko Hibino. His previous game credits include additional music for Metal Gear Solid 2: Sons of Liberty as well as films such as Man On Fire and Dungeons & Dragons: The Movie.
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Interview with Harry Gregson-Williams, Composer for Metal Gear Solid 3: Snake Eater.
Last time we chatted to Harry Gregson-Williams he was based at Hans Zimmer's Media Ventures group and was busy working on the score for the game. Having completed one of this year's most anticipated game scores and established a new studio, we caught up with the composer to discuss his latest adventures with Snake and co.
Read more...


  2004, December 13
SPANGLISH on the road

Hans Zimmer received his 6th nomination to the the Golden Globes for the new comedy score he composed for Spanglish, the new James L. Brooks movie, yet director of As Good As It Gets for which Hans Zimmer received an Oscar nomination.

But because Spanglish is not in theatre right now (Official release date : 17th December), people can be surprised by the nomination of the German composer. A true strange thing maybe due to the press-screening already done in order to warm the audience and newspaper writers.

By the way, another good reason the await this score which will close a year of Hans Zimmer filmmusic in a good way.

Golden Globes Original Score nominees
The Aviator Composed by Howard Shore
Finding Neverland Composed by Jan A. P. Kaczmarek
Million Dollar Baby Composed by Clint Eastwood
Sideways Composed by Rolfe Kent
Spanglish Composed by Hans Zimmer

More Infos on The Golden Globes Website


  2004, December 12
Hans ZIMMER to score MADAGASCAR

Hans ZIMMER will score the Dreamworks next animated movie‚ and replaces Harry GREGSON-WILLIAMS who was thought to be on this project until now. Another project for Hans for the year 2005‚ after Ring 2‚ The Weather Man‚ & Batman Begins.


  2004, December 04
Jeff Rona
Earthsea


  2004, December 03
King Arthur DVD
Director's Cut



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