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An interesting album arrangement given the 1994 album arranged the tracks into suites and it seems that's not happening here (and we all know how much hans loves his suites). Seems like it's going to hit every major note that the previous Legacy set does and then some.Does this mean that He Lives In You and Mbube are not new recordings, or at least not entirely new recordings?do you have Informations about a limited edition ?<br>(like BR2049, interstellar,...)it's a complete new recording1.      “Circle of Life”/“Nants’ Ingonyama” – Performed by Lindiwe Mkhize; African vocals performed by Lebo M; written and composed by Elton John and Tim Rice; “Nants’ Ingonyama” written by Lebohang Morake and Hans Zimmer; produced by Hans Zimmer; vocals produced by Stephen Lipson<br><br>2.      “Life’s Not Fair” – Hans Zimmer<br><br>3.      “Rafiki’s Fireflies” – Hans Zimmer<br><br>4.      “I Just Can’t Wait to Be King” – Performed by JD McCrary, Shahadi Wright Joseph and John Oliver; written by Elton John and Tim Rice; produced by Pharrell Williams; co-produced by Stephen Lipson<br><br>5.      “Elephant Graveyard” – Hans Zimmer<br><br>6.      “Be Prepared” (2019 Version) – Performed by Chiwetel Ejiofor; written by Elton John and Tim Rice; produced by Hans Zimmer and David Fleming<br><br>7.      “Stampede” – Hans Zimmer<br><br>8.      “Scar Takes the Throne” – Hans Zimmer<br><br>9.      “Hakuna Matata” – Performed by Billy Eichner, Seth Rogen, JD McCrary and Donald Glover; written by Elton John and Tim Rice; produced by Pharrell Williams; co-produced by Stephen Lipson<br><br>10.  “Simba is Alive!” – Hans Zimmer<br><br>11.  “The Lion Sleeps Tonight” – Performed by Billy Eichner and Seth Rogen; written by Luigi Creatore, Hugo Peretti, George David Weiss and Solomon Linda; produced by Pharrell Williams<br><br>12.  “Can You Feel the Love Tonight” – Performed by Beyoncé, Donald Glover, Billy Eichner and Seth Rogen; written by Elton John and Tim Rice; produced by Pharrell Williams; co-produced by Stephen Lipson<br><br>13.  “Reflections of Mufasa” – Hans Zimmer<br><br>14.  TBA<br><br>15.  “Battle for Pride Rock” – Hans Zimmer<br><br>16.  “Remember” – Hans Zimmer<br><br>17.  “Never Too Late” – Performed by Elton John; African vocal and choir arrangements created and produced by Lebo M; written by Elton John and Tim Rice; produced by Greg Kurstin; additional production by Elton John and Matt Still<br><br>18.  “He Lives in You” – Performed by Lebo M; written by Mark Mancina, Jay Rifkin and Lebohang Morake; produced by Lebo M and Mark Mancina<br><br>19.  “Mbube” – Performed by Lebo M; African vocal and choir arrangements created and produced by Lebo M; written by Solomon Linda; produced by Pharrell Williams
The movie is like 30 minutes longer than the original so I don't think it can be the same all the way through.Hybrid did Hans do everything the same? or is there any difference in this score? Yes or no :DProbably not.Hybrid, I counted only 9 tracks from Zimmer. Is this the complete score or will there be a separate album with more music?Incredible work !, I admire you Hans Zimmer !.<br>Jaime Altozano (Youtuber music), he had a talk with you, and talked about interstellar music. I meet you more, thanks to his videos :)
The most colorful score by Ramin! I dig it!This is not a best soundtrack of Hans, but the theme "Gap" and the first two minutes for me are very good, no good....excellent.no :(Michael, that's my impression with some Zimmer scores: he composes a suite with the themes, hands the rest to his collaborators and supervise the work. But at the end the cue sheets will give us the information.Lorne did the great majority of the onscreen cues. Hans spent most of his time on this score writing the Moriarty Suite (which is longer than on album and has a few versions).
Is it possible to get full credit list for this score? I'll love to know which tracks Lorne worked in.Why soundtrack albums are made? Because most of the times a well edited album is a much better listening experience than the music as heard in the film, complete and chronological. At least  9 out of 10 cases I prefer to listen a well edited album. There are very few cases when a complete album is needed, in my opinion. The other thing is: I only have about 40-60 minutes patience for an album listen.<br>In Hans' case it's different sometimes because I really enjoy his suites and experiments.@iamtommie44<br><br>may i compare with mainstream music for a minute here. albums are important because putting one together is an art form on its own. the best albums are often not the ones with only the good tracks. but of course there are also those you buy because of track #2 or #3<br><br>in hiphop for example, mixtapes are a big thing. they seem like a freer album form. a way for artists to test new ideas and project directions. based on the response, those ideas would show up in albums. it's a nice way of testing things (or us lol) since our taste, especially in music, changes often. sometimes these artists want to see what works and what doesn't. i wouldn't mind buying experimental stuff from my favorite composers to be honest.<br><br>but anyways, dundirk is a very good album if you ask me. it's one of those that i can listen to in a loop and not get tired of. the tracks carry you along the journey. and by the time you reach the end of the last track, it loops right back into the first one...I have higher hopes for that than his normal work, he seems to do better work when not scoring big blockbuster action. (see The Mountain Between Us, one of his best scores)Such an incredible theme! Thank you Hans. When will it be available to buy?
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 LATEST RELEASES
 NEWS
  2004, December 30
SPANGLISH : Hans Zimmer - James L. Brooks collaboration

A short video interview based upon questions asked by fans to director James L. Brooks can be seen atÿSpanglishmovie.com. Just click on Ask the director at the bottom of the page. Then‚ again on the handwrited text at the bottom and you will hear James L. Brooks talk about actors‚ his hopes and collaboration with his composer and friend Hans Zimmer.


  2004, December 17
Spanglish
Hans Zimmer



  2004, December 17
Golden Stellite awards nominations have been announced and this time, it is John Powell turn to be on the list of possible winners for the Best Original Score and Best Original Song.

His collaboration with Dave Stewart and Mick Jagger on ALFIE seems to be more appreciated by people in the business than by fans.

17. Original Score
a. Michael Giacchino - The Incredibles (Disney/Pixar)
b. David A. Stewart, John Powell, Mick Jagger - Alfie (Paramount)
c. HOWARD SHORE - The Aviator (Miramax)
d. Danny Elfman - Spiderman 2 (Columbia)
e. John Swihart - Napoleon Dynamite (Fox Searchlight)
f. Jan A.P. Kaczmarek - Finding Neverland (Miramax)


18. Original Song
a. "Million Voices" - Hotel Rwanda - Wyclef Jean, Jerry ?Wonder? Duplessis & Andrea Guerra
b. "The Book Of Love" - Shall We Dance - Stephen Merritt
c. "Blind Leading the Blind" - Alfie - Mick Jagger & Dave Stewart
d. "Shine Your Light" - Ladder 49 - Robbie Robertson
e. "Learn To Be Lonely" - The Phantom of the Opera - Andrew Lloyd Weber
f. "Believe" - The Polar Express - Glen Ballard & Alan Silvestri


  2004, December 17
Classic Zimmer
by Fabrice Roux


  2004, December 16
METAL GEAR SOLID 3 Interviews at www.music4games.net

Interview with Justin Burnett, Composer for Metal Gear Solid 3: Snake Eater.
Justin Burnett has co-composed the original soundtrack for Metal Gear Solid 3: Snake Eater, along with Harry Gregson-Williams and Norihiko Hibino. His previous game credits include additional music for Metal Gear Solid 2: Sons of Liberty as well as films such as Man On Fire and Dungeons & Dragons: The Movie.
Read more...

Interview with Harry Gregson-Williams, Composer for Metal Gear Solid 3: Snake Eater.
Last time we chatted to Harry Gregson-Williams he was based at Hans Zimmer's Media Ventures group and was busy working on the score for the game. Having completed one of this year's most anticipated game scores and established a new studio, we caught up with the composer to discuss his latest adventures with Snake and co.
Read more...


  2004, December 13
SPANGLISH on the road

Hans Zimmer received his 6th nomination to the the Golden Globes for the new comedy score he composed for Spanglish, the new James L. Brooks movie, yet director of As Good As It Gets for which Hans Zimmer received an Oscar nomination.

But because Spanglish is not in theatre right now (Official release date : 17th December), people can be surprised by the nomination of the German composer. A true strange thing maybe due to the press-screening already done in order to warm the audience and newspaper writers.

By the way, another good reason the await this score which will close a year of Hans Zimmer filmmusic in a good way.

Golden Globes Original Score nominees
The Aviator Composed by Howard Shore
Finding Neverland Composed by Jan A. P. Kaczmarek
Million Dollar Baby Composed by Clint Eastwood
Sideways Composed by Rolfe Kent
Spanglish Composed by Hans Zimmer

More Infos on The Golden Globes Website


  2004, December 12
Hans ZIMMER to score MADAGASCAR

Hans ZIMMER will score the Dreamworks next animated movie‚ and replaces Harry GREGSON-WILLIAMS who was thought to be on this project until now. Another project for Hans for the year 2005‚ after Ring 2‚ The Weather Man‚ & Batman Begins.


  2004, December 04
Jeff Rona
Earthsea


  2004, December 03
King Arthur DVD
Director's Cut



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