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The 'Allentown Brothers' track is pretty damn awesome (find it on YouTube). It's like a mix between gothic Elfman, Desperate Housewives and Transformers. I love it.<br><br>It's one of those scores that people don't talk about much but it's actually pretty cool. <br><br>An awesome venue would be the Opera House in Odessa.Want this so bad!!!Does anyone have a breakdown of this with the official score album?<br>Hats off to Batu Sener for working on many of the score's best cues though!
It all comes to personal preference I think. Personally Iíve moved on from collecting cdís (or anything really) and would rather have everything digital simply to utilize space. <br><br>That being said, I completely understand the appeals of having physical media, it would be sad to see that go away for the people who really love it.It's not only to appreciate the work, its to have something "real" in your hands, for your music collection. I don't like only to have a digital music archive. Of course, i rip all the cds i own to WAV and MP3. But i want to have them in my physical music collection.These day, sure. But we usually get news of the next one by the time he's finished wrapping up the current one.Powell only does 1 score a year.Still no news on his next score? Is he taking a break or something? Working on more concert stuff?
Was pleasantly surprised by this one when I first heard it. Outside of the Ďmodern scoringí portions you get some fun noir music for the squad, solid action writing, and even some good emotional cues.<br><br>Also gotta love the rhythmic idea from Antz popping up here...Also, the use of the guitars by Jablonsky, are still the best since the 90sI give a spin (almost 4 years after my last listening), it grown on me (still don't consider of the best of Jab), but much better than Skyscraper (ok score) and Battleship (guilty pleasure, but not a good score by any means), i like the style of Jablonsky in this one, his rhythms (but i still don't care about the 'motif' for Cohen or certain sound design tracks like 'You Can't Shoot Me' or 'You Know the Drill')<br><br>But still has such cool action moments (Hot Potato With a Grenade) and emotional/romantic moments, and still enjoyed that from this.<3 Buck Takes the LeadHybrid do you know what cues Mancina worked on here? I read in the Twister booklet that the director heard a cue from this and wanted Hans for Twister but he told him that it was actually Mark.
100% for HybridSoldier!I am very glad we have 2 scores by Steve this year. Waiting for Spenser Confidential.Agree!!!!! Please organize a concert in Budapest again! The 2017 live concert and this year's World of HZ concert was totally full house in Budapest!thank you, I appreciate that:) I should say that I am inspired by the music of the 90's, I started producing music on a cheap 200$ Yamaha between 1998-2000, and thanks to a few projects I worked on was able to purchase A more high end synthesizer. Right now I kind of just make music as a hobby but hopefully one day could compose A score for A Movie or even A video Game, that would be pretty cool. I'll be adding more tracks as well for this particular project. The next track I am planning will be a more orchestral reprise of the Miami Heat track I uploaded. I'm trying to get better at themes which is an area that I'm trying to improve on.Damn Powell is doing a lot of music on his own now a days with not many additional writers. I hope he takes on more project that arenít just animated. I really miss his music, heís so ridiculously talented.
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 LATEST RELEASES
 NEWS
  2005, January 25
Hans ZIMMER to score a reality show !

The Dreamworks' Fans Website announces that Hans ZIMMER will score the upcoming dreamworks reality show‚ The Contender.
Read more on The Contender...
More details on this show on TVRules.net
NEW *** Audio Extract on NBC.com *** NEW

Thank you Jawad Mir :-)


  2005, January 22
2004 award nominations (by the Film Music Critics Jury):

BEST ORIGINAL ACTION/ADVENTURE MOTION PICTURE SCORE
- The Bourne Supremacy (John Powell)
- The Incredibles (Michael Giacchino)
- King Arthur (Hans Zimmer)
- Spider-Man 2 (Danny Elfman)
- Van Helsing (Alan Silvestri)

BEST ORIGINAL COMEDY MOTION PICTURE SCORE
- Lemony Snicket?s Series of Unfortunate Events (Thomas Newman)
- Shrek 2 (Harry Gregson-Williams)
- Sideways (Rolfe Kent)
- Team America: World Police (Harry Gregson-Williams)
- The Terminal (John Williams)

BEST ORIGINAL TELEVISION SCORE
- Desperate Housewives (Steve Bartek/Danny Elfman)
- Earthsea (Jeff Rona)
- Helter Skelter (Mark Snow)
- Lost (Michael Giacchino)
- Salem?s Lot (Christopher Gordon/Lisa Gerrard)

Complete liste here : www.musicfromthemovies.com


  2005, January 17
Congratulations to Howard SHORE


The 62nd Golden Globe Awards presented the award to Howard SHORE for his work on The Aviator by Martin SCORSESE.
Hans ZIMMER who won the award in 2001 for Gladiator (but Tan Dun won the Oscar the same year for Crouching Tiger Hidden Dragon) was nominated for SPANGLISH from director James L. BROOKS. Maybe a next chance for the Oscars on february‚ the 27th. We have to wait until January‚ the 25th. to know who will be the nominees...

Download the video from Howard SHORE (12Mos divx)
also visit the official website and watch more (press room) HERE


  2005, January 17
Badelt's Return

Klaus BADELT has co-composed the score for the next Keanu REEVES' movie‚ CONSTANTINE. A great collaboration with a great and very interesting composer‚ Brian TYLER. After Batman Begins which brings together Hans ZIMMER and James Newton HOWARD‚ the collaboration seems to be a good way to score films in 2005‚ for our enjoyment.

The CD will be released by Varese on February, the 15th.


  2005, January 15
Shrek 2 DVD
Simple Edition


  2005, January 10
Rain Man DVD
Collector Edition


  2005, January 03


Score from Spanglish by Hans Zimmer


You need to have the new QuickTime version installed first
You can also download the extract via this LINK



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