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1576, do you read yourself after typing it out?You are an idiot. Hans did what Nolan asked him of not the other way around.Man, this has to be the best news for a long time. Hans has got stuck in his silly overcompensating for sound effects mode for too long. No wonder Nolan went for someone else. Who here thought balfe was getting this - the dude is a copycat and nobody. Balfe is when you dont get HZ.....luckily better people are now getting the gigs. I mean who would hire balfe out of the blue, the dude is not even a tv guyThanks for the credits updateA bit of who did what...
Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great job
Bob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.
I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!
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 LATEST RELEASES
 NEWS
  2005, February 25
Hotel Rwanda
Original Soundtrack

Andrea Guerra
Rupert Gregson-Williams
Afro Celt Sound system






  2005, February 25
Robots - John Powell
New mp3 extracts added


  2005, February 22
Hans ZIMMER will score the two sequels of
PIRATES OF THE CARRIBEAN



DISNEY PICTURES confirms that Hans ZIMMER will score this two movies which will be shot simultaneously.The release date for the first sequel is on July 7, 2006. The second one will be in theartre on summer 2007.
More details on Musicfromthemovies.com


  2005, February 21
Klaus BADELT's next movie

Klaus BADELT will score ULTRAVIOLET directed by Kurt WIMMER(Equilibrium).
With Milla JOVOVICH, release date : 2005


  2005, February 19
Harry stays in Scott's Family

After Working with Tony Scott on Spy Game & Man On Fire, then working with Ridley on Kingdom Of Heaven, Harry GREGSON-WILLIAMS is confirmed to score the next Tony's movie Domino.


  2005, February 19
The Ring
Hans Zimmer

The Ring 2
Henning Lohner - Martin Tillman
based on Zimmer s themes

Decca Records - Release date : March 15, 2005
Thanks to Dominik


  2005, February 16
Robots
Original Soundtrack

John Powell





Release date : 2005, March 15


  2005, February 14


Constantine
Sound clips available


  2005, February 11
Harry's New Studio



Harry Gregson-Williams opens his new five-room studio complex in Los Angeles.
More Details...

Thank you Kleinebre :-)






  2005, February 09
Back to GLADIATOR

Luciano Pavarotti gave to us a few words regarding his amazing track "Il Gladiator" from his 2003 CD release, TI ADORO.

The arrangement I sing is, of course, taken from Hans Zimmer's Gladiator score. I first heard the music treatment and saw the film when it was in production, and I really thought that adding a voice to this track would be a mistake for the film itself. I think I was right in that its presence in the film in its full orchestration stands up as a true film classic in its own right. After the film, this arrangement was made for me. I accepted to sing it with absolute pleasure - it is so moving, such an incredibly beautiful piece of music.

Many Thanks to Mr. Luciano PAVAROTTI from the Hans-ZIMMER.com team


  2005, February 02
Constantine
Original Soundtrack

Klaus Badelt / Brian Tyler





Release date : 2005, February 15



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