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Yea But it isn't like they would lost Money with such a Giant Score like the TF3 one. Well I still Hope that we will get it one day :)@meta I'm feeling the same way. TF movies have always been flawed but very enjoyable for me thanks to Michael Bay's trademark. But this one... is so bad not even Michael Bay can save it. I really don't know what the screenwriters did in their "collaboration room"... but for sure they didn't collaborate a lot, because this "story" is probably the most disjointed mess I've ever seen.<br><br>The saving grace for me was the track "We Have To Go", which plays entirely without cut, that whole scene was pretty bad-ass.@Ds: Actually I prefer Ender's Game (also released by Varese Sarabande) over P&G (but the movie is cool)Pain and Gain is not a bad score, actually it's maybe better than the TF scores, in its own genre.<br><br>But it's entirely electronic so I guess there are no musicians to pay!<br><br>Also, maybe a lot of releases have the same deal as TF3 and TF4, but so few people buy them, they remain for sale forever because the maximum allowed number of sales is never reached...I must be the biggest weirdo in all of film score history, because the highlight of DMTNT for me was "I've Come With the Butcher's Bill." It resonated instrumentally, most notably that badass cello (?) at around the 2:35 mark, it was the perfect blend of old and new themes, and best of all, it sounded like a swashbuckling theme. As much as I loved the  action cues in the first three, I sometimes felt that they resembled a Latin hell choir more than a traditional pirate piece, especially AWE. It's good listening, but sometimes it sounded more like Gregorian Chanters of the Caribbean. :P <br>I seriously blast Butcher's Bill out loud on the highway, I love it so much.
one more question. Who wrote the Bumblebee theme?Does an instrumental version of BATTLE CRY exist?? 0.oAwesome Thx.which tracks are suites, cuz it seems like a bunch are...?Love Izzy!
I take it back...<br><br>Just saw the movie and the only good thing to come out of it is the score....<br><br>What the Hell Michael Bay? Who the hell is writing this crap and how the hell did you approve this story? By far the worst of the 5.....and I don't blame Jablonsky at all.There's also a little hint in "Code Red" too...Year there Are some interesting hidden thinks in this Score ! And i Hope that You Are Right and that we will get Even more Original themes in the next one. I Personally Hope that er will get a New arrival to Earth Version !Well ok but I don't See a Problem with paying the musicians cause many People would buy it especially the Third one. I mean every other Score gets released These days and many Are Not as half as good as the TF3 score is and it Looks like Even the Bad Scores like pain and gain Are paying of so for me it seems very unnatural and Strange. I guess we have to Hope that they will Release a Soundtrack Box one day like the tresure Collection from Pirates of the caribbean...Exactly! How is it possible that a major movie franchise has no consistency in their scores? To me very strange! I downloaded the scores of the old Robocop movies (except Robocop 3 is everything there) although this franchise is "dead". From a FAN point of view I would appreciate the Return of TF3 & TF4 scores.
Lea Halalela on CD “RHYTHM of the PRIDE LANDS“ from 1995;...<br>Frankfurt show was amazing, Leipzig tooHey guys! When listening to it again, I discovered that the first few notes of the Autobot theme is played near the end of History of Transformers. This score really does feel like a return to form for Jablonsky.Technically Paramount could release the 3rd and 4th scores again, but they would have to pay extra money to the musicians & orchestra, if I understand this correctly.<br><br>The EP is still on iTunes because it's only demos I think.Well it's strange because the score of TF3 is (in my opinion) with the first one the best. I didn't see the deal working cause obviously there are many people out here that would definitely buy it. And with the fourth one, well I do remember one or two weeks after the movie was released there was the full score and a few days later they changed it to the EP version. Very strange and sad especially cause it effects this beautiful score.Thanks for sharing! It is a petty that the TF3 is not distributed any more,it makes no sense to me. Hope it re-appears one day because fans want to have a complete selection of scores!<br><br>Greetings from Southampton/England
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 LATEST RELEASES
 NEWS
  2005, February 25
Hotel Rwanda
Original Soundtrack

Andrea Guerra
Rupert Gregson-Williams
Afro Celt Sound system






  2005, February 25
Robots - John Powell
New mp3 extracts added


  2005, February 22
Hans ZIMMER will score the two sequels of
PIRATES OF THE CARRIBEAN



DISNEY PICTURES confirms that Hans ZIMMER will score this two movies which will be shot simultaneously.The release date for the first sequel is on July 7, 2006. The second one will be in theartre on summer 2007.
More details on Musicfromthemovies.com


  2005, February 21
Klaus BADELT's next movie

Klaus BADELT will score ULTRAVIOLET directed by Kurt WIMMER(Equilibrium).
With Milla JOVOVICH, release date : 2005


  2005, February 19
Harry stays in Scott's Family

After Working with Tony Scott on Spy Game & Man On Fire, then working with Ridley on Kingdom Of Heaven, Harry GREGSON-WILLIAMS is confirmed to score the next Tony's movie Domino.


  2005, February 19
The Ring
Hans Zimmer

The Ring 2
Henning Lohner - Martin Tillman
based on Zimmer s themes

Decca Records - Release date : March 15, 2005
Thanks to Dominik


  2005, February 16
Robots
Original Soundtrack

John Powell





Release date : 2005, March 15


  2005, February 14


Constantine
Sound clips available


  2005, February 11
Harry's New Studio



Harry Gregson-Williams opens his new five-room studio complex in Los Angeles.
More Details...

Thank you Kleinebre :-)






  2005, February 09
Back to GLADIATOR

Luciano Pavarotti gave to us a few words regarding his amazing track "Il Gladiator" from his 2003 CD release, TI ADORO.

The arrangement I sing is, of course, taken from Hans Zimmer's Gladiator score. I first heard the music treatment and saw the film when it was in production, and I really thought that adding a voice to this track would be a mistake for the film itself. I think I was right in that its presence in the film in its full orchestration stands up as a true film classic in its own right. After the film, this arrangement was made for me. I accepted to sing it with absolute pleasure - it is so moving, such an incredibly beautiful piece of music.

Many Thanks to Mr. Luciano PAVAROTTI from the Hans-ZIMMER.com team


  2005, February 02
Constantine
Original Soundtrack

Klaus Badelt / Brian Tyler





Release date : 2005, February 15



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