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Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats trueCan't think of a more meaningless and laughable award than the Oscar.an oscar for this one? nahh...<br>maybe he gets a nomination for dune or bond
Maybe WW1984May know how to downloaddamn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOLYeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.
Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photoHah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.
I like the tracksWow!!!Still my favorite score from the X-Men series.Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2
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 LATEST RELEASES
 NEWS
  2005, April 27



BATMAN BEGINS CD COVER

Warner Bros has released the cover art from the CD which will be in stores on June 14.

Moreover, MTV has just presented a new trailer from the movie.


Thanks to Rudi !



  2005, April 27


MADAGASCAR CD COVER

Here's the cover from the Madagascar's CD. Dreamworks Records will release it on May, the 24th.

Thanks to Rudi ;-)


  2005, April 24
Steve Jablonsky Interview by Dan Goldwasser

"Last time we talked with Steve Jablonsky, he had just scored the horror-remake of The Texas Chainsaw Massacre for producer Michael Bay. Now he's back, with the new version of the box-office hit The Amityville Horror. SoundtrackNet talked with Steve about his latest role as Michael Bay's go-to guy, and his work on one of television's most popular shows."
> Read more...


  2005, April 21
First review of Kingdom of Heaven at www.soundtrack.net by Mike Brennan

Ridley Scott's first historical action drama since Gladiator saw a change-up in composers when longtime Scott collaborator Hans Zimmer turned the project over to Harry Gregson-Williams, Tony Scott's frequent collaborator. Should fans expect a rehash of Gladiator? Possibly... but don't.
> Read more...


  2005, April 21
Kingdom of Heaven



You can listen to samples of each track here : www.amazon.com


  2005, April 20
Brand new official website of the movie
The Chronicles Of Narnia



The site offers us a great flash introduction, production notes, videos and a lot of info about the world of Narnia.


  2005, April 19
Interview with Jim Dooley part 2



The composer answers our web-interview carried out this spring.


  2005, April 18


As many celebrities before him (like Tony DANZA, Freddie PRINZE Jr...), Hans ZIMMER has been invited to be at the last fight from the first part of THE CONTENDER, at the show from april, sunday the 17th.





  2005, April 12

Kingdom of Heaven

3 short soundclips added


  2005, April 11
Backdraft - Silver Screen Edition
Hans Zimmer




  2005, April 09
New Project for Klaus BADELT

According to MusicfromtheMovies.com, Klaus BADELT should score for ANNAPOLIS, directed by Justin Lin.

Thanks to Rudi one more time ! ;-)


  2005, April 08
Madagascar CD Release

Very few information about it, but the CD can be pre-ordered now on Amazon.com.
The CD will be available on May, the 24.th 2005 on Dreamworks Record.

Thank you Rudi ! :-)


  2005, April 06
BATMAN BEGINS News

Ramin DJAWADI joined Hans ZIMMER & James Newton HOWARD to score BATMAN BEGINS. They are currently in London, working on the music.



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