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Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
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 LATEST RELEASES
 NEWS
  2005, May 31
NARNIA's Soundtrack News

Walt Disney Studios and EMI Music have paired up to produce not one but four separate soundtracks for the upcoming adaptation of C.S. Lewis' THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBE.

One disc will feature mainstream Christian music artists, another will feature pop and rock acts, a third will provide the score and theme song, written by Harry Gregson-Williams, and the final disc is designed for children...Read more


  2005, May 30
Batman Begins: Soundtrack Details By Mark Sung

On June 15th, Warner Bros. Pictures' BATMAN BEGINS, from director Christopher Nolan, the summer's most anticipated theatrical release, opens nationwide featuring a score that will immediately make music history -- a unique collaboration between two of the screen's most honored and respected composers, Hans Zimmer and James Newton Howard, working together for the first time.
> Read more...


  2005, May 30
SPIRIT In Cannes 2002

A Canal+ Video about the event, SPIRIT, Stallion of the Cimarron at Cannes film festival 2002.
Hans ZIMMER, Heitor PEREIRA & Brian ADAMS performed the soundtrack live during an exclusive projection.

Format Divx
Length : 14'40
size : 50 Mos


  2005, May 26


Hans ZIMMER was at the semi-final from The Contender, for the fight between Sergio & Jesse.

The composer was just next to the producer of the show, Jeffrey KATZENBERG.




  2005, May 26
News by the Gorfaine/Schwartz Agency, and more...

The GSA confirms that Hans ZIMMER will score The Da Vinci Code & Pirates Of The Caribbean 2.

Jim DOOLEY will score Ordinary Miracles, a Michael Switzer movie.

According to IMDB.com, Steve JABLONSKY would score the next Michael BAY's movie (after THE ISLAND), UNTITLED TRANSFORMERS FILM.

Mr. & Mrs. SMITH's score composed by John POWELL would be released by LAKESHORE Records on June, the 28th.


  2005, May 22
discography page updated




  2005, May 21
SIN CITY at Cannes' Film Festival



Robert Rodriguez gaves us a few words on Hans ZIMMER while presenting his new film, SIN CITY.






  2005, May 20
You can listen to Madagascar soundclips here : music.barnesandnoble.com

The Batman Begins 10 min Smallville Preview with original score : www.rustbucketbingo.com


  2005, May 20
Dynamic Duo Scores Big With Batman Begins By Chris Morris, The Hollywood Reporter

Pointing to Bernard Herrmann and Alfred Newman's joint credit on "The Egyptian" in 1954, James Newton Howard notes that such collaborations between prominent film composers are rare. "There's a tremendous logic to it," Howard says. "Well, why not?"
> Read more...


  2005, May 15
discography page updated





  2005, May 05
From www.filmtracks.com :

Renowned up-and-coming composer James L. Venable, fresh off being hired for such high profile blockbusters as Harry Potter and the Goblet of Fire and X3, can now add another shining gem to his future resume as he has been officially signed to replace Danny Elfman on Spider-Man 3.

Said Spider-Man 3 director Sam Raimi, "I'm confident James will be Venable to put his own webspin on the world of Spidey."
Added producer Laura Ziskin : "I have no doubt James can take the reigns from Elfman. After all, their hair colors are similar


  2005, May 04
MADAGASCAR Track Listing

1. Best Friend Theme - Hans Zimmer
2. I Like To Move It - Sacha Baron Cohen
3. Hawaii Five-O - The Ventures
4. Beacon Of Liberty - Hans Zimmer
5. Chariots Of Fire - Vangelis
6. Stayin' Alive - The Bee Gees
7. Zoosters Break Out - Hans Zimmer
8. Soul Limbo - Mr. Bongo
9. Boogie Wonderland - Earth, Wind & Fire
10. Foosa Attack, The - Hans Zimmer
11. Penguins Arrive, The - Hans Zimmer
12. What A Wonderful World - Louis Armstrong


  2005, May 03
After LAURAS STERN,
DER KLEINE EISBˇR 2


The new film by the directors of LAURA'S STERN, Thilo Graf Rothkirch and Piet De Rycker, THE LITTLE POLAR BEAR 2 according to its teaser poster, will be scored by Hans ZIMMER and Nick GLENNIE-SMITH. The movie release date, is September the 29th, 2005, for Germany.
Click Here to watch the poster.
Click Here to watch the trailer.

And in conclusion...

You will find the video from the song "Touch the sky" (Song from LAURA's STERN) and a little interview from Wonderwall by clicking HERE


  2005, May 02
Geoff ZANELLI's News

Geoff ZANELLI has been busy this time with the new mini serie Into the West directed by Robert Dornhelm and Sergio Mimica-Gezzan to air on July on TNT network.

"It's a 6 part miniseries that tells the 80 year story of how America was settled and what happened to the native americans during that time. Very great show and I'm proud to be working on it. (...) We're recording the score in Bratislava with an orchestra. I've been very busy with that project, there are over 5 hours of music to be written and I'm just now at the halfway point" Geoff said.

Being busy with the mini serie, Geoff will be back on Delgo soon after that.


  2005, May 02
Hans ZIMMER will score THE DA VINCI CODE

Soundtrack.net announces that Hans ZIMMER is set to reunite with director Ron HOWARD for his next film, which should be released in May 2006.



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