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Greetings! I have a question regarding the placement of certain cues. Here, "Mycroft Is Nude" is placed where it plays in the film. However, on the sheets, it's shown as being after "Paris Bombing Investigation." Was the scene originally supposed to be later in the film? I'd be curious to know.just beautifulThis is a whole new side of his music as compared to what we normally hear.Black Widow has been moved to Nov. 6th, so we'll het Balfe's sckre at the end of the year.<br><br>Mulan has been moved to July 24th.Beautiful score! Matches well with The Lion King and Whispers
Booklet credits:<br><br>"Wedding"<br>Lyrics: Joanna Wallfisch<br>Elenor Bowers-Jolley: Vocals<br><br>"Siren's Lullaby"<br>Lyrics: Joanna Wallfisch<br>Sarah Lee, Elenor Bowers-Jolley: Vocals<br><br>Yuja Wang: Piano<br>Jack Liebeck: Violin<br>Raphael Wallfisch: Cello<br><br>The Chamber Orchestra of London<br>Janice Graham: Leader<br><br>Music Composed and Conducted by Benjamin Wallfisch<br><br>Score Recorded at Air Studios, London, September 2012<br>Piano Recorded at Avatar Studios, New York, September 2012<br>Music Mixed at Squadron Sound<br>Music Producer: Benjamin Wallfisch<br>Additional Orchestration: Ben Foskett<br>Orchestra Contractor: Gareth Griffiths<br>Score Recorded and Mixed by Jake Jackson<br>Scoring Co-Producer: Alexander van Ingen<br>Assistant Engineer: Chris Barrett<br>Mix Assistant: Adam Miller<br>Music Preparation: Global Music Services, Ltd<br>Publisher: Du Vinage Publishing Ltd<br>Executive Producer DG: Christian Badzura<br>Project Coordinator DG: Burkhard Bartsch<br><br>Booklet Editor: Jens Schünemeyer<br>Photos: Summer in February Films<br>Cover Design: The Creative Partnership<br>Package Design: Mareike Walter<br>Art Direction: Merle KerstenBooklet credits:<br><br>Music Composed by Benjamin Wallfisch<br><br>Music Orchestrated and Produced by Benjamin Wallfisch<br>Executive Producer: Robert Townson <br>Vocal Improvisations by Sussan Deyhim (tracks 2 & 7)<br>Additional vocals: Joanna Wallfisch (tracks 1 & 8) <br>Guitars: Owen Gurry<br>Score Performed by Macedonian Radio Symphony Orchestra<br>Conductor: Oleg Kondratenko<br>Orchestra Leader: Ana Kondratenko<br>Orchestra Contractor: Laurent Koppitz<br>Score Recorded by Giorgi Hristovski<br>Assistant Engineer: Boban Apostolov<br>Score Mixed by Benjamin Wallfisch<br>Orchestra Recorded at MRTV, Macedonia<br>Music Mixed at Fifth Street Music, Santa Monica<br>Music Programming: Benjamin Wallfisch<br>Mastered by Patricia Sullivan<br><br>Special Thanks from the composer to: Afshin Ghaffarian, Richard Raymond, Pippa Cross, Akram Khan, Bob Bowen, Sussan Deyhim, Andrew Shulman, Owen Gurry, Joanna Wallfisch, Robert Townson, Laurent Koppitz and Darrell AlexanderHmmm, according to Batu's website he worked on the first half of L3 & Millennium FalconLovely score with beautiful themes, atmospheric vocal parts and a nice orchestration.This is a highly underrated album. It's nothing short of a masterpiece, a modern opera. The choir is beautiful, and the choice of gospel for the first track gives it a unique identity, though I'm not sure how well it meshes with the orchestra. It feels a bit off, but will hopefully improve for me on further listens. <br><br>The composition, has to me, elevated Powell to the status of the second best living composer (Williams is still first for now). It's pure orchestral beauty and mastery with variety of texture, color, and style, with seamless tonal transitions. The complexity rivals some of the great works of the past. <br><br>It's strange to me that this is called "choral works". Sure the choir is an important element, but it really should be named "Hubris Symphony", or "Hubris: The Opera", because that's the status the album deserves.
My Attempt at a chronological order with edits (feel free to correct any mistakes or if I missed anything) <br><br>1. A Storm Is Coming (0:00 - 0:36) (Logos) <br>2. Should You Choose To Accept (0:00 - 0:52) <br>3. Good Evening, Mr. Hunt (4:19) <br>4. Plutonium Trade (2:53) <br>5. A Terrible Choice (2:55) <br>6. The Manifesto (1:44)  <br>7. Fallout (1:30)  <br>8. Your Mission (2:14)  <br>9. Free Fall (4:14) <br>10. As Ugly As They Come (2:26) <br>11. The White Widow (4:42) <br>12. Should You Choose To Accept (0:52 - 2:34) <br>13. Framing Ethan (2:01)  <br>14. The Exchange (5:55)  <br>15. Escape Through Paris (5:05) <br>16. Steps Ahead (1:02)  <br>17. Je Suis De Sole (1:06)  <br>18. We Are Never Free (6:57)  <br>19. Trapped (3:26)  <br>20. The Mission Is Terminated (2:09)  <br>21. No Hard Feelings (4:20)  <br>22. Stairs And Rooftops (6:00)  <br>23. Kashmir (4:29) <br>24. Fate Whispers To The Warrior (3:54) <br>25. And The Warrior Whispers Back (3:56) <br>26. Scalpel And Hammer (0:00 - 2:19) <br>27. Cutting On One (0:00 - 2:23) <br>28. Unfinished Business (1:49)  <br>29. A Storm Is Coming (0:36 - 1:12) <br>30. I Am The Storm (2:07)  <br>31. Scalpel And Hammer (2:19 - 5:10) <br>32. Cutting On One (2:23 - 3:42) <br>33. The Last Resort (2:55)  <br>34. Mission: Accomplished (1:15) <br>BONUS TRACKS: <br>35. The Syndicate (Unused) (6:00) <br>36. Change Of Plan (Unused) (5:47)Rogue One is a bit of an odd one. From what I'd heard, Desplat had joined on the condition he'd be allowed to do his own thing and not ape Williams. But once they decided to overhaul the film, they pressured him to go that exact direction. Things stayed still for a while (in which he still got paid) before he was finally let go very late into production. So the idea he sorta just left is interesting, so I'm curious to hear what that was about.<br><br>For BW, it seems very likely to me that Marvel simply were unsure about Alexandre's music, so I'm guessing they hired Balfe to do some demos and decided from there. Who knows what the exact timeline is, but I'd wager it'd have to at least be this year if he's been on it a bit. Especially with AD's name having stayed on the posters during it.Hybrid, Desplat left Rogue One just for his own idea? I know he left that movie beacuse schedule conflict for the reshoots. <br>But for Black Widow seems that the replacement was since months ago with Lorne writing and recording the score at the same timeht tp:// filmmusicreporter. com/2020/04/01/ track-list-for-disneys-live-action-mulan -soundtrack-album-revealed/<br><br>Why release a tracklist for an album that won't be released for another 6 months at least. That's just a punch in the gut, in my opinionSo it won't be a last minute and hasty job?
No idea but he was on it for a bit, I think.Hybrid, do you know how long Lorne had to score?Score is recorded already.Yup, which makes me wonder if they had to wait before announcing it, considering Desplat was still being listed in posters prior to the delay.I think Lorne teased this some time ago by sending a picture of researching Russian music on insta (maybe)
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 LATEST RELEASES
 NEWS
  2005, June 28
Hans ZIMMER is scoring Ask The Dust

Hans Zimmer is the third composer who has been involved in the project. Initially, James Horner was supposed to have scored the film. A few months ago, Music from the Movies reported that Christopher Young had taken over the scoring assignment and was the new composer onboard. Now, Young has left the project and Hans Zimmer is writing the score for the Robert Towne's film.
Read more..


  2005, June 26
Mr & Mrs Smith



You can listen to samples of each track here : www.amazon.de


  2005, June 24


Into the west is a 6 parts new show scored by Geoff Zanelli and aired every week end on TNT 'till the end of july.


  2005, June 20


Batman Vs. Hans Zimmer and James Newton Howard Part 1

Zimmer discusses how he and Howard tag-teamed the score for Batman Begins.
> Read more

Batman Vs. Hans Zimmer and James Newton Howard Part 2

The conclusion to our interview with Hans Zimmer discussing his and Howard's score for Batman Begins.
> Read more

Thanks to zimm44 for the links !


  2005, June 19
INTERVIEW WITH Ramin DJAWADI



Ramin DJAWADI is one of the best known composers who work closely with Hans ZIMMER. He started out his musical career as a guitar player in numerous bands in Germany. After deciding to move to US to earn a bachelor's degree in Film scoring & guitar performance at the prestigious Berklee College of Music, he became a member of the band My Favourite Relative. Ramin then moved to California in 2000 to join Media Ventures, and began composing and arranging for Klaus Badelt...

> Read more


  2005, June 19
An other interview by Pablo Nieto from www.scoremagacine.com :

RAMIN DJAWADI: THE POWERFUL TALENT

Let's start talking about "Thunderbirds", how did you become involved in this project?
- Hans approached me after we had finished "Pirates". It was roughly 4 months before we actually started working on the score. We sat down together and started gathering ideas and came up with the thematic material.


> Read more


  2005, June 17
A Few News...

Harry GREGSON-WILLIAMS

Back in october 2004, Hans Zimmer was supposed to score August Rush a film by Kirsten Sheridan with Liv Tyler and Robin Williams. According to IMDB.com, it should finally be Harry Gregson-Williams who will.
The movie will hit screens in 2006.

Always at IMDB.com, we learn that Harry will score the newest Metal Gear Solid (number four), ought to be in store in 2007. After MGS 2 et 3, this is his third participation, with Rika Muranaka, for this high profil video game franchise.

Ramin DJAWADI

After his work on Batman Begins, Ramin just finished a short film called Jonathan from Jordan Scott, which is one of the 7 short films from the project Take 7.

Klaus BADELT

MusicFromTheMovies.com announces that Klaus BADELT is involved in the creation of the next big budget action adventure from China : The Promise

John POWELL

You can have a foretaste from the single Mr. & Mrs. Smith's track composed by John Powell, released on the album edited by LAKESHORE RECORDS. Click Here.


  2005, June 13


Yesterday, on AMC Channel for The Sunday Morning Shootout, Hans ZIMMER & James Newton HOWARD were presenting their work on Batman Begins. Thanks to Yahoo!Movies, you can now watch online this interview.
If you encounter problems with the link, just click HERE and search for The Sunday Moring Shootout's link.


  2005, June 12
Hans ZIMMER speaks about BATMAN BEGINS

"There is a guy named Chris Nolan who one day phoned me out of the blue and said ?Would I like to do this movie he was working on?? and after a while he was telling me what it was but the way he was describing it was that it was a small experimental film, just like the way he?s made his movies. And I thought ?Hey, this sounds really good, this is a really interesting angle on the superhero thing? ?cos I don?t know anything about superheroes. So I sort of said ?yes? to him and then the mighty executives at Warner Bros. phoned me and they were using words like ?franchise? and ?industrial?; all those big words that get really scary and I said ?Well I don?t think I can do it because I don?t want to be responsible for ruining a perfectly good franchise, if you see what I mean..."
Read More...

Thanks to Mc Bain ! :-)


  2005, June 12
Recording Sessions from Steve Jablonsky's Island

Dan Goldwasser announces that a soundtrack from THE ISLAND composed by Steve JABLONSKY would be released by Milan in July, around the time of the film's release.
You can read an article with pictures which describes the recording sessions from the score on Soundtrack.net.


  2005, June 10
The Batman Begins Premiere : Pictures from Hans & James
June 6, 2005 - Grauman's Chinese Theatre

      

  

Images by WireImage.com, hosted by IMDB.com


  2005, June 07
Batman Begins first review by Matthew Scheller

After eight long years of anticipation and speculation, another Batman film is finally here. Acclaimed director Christopher Nolan (of Memento fame) has gone back to the roots of the character in order to "reboot" the franchise - a compromised decision made by Warner Bros. in order to apologize for the notorious Batman & Robin. Gone are the neon lights, bat nipples, homo-erotic influences and Joel Schumacher. Another ingredient that has been altered for this restart is the music.

> Read more


  2005, June 06
Hans Zimmer and Wizoo plan Mars Landing

Until now, only some people in the business knew that Oscar-winning Movie composer Hans Zimmer has been a shareholder in Wizoo since May 2004. In this interview Hans and his Partners Peter Gorges and Manfred Rrup talk about a huge project behind the scenes: the ultimate computer based orchestra system, a cooperation with the London Symphony Orchestra under Hans? auspices.

> Read more


  2005, June 06
John POWELL will score for WATCHMEN

SCOREMAGACINE announces that John POWELL is working with Paul GREENGRASS (The Bourne Supremacy) on his new movie, an adaptation from the Alan Moore's graphic novel.

Thank You Manulder ! :-)


  2005, June 06
On the AMC channel (American Movie Classics), James Netwon-Howard and Hans Zimmer will be featured on the show "Sunday Morning Shootout" on the twelve of this month. Of course, the main line of discusion would be the score they composed for Batman Begins.

Date and Time : 11am EST, June 12th.


  2005, June 05
Batman Begins

New soundclips and 2 complete tracks can be heard here : http://www.batmans.de


  2005, June 02


FROM FSM

This Japanese website is playing some of the “Batman Begins” score over streaming video footage of the movie’s early Japanese premiere the other day!

And (surprise!) it sounds like a mixture of Hans Zimmer and James Newton Howard – some Zimmer-esque action music, and some Howard-like strings and piano. There’s also some really creepy, avant-garde sounds, presumably for the film’s villains. It plays for about 20 minutes non-stop, then there’s voice-over from the announcers until the 36.00 minute mark, and the music picks up again. It’s definitely from the score; the theme at the 36:05 point was in the most recent trailers (and here it has a killer string ostinato underneath it.) Check it out!


URL : http://www.so-net.ne.jp/movie/batmanbegins/


  2005, June 01
Greatest Soundtracks Of All Time

According to a new survey, The Sun Online announces that The Lord Of The Ring (Howard SHORE) arrives in first position, while John WILLIAMS' Star Wars gets the 2nd place. And a composer that we know very well takes the third place : Hans ZIMMER and his GLADIATOR's soundtrack. Good score, but it takes all sorts to make a world...

Thank you Thirdnature ! ;-)



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