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emoji movie. live action Pokémon movie. 5 transformers movies. Let’s be honest studios have no clue what people wantAre you sure Jackmans been removing the electronics from his music, or just from his albums?<br><br>Civil War was noticeably different, if you compare the OST to what you heard in the movie.Hybrid said there was some sort of legal issue that came up which prevented use of the samples or something like that.Eh, Shore is a smart composer. He could make it work. I guess whether that's what studios think audiences want is another question entirely...Is it me or are none of the soundtracks on the website showing the sample tracks that you could listen to anymore?
Have you heard that Henry Jackman will composing his music for the upcoming 2019 picture called Pokemon: Detective Pikachu?  I wonder what the film soundtrack would sound like.  Hmm...I think that Howard´s style of music doesn´t really fit to the post apocalyptic genreFor a Peter Jackson production I was expecting Howard Shore.I listened to the score and is one of the most entertaining scores of this year. It's great to see the main theme return but there are a lot of new elements to enjoy and discover here. There were parts that kind of reminded me of Incredibles 2, like the begining of Shank. And tracks like Vanellope's March or Big Strong Man In Need of Rescue are just pure fun.<br><br>Really great score!I was this tracklist for a 3rd cd floating around, is this legit ?<br><br><br>Disc 1  <br>1.  Planet Earth II Suite  <br>2.  The Sloth<br>3.  Home To Dragons<br>4.  Albatross Dance<br>5.  Racer Snakes vs Iguanas<br>6.  Chinstrap Penguins<br>7.  Singing Indri<br>8.  Competing Hummingbirds<br>9.  Life In The Canopy<br>10. Jungle Weather<br>11. Night Crawlers<br>12. World of Bioluminescence<br>13. Wilson's Bird-of-Paradise<br>14. Something Worth Protecting<br>15. Life Without Water<br>16. Monsoon Deserts/Canyonlands<br>17. Lions vs Giraffe<br>18. The Butcher Bird<br>19. Wild Horses<br>20. Desert Nightlife/Golden Mole<br>21. Long-Eared Bat vs Scorpion<br>22. Early Morning Fog<br><br>Disc 2 <br>1.  Roof Of The World<br>2.  Peaks of North America<br>3.  The Ibex<br>4.  The Himalayas<br>5.  Flight Over Alps<br>6.  Ice Skating Flamingos<br>7.  Dancing Bears<br>8.  Tenacious Bobcat<br>9.  Garden of Ice<br>10. Snow Leopards<br>11. Savage Beauty<br>12. Nomadic Life<br>13. Hunting Buffalo Herds<br>14. The Okavango<br>15. Carmine Bee Eaters<br>16. Industrious Insects<br>17. The Great Migration<br>18. The Unnatural Habitat<br>19. Langurs of Jodhpur<br>20. Temple Gardens<br>21. Market Thieves<br>22. Illuminated<br>23. City Skylines<br>24. Starlings<br>25. Toronto Raccoons<br>26. We Are The Designers<br>27. Epilogue<br><br>Disc 3<br>1. Harvest Mouse<br>2. Jumping Widowbirds<br>3. The Red Fox<br>4. Cacti<br>5. Harris Hawks<br>6. Draco Lizard<br>7. Glass Frog vs Wasp<br>8. Galapagos<br>9.  Zavodovski Island<br>10. The Great Bower Bird  <br>11. Wels Catfish    <br>12. Frozen Night
About his studio at RCP, is it rental or he owns the stuff? What happens to the gear when he is not around?That is probably the fairest thing anyone on this website will say about Clemmensen. :P@Anonymous<br><br>Christian Clemmensen believes that Hans Zimmer found his definitive voice back in the 1990s with scores such as Driving Miss Daisy, Rain Man, Crimson Tide, and Lion King. However, he has in reviews of later scores compared Zimmer's overly obvious chord progressions and masculinity with what the "rock ballad" did to rock-n'roll music of the '70s. To him, it's overly powerful, unsubtle, and aggressive music that appeals to the gut more than the heart or the mind. Some of Zimmer's most popular scores such as Gladiator, Pirates, and The Dark Knight he has given middling reviews for because the general sound is derivative from his earlier works, not colorful, and not creative. He also accuses Zimmer of starting a trend with overly-recycled, bombastic, masculine action music that's big on density and power and low on subtlety and personality. <br><br>I can definitely see where he's coming from, one cannot deny the similarities between Crimson Tide, Lion King, Gladiator, Pirates, Dark Knight and so forth. One also cannot deny that scores such as Dunkirk and Blade Runner 2049 qualify more as sound design than actual symphonic music (mostly). However, if he had his way, every film score would be shamelessly optimistic and flighty, all major chords (and occasionally alternating off-key), with prominent woodwinds and metallic percussion. He definitely knows what he's talking about, but he has an ideal image for film music in mind, and that very much comes through in his Zimmer reviews, some of which I think deserve much more credit than he offered (Pirates 3, Da Vinci Code, and Gladiator come to mind).a more orchestral fury roadTom is gonna score Mortal Engines<br>What kind of sound do you expect?
He has a studio at RCP but mostly work from his own home studio. His business is "Sacred Tiger Music."<br>Does Henry actually work for HZ at RCP or does he have his own film score company now like HGW?Why filmtracks always behave very Aggressive about hans zimmer and always trys to make his scores worthless ??!! Its odd for meAw Hell...<br><br>I guess it never did freeze over.Sorry, I should've been more specific. This is a comment I had originally posted on the Filmtracks forum, NOT from a Christian Clemmensen review. My bad.
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 LATEST RELEASES
 NEWS
  2005, July 30
Foster’s home for Imaginary Friends



Music composed by James L. Venable


  2005, July 30
Steve Jablonsky scores Michael Bay's The Island



Today the world-famous Newman Scoring Stage at 20th Century Fox was filled with music to Michael Bay's latest action thriller, The Island. Composed by Steve Jablonsky, the film takes place in a futuristic society where the rich can pay to have a human clone made in case they need their spare body parts for medical reasons.
Read more...


  2005, July 29
John POWELL on ICE AGE 2

According to MusicFromThe Movies.com, 20th Century Fox has confirmed that John POWELL has been hired to compose for Ice Age 2 : The Meltdown.
From the director from ROBOTS and ICE AGE, Carlos Saldanha.
Release date on March 2006.


  2005, July 15
James L. Venable nominated at the 57th Annual Emmy Awards

Nominations for the 57th Annual Primetime Emmy Awards for the period of June 1, 2004 through May 31, 2005, were announced yesterday by the Academy of Television Arts & Sciences.
James L. Venable is nominated for Foster?s Home For Imaginary Friends in the Outstanding Main Title Theme Music category.

The awards presentation, awarding Emmys in 27 categories, will be televised by CBS on Sunday, September 18, from the Los Angeles Shrine Auditorium.
Read More...


  2005, July 15
NEWS FROM...

ASK THE DUST

We announced Hans ZIMMER was scoring the Robert Towne's Film. We can now give you more details on this score :
Hans Zimmer is the score producer for that project and Ramin Djawadiand Heitor Pereira co-composed the score.
Heitor's best known previous project as composer was Havana Nights : Dirty Dancing 2, while Ramin's one was the great Batman Begins
A great collaboration we can't wait to listen to it !

AUGUST RUSH

According to the Gorfaine/Schwartz Agency, this score is confirmed to be co-composed by Hans ZIMMER(as planned) and Harry GREGSON-WILLIAMS. Another great musical collaboration for a movie directed by Kirsten SHERIDAN, a drama with fairy tale elements, where an orphaned musical prodigy uses his gift as a clue to finding his birth parents (Read more...)

WALLACE & GROMMIT : THE CURSE OF THE WERE-RABBIT

Jim DOOLEY announced he's just finished the composition for the PS2 Video Game : SOCOM 3 : US Navy SEALs, and is now working for the new Dreamworks/Aardman's Wallace & Grommit movie. By the directors of Chicken Run...


  2005, July 07
Island



Music composed by steve Jablonsky

Release date : August, 08 2005



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