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The 'Allentown Brothers' track is pretty damn awesome (find it on YouTube). It's like a mix between gothic Elfman, Desperate Housewives and Transformers. I love it.<br><br>It's one of those scores that people don't talk about much but it's actually pretty cool. <br><br>An awesome venue would be the Opera House in Odessa.Want this so bad!!!Does anyone have a breakdown of this with the official score album?<br>Hats off to Batu Sener for working on many of the score's best cues though!
It all comes to personal preference I think. Personally Iíve moved on from collecting cdís (or anything really) and would rather have everything digital simply to utilize space. <br><br>That being said, I completely understand the appeals of having physical media, it would be sad to see that go away for the people who really love it.It's not only to appreciate the work, its to have something "real" in your hands, for your music collection. I don't like only to have a digital music archive. Of course, i rip all the cds i own to WAV and MP3. But i want to have them in my physical music collection.These day, sure. But we usually get news of the next one by the time he's finished wrapping up the current one.Powell only does 1 score a year.Still no news on his next score? Is he taking a break or something? Working on more concert stuff?
Was pleasantly surprised by this one when I first heard it. Outside of the Ďmodern scoringí portions you get some fun noir music for the squad, solid action writing, and even some good emotional cues.<br><br>Also gotta love the rhythmic idea from Antz popping up here...Also, the use of the guitars by Jablonsky, are still the best since the 90sI give a spin (almost 4 years after my last listening), it grown on me (still don't consider of the best of Jab), but much better than Skyscraper (ok score) and Battleship (guilty pleasure, but not a good score by any means), i like the style of Jablonsky in this one, his rhythms (but i still don't care about the 'motif' for Cohen or certain sound design tracks like 'You Can't Shoot Me' or 'You Know the Drill')<br><br>But still has such cool action moments (Hot Potato With a Grenade) and emotional/romantic moments, and still enjoyed that from this.<3 Buck Takes the LeadHybrid do you know what cues Mancina worked on here? I read in the Twister booklet that the director heard a cue from this and wanted Hans for Twister but he told him that it was actually Mark.
100% for HybridSoldier!I am very glad we have 2 scores by Steve this year. Waiting for Spenser Confidential.Agree!!!!! Please organize a concert in Budapest again! The 2017 live concert and this year's World of HZ concert was totally full house in Budapest!thank you, I appreciate that:) I should say that I am inspired by the music of the 90's, I started producing music on a cheap 200$ Yamaha between 1998-2000, and thanks to a few projects I worked on was able to purchase A more high end synthesizer. Right now I kind of just make music as a hobby but hopefully one day could compose A score for A Movie or even A video Game, that would be pretty cool. I'll be adding more tracks as well for this particular project. The next track I am planning will be a more orchestral reprise of the Miami Heat track I uploaded. I'm trying to get better at themes which is an area that I'm trying to improve on.Damn Powell is doing a lot of music on his own now a days with not many additional writers. I hope he takes on more project that arenít just animated. I really miss his music, heís so ridiculously talented.
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 LATEST RELEASES
 NEWS
  2005, July 30
Foster’s home for Imaginary Friends



Music composed by James L. Venable


  2005, July 30
Steve Jablonsky scores Michael Bay's The Island



Today the world-famous Newman Scoring Stage at 20th Century Fox was filled with music to Michael Bay's latest action thriller, The Island. Composed by Steve Jablonsky, the film takes place in a futuristic society where the rich can pay to have a human clone made in case they need their spare body parts for medical reasons.
Read more...


  2005, July 29
John POWELL on ICE AGE 2

According to MusicFromThe Movies.com, 20th Century Fox has confirmed that John POWELL has been hired to compose for Ice Age 2 : The Meltdown.
From the director from ROBOTS and ICE AGE, Carlos Saldanha.
Release date on March 2006.


  2005, July 15
James L. Venable nominated at the 57th Annual Emmy Awards

Nominations for the 57th Annual Primetime Emmy Awards for the period of June 1, 2004 through May 31, 2005, were announced yesterday by the Academy of Television Arts & Sciences.
James L. Venable is nominated for Foster?s Home For Imaginary Friends in the Outstanding Main Title Theme Music category.

The awards presentation, awarding Emmys in 27 categories, will be televised by CBS on Sunday, September 18, from the Los Angeles Shrine Auditorium.
Read More...


  2005, July 15
NEWS FROM...

ASK THE DUST

We announced Hans ZIMMER was scoring the Robert Towne's Film. We can now give you more details on this score :
Hans Zimmer is the score producer for that project and Ramin Djawadiand Heitor Pereira co-composed the score.
Heitor's best known previous project as composer was Havana Nights : Dirty Dancing 2, while Ramin's one was the great Batman Begins
A great collaboration we can't wait to listen to it !

AUGUST RUSH

According to the Gorfaine/Schwartz Agency, this score is confirmed to be co-composed by Hans ZIMMER(as planned) and Harry GREGSON-WILLIAMS. Another great musical collaboration for a movie directed by Kirsten SHERIDAN, a drama with fairy tale elements, where an orphaned musical prodigy uses his gift as a clue to finding his birth parents (Read more...)

WALLACE & GROMMIT : THE CURSE OF THE WERE-RABBIT

Jim DOOLEY announced he's just finished the composition for the PS2 Video Game : SOCOM 3 : US Navy SEALs, and is now working for the new Dreamworks/Aardman's Wallace & Grommit movie. By the directors of Chicken Run...


  2005, July 07
Island



Music composed by steve Jablonsky

Release date : August, 08 2005



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