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You realize there is a very easy and free method to get the music from that site, dont you?Random thought but this got me thinking about Zanelli's history with fantasy.<br><br>Whatever happened to his score for Delgo?  I know it's been accused of being super derivative of his other works anyways but still, it's weird to see a RCP score just drop off the face of the Earth like that.There's just something really charming about seeing a prototype for a famous future theme showing up in an old score.<br><br>Or in PotC's case, SCORES.The only ones I've seen properly confirmed are the cues Badelt had listed on his website. The issue with everything else is that there's certain themes that's been associated with certain people, but aren't credited for every appearance. Not to mention that I've never really seen much official credits elsewhere, so I take any that I've seen with a grain of salt.This comment was made before that was properly confirmed, so he was likely going to do it solo at the time.
I thought Hans was collaborating with Faltermayer For Top Gun 2From both ASCAP and GEMACan these be accessed anywhere?The dream is collapsing... :oHoly f*ck, just listened to "Too Many Notes..." and its containing pirates theme itself from Pirates of the caribbean
'No Good About Goodbye' was never the intended song for QOS. It was composed after the film was completed using thematic material from the film for Shirley Bassey to perform on her, David Arnold produced album, 'The Performance'Those files are just sitting there.<br><br>Undownloadable.<br><br>Taunting me.@Ds<br>Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br><br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br><br>I already discussed 300 and Pacific Rim.  Clearly deep scripts aren't what I'm aiming for here when I talk about good blockbusters.<br><br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br><br>300's a great example of this, though unfortunately a lot of Snyder's other work isn't, and Bay is close behind.  Their films get bogged with way too much obnoxious bullshit to make the odd sequence worth it.<br><br>The Scorponok sequence from TF1, the warehouse fight from BvS, that's real standout stuff.  Stuff that loses a lot of its luster when surrounded by two-and-a-half, or god forbid THREE, hours of self-serious pretense, lazy humor, and/or annoying characters.<br><br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br><br>They just aren't very good filmmakers on the whole, and need to learn to consolidate their efforts into something that brings out their best and subdues their worst.  Snyder in particular has SERIOUSLY misjudged where his talent is lately.Well, Steve, about the score, says he still working on it.<br><br>I can't wait.A snippet of the verse (at 0:49) also shows up occasionally in the score, in Somebody Wants to Kill You, the end of Greene and Camille, and Field Trip.
Ist there any chance for concert in Poland during this tour?How do I listen to this ?Hybrid, what about any credits for this score?Looking to travel to Berlin for the kickoff. Reckon the concert is in german instead in english?100% agree.<br><br>“You Know My Name”, “Skyfall”, “Goldfinger”, etc. all stand out because they embrace the grander aspects of 007. Having a calm and reflective Bond song can be just as effective though. I feel like “No Time to Die” is basically trying to do what “Writing on the Wall” tried but succeeding much better.
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 LATEST RELEASES
 NEWS
  2005, September 30
Harry GREGSON-WILLIAMS composed for a theme park


Harry composed for SHREK 4D, the adaptation from the Dreamworks' movies for the Warner's theme park in Australia, "a totally new movie with spectacular visuals and multiple special effects yet to be seen".

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  2005, September 27
Trevor Rabin
www.scoremagacine.com Executive Interview




Let’s start talking about the beginnings of your musical education and career. How did you become interested in this area ? When was the time you fell in love with the guitar ?
> Read more


  2005, September 23
Nick Glennie-Smith interview



Nick Glennie-Smith‚ musician of the rock stars‚ the friend of Hans Zimmer‚ and mediaventurian composer‚ collaborates regularly in France at the “Puy du Fou” (French visual show).


  2005, September 21


Marcus Sjowall Named Grand Prize Winner of TCM 6th Annual Young Film Composers Competition - Hans Zimmer Run the competition

Oscar®-winning composer Hans Zimmer whose scores for Batman Begins and Madagascar can currently be heard in theatres, led a blue ribbon panel of judges in selecting Marcus Sjowall as the Grand Prize Winner of Turner Classic Movies’ 6th annual Young Film Composers Competition. He was selected from over 500 aspiring film composers who submitted entries for the competition this year.
> Read more...


  2005, September 12
John Debney and James L. Venable team up on "Venom'.



> Read more...


  2005, September 10
Composer Harry Gregson-Williams
on using Cubase for film score
.
Duration : 5'07
Author : Keyfax NewMedia



  2005, September 06
A Thousand Roads
Jeff Rona / Lisa Gerrard

   Stealth
BT


Gladiator
Special Anniversary Edition

Hans Zimmer / Lisa Gerrard

   Der Kleine Eisbar 2
Hans Zimmer / Nick Glennie-Smith



  2005, September 04
Steve JABLONSKY strikes back

GSA Music announces that Steve JABLONSKY is going to score the prequel from The Texas Chainsaw Massacre, directed by Jonathan Liebesman, and produced by Michael BAY.
Release date in theaters : October, the 6th. 2006

GSA also confirms the collaboration between Heitor PEREIRA & Ramin DJAWADI on ASK THE DUST.



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