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They all respected the theme of Courage, but each new composer brought a different sub-theme to the franchise.<br>@James  I don't know what you are referring to exactly, but I think that Horner's score in Star Trek II is a great example of a follow up movie score within the same universe. <br>I think all of those movies use the Alexander Courage theme for the original series but they still have some original material of their own and that's what Elfman should have done if he wanted to use the old themes for Batman and Superman. He could have used those in some moments but also keeping some material from BvS and MoS and creating new themes for the new characters and the League.What?! Did Mothersbaugh use a ghost writer?! he he heThis is a kind of Chappie mixed with Arcade of MoS.Hallo,<br>ich hätte eine Frage zu "Man of Steel", Track 2: "Oil Rig".<br>Da ist bei meiner Kaufversion (Download bei google) eine Stimme zu hören bei Sekunde 17 Bevor der Beat losgeht. Es hört sich an wie eine Kinderstimme die "O...O..." ruft. Ich finde es witzig, wüsste aber gerne wie die Stimme da rein kommt.<br>War das Absicht, gibt es eine Story dazu, oder ist es eine Fehler in der Aufnahme?<br>Weiß jemand was dazu?<br><br>LG
cd may have been shipped but ups tracking refrence shows up nothing on there site anyone got an ideas at to why this may be many thanksThe track is unreleased yeah, part of the movie's climax<br>chronologically it goes between Devils Anus and 'Asgard is a People'The Sierra Leone track Andrew K posted (link below)...I almost wonder if that's how 2010s Zimmer would redo The Lion King. More bass, more minimalist, more Interstellar...but still with an African flare.Horner and many others with Star Trek is a good example too.Huh. Well, the music Andrew posted is nice.
"Don't believe everything you hear, son."what do you gyus think about this? <br><br>www . youtube.com/watch?v=9riigqWjovMHallo,<br><br>Der 'Gladiator' ist schon langsam in die Jahre gekommen, die Musik ist aber nicht älter geworden. Genial.<br><br>Gruß  <br><br>Not bad score.<br><br>But I prefer the other oneIsn’t that ironic that DC is abandoning the continuity while Marvel is finally embracing it?<br><br>For any electronic fans out there, this score is definitely a must listen, there are some badass 80’s beats (with a dash of Tron legacy) in here.
I'm so mad at DC right now I'd rather promote Marvel !! lol<br><br><br>Well jokes aside I add cause Andrew worked on it. And btw he posted another 5 min cue on his Soundcloud, dunno if it's unreleased, there'll better specialists of that score than me !Yeah, I happen to have seen the film and the score is not really "coherent", it's more like many different cues put together...Okay, thanks for clearing that up. The Tracks released were kind of interesting, a kind of mix of soundsAnyone else think Hans knew about all the studio meddling during pre-production, the rewrites etc and walked away ? I mean, when I heard Elfman's score I thought it was generic and wouldn't fit the movie. Then I watched the movie and it fits well. The movie is just as bland as the music in the background.I don't have to ask, that movie was a failure that barely got distributed... No one had any interest in releasing this score...
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 LATEST RELEASES
 NEWS
  2005, September 30
Harry GREGSON-WILLIAMS composed for a theme park


Harry composed for SHREK 4D, the adaptation from the Dreamworks' movies for the Warner's theme park in Australia, "a totally new movie with spectacular visuals and multiple special effects yet to be seen".

Read More...


  2005, September 27
Trevor Rabin
www.scoremagacine.com Executive Interview




Let’s start talking about the beginnings of your musical education and career. How did you become interested in this area ? When was the time you fell in love with the guitar ?
> Read more


  2005, September 23
Nick Glennie-Smith interview



Nick Glennie-Smith‚ musician of the rock stars‚ the friend of Hans Zimmer‚ and mediaventurian composer‚ collaborates regularly in France at the “Puy du Fou” (French visual show).


  2005, September 21


Marcus Sjowall Named Grand Prize Winner of TCM 6th Annual Young Film Composers Competition - Hans Zimmer Run the competition

Oscar®-winning composer Hans Zimmer whose scores for Batman Begins and Madagascar can currently be heard in theatres, led a blue ribbon panel of judges in selecting Marcus Sjowall as the Grand Prize Winner of Turner Classic Movies’ 6th annual Young Film Composers Competition. He was selected from over 500 aspiring film composers who submitted entries for the competition this year.
> Read more...


  2005, September 12
John Debney and James L. Venable team up on "Venom'.



> Read more...


  2005, September 10
Composer Harry Gregson-Williams
on using Cubase for film score
.
Duration : 5'07
Author : Keyfax NewMedia



  2005, September 06
A Thousand Roads
Jeff Rona / Lisa Gerrard

   Stealth
BT


Gladiator
Special Anniversary Edition

Hans Zimmer / Lisa Gerrard

   Der Kleine Eisbar 2
Hans Zimmer / Nick Glennie-Smith



  2005, September 04
Steve JABLONSKY strikes back

GSA Music announces that Steve JABLONSKY is going to score the prequel from The Texas Chainsaw Massacre, directed by Jonathan Liebesman, and produced by Michael BAY.
Release date in theaters : October, the 6th. 2006

GSA also confirms the collaboration between Heitor PEREIRA & Ramin DJAWADI on ASK THE DUST.



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