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They all respected the theme of Courage, but each new composer brought a different sub-theme to the franchise.<br>@James  I don't know what you are referring to exactly, but I think that Horner's score in Star Trek II is a great example of a follow up movie score within the same universe. <br>I think all of those movies use the Alexander Courage theme for the original series but they still have some original material of their own and that's what Elfman should have done if he wanted to use the old themes for Batman and Superman. He could have used those in some moments but also keeping some material from BvS and MoS and creating new themes for the new characters and the League.What?! Did Mothersbaugh use a ghost writer?! he he heThis is a kind of Chappie mixed with Arcade of MoS.Hallo,<br>ich hätte eine Frage zu "Man of Steel", Track 2: "Oil Rig".<br>Da ist bei meiner Kaufversion (Download bei google) eine Stimme zu hören bei Sekunde 17 Bevor der Beat losgeht. Es hört sich an wie eine Kinderstimme die "O...O..." ruft. Ich finde es witzig, wüsste aber gerne wie die Stimme da rein kommt.<br>War das Absicht, gibt es eine Story dazu, oder ist es eine Fehler in der Aufnahme?<br>Weiß jemand was dazu?<br><br>LG
cd may have been shipped but ups tracking refrence shows up nothing on there site anyone got an ideas at to why this may be many thanksThe track is unreleased yeah, part of the movie's climax<br>chronologically it goes between Devils Anus and 'Asgard is a People'The Sierra Leone track Andrew K posted (link below)...I almost wonder if that's how 2010s Zimmer would redo The Lion King. More bass, more minimalist, more Interstellar...but still with an African flare.Horner and many others with Star Trek is a good example too.Huh. Well, the music Andrew posted is nice.
"Don't believe everything you hear, son."what do you gyus think about this? <br><br>www . youtube.com/watch?v=9riigqWjovMHallo,<br><br>Der 'Gladiator' ist schon langsam in die Jahre gekommen, die Musik ist aber nicht älter geworden. Genial.<br><br>Gruß  <br><br>Not bad score.<br><br>But I prefer the other oneIsn’t that ironic that DC is abandoning the continuity while Marvel is finally embracing it?<br><br>For any electronic fans out there, this score is definitely a must listen, there are some badass 80’s beats (with a dash of Tron legacy) in here.
I'm so mad at DC right now I'd rather promote Marvel !! lol<br><br><br>Well jokes aside I add cause Andrew worked on it. And btw he posted another 5 min cue on his Soundcloud, dunno if it's unreleased, there'll better specialists of that score than me !Yeah, I happen to have seen the film and the score is not really "coherent", it's more like many different cues put together...Okay, thanks for clearing that up. The Tracks released were kind of interesting, a kind of mix of soundsAnyone else think Hans knew about all the studio meddling during pre-production, the rewrites etc and walked away ? I mean, when I heard Elfman's score I thought it was generic and wouldn't fit the movie. Then I watched the movie and it fits well. The movie is just as bland as the music in the background.I don't have to ask, that movie was a failure that barely got distributed... No one had any interest in releasing this score...
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 LATEST RELEASES
 NEWS
  2005, November 24


Original Score Composed by Mark Mancina
Score Produced by Hans Zimmer and Mark Mancina


  2005, November 24
The British Years

   Good Morning America !

Release Date : December 12, 2005


  2005, November 22
Narnia's CD postponed

Planned to be released today, the score from Harry GREGSON-WILLIAMS will actually be in store on December, the 13th with the 2 discs special edition.

Also visit the Narnia's Soundtrack official website at Disney.com


  2005, November 15
> Download the soundclips in a single suite <
Thanks to McBain !



by Mike Brennan

Building up his career as one of Hollywood’s top composers‚ Harry Gregson-Williams has come a long way since his days of working with Hans Zimmer in the late 90’s. Stepping off the success of his collaborations with John Powell on Antz‚ Chicken Run and Shrek‚ he broke into his mainstream solo career with Spy Game in 2001‚ which was quickly followed by blockbusters such as Shrek 2‚ Man on Fire‚ and this year’s Kingdom of Heaven. Each film Gregson-Williams scores expands his repertoire to a slightly new genre: The Chronicles of Narnia is his first journey into the world of live-action epic fantasy‚ and it gave him a wonderful opportunity to pull out all the stops.
Read more...


  2005, November 13


New original www.hans-zimmer.com versions
(medley, acoustic and orchestral)


  2005, November 08


> Video of The Promise with Klaus Badelt original music
> mp3 Audio version


  2005, November 07
Interview with James Dooley from www.filmmusic.pl

What do you think about the recent change in film music? There seems to be more interest in building overall ambience rather than elaborate thematic writing. What do you think, why did this happen? Did the overall style created by Media Ventures (Remote Control) affect this new approach?
Read more...


  2005, November 07
Two new Hans Zimmer compilations announced by Milan

Volume 1 : The British Years
contains music from his period with Stanley Myers in London

  1. Burning Secret - Suite (23:59)
  2. My Beautiful Laundrette - My Beautiful Laundrette (04:00)
  3. The Fruit Machine - Suite (20:08)
  4. A World Apart - End Title (04:55)
  5. Fools Of Fortune - The Island (17:57)
Volume 2 : Good Morning‚ America !
contains music from his early years in the US

  1. Broken Arrow - Brothers (06:00)
  2. Broken Arrow - Secure (06:50)
  3. Nine Months - It’s a Boy (09:17)
  4. Point Of No Return - Hate - (07:26)
  5. Beyond Rangoon - Beyond Rangoon (10:08)
  6. Backdraft - You Go‚ We Go (05:11)
  7. Backdraft - Fahrenheit 451 (02:59)


  2005, November 05
The Chronicles Of Narnia



Music composed by Harry Gregson-Williams

Release date : December, 09 2005


  2005, November 04
Interview with James Dooley from www.filmmusik2000.de

Mr. Dooley, you studied composition under such famous composers as Elmer Bernstein, Christopher Young and Leonard Rosenman. How did they influence your career and film scoring?
Read more...


  2005, November 04
Harry Gregson Williams - DOMINO, no cd release probably

According to the Podcast of SoundtrackNet this week, there will be no soundtrack release of the score. That's because there are over 140 cues of music.
Harry Gregson-Williams tells it is to hard to put an album together with that huge apunt of short pieces becuase the shortest last for only 1 second and the longest has the inredible length of 20 seconds.


  2005, November 02
Klaus Badelt's next project

Klaus BADELT will compose for the remake from the 1972 disaster classic "The Poseidon Adventure" (music : John Williams). The movie, named POSEIDON, directed by Wolfgand PETERSEN, will be released in 2006.
With Kurt Russel, Josh Lucas & Richard Dreyfuss...



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