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and where could I download this same?just beautifulThis is a whole new side of his music as compared to what we normally hear.Black Widow has been moved to Nov. 6th, so we'll het Balfe's sckre at the end of the year.<br><br>Mulan has been moved to July 24th.Beautiful score! Matches well with The Lion King and Whispers
Booklet credits:<br><br>"Wedding"<br>Lyrics: Joanna Wallfisch<br>Elenor Bowers-Jolley: Vocals<br><br>"Siren's Lullaby"<br>Lyrics: Joanna Wallfisch<br>Sarah Lee, Elenor Bowers-Jolley: Vocals<br><br>Yuja Wang: Piano<br>Jack Liebeck: Violin<br>Raphael Wallfisch: Cello<br><br>The Chamber Orchestra of London<br>Janice Graham: Leader<br><br>Music Composed and Conducted by Benjamin Wallfisch<br><br>Score Recorded at Air Studios, London, September 2012<br>Piano Recorded at Avatar Studios, New York, September 2012<br>Music Mixed at Squadron Sound<br>Music Producer: Benjamin Wallfisch<br>Additional Orchestration: Ben Foskett<br>Orchestra Contractor: Gareth Griffiths<br>Score Recorded and Mixed by Jake Jackson<br>Scoring Co-Producer: Alexander van Ingen<br>Assistant Engineer: Chris Barrett<br>Mix Assistant: Adam Miller<br>Music Preparation: Global Music Services, Ltd<br>Publisher: Du Vinage Publishing Ltd<br>Executive Producer DG: Christian Badzura<br>Project Coordinator DG: Burkhard Bartsch<br><br>Booklet Editor: Jens Schünemeyer<br>Photos: Summer in February Films<br>Cover Design: The Creative Partnership<br>Package Design: Mareike Walter<br>Art Direction: Merle KerstenBooklet credits:<br><br>Music Composed by Benjamin Wallfisch<br><br>Music Orchestrated and Produced by Benjamin Wallfisch<br>Executive Producer: Robert Townson <br>Vocal Improvisations by Sussan Deyhim (tracks 2 & 7)<br>Additional vocals: Joanna Wallfisch (tracks 1 & 8) <br>Guitars: Owen Gurry<br>Score Performed by Macedonian Radio Symphony Orchestra<br>Conductor: Oleg Kondratenko<br>Orchestra Leader: Ana Kondratenko<br>Orchestra Contractor: Laurent Koppitz<br>Score Recorded by Giorgi Hristovski<br>Assistant Engineer: Boban Apostolov<br>Score Mixed by Benjamin Wallfisch<br>Orchestra Recorded at MRTV, Macedonia<br>Music Mixed at Fifth Street Music, Santa Monica<br>Music Programming: Benjamin Wallfisch<br>Mastered by Patricia Sullivan<br><br>Special Thanks from the composer to: Afshin Ghaffarian, Richard Raymond, Pippa Cross, Akram Khan, Bob Bowen, Sussan Deyhim, Andrew Shulman, Owen Gurry, Joanna Wallfisch, Robert Townson, Laurent Koppitz and Darrell AlexanderHmmm, according to Batu's website he worked on the first half of L3 & Millennium FalconLovely score with beautiful themes, atmospheric vocal parts and a nice orchestration.This is a highly underrated album. It's nothing short of a masterpiece, a modern opera. The choir is beautiful, and the choice of gospel for the first track gives it a unique identity, though I'm not sure how well it meshes with the orchestra. It feels a bit off, but will hopefully improve for me on further listens. <br><br>The composition, has to me, elevated Powell to the status of the second best living composer (Williams is still first for now). It's pure orchestral beauty and mastery with variety of texture, color, and style, with seamless tonal transitions. The complexity rivals some of the great works of the past. <br><br>It's strange to me that this is called "choral works". Sure the choir is an important element, but it really should be named "Hubris Symphony", or "Hubris: The Opera", because that's the status the album deserves.
My Attempt at a chronological order with edits (feel free to correct any mistakes or if I missed anything) <br><br>1. A Storm Is Coming (0:00 - 0:36) (Logos) <br>2. Should You Choose To Accept (0:00 - 0:52) <br>3. Good Evening, Mr. Hunt (4:19) <br>4. Plutonium Trade (2:53) <br>5. A Terrible Choice (2:55) <br>6. The Manifesto (1:44)  <br>7. Fallout (1:30)  <br>8. Your Mission (2:14)  <br>9. Free Fall (4:14) <br>10. As Ugly As They Come (2:26) <br>11. The White Widow (4:42) <br>12. Should You Choose To Accept (0:52 - 2:34) <br>13. Framing Ethan (2:01)  <br>14. The Exchange (5:55)  <br>15. Escape Through Paris (5:05) <br>16. Steps Ahead (1:02)  <br>17. Je Suis De Sole (1:06)  <br>18. We Are Never Free (6:57)  <br>19. Trapped (3:26)  <br>20. The Mission Is Terminated (2:09)  <br>21. No Hard Feelings (4:20)  <br>22. Stairs And Rooftops (6:00)  <br>23. Kashmir (4:29) <br>24. Fate Whispers To The Warrior (3:54) <br>25. And The Warrior Whispers Back (3:56) <br>26. Scalpel And Hammer (0:00 - 2:19) <br>27. Cutting On One (0:00 - 2:23) <br>28. Unfinished Business (1:49)  <br>29. A Storm Is Coming (0:36 - 1:12) <br>30. I Am The Storm (2:07)  <br>31. Scalpel And Hammer (2:19 - 5:10) <br>32. Cutting On One (2:23 - 3:42) <br>33. The Last Resort (2:55)  <br>34. Mission: Accomplished (1:15) <br>BONUS TRACKS: <br>35. The Syndicate (Unused) (6:00) <br>36. Change Of Plan (Unused) (5:47)Rogue One is a bit of an odd one. From what I'd heard, Desplat had joined on the condition he'd be allowed to do his own thing and not ape Williams. But once they decided to overhaul the film, they pressured him to go that exact direction. Things stayed still for a while (in which he still got paid) before he was finally let go very late into production. So the idea he sorta just left is interesting, so I'm curious to hear what that was about.<br><br>For BW, it seems very likely to me that Marvel simply were unsure about Alexandre's music, so I'm guessing they hired Balfe to do some demos and decided from there. Who knows what the exact timeline is, but I'd wager it'd have to at least be this year if he's been on it a bit. Especially with AD's name having stayed on the posters during it.Hybrid, Desplat left Rogue One just for his own idea? I know he left that movie beacuse schedule conflict for the reshoots. <br>But for Black Widow seems that the replacement was since months ago with Lorne writing and recording the score at the same timeht tp:// filmmusicreporter. com/2020/04/01/ track-list-for-disneys-live-action-mulan -soundtrack-album-revealed/<br><br>Why release a tracklist for an album that won't be released for another 6 months at least. That's just a punch in the gut, in my opinionSo it won't be a last minute and hasty job?
No idea but he was on it for a bit, I think.Hybrid, do you know how long Lorne had to score?Score is recorded already.Yup, which makes me wonder if they had to wait before announcing it, considering Desplat was still being listed in posters prior to the delay.I think Lorne teased this some time ago by sending a picture of researching Russian music on insta (maybe)
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 LATEST RELEASES
 NEWS
  2005, November 24


Original Score Composed by Mark Mancina
Score Produced by Hans Zimmer and Mark Mancina


  2005, November 24
The British Years

   Good Morning America !

Release Date : December 12, 2005


  2005, November 22
Narnia's CD postponed

Planned to be released today, the score from Harry GREGSON-WILLIAMS will actually be in store on December, the 13th with the 2 discs special edition.

Also visit the Narnia's Soundtrack official website at Disney.com


  2005, November 15
> Download the soundclips in a single suite <
Thanks to McBain !



by Mike Brennan

Building up his career as one of Hollywood’s top composers‚ Harry Gregson-Williams has come a long way since his days of working with Hans Zimmer in the late 90’s. Stepping off the success of his collaborations with John Powell on Antz‚ Chicken Run and Shrek‚ he broke into his mainstream solo career with Spy Game in 2001‚ which was quickly followed by blockbusters such as Shrek 2‚ Man on Fire‚ and this year’s Kingdom of Heaven. Each film Gregson-Williams scores expands his repertoire to a slightly new genre: The Chronicles of Narnia is his first journey into the world of live-action epic fantasy‚ and it gave him a wonderful opportunity to pull out all the stops.
Read more...


  2005, November 13


New original www.hans-zimmer.com versions
(medley, acoustic and orchestral)


  2005, November 08


> Video of The Promise with Klaus Badelt original music
> mp3 Audio version


  2005, November 07
Interview with James Dooley from www.filmmusic.pl

What do you think about the recent change in film music? There seems to be more interest in building overall ambience rather than elaborate thematic writing. What do you think, why did this happen? Did the overall style created by Media Ventures (Remote Control) affect this new approach?
Read more...


  2005, November 07
Two new Hans Zimmer compilations announced by Milan

Volume 1 : The British Years
contains music from his period with Stanley Myers in London

  1. Burning Secret - Suite (23:59)
  2. My Beautiful Laundrette - My Beautiful Laundrette (04:00)
  3. The Fruit Machine - Suite (20:08)
  4. A World Apart - End Title (04:55)
  5. Fools Of Fortune - The Island (17:57)
Volume 2 : Good Morning‚ America !
contains music from his early years in the US

  1. Broken Arrow - Brothers (06:00)
  2. Broken Arrow - Secure (06:50)
  3. Nine Months - It’s a Boy (09:17)
  4. Point Of No Return - Hate - (07:26)
  5. Beyond Rangoon - Beyond Rangoon (10:08)
  6. Backdraft - You Go‚ We Go (05:11)
  7. Backdraft - Fahrenheit 451 (02:59)


  2005, November 05
The Chronicles Of Narnia



Music composed by Harry Gregson-Williams

Release date : December, 09 2005


  2005, November 04
Interview with James Dooley from www.filmmusik2000.de

Mr. Dooley, you studied composition under such famous composers as Elmer Bernstein, Christopher Young and Leonard Rosenman. How did they influence your career and film scoring?
Read more...


  2005, November 04
Harry Gregson Williams - DOMINO, no cd release probably

According to the Podcast of SoundtrackNet this week, there will be no soundtrack release of the score. That's because there are over 140 cues of music.
Harry Gregson-Williams tells it is to hard to put an album together with that huge apunt of short pieces becuase the shortest last for only 1 second and the longest has the inredible length of 20 seconds.


  2005, November 02
Klaus Badelt's next project

Klaus BADELT will compose for the remake from the 1972 disaster classic "The Poseidon Adventure" (music : John Williams). The movie, named POSEIDON, directed by Wolfgand PETERSEN, will be released in 2006.
With Kurt Russel, Josh Lucas & Richard Dreyfuss...



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