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Any word on where this can be found, or if it actually exists? H-Z (here) is the only place any of these tracks (let alone mention of a complete version of this score) can be found.Why you haven't update about David Buckley with Angel Has Fallen score yet?Yep, fun (if slight) score to a very fun movie. "Get it On" is a great action cue.It was also one of the first HG-W's scores I ever listened to (way back when!), so maybe it's just nostalgia talking. <br>But it's worth a listen at least.It's a shame no one talks about this score. <br><br>It's a great listen if you love heavily percussive music! <br><br>Not a highlight in HG-W's carreer by any means, but it's a fun ride, and has some neat unique sounding stuff courtesy of Heitor Pereira, as well as plenty of goold ol' MV style synth/orchestra pounding!
He returns to the hitman's bodyguard part 2I was honored, back in 2006, to meet both Nick Glennie-Smith and Harry Gregson-Williams.<br><br>I talked with both about The Rock, and here's what they told.<br><br>Nick & Hans worked very closely on most of their cues. That's why it's so hard to notice any difference between their own styles (and why they share most of the credits).<br>Harry worked separately from Nick & Hans. He remembered working on the San Francisco Chase (though we know Don Harper helped at some point in the process), and on "a lot of the action material from the second half of the movie, once the heroes reach Alcatraz".<br>The credits here tend to prove they were right.<br><br>All the Opening Titles / SEAL Attack is a bit complicated. Hans might have written the theme, but it also might be arranged for pictures by Nick Glennie-Smith (plus there's a lot more going on in these tracks than the man theme alone). So, well, I guess the final result still is a collaborative effort.A brilliant score, no matter what some people might say. Some of the darkest and most beautiful themes by Hans Zimmer were born here, as well as a lot of very exciting and propulsive electronic techniques. <br>Heck, I even like the movie! The score fits like a glove.<br>It helps that I'm a huge Tony Scott fan though.<br><br>Zimmer would even 'steal' from this score quite a bit in some of his later films. The 'Wayne Manor Suite' from TDKR comes to mind, as well as one of the Blade Runner 2049 themes being strangely similar to The Fan's 'Opening Titles' theme, and I'm sure there are other examples.<br><br>I would love for a complete version to be officially released sometime. It's very unlikely, but one can dream...Listen to the first demo at NGS demos album of "The Rock". The opening and SEAL Attack have a few notes from original NGS theme. That's why NGS is credited to it.I remember hearing something about NGS not wanting his name in the opening credits since it was a Hans cue playing. So yeah. I think the opening is really just Zimmer and the NGS credit is a formality since it was supposed to be Nick’s score.
I'm sorry, disregard EVERYTHING I just wrote...The credit on "SEAL Attack" is HZ/NGS/Stern, not HZ/HGW/Stern. Not sure how I missed that. *facepalm*OK, so a thought...<br><br>"Opening" and "SEAL Attack" are functionally identical; Hybrid says that Hans originally wrote it for the latter scene and it was then placed over the main titles of the film. However, the former is credited to Hans and NGS, the latter to Hans, HGW and Steven Stern. Presumably, since HGW/Stern aren't credited on "Opening", their contribution to "SEAL Attack" is limited to that first minute, which does indeed have a lot of HGW-ish percussion work to my ears. That leaves the rest of "SEAL Attack" as Hans' work alone, which begs the question: why the heck is NGS credited for "Opening", then, since it's basically identical? Screw it, I'm labeling that a solo Hans cue. Always bugged me that there wasn't at least one on this score. :pHi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.comHi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.comThat's the 'Album Version' of Time To Suit Up
I'm "missing" three of the tracks for the complete score - CA Suite, WS Suite, and the alternate version of Time to Suit Up. <br><br>It looks like the CA and WS suites are pretty much the same ones on the official release as the lengths match up perfectly, but where can I find the alternate of Suit Up?Cheers mateI agree. Great score. This is "Hans Zimmer Dark Minimalism" done absolutely right. And the Oscorp stuff has to be temp. It goes up and down in just the right places.Forgot Macrotus, so the numbering messed up on 5-8 lol... Macrotus = Father to the Rescue + Hide in the Dark + Courthouse Pt. 1... Also, Myotis actually = Initiation into the League + Temple Fight. <br><br>If you have the End Credits too, that's a Batman Arrives/Backup mashup + Training + Father to the Rescue + Bruce Left for Dead + Batman Theme.<br>Gotcha covered. <br><br>1. Vespertilio = Batman Titles + The Long Walk<br>2. Eptesicus = Bruce Goes Home + Training <br>3. Myotis = Temple Fight<br>4. Barbastella = Mugging Pt. 2 + Bat Cave <br>6. Artibeus = Dockyard Ambush Pt. 1 + Meeting Ducard<br>7. Tadarida = Rachel in the Bat Cave + Fight in Crane's Lab Pt. 1 + Batman on Fire + Microwave Stolen<br>8. Antrozus = Facing the League + Gordon at Home <br>9. Nycteris = Prototypes + Why Bats? + Finders Keepers Pt. 1<br>10. Molossus = Batmobile Chase<br>11. Corynorhinus = Surveying the Ruins + Gordon Says Thanks <br>12. Lasiurus = Ra's al Ghul theme suite<br>
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 LATEST RELEASES
 NEWS
  2005, November 24


Original Score Composed by Mark Mancina
Score Produced by Hans Zimmer and Mark Mancina


  2005, November 24
The British Years

   Good Morning America !

Release Date : December 12, 2005


  2005, November 22
Narnia's CD postponed

Planned to be released today, the score from Harry GREGSON-WILLIAMS will actually be in store on December, the 13th with the 2 discs special edition.

Also visit the Narnia's Soundtrack official website at Disney.com


  2005, November 15
> Download the soundclips in a single suite <
Thanks to McBain !



by Mike Brennan

Building up his career as one of Hollywood’s top composers‚ Harry Gregson-Williams has come a long way since his days of working with Hans Zimmer in the late 90’s. Stepping off the success of his collaborations with John Powell on Antz‚ Chicken Run and Shrek‚ he broke into his mainstream solo career with Spy Game in 2001‚ which was quickly followed by blockbusters such as Shrek 2‚ Man on Fire‚ and this year’s Kingdom of Heaven. Each film Gregson-Williams scores expands his repertoire to a slightly new genre: The Chronicles of Narnia is his first journey into the world of live-action epic fantasy‚ and it gave him a wonderful opportunity to pull out all the stops.
Read more...


  2005, November 13


New original www.hans-zimmer.com versions
(medley, acoustic and orchestral)


  2005, November 08


> Video of The Promise with Klaus Badelt original music
> mp3 Audio version


  2005, November 07
Interview with James Dooley from www.filmmusic.pl

What do you think about the recent change in film music? There seems to be more interest in building overall ambience rather than elaborate thematic writing. What do you think, why did this happen? Did the overall style created by Media Ventures (Remote Control) affect this new approach?
Read more...


  2005, November 07
Two new Hans Zimmer compilations announced by Milan

Volume 1 : The British Years
contains music from his period with Stanley Myers in London

  1. Burning Secret - Suite (23:59)
  2. My Beautiful Laundrette - My Beautiful Laundrette (04:00)
  3. The Fruit Machine - Suite (20:08)
  4. A World Apart - End Title (04:55)
  5. Fools Of Fortune - The Island (17:57)
Volume 2 : Good Morning‚ America !
contains music from his early years in the US

  1. Broken Arrow - Brothers (06:00)
  2. Broken Arrow - Secure (06:50)
  3. Nine Months - It’s a Boy (09:17)
  4. Point Of No Return - Hate - (07:26)
  5. Beyond Rangoon - Beyond Rangoon (10:08)
  6. Backdraft - You Go‚ We Go (05:11)
  7. Backdraft - Fahrenheit 451 (02:59)


  2005, November 05
The Chronicles Of Narnia



Music composed by Harry Gregson-Williams

Release date : December, 09 2005


  2005, November 04
Interview with James Dooley from www.filmmusik2000.de

Mr. Dooley, you studied composition under such famous composers as Elmer Bernstein, Christopher Young and Leonard Rosenman. How did they influence your career and film scoring?
Read more...


  2005, November 04
Harry Gregson Williams - DOMINO, no cd release probably

According to the Podcast of SoundtrackNet this week, there will be no soundtrack release of the score. That's because there are over 140 cues of music.
Harry Gregson-Williams tells it is to hard to put an album together with that huge apunt of short pieces becuase the shortest last for only 1 second and the longest has the inredible length of 20 seconds.


  2005, November 02
Klaus Badelt's next project

Klaus BADELT will compose for the remake from the 1972 disaster classic "The Poseidon Adventure" (music : John Williams). The movie, named POSEIDON, directed by Wolfgand PETERSEN, will be released in 2006.
With Kurt Russel, Josh Lucas & Richard Dreyfuss...



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