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Tom Holkenborg:<br><br>After Funeral<br>Anguilo Bugged<br>Bathroom<br>Big Italian Dead<br>Billy Connolly Lunch<br>End Credit Suite<br>Main Title Theme<br>Bring Jimmy Into The Tent<br>Connolly and Marianne In The Kitchen<br>Death of Deborah<br>Death of Halloran<br>Death of McIntyre<br>Death of Mickey<br>Death of Wheeler<br>The Disappearance of Whitey Bulger<br>Halloran Interview<br>Hospital Cafeteria<br>I’ll Ask You Again<br>Informing Connolly <br>Jimmy and Marianne/Loading Valhalla<br>Jimmy and Connolly’s First Meeting<br>Make A Case Against Him<br>McGuire’s Phone Call<br>Native of Southie<br>Picking Up Tommy King<br>Source Overlay<br>Steak Dinner<br>There’s Nothing More I’m Going To Know<br>Utmost Respect<br>We’re Doing This<br>2 MinutesTom Holkenborg:<br><br>Jimmy Arrives at Cabin<br>Main On Ends<br>Opening <br>Main Title Transition<br>Alley Transition<br>Happy Ending <br>Hospital Visit<br>Because You’re Trash<br>Cops Take Michael <br>Execution/Foot Chase<br>I Used To Watch Your Fights Pt. 1-3<br>I’m Coming After Michael Pt. 1-2<br>Jimmy Calls On Michael<br>Michael Calls Police <br>Jimmy Dies<br>Jimmy Hesitates<br>Jimmy Says Goodbye<br>Sean Kills Kid<br>Sean Dies<br>Sean To Michael Transition<br>Street Source<br>Times Square Transition<br>Us Before You<br>Stay Off Main Streets<br>What’s The Number, Jim?<br>Hit Man Price<br>Jimmy’s Coming<br>Shootout in Woods<br>Train Station Pursuit Pt. 1/2<br><br>Tom Holkenborg, Christian Vorlander<br><br>Car Chase<br>Best Chance You’ve Got<br>New York Transition<br>He Killed His Own Cousin<br>The Projects Pt. 1/2Think Hans probably wrote a few notes in a piano mock-up and Lorne did the rest from that starting point... lolSaw the film today. If to talk music only, I heard Max mostly, but... nothing really different from his previous works. I heard the same motif as used in Hostiles and Morgan and probably elsewhere again and again... Nonetheless, enjoyed the movie itself immensely.From Deuscthe Grammophon.<br><br>BTW, i expect the Max Ritcher soundtrack
@MrZimmerFan Ok, thank you for the update about the full soundtrack next monthfrom Max or Lorne?Expected the full soundtrack next month<br><br>btw...<br>deutsche grammophon release tomorrow a track called "to the stars" from max richteroh man, oh man...<br>let's see what happend tomorrow
@Anonymous: technically it's already Friday in some countries, and there's no sign of any album on the iTunes of these countries. And if that were the case, filmmusicreporter would have announced it already, anyway.@DS Possible, but you are right, it could be film release, but why he put hashtags by #soundtrack? I have to wait till filmusicreporter announced for Ad Astra, but if not happen by the soundtrack tomorrow, then, I have to wait till the confirm from the news.@Anonymous: Are you sure Lorne mentionned the soundtrack release, or just the film release? His posts I've seen just say "Ad Astra is released on the 20th"... Pretty sure he means the film.<br><br>@Ahmad: Totally agree with what you wrote. It's an overall dull score, with some nice ideas that go nowhere. A few bits are obviously Lorne (like the opening cue, beautiful but how original is it to use an organ for a space scene?). And a few bits are obviously Richter, who is really on autopilot here (Hostiles - Mary Queen Of Scots - Werk Ohne Autor are nice scores, but all constructed in the exact same way). And the majority of it is quite anonymous, just ambient sounds far in the background. Also it seems like what they did with the score, they did it with the screenplay as well, because that's a freaking mess that doesn't seem to know which kind of movie it wants to be, and ends up being quite flat on all sides. Quite disappointing. Awesome visuals, though, but it's already been seen in the likes of Sunshine, Gravity, Interstellar, The Martian... all vastly superior pieces of cinema.<br><br>Anybody haven't you seen two new tweets update recently by Lorne Balfe from his twitter it said Ad Astra soundtrack will released tomorrow.So Zimmer being listed as the main theme composer at the top of the page is inaccurate too? It definitely sounds more like Lorne than Hans.
h ttps://www.youtube.com/watch? v=sekmQqx OhWM<br><br>From the developers.<br><br>Producer: Hans Zimmer<br>Composer: Lorne Baffle<br>Symphony Orchestra: Chamber Orchestra of London<br>Recording Studio: Abbey Road Studio<br><br>Fun theme by Lorne.But maybe at that time he didn’t have that version yet (in his mind i mean)<br>But... the intensity was crazy!Everything is great, except one thing - he did not add that intense music that played on the train when there was a battle. Well maybe I missed something while listening the album.Zimmer = Lorne is your answer.WAA WAA WAAAAAAAA
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 LATEST RELEASES
 NEWS
  2006, February 27
DOOGAL cd release

The score composed by Mark THOMAS & James L. VENABLE for the french animated movie will be released by Milan Records on March, the 7th. 2006.

Here's the tracklisting :

1. "Main Titles" - Mark Thomas 1:48
2. "The Magic Roundabout" - Kylie Minogue 3:50
3. "Meet Doogal" - James L. Venable 0:43
4. "Magic" - Pilot 3:05
5. "You Really Got Me" - Bill Nighy and Catherine Batt 2:20
6. "Doogal the Mechanic" - James L. Venable and Catherine Bott 1:03
7. "Zeebad Escapes" - James L. Venable and Danail Getz 1:09
8. "Sam Marches" - Mark Thomas 0:40
9. "The Magic Roundabout" - John M. Davis 3:28
10. "Meet Zeebad" - Andrea Remanda and Goldust 1:09
11. "Setting Up Camp" - James L. Venable 2:25
12. "Spinning" - Mark Thomas 2:22
13. "Duel of the Springs 2" - Mark Thomas 1:41
14. "Simply Wonderful" - Andrea Remanda and Goldust 2:31
15. "The What-a-Snails Waltz" - Mark Thomas 0:32
16. "Zeebad Threatens" - James L. Venable 1:33
17. "Train's Back" - Mark Thomas 3:41
18. "Lost in the Cold" - Mark Thomas 1:58
19. "See the City" - Mark Thomas 0:34
20. "The Frozen City" - Mark Thomas 0:16
21. "Frozen Florence" - John M. Davis 0:59
22. "The End of Zeebad" - Mark Thomas 1:31
23. "Florence Awakes" - Mark Thomas 1:41
24. "Sugar Sugar" - The Archies 2:49
25. "I Love to Boogie" - T.Rex 2:17
26. "Lean Mean Fighting Machine" - Andrea Remanda and Goldust 2:51
27. "Believe Yourself" - Andrea Remanda and Goldust 2:33
28. "Bust this Joint" - Andrea Remanda and Goldust 2:06


  2006, February 27
A new Jim Dooley Interview

The website Xanga.com has released an interview from Jim DOOLEY who speaks from his past, current and futur works. Extract...

Clark DOUGLAS: What do you have coming up in the not-too-distant future?

Jim DOOLEY: Well, I'm working on "The Da Vinci Code" with Hans Zimmer right now, that'll keep me busy until about March. I do have a video game I'm scoring from March to July, but I can't say which one that is, because it hasn't been announced yet. I have a German animation film which they'll be releasing in Europe in May. It's got some really interesting songs.

CD: For "The Da Vinci Code"... that's a storyline with a lot of varied and different elements involved. What sort of direction are you and Hans taking musically with that film?

JD: Hans has all ready... pardon the pun... cracked the code, so to speak. Before I came in to lift a finger, he'd written a 700-bar suite for this score, it's pretty breathtaking, my participation in this is not so much the upfront writer, but more the extension due to the slightly accelerated schedule of production, we've been scoring four weeks from yesterday, so it's pretty tight.


Read the complete interview


  2006, February 24
Interview from Jim DOOLEY

Jim Dooley recently did an interview with IGN talking about When a Stranger Calls.
You can listen to it HERE


  2006, February 24
Zimmer, Harvey & Dooley to compose THE DA VINCI CODE

According to West One Music, British composer Richard Harvey has joined the music team on The Da Vinci Code, ?co-writing the music score? with Hans Zimmer. Harvey and Zimmer has worked together before on Beyond Rangoon.
Also, James Michael Dooley is writing additional music for the film. Recordings of the music for is scheduled to take place at London?s Air Lyndhurst Hall this month.
Hans Zimmer?s much anticipated original score for The Da Vinci Code will be released on CD by Decca Records on May, the 15th.

More infos on Film Music Radio


  2006, February 17


Ask The Dust and after...


After finishing Ask The Dust, Ramin DJAWADI began scoring for the TV series Prison Break

Listen to the Opening Title


  2006, February 17
Ice Age 2 Cd Release

John Powell's score will be released by Varese on March, the 28th. 2006.

"John Powell has composed a score brimming with melody. The soundtrack itself is an epic adventure, overflowing with a sense of wonder and fun."


  2006, February 17
Trevor joins the Gang

Trevor RABIN will score the new film from Phil JOANOU, The Gridiron Gang, starring The Rock & Xzibit. Release date on September, the 15th. 2006.
More details...


  2006, February 17
Prinz und Paparazzi

Composed by Henning LOHNER, the score from this German Film for TV has been composed in 2005.

Extracts are available Here


  2006, February 17
Batman Begins' Score nominated

The score composed by James Newton Howard & Hans Zimmer is nominated for Best Score by the Academy of Science Fiction Fantasy & Horor Films(The Saturn Awards).
Also nominated, John Williams for two scores (no, it's not Memoirs of a Geisha, no it's not Munich !) : War Of The World & Star Wars III
...And Patrick Doyle's Harry POTTER & the Goblet of Fire, Danny Elfman's Charlie & the Chocolate Factory & john Ottman's Kiss Kiss, Bang Bang.

Results on May, the 2nd.


  2006, February 11
James Dooley
SOCOM 3 composer shares his musical secrets

by Spence D

James Dooley got his foot in the door, in regards to film, television, and videogame composition, by becoming a protege of noted Hollywood composer Hans Zimmer.
Under the tutelage of Zimmer Dooley worked as an additional composer, arranger, and orchestrator on several of Zimmer's film projects. Since then he's successfully branched out into the niche realm of composing music for theatrical trailers (he's crafted scores for the previews of Elf, Man on Fire, and King Arthur).

> Read more...


  2006, February 07
According to http://www.filmmusicradio.com, James L. Venable is composing the music for Scary Movie 4

> Read more...


  2006, February 01
FILM MUSIC MAGAZINE COVER STORY :
Harry Gregson-Williams: Zen, Hard Work and Destiny

By Jerry McCulley


decade after he left his native England for Los Angeles with little more than hand luggage, a visitor?s visa and but the vaguest of career prospects, Harry Gregson-Williams counts himself extremely fortunate to be amongst Hollywood?s most successful and in-demand film composers. Working from his sprawling new state-of-the-art scoring/recording complex just blocks from the Venice Beach boardwalk, Gregson-Williams has just completed director Andrew Adamson?s adaptation of author C. S. Lewis? The Chronicles of Narnia, and is already preparing to resume longstanding collaborations with directors Tony Scott and Joel Schumacher in 2006.
> Read more...



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