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Looks like your wish was granted ;)<br>It's out for me and "Ask The Sea" is exactly the cue I wanted :D It's so good! I actually tweeted at him asking if he'd consider including it in the release - he didn't react to my tweet then and now I wonder if he read it or he planned to include it all along. <br><br>I've only seen the movie once and I haven't listened to the score much so I need to revisit it soon.Thanks, that's great!!<br><br>Hooe those sessions will be here soon. Still a lot of music music. Would have liked it better if those remixes, were actually score tracksMera Montage is the big rock vocal cue used during the Sicily Battle & the Wine scene.<br><br>Home Invasion the opening soldiers barging in to capture Atlanna, as well as a part of the Black Manta / Orm negotiation scene.<br><br>Saving Pops is... the saving pops scene...<br><br>Ahab Wave is the tsunami scene + and when Aquaman arrives to the sub to fight Manta's gang.<br><br>Ask the Sea is when Aquaman refuses to help Manta's dad.<br><br>Olbigation is the soft piece in the plane when Aquaman & Mera talk.<br><br>Dunes is the comedic Dunes slide scene...I just want the Sicily Battle music!
Having seen it I can say visually it is incredible, definitely a work of art on that level. What sets it back (for me personally) is the lack of a strong emotional core. The choice to make the animals realistic looks great, but doesnít have the same range that the hand drawn version had in terms of giving the animals the facial characteristics like the original. Soulless might be kind of harsh, but I didnít feel anything throughout. Also doing a shot-for-shot remake probably wasnít the best approach. <br><br>Musically though; this definitely was a great reminder as to why the original score is still a classic. Like everyone has said, itís a perfect companion piece that actually fixes some minor flaws and fleshes out some ideas much better. Some important cues missing though.ďAsk The SeaĒ <br>Oh please be the cue I want...Deluxe edition releases tomorrow<br>http :// filmmusicreporter .com /2019/07/18/aquaman-deluxe-edition-soundtrack-to-be-released /Didn't Menken do much the same with Aladdin and Beauty and the Beast? I think the only ones who have been the most original with the scores to these remakes have been Danny Elfman and John Debney.<br><br>My personal view is this serves as a great compliment to the 1994 soundtrack, not an outright replacement. If you combined the two you'd get quite the meaty soundtrack.<br><br>As for the film itself, I highly doubt it will be as 'great' as the original, but that's not to say that it deserves the slating critics have given it either. I personally can't say - I haven't seen it yet.Recently in China, a movie was released called Looking Up, and the soundtrack was released with Steffen Thum's score and main theme/additional music by Lorne Balfe.
I have to agree. It's a stellar score and I love it, but it was written 25 years ago, nevertheless.<br>Still, credit where credit's due, as you mentioned, the new 'Stampede' is a beast of a track, really added to the original, as well as the 'Battle' cue, awesome stuff for sure. <br>Haven't seen the movie yet, but I really hope it measures up, at least in the same way the score does.Most of it sounds like a high quality youtube remix to me, honestly. it's serviceable but unnecessary.Probably Zimmer, in 1994. It's part of the demoes he included on the Legacy set so I'd say it's a safe bet.panpipes or flute doesnt matter, i just wondering who composed this :Dhaha thatís true :D
Wasn't expecting any of that so I'm not disappointed :D <br><br>So apparently this is out as well as The Golden Circle.. listening now. Canít believe I missed this.And that's why it bugs me so much lol. They're literally the biggest studio out there, so it would've been nice to see them go to the max with this release. Especially since it's one of their most popular IPs if not their most popular IP.BLU-RAY SPECIAL FEATURES:<br>Deleted Scenes:<br>Edwards Air Force Base<br>Charles Returns Home<br>Mission Prep<br>Beast MIA<br>Charles Says Goodbye<br>Rise of the Phoenix: The Making of Dark Phoenix (5-Part Documentary)<br>Scene Breakdown: The 5th Avenue Sequence88<br>How to Fly Your Jet to Space with Beast<br>Audio Commentary by Simon Kinberg and Hutch Parker<br>*Commentary available on Blu-ray, iTunes Extras and Movies Anywhere only<br>-----<br>no Hans (making of) and no isolated score :/ damn...Hey, this is Disney we're talking about. Never expect this sort of thing for that. The ONLY film from them that immediately springs to mind that got that the first time round was Frozen.
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 LATEST RELEASES
 NEWS
  2006, February 27
DOOGAL cd release

The score composed by Mark THOMAS & James L. VENABLE for the french animated movie will be released by Milan Records on March, the 7th. 2006.

Here's the tracklisting :

1. "Main Titles" - Mark Thomas 1:48
2. "The Magic Roundabout" - Kylie Minogue 3:50
3. "Meet Doogal" - James L. Venable 0:43
4. "Magic" - Pilot 3:05
5. "You Really Got Me" - Bill Nighy and Catherine Batt 2:20
6. "Doogal the Mechanic" - James L. Venable and Catherine Bott 1:03
7. "Zeebad Escapes" - James L. Venable and Danail Getz 1:09
8. "Sam Marches" - Mark Thomas 0:40
9. "The Magic Roundabout" - John M. Davis 3:28
10. "Meet Zeebad" - Andrea Remanda and Goldust 1:09
11. "Setting Up Camp" - James L. Venable 2:25
12. "Spinning" - Mark Thomas 2:22
13. "Duel of the Springs 2" - Mark Thomas 1:41
14. "Simply Wonderful" - Andrea Remanda and Goldust 2:31
15. "The What-a-Snails Waltz" - Mark Thomas 0:32
16. "Zeebad Threatens" - James L. Venable 1:33
17. "Train's Back" - Mark Thomas 3:41
18. "Lost in the Cold" - Mark Thomas 1:58
19. "See the City" - Mark Thomas 0:34
20. "The Frozen City" - Mark Thomas 0:16
21. "Frozen Florence" - John M. Davis 0:59
22. "The End of Zeebad" - Mark Thomas 1:31
23. "Florence Awakes" - Mark Thomas 1:41
24. "Sugar Sugar" - The Archies 2:49
25. "I Love to Boogie" - T.Rex 2:17
26. "Lean Mean Fighting Machine" - Andrea Remanda and Goldust 2:51
27. "Believe Yourself" - Andrea Remanda and Goldust 2:33
28. "Bust this Joint" - Andrea Remanda and Goldust 2:06


  2006, February 27
A new Jim Dooley Interview

The website Xanga.com has released an interview from Jim DOOLEY who speaks from his past, current and futur works. Extract...

Clark DOUGLAS: What do you have coming up in the not-too-distant future?

Jim DOOLEY: Well, I'm working on "The Da Vinci Code" with Hans Zimmer right now, that'll keep me busy until about March. I do have a video game I'm scoring from March to July, but I can't say which one that is, because it hasn't been announced yet. I have a German animation film which they'll be releasing in Europe in May. It's got some really interesting songs.

CD: For "The Da Vinci Code"... that's a storyline with a lot of varied and different elements involved. What sort of direction are you and Hans taking musically with that film?

JD: Hans has all ready... pardon the pun... cracked the code, so to speak. Before I came in to lift a finger, he'd written a 700-bar suite for this score, it's pretty breathtaking, my participation in this is not so much the upfront writer, but more the extension due to the slightly accelerated schedule of production, we've been scoring four weeks from yesterday, so it's pretty tight.


Read the complete interview


  2006, February 24
Interview from Jim DOOLEY

Jim Dooley recently did an interview with IGN talking about When a Stranger Calls.
You can listen to it HERE


  2006, February 24
Zimmer, Harvey & Dooley to compose THE DA VINCI CODE

According to West One Music, British composer Richard Harvey has joined the music team on The Da Vinci Code, ?co-writing the music score? with Hans Zimmer. Harvey and Zimmer has worked together before on Beyond Rangoon.
Also, James Michael Dooley is writing additional music for the film. Recordings of the music for is scheduled to take place at London?s Air Lyndhurst Hall this month.
Hans Zimmer?s much anticipated original score for The Da Vinci Code will be released on CD by Decca Records on May, the 15th.

More infos on Film Music Radio


  2006, February 17


Ask The Dust and after...


After finishing Ask The Dust, Ramin DJAWADI began scoring for the TV series Prison Break

Listen to the Opening Title


  2006, February 17
Ice Age 2 Cd Release

John Powell's score will be released by Varese on March, the 28th. 2006.

"John Powell has composed a score brimming with melody. The soundtrack itself is an epic adventure, overflowing with a sense of wonder and fun."


  2006, February 17
Trevor joins the Gang

Trevor RABIN will score the new film from Phil JOANOU, The Gridiron Gang, starring The Rock & Xzibit. Release date on September, the 15th. 2006.
More details...


  2006, February 17
Prinz und Paparazzi

Composed by Henning LOHNER, the score from this German Film for TV has been composed in 2005.

Extracts are available Here


  2006, February 17
Batman Begins' Score nominated

The score composed by James Newton Howard & Hans Zimmer is nominated for Best Score by the Academy of Science Fiction Fantasy & Horor Films(The Saturn Awards).
Also nominated, John Williams for two scores (no, it's not Memoirs of a Geisha, no it's not Munich !) : War Of The World & Star Wars III
...And Patrick Doyle's Harry POTTER & the Goblet of Fire, Danny Elfman's Charlie & the Chocolate Factory & john Ottman's Kiss Kiss, Bang Bang.

Results on May, the 2nd.


  2006, February 11
James Dooley
SOCOM 3 composer shares his musical secrets

by Spence D

James Dooley got his foot in the door, in regards to film, television, and videogame composition, by becoming a protege of noted Hollywood composer Hans Zimmer.
Under the tutelage of Zimmer Dooley worked as an additional composer, arranger, and orchestrator on several of Zimmer's film projects. Since then he's successfully branched out into the niche realm of composing music for theatrical trailers (he's crafted scores for the previews of Elf, Man on Fire, and King Arthur).

> Read more...


  2006, February 07
According to http://www.filmmusicradio.com, James L. Venable is composing the music for Scary Movie 4

> Read more...


  2006, February 01
FILM MUSIC MAGAZINE COVER STORY :
Harry Gregson-Williams: Zen, Hard Work and Destiny

By Jerry McCulley


decade after he left his native England for Los Angeles with little more than hand luggage, a visitor?s visa and but the vaguest of career prospects, Harry Gregson-Williams counts himself extremely fortunate to be amongst Hollywood?s most successful and in-demand film composers. Working from his sprawling new state-of-the-art scoring/recording complex just blocks from the Venice Beach boardwalk, Gregson-Williams has just completed director Andrew Adamson?s adaptation of author C. S. Lewis? The Chronicles of Narnia, and is already preparing to resume longstanding collaborations with directors Tony Scott and Joel Schumacher in 2006.
> Read more...



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