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You're right, matthew, but i'd said everyone here is used to this kind of album release with HZ/RCP, like The Thin Red Line or Inception with a lot of suites and not so much of the actual movie score. Personally i don't mind because I know the full score will be release some day and I really enjoy suites. However, I'm afraid there is nothing else to do that wait.<br><br>ps : i think Hans or RCP has no right to publish a full score (even they own), it's up to the studio--If they decide to release a proper FYC hopefully that will contain the film order/versions/unreleased/etc. <br><br>But I do agree, this is one of those scores that is tremendously improved by the film flow. Honestly I never understood the thinking behind putting out an album if you aren’t going to use the full 79 minutes it allows. Especially when you are missing cues which are vastly different from what’s presented. Why “Escape From Ship” or “No Time For Caution” weren’t there to begin with confuses me.Love Ocean Bloom. Hybrid, no release date yet for the album? The first episode is coming out in a week.as a giant fucking fan of this movie, I can't put it into words just how lazy is this presentation of the actual music. <br><br>it annoys the shit out of me when I read comments on youtube, Itunes, Amazon and also here, like whats the opening music? and the stupid answer is from everybody: "oh yeah, you're looking for The Mole, thats the opening scene!" well, fuck, the movie opens with The Mole, but it goes on for only 2 minutes, and the rest 4 minutes is unused, and the actual 4 minutes after 2 minutes, from the opening is unreleased. it is a minor fact that seems 100% unnoticed by every person. because the music is non-stop in the film, I consider the opening from the logos, until we arrive to the beach.<br><br>Shivering Soldier is the first track that appears "as used in the film" form on the release.<br><br>Supermarine is a misleading action suite released before the premiere, because of marketing purposes, I think the studio was a bit scared, so they wanted to demonstrate that this is more of a summer blockbuster than a black and white war movie. <br><br>Home is the classic "different version in film" case, only to give Hybrid Soldier the chance to come here and give a defense speech about how Zimmer, Nolan, and every soul at warner bros, at water tower music, at remote control and every world-class star status earned professionals in hollywood couldn't make the "as used in film" presentation dream come true. the "no the time for caution" event is still comes hilariously amature from a creative business built on the words: "Make it happen" <br><br><br>include the bible and i agree
Balfe is with all this year. <br>Best tv score of the year: Genius<br>Best movie score of the year: Lego Batman<br>Best action score of the year: Geostorm<br>Best drama score of the year: Churchill<br>And best scifi score: Ghost in the shell<br>2017 has been a hell of a year for him<br>It really is an excellent soundtrack with cool action and big epic tunes .Thanks for reply. I asked Watertower Music and they said they did limited edition and that it may be sold out. I was looking if somebody got it from them or if it's just a mistake on their part.The Best Action Score of the Year??? Please hear more Score!Have had the album on constantly all weekend and it’s the best
"Rage and Serenity" can be heard again in Kingsman 2 when Harry remembersNew to this web site and came across it because of this score .can not wait to actually watch the movie but for the moment the score is the bestDefiantly the best action score his yearTake a look at top of this page www.hans-zimmer.com/index.php?rub=discography&bt=3&numid=1<br>This is the reason why you can't find it in any shop and you will not get an answer here.Listened on friday to Professor Marston. Wonderful score! Really good best of the week. Also Marco Beltrami his work on The Snowman is spot on.
Does anyone know the musical instruments incorporated in Equation?This was recently added back onto Spotify. Just an FYI for those of us who actually wanted to listen to this soundtrack for the past 2 years.Yes yes yes yesBecause he's been working a lot with HGW & RGW...Howe is not Remote Control . Why create a page ?
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 LATEST RELEASES
 NEWS
  2006, February 27
DOOGAL cd release

The score composed by Mark THOMAS & James L. VENABLE for the french animated movie will be released by Milan Records on March, the 7th. 2006.

Here's the tracklisting :

1. "Main Titles" - Mark Thomas 1:48
2. "The Magic Roundabout" - Kylie Minogue 3:50
3. "Meet Doogal" - James L. Venable 0:43
4. "Magic" - Pilot 3:05
5. "You Really Got Me" - Bill Nighy and Catherine Batt 2:20
6. "Doogal the Mechanic" - James L. Venable and Catherine Bott 1:03
7. "Zeebad Escapes" - James L. Venable and Danail Getz 1:09
8. "Sam Marches" - Mark Thomas 0:40
9. "The Magic Roundabout" - John M. Davis 3:28
10. "Meet Zeebad" - Andrea Remanda and Goldust 1:09
11. "Setting Up Camp" - James L. Venable 2:25
12. "Spinning" - Mark Thomas 2:22
13. "Duel of the Springs 2" - Mark Thomas 1:41
14. "Simply Wonderful" - Andrea Remanda and Goldust 2:31
15. "The What-a-Snails Waltz" - Mark Thomas 0:32
16. "Zeebad Threatens" - James L. Venable 1:33
17. "Train's Back" - Mark Thomas 3:41
18. "Lost in the Cold" - Mark Thomas 1:58
19. "See the City" - Mark Thomas 0:34
20. "The Frozen City" - Mark Thomas 0:16
21. "Frozen Florence" - John M. Davis 0:59
22. "The End of Zeebad" - Mark Thomas 1:31
23. "Florence Awakes" - Mark Thomas 1:41
24. "Sugar Sugar" - The Archies 2:49
25. "I Love to Boogie" - T.Rex 2:17
26. "Lean Mean Fighting Machine" - Andrea Remanda and Goldust 2:51
27. "Believe Yourself" - Andrea Remanda and Goldust 2:33
28. "Bust this Joint" - Andrea Remanda and Goldust 2:06


  2006, February 27
A new Jim Dooley Interview

The website Xanga.com has released an interview from Jim DOOLEY who speaks from his past, current and futur works. Extract...

Clark DOUGLAS: What do you have coming up in the not-too-distant future?

Jim DOOLEY: Well, I'm working on "The Da Vinci Code" with Hans Zimmer right now, that'll keep me busy until about March. I do have a video game I'm scoring from March to July, but I can't say which one that is, because it hasn't been announced yet. I have a German animation film which they'll be releasing in Europe in May. It's got some really interesting songs.

CD: For "The Da Vinci Code"... that's a storyline with a lot of varied and different elements involved. What sort of direction are you and Hans taking musically with that film?

JD: Hans has all ready... pardon the pun... cracked the code, so to speak. Before I came in to lift a finger, he'd written a 700-bar suite for this score, it's pretty breathtaking, my participation in this is not so much the upfront writer, but more the extension due to the slightly accelerated schedule of production, we've been scoring four weeks from yesterday, so it's pretty tight.


Read the complete interview


  2006, February 24
Interview from Jim DOOLEY

Jim Dooley recently did an interview with IGN talking about When a Stranger Calls.
You can listen to it HERE


  2006, February 24
Zimmer, Harvey & Dooley to compose THE DA VINCI CODE

According to West One Music, British composer Richard Harvey has joined the music team on The Da Vinci Code, ?co-writing the music score? with Hans Zimmer. Harvey and Zimmer has worked together before on Beyond Rangoon.
Also, James Michael Dooley is writing additional music for the film. Recordings of the music for is scheduled to take place at London?s Air Lyndhurst Hall this month.
Hans Zimmer?s much anticipated original score for The Da Vinci Code will be released on CD by Decca Records on May, the 15th.

More infos on Film Music Radio


  2006, February 17


Ask The Dust and after...


After finishing Ask The Dust, Ramin DJAWADI began scoring for the TV series Prison Break

Listen to the Opening Title


  2006, February 17
Ice Age 2 Cd Release

John Powell's score will be released by Varese on March, the 28th. 2006.

"John Powell has composed a score brimming with melody. The soundtrack itself is an epic adventure, overflowing with a sense of wonder and fun."


  2006, February 17
Trevor joins the Gang

Trevor RABIN will score the new film from Phil JOANOU, The Gridiron Gang, starring The Rock & Xzibit. Release date on September, the 15th. 2006.
More details...


  2006, February 17
Prinz und Paparazzi

Composed by Henning LOHNER, the score from this German Film for TV has been composed in 2005.

Extracts are available Here


  2006, February 17
Batman Begins' Score nominated

The score composed by James Newton Howard & Hans Zimmer is nominated for Best Score by the Academy of Science Fiction Fantasy & Horor Films(The Saturn Awards).
Also nominated, John Williams for two scores (no, it's not Memoirs of a Geisha, no it's not Munich !) : War Of The World & Star Wars III
...And Patrick Doyle's Harry POTTER & the Goblet of Fire, Danny Elfman's Charlie & the Chocolate Factory & john Ottman's Kiss Kiss, Bang Bang.

Results on May, the 2nd.


  2006, February 11
James Dooley
SOCOM 3 composer shares his musical secrets

by Spence D

James Dooley got his foot in the door, in regards to film, television, and videogame composition, by becoming a protege of noted Hollywood composer Hans Zimmer.
Under the tutelage of Zimmer Dooley worked as an additional composer, arranger, and orchestrator on several of Zimmer's film projects. Since then he's successfully branched out into the niche realm of composing music for theatrical trailers (he's crafted scores for the previews of Elf, Man on Fire, and King Arthur).

> Read more...


  2006, February 07
According to http://www.filmmusicradio.com, James L. Venable is composing the music for Scary Movie 4

> Read more...


  2006, February 01
FILM MUSIC MAGAZINE COVER STORY :
Harry Gregson-Williams: Zen, Hard Work and Destiny

By Jerry McCulley


decade after he left his native England for Los Angeles with little more than hand luggage, a visitor?s visa and but the vaguest of career prospects, Harry Gregson-Williams counts himself extremely fortunate to be amongst Hollywood?s most successful and in-demand film composers. Working from his sprawling new state-of-the-art scoring/recording complex just blocks from the Venice Beach boardwalk, Gregson-Williams has just completed director Andrew Adamson?s adaptation of author C. S. Lewis? The Chronicles of Narnia, and is already preparing to resume longstanding collaborations with directors Tony Scott and Joel Schumacher in 2006.
> Read more...



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