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Was Anthony Willis responsible for crafting that gorgeous string passage from "Lando's Closet?Yep, Hans can be a musical genius when given the opportunity.I hope there is going to be a "Redbad" release. MdR is basically Trevor's best work, and I really want to hear what he did for the director's current film.Last Night, I edited for the Traffik's score DVD sfx by Geoff Zanelli it's an okay score, but it's more like mystery music.<br><br>Here's the unreleased score<br><br>1.DVD Menu - 0:58<br>2.Logo - 0:58<br>3.Everything's Gonna Work Out - 1:16<br>4.The Northern Pines - 0:41<br>5.It's Your Lucky Day - 0:30<br>6.Car Chase - 0:52<br>7.Brea & John Riding Together In The Car - 0:27<br>8.Vacation House - 1:30<br>9.Human Trafficking - 0:24<br>10.Give Me The Phone! - 0:39<br>11.It's The Basement & Darren's Death - 2:22<br>12.Find The Case - 0:16<br>13.Should We Check It Out? - 0:25<br>14.Upload The Information To The Computer - 1:44<br>15.Biker Guy Shot The Old Man - 0:20<br>16.John's Death - 1:25<br>17.Nice And Slow - 0:38<br>18.Malia & Brea In The Tunnel - 0:49<br>19.Brea Escapes From The Tunnel - 1:03<br>20.Brea Finds Another Gas Station - 1:16<br>21.Call The Police - 0:37<br>22.Cops Rescue The Trafficked Women - 1:33 <br> <br><br>;)
I'm guessing, based on the credits, that Williams worked on "Dice and Roll" directly?He is.i don't doubt it, he and the director are good frineds and fans of each other, also they worked together on Annabelle so I'm willing to bet money he's the composer which is AWESOMEWallfisch just Retweeted the Shazam! trailer. Does that mean he is scoring it then? Hybrid can you say anything about this?On Millers water planet, those ticking noises happen every 1.25 seconds. Each tick you hear is a while day passing on Earth.
@MikeOTM<br>Youíre absolutely right. Powell did an awesome job of staying within the musical sandbox of the SW musical universe but also was able to bring something fresh and original to the overall sound, something Star Wars really needs right now.Sweet. I've gotta say, this score surprised me in a good way. I've always loved Powell, but if you told me two years ago he'd write a Star Wars score, I'd have been hesitant about it. But Solo is really, really solid, even without the John Williams main theme. In fact, I like what Powell does with the JW theme better than the theme as JW wrote it.Wowww so many solo Powell!His part is not in the OST release...No Paul Mounsey credits?
Credits added !
<br>
<br>I didn't credit here JW for every arrangements of his theme & old SW themes that can be heard throughout the score.MoS, TASM2Badelt's "Solomon"?<br><br>This must be the "famous" Dark Knight reference that the "critics" are talking about.I could have sworn I had heard the Solomon theme and some of the same<br>Chords that Kraemer had used...<br>My mistake lol<br><br>And Balfe does seem like a genuinely nice person. Hell he even takes the time to put out unreleased music, not something most composers do. <br>That is exactly why I hate when people take personal jabs at composers (usually at Junkie XL for some reason). Itís fine to not like the music, everyone has different tastes, but donít criticize a composer for writing what he was asked to write.I agree! He actually invited me to come to a recording session in London for this film, man it killed me that I couldnít afford to go. But I was so thankful he even thought to ask! Top notch guy.
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 LATEST RELEASES
 NEWS
  2006, February 27
DOOGAL cd release

The score composed by Mark THOMAS & James L. VENABLE for the french animated movie will be released by Milan Records on March, the 7th. 2006.

Here's the tracklisting :

1. "Main Titles" - Mark Thomas 1:48
2. "The Magic Roundabout" - Kylie Minogue 3:50
3. "Meet Doogal" - James L. Venable 0:43
4. "Magic" - Pilot 3:05
5. "You Really Got Me" - Bill Nighy and Catherine Batt 2:20
6. "Doogal the Mechanic" - James L. Venable and Catherine Bott 1:03
7. "Zeebad Escapes" - James L. Venable and Danail Getz 1:09
8. "Sam Marches" - Mark Thomas 0:40
9. "The Magic Roundabout" - John M. Davis 3:28
10. "Meet Zeebad" - Andrea Remanda and Goldust 1:09
11. "Setting Up Camp" - James L. Venable 2:25
12. "Spinning" - Mark Thomas 2:22
13. "Duel of the Springs 2" - Mark Thomas 1:41
14. "Simply Wonderful" - Andrea Remanda and Goldust 2:31
15. "The What-a-Snails Waltz" - Mark Thomas 0:32
16. "Zeebad Threatens" - James L. Venable 1:33
17. "Train's Back" - Mark Thomas 3:41
18. "Lost in the Cold" - Mark Thomas 1:58
19. "See the City" - Mark Thomas 0:34
20. "The Frozen City" - Mark Thomas 0:16
21. "Frozen Florence" - John M. Davis 0:59
22. "The End of Zeebad" - Mark Thomas 1:31
23. "Florence Awakes" - Mark Thomas 1:41
24. "Sugar Sugar" - The Archies 2:49
25. "I Love to Boogie" - T.Rex 2:17
26. "Lean Mean Fighting Machine" - Andrea Remanda and Goldust 2:51
27. "Believe Yourself" - Andrea Remanda and Goldust 2:33
28. "Bust this Joint" - Andrea Remanda and Goldust 2:06


  2006, February 27
A new Jim Dooley Interview

The website Xanga.com has released an interview from Jim DOOLEY who speaks from his past, current and futur works. Extract...

Clark DOUGLAS: What do you have coming up in the not-too-distant future?

Jim DOOLEY: Well, I'm working on "The Da Vinci Code" with Hans Zimmer right now, that'll keep me busy until about March. I do have a video game I'm scoring from March to July, but I can't say which one that is, because it hasn't been announced yet. I have a German animation film which they'll be releasing in Europe in May. It's got some really interesting songs.

CD: For "The Da Vinci Code"... that's a storyline with a lot of varied and different elements involved. What sort of direction are you and Hans taking musically with that film?

JD: Hans has all ready... pardon the pun... cracked the code, so to speak. Before I came in to lift a finger, he'd written a 700-bar suite for this score, it's pretty breathtaking, my participation in this is not so much the upfront writer, but more the extension due to the slightly accelerated schedule of production, we've been scoring four weeks from yesterday, so it's pretty tight.


Read the complete interview


  2006, February 24
Interview from Jim DOOLEY

Jim Dooley recently did an interview with IGN talking about When a Stranger Calls.
You can listen to it HERE


  2006, February 24
Zimmer, Harvey & Dooley to compose THE DA VINCI CODE

According to West One Music, British composer Richard Harvey has joined the music team on The Da Vinci Code, ?co-writing the music score? with Hans Zimmer. Harvey and Zimmer has worked together before on Beyond Rangoon.
Also, James Michael Dooley is writing additional music for the film. Recordings of the music for is scheduled to take place at London?s Air Lyndhurst Hall this month.
Hans Zimmer?s much anticipated original score for The Da Vinci Code will be released on CD by Decca Records on May, the 15th.

More infos on Film Music Radio


  2006, February 17


Ask The Dust and after...


After finishing Ask The Dust, Ramin DJAWADI began scoring for the TV series Prison Break

Listen to the Opening Title


  2006, February 17
Ice Age 2 Cd Release

John Powell's score will be released by Varese on March, the 28th. 2006.

"John Powell has composed a score brimming with melody. The soundtrack itself is an epic adventure, overflowing with a sense of wonder and fun."


  2006, February 17
Trevor joins the Gang

Trevor RABIN will score the new film from Phil JOANOU, The Gridiron Gang, starring The Rock & Xzibit. Release date on September, the 15th. 2006.
More details...


  2006, February 17
Prinz und Paparazzi

Composed by Henning LOHNER, the score from this German Film for TV has been composed in 2005.

Extracts are available Here


  2006, February 17
Batman Begins' Score nominated

The score composed by James Newton Howard & Hans Zimmer is nominated for Best Score by the Academy of Science Fiction Fantasy & Horor Films(The Saturn Awards).
Also nominated, John Williams for two scores (no, it's not Memoirs of a Geisha, no it's not Munich !) : War Of The World & Star Wars III
...And Patrick Doyle's Harry POTTER & the Goblet of Fire, Danny Elfman's Charlie & the Chocolate Factory & john Ottman's Kiss Kiss, Bang Bang.

Results on May, the 2nd.


  2006, February 11
James Dooley
SOCOM 3 composer shares his musical secrets

by Spence D

James Dooley got his foot in the door, in regards to film, television, and videogame composition, by becoming a protege of noted Hollywood composer Hans Zimmer.
Under the tutelage of Zimmer Dooley worked as an additional composer, arranger, and orchestrator on several of Zimmer's film projects. Since then he's successfully branched out into the niche realm of composing music for theatrical trailers (he's crafted scores for the previews of Elf, Man on Fire, and King Arthur).

> Read more...


  2006, February 07
According to http://www.filmmusicradio.com, James L. Venable is composing the music for Scary Movie 4

> Read more...


  2006, February 01
FILM MUSIC MAGAZINE COVER STORY :
Harry Gregson-Williams: Zen, Hard Work and Destiny

By Jerry McCulley


decade after he left his native England for Los Angeles with little more than hand luggage, a visitor?s visa and but the vaguest of career prospects, Harry Gregson-Williams counts himself extremely fortunate to be amongst Hollywood?s most successful and in-demand film composers. Working from his sprawling new state-of-the-art scoring/recording complex just blocks from the Venice Beach boardwalk, Gregson-Williams has just completed director Andrew Adamson?s adaptation of author C. S. Lewis? The Chronicles of Narnia, and is already preparing to resume longstanding collaborations with directors Tony Scott and Joel Schumacher in 2006.
> Read more...



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