NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Yea But it isn't like they would lost Money with such a Giant Score like the TF3 one. Well I still Hope that we will get it one day :)@meta I'm feeling the same way. TF movies have always been flawed but very enjoyable for me thanks to Michael Bay's trademark. But this one... is so bad not even Michael Bay can save it. I really don't know what the screenwriters did in their "collaboration room"... but for sure they didn't collaborate a lot, because this "story" is probably the most disjointed mess I've ever seen.<br><br>The saving grace for me was the track "We Have To Go", which plays entirely without cut, that whole scene was pretty bad-ass.@Ds: Actually I prefer Ender's Game (also released by Varese Sarabande) over P&G (but the movie is cool)Pain and Gain is not a bad score, actually it's maybe better than the TF scores, in its own genre.<br><br>But it's entirely electronic so I guess there are no musicians to pay!<br><br>Also, maybe a lot of releases have the same deal as TF3 and TF4, but so few people buy them, they remain for sale forever because the maximum allowed number of sales is never reached...I must be the biggest weirdo in all of film score history, because the highlight of DMTNT for me was "I've Come With the Butcher's Bill." It resonated instrumentally, most notably that badass cello (?) at around the 2:35 mark, it was the perfect blend of old and new themes, and best of all, it sounded like a swashbuckling theme. As much as I loved the  action cues in the first three, I sometimes felt that they resembled a Latin hell choir more than a traditional pirate piece, especially AWE. It's good listening, but sometimes it sounded more like Gregorian Chanters of the Caribbean. :P <br>I seriously blast Butcher's Bill out loud on the highway, I love it so much.
one more question. Who wrote the Bumblebee theme?Does an instrumental version of BATTLE CRY exist?? 0.oAwesome Thx.which tracks are suites, cuz it seems like a bunch are...?Love Izzy!
I take it back...<br><br>Just saw the movie and the only good thing to come out of it is the score....<br><br>What the Hell Michael Bay? Who the hell is writing this crap and how the hell did you approve this story? By far the worst of the 5.....and I don't blame Jablonsky at all.There's also a little hint in "Code Red" too...Year there Are some interesting hidden thinks in this Score ! And i Hope that You Are Right and that we will get Even more Original themes in the next one. I Personally Hope that er will get a New arrival to Earth Version !Well ok but I don't See a Problem with paying the musicians cause many People would buy it especially the Third one. I mean every other Score gets released These days and many Are Not as half as good as the TF3 score is and it Looks like Even the Bad Scores like pain and gain Are paying of so for me it seems very unnatural and Strange. I guess we have to Hope that they will Release a Soundtrack Box one day like the tresure Collection from Pirates of the caribbean...Exactly! How is it possible that a major movie franchise has no consistency in their scores? To me very strange! I downloaded the scores of the old Robocop movies (except Robocop 3 is everything there) although this franchise is "dead". From a FAN point of view I would appreciate the Return of TF3 & TF4 scores.
Lea Halalela on CD “RHYTHM of the PRIDE LANDS“ from 1995;...<br>Frankfurt show was amazing, Leipzig tooHey guys! When listening to it again, I discovered that the first few notes of the Autobot theme is played near the end of History of Transformers. This score really does feel like a return to form for Jablonsky.Technically Paramount could release the 3rd and 4th scores again, but they would have to pay extra money to the musicians & orchestra, if I understand this correctly.<br><br>The EP is still on iTunes because it's only demos I think.Well it's strange because the score of TF3 is (in my opinion) with the first one the best. I didn't see the deal working cause obviously there are many people out here that would definitely buy it. And with the fourth one, well I do remember one or two weeks after the movie was released there was the full score and a few days later they changed it to the EP version. Very strange and sad especially cause it effects this beautiful score.Thanks for sharing! It is a petty that the TF3 is not distributed any more,it makes no sense to me. Hope it re-appears one day because fans want to have a complete selection of scores!<br><br>Greetings from Southampton/England
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





 .
updated by Nicolas 
 LATEST RELEASES
 NEWS
  2006, February 27
DOOGAL cd release

The score composed by Mark THOMAS & James L. VENABLE for the french animated movie will be released by Milan Records on March, the 7th. 2006.

Here's the tracklisting :

1. "Main Titles" - Mark Thomas 1:48
2. "The Magic Roundabout" - Kylie Minogue 3:50
3. "Meet Doogal" - James L. Venable 0:43
4. "Magic" - Pilot 3:05
5. "You Really Got Me" - Bill Nighy and Catherine Batt 2:20
6. "Doogal the Mechanic" - James L. Venable and Catherine Bott 1:03
7. "Zeebad Escapes" - James L. Venable and Danail Getz 1:09
8. "Sam Marches" - Mark Thomas 0:40
9. "The Magic Roundabout" - John M. Davis 3:28
10. "Meet Zeebad" - Andrea Remanda and Goldust 1:09
11. "Setting Up Camp" - James L. Venable 2:25
12. "Spinning" - Mark Thomas 2:22
13. "Duel of the Springs 2" - Mark Thomas 1:41
14. "Simply Wonderful" - Andrea Remanda and Goldust 2:31
15. "The What-a-Snails Waltz" - Mark Thomas 0:32
16. "Zeebad Threatens" - James L. Venable 1:33
17. "Train's Back" - Mark Thomas 3:41
18. "Lost in the Cold" - Mark Thomas 1:58
19. "See the City" - Mark Thomas 0:34
20. "The Frozen City" - Mark Thomas 0:16
21. "Frozen Florence" - John M. Davis 0:59
22. "The End of Zeebad" - Mark Thomas 1:31
23. "Florence Awakes" - Mark Thomas 1:41
24. "Sugar Sugar" - The Archies 2:49
25. "I Love to Boogie" - T.Rex 2:17
26. "Lean Mean Fighting Machine" - Andrea Remanda and Goldust 2:51
27. "Believe Yourself" - Andrea Remanda and Goldust 2:33
28. "Bust this Joint" - Andrea Remanda and Goldust 2:06


  2006, February 27
A new Jim Dooley Interview

The website Xanga.com has released an interview from Jim DOOLEY who speaks from his past, current and futur works. Extract...

Clark DOUGLAS: What do you have coming up in the not-too-distant future?

Jim DOOLEY: Well, I'm working on "The Da Vinci Code" with Hans Zimmer right now, that'll keep me busy until about March. I do have a video game I'm scoring from March to July, but I can't say which one that is, because it hasn't been announced yet. I have a German animation film which they'll be releasing in Europe in May. It's got some really interesting songs.

CD: For "The Da Vinci Code"... that's a storyline with a lot of varied and different elements involved. What sort of direction are you and Hans taking musically with that film?

JD: Hans has all ready... pardon the pun... cracked the code, so to speak. Before I came in to lift a finger, he'd written a 700-bar suite for this score, it's pretty breathtaking, my participation in this is not so much the upfront writer, but more the extension due to the slightly accelerated schedule of production, we've been scoring four weeks from yesterday, so it's pretty tight.


Read the complete interview


  2006, February 24
Interview from Jim DOOLEY

Jim Dooley recently did an interview with IGN talking about When a Stranger Calls.
You can listen to it HERE


  2006, February 24
Zimmer, Harvey & Dooley to compose THE DA VINCI CODE

According to West One Music, British composer Richard Harvey has joined the music team on The Da Vinci Code, ?co-writing the music score? with Hans Zimmer. Harvey and Zimmer has worked together before on Beyond Rangoon.
Also, James Michael Dooley is writing additional music for the film. Recordings of the music for is scheduled to take place at London?s Air Lyndhurst Hall this month.
Hans Zimmer?s much anticipated original score for The Da Vinci Code will be released on CD by Decca Records on May, the 15th.

More infos on Film Music Radio


  2006, February 17


Ask The Dust and after...


After finishing Ask The Dust, Ramin DJAWADI began scoring for the TV series Prison Break

Listen to the Opening Title


  2006, February 17
Ice Age 2 Cd Release

John Powell's score will be released by Varese on March, the 28th. 2006.

"John Powell has composed a score brimming with melody. The soundtrack itself is an epic adventure, overflowing with a sense of wonder and fun."


  2006, February 17
Trevor joins the Gang

Trevor RABIN will score the new film from Phil JOANOU, The Gridiron Gang, starring The Rock & Xzibit. Release date on September, the 15th. 2006.
More details...


  2006, February 17
Prinz und Paparazzi

Composed by Henning LOHNER, the score from this German Film for TV has been composed in 2005.

Extracts are available Here


  2006, February 17
Batman Begins' Score nominated

The score composed by James Newton Howard & Hans Zimmer is nominated for Best Score by the Academy of Science Fiction Fantasy & Horor Films(The Saturn Awards).
Also nominated, John Williams for two scores (no, it's not Memoirs of a Geisha, no it's not Munich !) : War Of The World & Star Wars III
...And Patrick Doyle's Harry POTTER & the Goblet of Fire, Danny Elfman's Charlie & the Chocolate Factory & john Ottman's Kiss Kiss, Bang Bang.

Results on May, the 2nd.


  2006, February 11
James Dooley
SOCOM 3 composer shares his musical secrets

by Spence D

James Dooley got his foot in the door, in regards to film, television, and videogame composition, by becoming a protege of noted Hollywood composer Hans Zimmer.
Under the tutelage of Zimmer Dooley worked as an additional composer, arranger, and orchestrator on several of Zimmer's film projects. Since then he's successfully branched out into the niche realm of composing music for theatrical trailers (he's crafted scores for the previews of Elf, Man on Fire, and King Arthur).

> Read more...


  2006, February 07
According to http://www.filmmusicradio.com, James L. Venable is composing the music for Scary Movie 4

> Read more...


  2006, February 01
FILM MUSIC MAGAZINE COVER STORY :
Harry Gregson-Williams: Zen, Hard Work and Destiny

By Jerry McCulley


decade after he left his native England for Los Angeles with little more than hand luggage, a visitor?s visa and but the vaguest of career prospects, Harry Gregson-Williams counts himself extremely fortunate to be amongst Hollywood?s most successful and in-demand film composers. Working from his sprawling new state-of-the-art scoring/recording complex just blocks from the Venice Beach boardwalk, Gregson-Williams has just completed director Andrew Adamson?s adaptation of author C. S. Lewis? The Chronicles of Narnia, and is already preparing to resume longstanding collaborations with directors Tony Scott and Joel Schumacher in 2006.
> Read more...



 HANS-ZIMMER.com© 2001-2017 OST 
Stephane Vidali / Antas - Nicolas Cabarrou