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Are the above credits with only Hans complete or not? If they are, then it's interesting how much of this album is just Zimmer. Even if it is an exercise in musical intensity more than anything else. I have to yet to see the film, but the score isn't as bad as I was worried it would be. In fact, most of it's just fine, and I look forward to hearing it with the film. It certainly does raise the pulse when you listen to it. It's like dread in musical form.I know exactly what part you're talking about. Unfortunately that segment wasn't released in any part of the score. It's a matter of waiting for the film version when the complete score is released.Perhaps. I also noticed a more heroic variation. How to turn the theme into a march.Lol, why though? <br>But yeah I think it will get disqualified. Maybe it'll get a Golden Globe.Hans probably hopes so... Warner not so much... lol
Do you guys think Dunkirk will be disqualify from the Oscars because the score used Elgar's theme? Similar to how Johannson was disqualified for using Richter's piece.I wanted that track as well!!! recording sessions when :'(I think its probably a remix by Hi-Finesse or someone like that. Just guessing maybe based on some of Elfmans work based on XL&Zimmer's themesYep. I know, but we have to agree that Elfman would never do anything like that. I do not think even XL.<br>Listen again. They refer to the themes of Hans' Superman in the second half of the trailer.I'd also like that chilling piece from when the ship sinks<br><br>other than that, not that much I desire
You said it yourself "almost never". <br>Some MoS trailers featured Hans' score. ComicCon trailer for BvS featured music from Hans and Tom. <br>I actually didn't hear any reference to Hans' 3 main Supes motifs. Beside the hints of "Come Together", I find the music rather boring anf generic.no, you can buy on steamNo.<br>The trailer's music is almost never is composed by the composer of the score. It is made by a specialized company.So, is that Elfman's score in the trailer? It seems a bit early, but if that is, I just MIGHT be okay with him taking over from Junkie.Okay, point taken, but at least his previous scores for Nolan were obviously music and had an emotional presence. And the two note Batman theme was actually something Hans had to convince Nolan about. Nolan wanted this heroic theme that was left unused.
@Mike Hans himself said sometimes a movie does not need a melody theme. It depends on the movie and the characters in it.<br>the main character here is fear threat and so on... in that regards the score respects that.<br><br>@hybrid: in order to have the full soundtrack we will then have to wait for bluray and rip the music & effect out of it. ^^This was one of the most emotionally engaging movies I have ever seen.  I suspect it has to do with the fact that my father was a WW II vet who was on a ship going through the Straits of Gibraltar when they were bombarded by German airplanes.  The selection of Elgar's Nimrod was a stroke of genius.  It rises and falls like the ocean, like a wheezy organ.  I wept.  This movie is a tribute to the Everyman who did his or her part.  We need to be reminded.It's not iTunes ????? Hybrid any examples you can post ?I’m going to see the movie again on Tuesday, but after the first viewing I would say yes and no. The cues on the album are mostly in chronological order (towards the end at least) and I would say ‘Home’, ‘The Oil’, ‘Variation 15’ and ‘End Titles’ play basically unchanged in the movie. However, in my experience the ticking sound is much more present throughout the entire movie and speeds up and slows down during tense moments. On the top of my head, there is not a cue that played in the film that stood out for not being on the album, except for the one when Tommy and Gibson are racing the stretcher across the beach. It’s the staccato violin or cello cue. I don’t know what kind of cue was composed for the prologue since I haven’t seen it, but judging from the comments here that cue is missing as well.Totally agree on that note . Genius has been one of most unique scores in ages and the music is great
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 LATEST RELEASES
 NEWS
  2006, March 31
The SONCINEMAD Organizer Committee has just announced some very important news about the Harry Gregson Williams' Symphonic Concert for Orchestra and Choir, taking place in Madrid, Spain on the 30th June.

The 160 piece Chamartin Symphonic Orchestra and the Talˇa Choir will be conducted by Harry Gregson Williams and Silvia Sanz Torres (Official Director of the Orchestra).

The total timing for the concert will be 120 minutes with a single intermission. The suites that will be presented have been specially orchestrated and specifically adapted for this very concert.

The final program of the performance has the following structure:

1. CHICKEN RUN
2. ANTZ
3. SPY GAME
4. THE TIGGER MOVIE
5. KINGDOM OF HEAVEN
INTERMEDIO
6. SINBAD: THE LEGEND OF THE SEVEN SEAS
7. THE MAGIC OF MARCIANO
8. SHREK & SHREK 2
9. THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBEFINAL
10. BRIDGET JONES 2: THE EDGE OF REASON
11. BISES
12. BISES


Sources :
www.scoremagacine.com
soncinemad.com


  2006, March 28
The Chronicles Of Narnia - Recording Sessions
Harry Gregson-Williams

   When a Stranger Calls
Jim Dooley



  2006, March 28
Sony will release the soundtrack of Over the Hedge on May 16th.

  2006, March 27


  2006, March 27
Lisbeth Scott & Martin Tillman will attend at SONCINEMAD

Soncinemad is very pleased to announce the presence of two highly talented and well-known international artists, as solo performers in the Harry Gregson Williams symphonic concert in Madrid, 30th of June, 2006.

Lisbeth Scott, the renowned singer, vocalist and songwriter has been working with film music?s top names such as John Williams, Hans Zimmer, James Newton Howard, John Debney, Harry Gregson-Williams, John Powell, and Mark Mothersbagh among other with her unique voice and personal musical style being heard in numerous films and television shows, like "Munich", "The Passion of the Christ", "Batman Begins", "The Last Samurai", "The Chronicles of Narnia", "Simbad", "Kingdom of Heaven", "Shrek" and "Shrek 2", "Sinbad", "Bruce Almighty", "Agent Cody Banks", "Spy Game", "Atlantis", "Dinosaur", "The Scorpion King", "A Perfect Murder", "The Sixth Sense", "Sleepy Hollow", among other. Also featured in Tv-shows like "ER", "CSI", "Alias", "Touched By an Angel", "Party of Five", "Survivor" and "Felicity". Her most recent film music credits include "Ithuteng" and "Canvas" together with composer John Debney.

Martin Tillmann will be also taking part as a soloist playing the electric cello.
The film music credits from this renowned cellist include (among others) "The Fan", "Hannibal", "Gladiator", "Pearl Harbor", "Black Hawk Down", "The Ring", "The Last Samurai", "Batman Begins" and "The Da Vinci Code". For the later, he also shared co-composing credits with Hans Zimmer and Henning Lohner. Other film music credits include "King Arthur", "Cold Mountain", "Passion of the Christ", "Something?s gotta give", "Pirates of the Caribbean", "Bad Boys II", "Armageddon", "Face/Off", "Kiss the girls", "Replacement Killers" and "Bait".

The tickets for the concert will be available very soon through Telentrada of Caixa Catalunya and SONCINEMAD


  2006, March 24
LAURA'S CHRISTMAS STAR

A new chapter for this story is currently in pre-production. Directed by Thilo Rothkirch & Piet De Rycker, this 45 minutes animated movie will be scored by Henning LOHNER.
Release date : December 2006.


  2006, March 24
FIRED IN THE NIGHT ! ;-)

A little joke to try to explain the Hans ZIMMER's withdrawal of THE SIMPSONS MOVIE in the GSA list. Announced though yesterday by Zimmer's Agency, the news did spark off many discussions.
To be continued...


  2006, March 23
GSA ANNOUNCES...



Hans ZIMMER and Dave STEWART are both going to work on the music for 20th Century Fox upcoming animated feature film version of The Simpsons. Work on the animated film is expected to begin later this summer, and according to the IMDB, The Simpsons Movie currently has a 2008 release date. (Thanks to S. Alves for those precisions).

Steve JABLONSKY will score for the South Korean Movie D-WAR directed by Hyung-rae Shim.
Official Website

Harry GREGSON-WILLIAMS will score for the SHREK 3. (Release date May, the 18th 2007)
This same Harry will compose for the new collaboration between director Joel Schumacher and Jim Carrey, ten years after Batman forever. Their new film, named THE NUMBER 23 relates the story of a man who becomes obsessed with a book that appears to be based on his life but ends with a murder that has yet to happen in real life.


  2006, March 22
THE DA VINCI CODE
New Trailer
featuring original score from the movie
by Hans ZIMMER


Watch trailer - Score By Hans ZIMMER

also featuring "Requiem For A Tower" by Simone Benyacar, Dan Nielsen & Veigar Mairgersson based on Requiem For A Dream by Clint Mansell

Source : Soundtrack.net


  2006, March 21
POSEIDON : Interview with Klaus BADELT

The suite from the Soundtrack.net article, the Mp3 interview from the composer, by Dan Goldwasser.
Download (Mp3 - 3.75 Mos - 8'11)


  2006, March 20
Klaus BADELT records POSEIDON



Soundtrack.net presents a review with pictures from recording sessions from upcoming scores POSEIDON composed by Klaus BADELT.


  2006, March 17
THE GUARDIAN

Filmmusicradio announce that Trevor RABIN will score the next Andrew DAVIS's movie, THE GUARDIAN.


  2006, March 14
LMO score Klaus Badelt's 16 Blocks

Klaus Badelt has teamed up with legendary Hollywood Director Richard Donner (whose credits include The Omen and the Superman and Lethal Weapon movies as well as vintage TV series such as The Six Million Dollar Man and Kojak) for the new Bruce Willis Movie 16 Blocks.

Klaus used a 40 piece string section over 3 sessions, supplemented by 4 horns, 3 trombones and tuba for 1 further session. Andy Brown was the Musical Director, Steve McLaughlin the engineer and Klaus Badelt and Chris Brooks (music editor) monitered the sessions from a studio link to Los Angeles.

Source : http://www.lmo.co.uk


  2006, March 14


With Tokyo city Philarmonic Orchestra
Featuring Violet UK


  2006, March 14
Disco page updated



  2006, March 13
AFTER OVER THE EDGE...

Rupert Gregson-Williams will score It's A Boy Girl Thing directed by Nick HURRAN.
The project revolves around two teenage next-door neighbors (Samaire Armstrong & Kevin Zegers) who are sworn enemies. Waking up one day to find themselves in each other's bodies, each sets out to destroy the other's high school reputation before going from infuriation to infatuation.


  2006, March 13
ULTRAVIOLET MP3 Extract



As it seems to be no plan for a cd release, we decided to present the opening title online in a very bad quality (to prevent illegal copy) (MP3-mono-96Kbs) in order to share with you one of the most exciting Klaus Badelt's piece of music ever composed...


  2006, March 12
A KLAUS BADELT VIDEO INTERVIEW
By M-AUDIO.com




  2006, March 12
Upcoming scores

Ramin Djawadi will score the Sony animation movie OPEN SEASON.

John POWELL has been hired to score for the next Paul GREENGRASS' movie(The Bourne Supremacy), FLIGHT 93 on one of the planes that was hijacked on 9/11 and crashed in Pennsylvania. The film will be released on April, the 28th.
Read more infos...


  2006, March 12


BLOOD + CD Release

Produced by Hans ZIMMER & composed by Marc MANCINA, the score will be released on April, the 26th. 2006





  2006, March 02
Hans Zimmer and Mark Mancina to Write August Rush Theme

The music-driven drama August Rush, starring Freddie Highmore (Charlie and the Chocolate Factory), Keri Russell (The Upside of Anger, Golden Globe winner for Felicity), Jonathan Rhys-Meyers (Match Point, Golden Globe winner for Elvis), with Terrence Howard (Crash, Oscar nominee for Hustle & Flow) and Academy Award winner Robin Williams (Good Will Hunting), has commenced production in New York for Warner Bros. Pictures. The announcement was made today by Jeff Robinov, President of Production, Warner Bros. Pictures.

The film's main theme will be created by award-winning composers Hans Zimmer (Oscar winner for The Lion King) and Mark Mancina (The Lion King, Brother Bear), and the score will be composed by Mancina. Legendary music producer Phil Ramone will produce three of the nearly three dozen music tracks in the film.

source : http://www.comingsoon.net/news/movienews.php?id=13383

Mancina's involvement with August Rush was mentioned back in December's ScoreMakers profile for Steve Erdody, who will be providing many of the cello solos for the film.



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