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Tracklist<br><br>1. Hostage Part 1<br>  2. Will & Sarah<br>  3. Welcome To Heaven<br>  4. Botha<br>  5. The Crane<br>  6. Chopper Ambush<br>  7. Duct Tape<br>  8. Bridge Collapse<br>  9. Proper Motivation<br>  10. Out On A Ledge<br>  11. Georgia & Henry<br>  12. Reflections<br>  13. Hostage Part 2<br>  14. Reboot<br>  15. Lucky Man<br>  16. Skyscraper<br>  17. The Pearl<br>  18. WallsSorry about my ingnorance, but what means "Additional Music" (Batu Sener, Paul Mounsey, etc)?Conrad Pope orchestrated and conducted this in New Zealand so i hope this isnít Junkieís regular sound design, percussion and synth score.@Edmund Meinerts:<br><br>"Hope nobody is stupid enough to think Powell was to blame." This. Following that same logic, Disney should never have let Williams back after the prequel trilogy.Has anyone been able to source this amazing soundtrack on records? <br><br>Thanks,
He already did score a masterpiece in Mad Max Fury Road, although his music for that was no masterpiece. ;)Do you say "masterpiece" based on Peter Jackson's name, or based on the trailer? Because I'm really afraid for this movie, I love Jackson's films, but it just looks too dumb :-pBest chance Junkie XL will ever have to score a masterpiece. Hope he do one this right.According to Film Music Reporter Junkie will score Mortal Engines. <br><br>http: //filmmusicreporter.com/2018/06/18/junkie-xl-scoring-mortal- engines-movie-adaptation/There wasn't really any hype for the movie, it didn't seem like people were all that interested in a Han Solo origin story. Plus it's only been half a year since Last Jedi came out and broke the internet. Unlike Marvel, Star Wars doesn't seem immune to franchise fatigue.<br><br>A shame. Hope nobody is stupid enough to think Powell was to blame.
Hi guys. Dose anybody know why solo faild in box office ?Search for "filmtracks".Sorry, just found it.Tried that, couldn't find an author named Clemmensen who reviewed it. (I don't know where to look I haven't seen this guy's reviews before).Should be easy to find with google...
Seriously guys, what site is he on? I want to see this review, but I don't know where it is.I know woodwinds, with few exception, have been completely abandoned by RCP, but man would it be nice if Steve fit woodwinds into the small scale family scenes. He's great with them, but for whatever reason he doesn't seem to be able to use them unless it's an animation, The Sims or IDEA specifically, or fantasy (even then The Last Witch Hunter had no woodwinds). They add so much to the soundscape and make any score so much richer. <br><br>I'm listening to the Lord of the Rings Trilogy again currently, and god, they'd be nothing without all of those flutes and clarinets. Even when the main instrument is brass or string, the addition of woodwinds is so cleverly implemented by Shore, and they not only blend, but they actively enhance the sound. <br><br>Of course I'd also love Steve to continue using choir. He even seems to be getting better with it, with Transformers 5's use of it resembling the Halo franchise in a number of ways. It would be a wonderful surprise though if he went back to woodwinds eventually. I'm definitely not of the belief that they can't be used in a modern day setting either (Silence of the Lambs and the Spider-Man scores use them particularly well).Steve is a very accommodating composer. So it's really up to the director's vision. With Bay, you know you gonna hear some of the best stuff Steve has to offer and that's because they share the same "musical ear".<br><br>When he's scoring Peter Berg movies, Steve often relies on sound design and his scores for those movies are not really melodic. The few exceptions aside, Berg likes sound design scores. And he likes to experiment A LOT (example: the MRI machine sound that was incorporated in the Battleship score. Bold choice!).<br><br>Where does the director of Skyscraper stand in all of this?<br><br>Personally, I think this score will be "in the middle". Little sound design there, little melodic cue over here.... : ) I don't expect power anthems, simply because - as big as the movie is - it's not "Michael Bay big". I do hope for a little choir work though. Steve is great with choir.The Solo review does look quite good.<br><br>Clemmensen comes across pretty badly in many of his reviews. Even some of the positive ones. He has some very strong preconceptions about certain things that sometimes lead him to say some reasonably aggravating stuff.<br><br>Interestingly, he stays almost reasonable in his A World's End review. I wouldn't point to that one as his most typical negative review.Additional information<br>Posted date 2016<br><br>but, It was sold for two years.<br><br>
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 LATEST RELEASES
 NEWS
  2006, March 31
The SONCINEMAD Organizer Committee has just announced some very important news about the Harry Gregson Williams' Symphonic Concert for Orchestra and Choir, taking place in Madrid, Spain on the 30th June.

The 160 piece Chamartin Symphonic Orchestra and the Tal°a Choir will be conducted by Harry Gregson Williams and Silvia Sanz Torres (Official Director of the Orchestra).

The total timing for the concert will be 120 minutes with a single intermission. The suites that will be presented have been specially orchestrated and specifically adapted for this very concert.

The final program of the performance has the following structure:

1. CHICKEN RUN
2. ANTZ
3. SPY GAME
4. THE TIGGER MOVIE
5. KINGDOM OF HEAVEN
INTERMEDIO
6. SINBAD: THE LEGEND OF THE SEVEN SEAS
7. THE MAGIC OF MARCIANO
8. SHREK & SHREK 2
9. THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBEFINAL
10. BRIDGET JONES 2: THE EDGE OF REASON
11. BISES
12. BISES


Sources :
www.scoremagacine.com
soncinemad.com


  2006, March 28
The Chronicles Of Narnia - Recording Sessions
Harry Gregson-Williams

   When a Stranger Calls
Jim Dooley



  2006, March 28
Sony will release the soundtrack of Over the Hedge on May 16th.

  2006, March 27


  2006, March 27
Lisbeth Scott & Martin Tillman will attend at SONCINEMAD

Soncinemad is very pleased to announce the presence of two highly talented and well-known international artists, as solo performers in the Harry Gregson Williams symphonic concert in Madrid, 30th of June, 2006.

Lisbeth Scott, the renowned singer, vocalist and songwriter has been working with film music?s top names such as John Williams, Hans Zimmer, James Newton Howard, John Debney, Harry Gregson-Williams, John Powell, and Mark Mothersbagh among other with her unique voice and personal musical style being heard in numerous films and television shows, like "Munich", "The Passion of the Christ", "Batman Begins", "The Last Samurai", "The Chronicles of Narnia", "Simbad", "Kingdom of Heaven", "Shrek" and "Shrek 2", "Sinbad", "Bruce Almighty", "Agent Cody Banks", "Spy Game", "Atlantis", "Dinosaur", "The Scorpion King", "A Perfect Murder", "The Sixth Sense", "Sleepy Hollow", among other. Also featured in Tv-shows like "ER", "CSI", "Alias", "Touched By an Angel", "Party of Five", "Survivor" and "Felicity". Her most recent film music credits include "Ithuteng" and "Canvas" together with composer John Debney.

Martin Tillmann will be also taking part as a soloist playing the electric cello.
The film music credits from this renowned cellist include (among others) "The Fan", "Hannibal", "Gladiator", "Pearl Harbor", "Black Hawk Down", "The Ring", "The Last Samurai", "Batman Begins" and "The Da Vinci Code". For the later, he also shared co-composing credits with Hans Zimmer and Henning Lohner. Other film music credits include "King Arthur", "Cold Mountain", "Passion of the Christ", "Something?s gotta give", "Pirates of the Caribbean", "Bad Boys II", "Armageddon", "Face/Off", "Kiss the girls", "Replacement Killers" and "Bait".

The tickets for the concert will be available very soon through Telentrada of Caixa Catalunya and SONCINEMAD


  2006, March 24
LAURA'S CHRISTMAS STAR

A new chapter for this story is currently in pre-production. Directed by Thilo Rothkirch & Piet De Rycker, this 45 minutes animated movie will be scored by Henning LOHNER.
Release date : December 2006.


  2006, March 24
FIRED IN THE NIGHT ! ;-)

A little joke to try to explain the Hans ZIMMER's withdrawal of THE SIMPSONS MOVIE in the GSA list. Announced though yesterday by Zimmer's Agency, the news did spark off many discussions.
To be continued...


  2006, March 23
GSA ANNOUNCES...



Hans ZIMMER and Dave STEWART are both going to work on the music for 20th Century Fox upcoming animated feature film version of The Simpsons. Work on the animated film is expected to begin later this summer, and according to the IMDB, The Simpsons Movie currently has a 2008 release date. (Thanks to S. Alves for those precisions).

Steve JABLONSKY will score for the South Korean Movie D-WAR directed by Hyung-rae Shim.
Official Website

Harry GREGSON-WILLIAMS will score for the SHREK 3. (Release date May, the 18th 2007)
This same Harry will compose for the new collaboration between director Joel Schumacher and Jim Carrey, ten years after Batman forever. Their new film, named THE NUMBER 23 relates the story of a man who becomes obsessed with a book that appears to be based on his life but ends with a murder that has yet to happen in real life.


  2006, March 22
THE DA VINCI CODE
New Trailer
featuring original score from the movie
by Hans ZIMMER


Watch trailer - Score By Hans ZIMMER

also featuring "Requiem For A Tower" by Simone Benyacar, Dan Nielsen & Veigar Mairgersson based on Requiem For A Dream by Clint Mansell

Source : Soundtrack.net


  2006, March 21
POSEIDON : Interview with Klaus BADELT

The suite from the Soundtrack.net article, the Mp3 interview from the composer, by Dan Goldwasser.
Download (Mp3 - 3.75 Mos - 8'11)


  2006, March 20
Klaus BADELT records POSEIDON



Soundtrack.net presents a review with pictures from recording sessions from upcoming scores POSEIDON composed by Klaus BADELT.


  2006, March 17
THE GUARDIAN

Filmmusicradio announce that Trevor RABIN will score the next Andrew DAVIS's movie, THE GUARDIAN.


  2006, March 14
LMO score Klaus Badelt's 16 Blocks

Klaus Badelt has teamed up with legendary Hollywood Director Richard Donner (whose credits include The Omen and the Superman and Lethal Weapon movies as well as vintage TV series such as The Six Million Dollar Man and Kojak) for the new Bruce Willis Movie 16 Blocks.

Klaus used a 40 piece string section over 3 sessions, supplemented by 4 horns, 3 trombones and tuba for 1 further session. Andy Brown was the Musical Director, Steve McLaughlin the engineer and Klaus Badelt and Chris Brooks (music editor) monitered the sessions from a studio link to Los Angeles.

Source : http://www.lmo.co.uk


  2006, March 14


With Tokyo city Philarmonic Orchestra
Featuring Violet UK


  2006, March 14
Disco page updated



  2006, March 13
AFTER OVER THE EDGE...

Rupert Gregson-Williams will score It's A Boy Girl Thing directed by Nick HURRAN.
The project revolves around two teenage next-door neighbors (Samaire Armstrong & Kevin Zegers) who are sworn enemies. Waking up one day to find themselves in each other's bodies, each sets out to destroy the other's high school reputation before going from infuriation to infatuation.


  2006, March 13
ULTRAVIOLET MP3 Extract



As it seems to be no plan for a cd release, we decided to present the opening title online in a very bad quality (to prevent illegal copy) (MP3-mono-96Kbs) in order to share with you one of the most exciting Klaus Badelt's piece of music ever composed...


  2006, March 12
A KLAUS BADELT VIDEO INTERVIEW
By M-AUDIO.com




  2006, March 12
Upcoming scores

Ramin Djawadi will score the Sony animation movie OPEN SEASON.

John POWELL has been hired to score for the next Paul GREENGRASS' movie(The Bourne Supremacy), FLIGHT 93 on one of the planes that was hijacked on 9/11 and crashed in Pennsylvania. The film will be released on April, the 28th.
Read more infos...


  2006, March 12


BLOOD + CD Release

Produced by Hans ZIMMER & composed by Marc MANCINA, the score will be released on April, the 26th. 2006





  2006, March 02
Hans Zimmer and Mark Mancina to Write August Rush Theme

The music-driven drama August Rush, starring Freddie Highmore (Charlie and the Chocolate Factory), Keri Russell (The Upside of Anger, Golden Globe winner for Felicity), Jonathan Rhys-Meyers (Match Point, Golden Globe winner for Elvis), with Terrence Howard (Crash, Oscar nominee for Hustle & Flow) and Academy Award winner Robin Williams (Good Will Hunting), has commenced production in New York for Warner Bros. Pictures. The announcement was made today by Jeff Robinov, President of Production, Warner Bros. Pictures.

The film's main theme will be created by award-winning composers Hans Zimmer (Oscar winner for The Lion King) and Mark Mancina (The Lion King, Brother Bear), and the score will be composed by Mancina. Legendary music producer Phil Ramone will produce three of the nearly three dozen music tracks in the film.

source : http://www.comingsoon.net/news/movienews.php?id=13383

Mancina's involvement with August Rush was mentioned back in December's ScoreMakers profile for Steve Erdody, who will be providing many of the cello solos for the film.



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