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Any word on where this can be found, or if it actually exists? H-Z (here) is the only place any of these tracks (let alone mention of a complete version of this score) can be found.Why you haven't update about David Buckley with Angel Has Fallen score yet?Yep, fun (if slight) score to a very fun movie. "Get it On" is a great action cue.It was also one of the first HG-W's scores I ever listened to (way back when!), so maybe it's just nostalgia talking. <br>But it's worth a listen at least.It's a shame no one talks about this score. <br><br>It's a great listen if you love heavily percussive music! <br><br>Not a highlight in HG-W's carreer by any means, but it's a fun ride, and has some neat unique sounding stuff courtesy of Heitor Pereira, as well as plenty of goold ol' MV style synth/orchestra pounding!
He returns to the hitman's bodyguard part 2I was honored, back in 2006, to meet both Nick Glennie-Smith and Harry Gregson-Williams.<br><br>I talked with both about The Rock, and here's what they told.<br><br>Nick & Hans worked very closely on most of their cues. That's why it's so hard to notice any difference between their own styles (and why they share most of the credits).<br>Harry worked separately from Nick & Hans. He remembered working on the San Francisco Chase (though we know Don Harper helped at some point in the process), and on "a lot of the action material from the second half of the movie, once the heroes reach Alcatraz".<br>The credits here tend to prove they were right.<br><br>All the Opening Titles / SEAL Attack is a bit complicated. Hans might have written the theme, but it also might be arranged for pictures by Nick Glennie-Smith (plus there's a lot more going on in these tracks than the man theme alone). So, well, I guess the final result still is a collaborative effort.A brilliant score, no matter what some people might say. Some of the darkest and most beautiful themes by Hans Zimmer were born here, as well as a lot of very exciting and propulsive electronic techniques. <br>Heck, I even like the movie! The score fits like a glove.<br>It helps that I'm a huge Tony Scott fan though.<br><br>Zimmer would even 'steal' from this score quite a bit in some of his later films. The 'Wayne Manor Suite' from TDKR comes to mind, as well as one of the Blade Runner 2049 themes being strangely similar to The Fan's 'Opening Titles' theme, and I'm sure there are other examples.<br><br>I would love for a complete version to be officially released sometime. It's very unlikely, but one can dream...Listen to the first demo at NGS demos album of "The Rock". The opening and SEAL Attack have a few notes from original NGS theme. That's why NGS is credited to it.I remember hearing something about NGS not wanting his name in the opening credits since it was a Hans cue playing. So yeah. I think the opening is really just Zimmer and the NGS credit is a formality since it was supposed to be Nick’s score.
I'm sorry, disregard EVERYTHING I just wrote...The credit on "SEAL Attack" is HZ/NGS/Stern, not HZ/HGW/Stern. Not sure how I missed that. *facepalm*OK, so a thought...<br><br>"Opening" and "SEAL Attack" are functionally identical; Hybrid says that Hans originally wrote it for the latter scene and it was then placed over the main titles of the film. However, the former is credited to Hans and NGS, the latter to Hans, HGW and Steven Stern. Presumably, since HGW/Stern aren't credited on "Opening", their contribution to "SEAL Attack" is limited to that first minute, which does indeed have a lot of HGW-ish percussion work to my ears. That leaves the rest of "SEAL Attack" as Hans' work alone, which begs the question: why the heck is NGS credited for "Opening", then, since it's basically identical? Screw it, I'm labeling that a solo Hans cue. Always bugged me that there wasn't at least one on this score. :pHi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.comHi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.comThat's the 'Album Version' of Time To Suit Up
I'm "missing" three of the tracks for the complete score - CA Suite, WS Suite, and the alternate version of Time to Suit Up. <br><br>It looks like the CA and WS suites are pretty much the same ones on the official release as the lengths match up perfectly, but where can I find the alternate of Suit Up?Cheers mateI agree. Great score. This is "Hans Zimmer Dark Minimalism" done absolutely right. And the Oscorp stuff has to be temp. It goes up and down in just the right places.Forgot Macrotus, so the numbering messed up on 5-8 lol... Macrotus = Father to the Rescue + Hide in the Dark + Courthouse Pt. 1... Also, Myotis actually = Initiation into the League + Temple Fight. <br><br>If you have the End Credits too, that's a Batman Arrives/Backup mashup + Training + Father to the Rescue + Bruce Left for Dead + Batman Theme.<br>Gotcha covered. <br><br>1. Vespertilio = Batman Titles + The Long Walk<br>2. Eptesicus = Bruce Goes Home + Training <br>3. Myotis = Temple Fight<br>4. Barbastella = Mugging Pt. 2 + Bat Cave <br>6. Artibeus = Dockyard Ambush Pt. 1 + Meeting Ducard<br>7. Tadarida = Rachel in the Bat Cave + Fight in Crane's Lab Pt. 1 + Batman on Fire + Microwave Stolen<br>8. Antrozus = Facing the League + Gordon at Home <br>9. Nycteris = Prototypes + Why Bats? + Finders Keepers Pt. 1<br>10. Molossus = Batmobile Chase<br>11. Corynorhinus = Surveying the Ruins + Gordon Says Thanks <br>12. Lasiurus = Ra's al Ghul theme suite<br>
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 LATEST RELEASES
 NEWS
  2006, March 31
The SONCINEMAD Organizer Committee has just announced some very important news about the Harry Gregson Williams' Symphonic Concert for Orchestra and Choir, taking place in Madrid, Spain on the 30th June.

The 160 piece Chamartin Symphonic Orchestra and the Talˇa Choir will be conducted by Harry Gregson Williams and Silvia Sanz Torres (Official Director of the Orchestra).

The total timing for the concert will be 120 minutes with a single intermission. The suites that will be presented have been specially orchestrated and specifically adapted for this very concert.

The final program of the performance has the following structure:

1. CHICKEN RUN
2. ANTZ
3. SPY GAME
4. THE TIGGER MOVIE
5. KINGDOM OF HEAVEN
INTERMEDIO
6. SINBAD: THE LEGEND OF THE SEVEN SEAS
7. THE MAGIC OF MARCIANO
8. SHREK & SHREK 2
9. THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBEFINAL
10. BRIDGET JONES 2: THE EDGE OF REASON
11. BISES
12. BISES


Sources :
www.scoremagacine.com
soncinemad.com


  2006, March 28
The Chronicles Of Narnia - Recording Sessions
Harry Gregson-Williams

   When a Stranger Calls
Jim Dooley



  2006, March 28
Sony will release the soundtrack of Over the Hedge on May 16th.

  2006, March 27


  2006, March 27
Lisbeth Scott & Martin Tillman will attend at SONCINEMAD

Soncinemad is very pleased to announce the presence of two highly talented and well-known international artists, as solo performers in the Harry Gregson Williams symphonic concert in Madrid, 30th of June, 2006.

Lisbeth Scott, the renowned singer, vocalist and songwriter has been working with film music?s top names such as John Williams, Hans Zimmer, James Newton Howard, John Debney, Harry Gregson-Williams, John Powell, and Mark Mothersbagh among other with her unique voice and personal musical style being heard in numerous films and television shows, like "Munich", "The Passion of the Christ", "Batman Begins", "The Last Samurai", "The Chronicles of Narnia", "Simbad", "Kingdom of Heaven", "Shrek" and "Shrek 2", "Sinbad", "Bruce Almighty", "Agent Cody Banks", "Spy Game", "Atlantis", "Dinosaur", "The Scorpion King", "A Perfect Murder", "The Sixth Sense", "Sleepy Hollow", among other. Also featured in Tv-shows like "ER", "CSI", "Alias", "Touched By an Angel", "Party of Five", "Survivor" and "Felicity". Her most recent film music credits include "Ithuteng" and "Canvas" together with composer John Debney.

Martin Tillmann will be also taking part as a soloist playing the electric cello.
The film music credits from this renowned cellist include (among others) "The Fan", "Hannibal", "Gladiator", "Pearl Harbor", "Black Hawk Down", "The Ring", "The Last Samurai", "Batman Begins" and "The Da Vinci Code". For the later, he also shared co-composing credits with Hans Zimmer and Henning Lohner. Other film music credits include "King Arthur", "Cold Mountain", "Passion of the Christ", "Something?s gotta give", "Pirates of the Caribbean", "Bad Boys II", "Armageddon", "Face/Off", "Kiss the girls", "Replacement Killers" and "Bait".

The tickets for the concert will be available very soon through Telentrada of Caixa Catalunya and SONCINEMAD


  2006, March 24
LAURA'S CHRISTMAS STAR

A new chapter for this story is currently in pre-production. Directed by Thilo Rothkirch & Piet De Rycker, this 45 minutes animated movie will be scored by Henning LOHNER.
Release date : December 2006.


  2006, March 24
FIRED IN THE NIGHT ! ;-)

A little joke to try to explain the Hans ZIMMER's withdrawal of THE SIMPSONS MOVIE in the GSA list. Announced though yesterday by Zimmer's Agency, the news did spark off many discussions.
To be continued...


  2006, March 23
GSA ANNOUNCES...



Hans ZIMMER and Dave STEWART are both going to work on the music for 20th Century Fox upcoming animated feature film version of The Simpsons. Work on the animated film is expected to begin later this summer, and according to the IMDB, The Simpsons Movie currently has a 2008 release date. (Thanks to S. Alves for those precisions).

Steve JABLONSKY will score for the South Korean Movie D-WAR directed by Hyung-rae Shim.
Official Website

Harry GREGSON-WILLIAMS will score for the SHREK 3. (Release date May, the 18th 2007)
This same Harry will compose for the new collaboration between director Joel Schumacher and Jim Carrey, ten years after Batman forever. Their new film, named THE NUMBER 23 relates the story of a man who becomes obsessed with a book that appears to be based on his life but ends with a murder that has yet to happen in real life.


  2006, March 22
THE DA VINCI CODE
New Trailer
featuring original score from the movie
by Hans ZIMMER


Watch trailer - Score By Hans ZIMMER

also featuring "Requiem For A Tower" by Simone Benyacar, Dan Nielsen & Veigar Mairgersson based on Requiem For A Dream by Clint Mansell

Source : Soundtrack.net


  2006, March 21
POSEIDON : Interview with Klaus BADELT

The suite from the Soundtrack.net article, the Mp3 interview from the composer, by Dan Goldwasser.
Download (Mp3 - 3.75 Mos - 8'11)


  2006, March 20
Klaus BADELT records POSEIDON



Soundtrack.net presents a review with pictures from recording sessions from upcoming scores POSEIDON composed by Klaus BADELT.


  2006, March 17
THE GUARDIAN

Filmmusicradio announce that Trevor RABIN will score the next Andrew DAVIS's movie, THE GUARDIAN.


  2006, March 14
LMO score Klaus Badelt's 16 Blocks

Klaus Badelt has teamed up with legendary Hollywood Director Richard Donner (whose credits include The Omen and the Superman and Lethal Weapon movies as well as vintage TV series such as The Six Million Dollar Man and Kojak) for the new Bruce Willis Movie 16 Blocks.

Klaus used a 40 piece string section over 3 sessions, supplemented by 4 horns, 3 trombones and tuba for 1 further session. Andy Brown was the Musical Director, Steve McLaughlin the engineer and Klaus Badelt and Chris Brooks (music editor) monitered the sessions from a studio link to Los Angeles.

Source : http://www.lmo.co.uk


  2006, March 14


With Tokyo city Philarmonic Orchestra
Featuring Violet UK


  2006, March 14
Disco page updated



  2006, March 13
AFTER OVER THE EDGE...

Rupert Gregson-Williams will score It's A Boy Girl Thing directed by Nick HURRAN.
The project revolves around two teenage next-door neighbors (Samaire Armstrong & Kevin Zegers) who are sworn enemies. Waking up one day to find themselves in each other's bodies, each sets out to destroy the other's high school reputation before going from infuriation to infatuation.


  2006, March 13
ULTRAVIOLET MP3 Extract



As it seems to be no plan for a cd release, we decided to present the opening title online in a very bad quality (to prevent illegal copy) (MP3-mono-96Kbs) in order to share with you one of the most exciting Klaus Badelt's piece of music ever composed...


  2006, March 12
A KLAUS BADELT VIDEO INTERVIEW
By M-AUDIO.com




  2006, March 12
Upcoming scores

Ramin Djawadi will score the Sony animation movie OPEN SEASON.

John POWELL has been hired to score for the next Paul GREENGRASS' movie(The Bourne Supremacy), FLIGHT 93 on one of the planes that was hijacked on 9/11 and crashed in Pennsylvania. The film will be released on April, the 28th.
Read more infos...


  2006, March 12


BLOOD + CD Release

Produced by Hans ZIMMER & composed by Marc MANCINA, the score will be released on April, the 26th. 2006





  2006, March 02
Hans Zimmer and Mark Mancina to Write August Rush Theme

The music-driven drama August Rush, starring Freddie Highmore (Charlie and the Chocolate Factory), Keri Russell (The Upside of Anger, Golden Globe winner for Felicity), Jonathan Rhys-Meyers (Match Point, Golden Globe winner for Elvis), with Terrence Howard (Crash, Oscar nominee for Hustle & Flow) and Academy Award winner Robin Williams (Good Will Hunting), has commenced production in New York for Warner Bros. Pictures. The announcement was made today by Jeff Robinov, President of Production, Warner Bros. Pictures.

The film's main theme will be created by award-winning composers Hans Zimmer (Oscar winner for The Lion King) and Mark Mancina (The Lion King, Brother Bear), and the score will be composed by Mancina. Legendary music producer Phil Ramone will produce three of the nearly three dozen music tracks in the film.

source : http://www.comingsoon.net/news/movienews.php?id=13383

Mancina's involvement with August Rush was mentioned back in December's ScoreMakers profile for Steve Erdody, who will be providing many of the cello solos for the film.



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