NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Interesting to see Lorne Balfe replacing Jablonsky now with Micheal Bay.6 Underground is totally crazy and Balfe’s score equals it.Also has emotion like 13 Hours.<br>Doesn’t beat His Dark Materials but a great scoreSorry, das ist doch ein Witz, Dortmund ist nicht dabei :(Way too many songs.<br>Lorne Balfe score nailed it.Great to see Bay working with Balfe now.This is an RCP website, those scores aren't by RCP composers...Power anthems ???? Obviously you haven’t watched the movie.They would not fit in this movie.<br><br>Balfe’s score is really cool and not expected.Already listened to it 4 times!
I agree completely.<br><br>The movie was awesome, the score works perfectly, and the only thing I didn't like was the use of songs. Too much of them. Songs rarely work during intense action scenes. They distract.<br><br>But every time the score started, I liked it. Bay may be known as the big action guy, but when it comes to scoring the more intimate/emotional moments, he and the composer (no matter who he is) always do a good job.Greenaway for President! :))I agree with Knight.<br><br>It seems some peeps were expecting power anthems left and right. Yes, this is a big movie, but not a "Transformers-big" movie. I didn't like the use of source music (I hate songs in action movies) but when Balfe's work popped up I noticed it right away.<br><br>The more emotional cues were definitely the most memorable.What a fantastic soundtrack.<br>It’s totally crazy and works brilliantly in the film.<br>The bit emotional sections are very classic Bay but Balfe’s electronic weirdness is very unique.<br>It’s nothing like Balfe’s Dark Materials BUT why I’m earth should it be !<br>10/10Gavin should be listed as conductor
Because Ice Age was composed by David Newman and Collision Course was composed by John DebneyWhen i heard just the sound clips, i thought wtf. Sounds like the worst score, a michael bay movie ever had. Then i listened to the whole album and i have to say, there are some pretty cool tracks. I really like the electronic rhythmic stuff. Welcome to florence is awesome. The emotional moments are nice, but standard balfe stuff. In the movie, the music works really good. I think this music style is the only style, that works in THIS movie. And as hybrid says a mish mash of score and songs. The movie itself is.....strange. but at least the action rocks as hell.If "The Meltdown," "Dawn of The Dinosaurs" and "Continental Drift" are added, then how come "Ice Age" and "Collision Course" aren't?I haven't heard the album yet but there isn't much score in the film. It's like Bad Boys II meets Domino in terms of editing, songs everywhere (19 sourced songs used), short cues... Hell there's even a 13 Hours cue tracked in the film ("Getting Aboard The Plane")."Second time"... lol
Another awsome score by lorne balfe. I really like the film 6 underground directed by michael bay, is very awsome and intense and i begin to hear the score composed by lorne balfe, and its phenomenal and his second time working with michael bay since 13 hours, which i like lorne balfe's score too. Balfe's work is really inspiring in his film score.I don't expect Lorne to make a masterpiece with each movie, but it is true that most of her films are action candies, and I can't understand how she can deliver 6 underground and then make His dark materials.  It seems that within Lorne there are a thousand different composers.  And I don't know what to expect from Lorne again.Can't help noticing not one, but two Zimmer titles in here.... Tracks 14 and 16. lol.What is most disappointing is that this is a Michael Bay movie with a score being so bad. Historically his movies have fantastic scores by either Hans, Steve Jablonsky, and even Lorne Balfe. But this is hands down the worst Michael Bay score I’ve ever heard. <br><br>It’s functional, yes, but nothing compared to 13 Hours, any of the Transformers movies, The Rock, Pearl Harbor, etc. I definitely had high hopes for another good “power anthem” score... and the only cues that are any good are just Time ripoffs.<br><br>Highly disappointing.Again, if we have to expect every piece of work of one composer is have to be as good like his others pieces of work, that's pretty underwhelming and impossible.<br><br>Yeah, 6 Underground is not a good score by any means (neither Gemini Man, but is far more listenable), but works perfectly in the hiperbolic movie.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





 .
Comments (0)   
See More...  
 LATEST RELEASES
 NEWS
  2006, April 27
OVER THE EDGE audio clips

You can listen to audio clips from the latest Rupert GREGSON-WILLIAMS's score on SonyMusicStore.com


  2006, April 25
THE DA VINCI CODE Extracts
(Real Player Needed)




  1. Dies Mercurii I Martus / Extrait 2
  2. L'esprit Des Gabriel
  3. The Paschal Spiral
  4. Fructus Gravis
  5. Ad Arcana
  6. Malleus Maleficarum
  7. Salvete Virgines
  8. Daniel's 9th Cipher
  9. Poisoned Chalice
  10. The Citrine Cross
  11. Ross Of Arimathea
  12. Beneath Alrischa
  13. Chevaliers De Sangreal / Extrait 2
  14. Kyrie For The Magdalene / Extrait 2


  2006, April 19
Scoremagacine team and Soncinemad organizing committee are particularly excited to announce the presence of Hans Zimmer at the Soncinemad filmmusic festival in Madrid, Spain, June the 30th - July the 2nd, 2006.

The composer will be opening the Harry Gregson Williams concert with a formal introduction of Gregson-Williams, concert leader. Additionally, Hans Zimmer will closely follow the festival at its whole duration while participating in selected Soncinemad conferences and activities.

For more info about the event and ticketing, please visit :
Scoremagacine.com


  2006, April 17
The Da Vinci Code

Hans Zimmer recorded the soundtrack at Air Studios on Rosslyn Hill. Of the recording sessions, Ron Howard stated: "They were powerful, fresh and wonderfully effective...Like every other facet of this movie, the score for The Da Vinci Code demanded a range of textures that recognized and reinforced the layers of ideas and emotion, which unfold as the basic story does." Zimmer once again captures the essence of suspense and tension that builds throughout the film. "The inspired Hans Zimmer has given us extraordinarily memorable music to appreciate within the framework of a film or completely on its own, where you can let the sounds carry you on your own private journey," summarized Ron Howard. The two have previously collaborated on Backdraft in 1991.

Source : Iclassics.com


  2006, April 13
New score for Rupert GREGSON-WILLIAMS

Rupert GREGSON-WILLIAMS will score Click. Alan Silvestri was attached to this project but he left due to "creative differences".
Furthermore he is no longer attached to It's A Boy Girl Thing.


  2006, April 12
MARK MANCINA - Asylum

Certainly Mark Mancina's score, reminiscent of Bernard Herrmann's scores for the late master, and numerous images want to put audiences in a Hitchcock frame of mind. It's hard, however, to imagine Hitchcock even raising an eyebrow over this weak story.

Source : www.hollywoodreporter.com


  2006, April 12
Blood+
Mark Mancina

   Over The Hedge
Rupert Gregson-Williams / Ben Folds



  2006, April 11


Molussus clip ('30 mp3)


An exclusive track from the Cincinatti Pops "Fantasies" album of the cue Molussus from Batman Begins only available at iTunes
It's interesting to hear it played without all the electronic clutter.

Link : iTunes Music Store


  2006, April 11
RELEASES

X-MEN 3 : THE LAST STAND composed by John POWELL
Label : VARESE SARABANDE
Date : May, the 23th. 2006

POSEIDON composed by Klaus BADELT
Label : Interscope
Date : May, the 9th. 2006


  2006, April 10
Disco page updated



  2006, April 07
DISTURBIA by Geoff ZANELLI

GSA announced the composer will score this next D.J. CARUSO's film on 2007.


  2006, April 06
BMI Film/TV Awards to Honor 'Narnia' Composer Harry GREGSON-WILLIAMS



BMI composer Harry GREGSON-WILLIAMSwill receive the 2006 Richard Kirk Award for Outstanding Career Achievement at the performing right organization's Film & Television Awards slated for Wednesday, May 17 at the Regent Beverly Wilshire Hotel in Beverly Hills. The black-tie, invitation-only dinner will also honor the composers of the past year's top-grossing films, top-rated prime-time network television series and highest-ranking cable network programs.

Read more...


  2006, April 05


A Michael A. LEVINE INTERVIEW


Scoremagacine.com released an interview from the composer/performer, Remote control Studio's member (a studio is currently being built for him in Hans' Santa Monica complex).

By Demetris




  2006, April 04
Harry is back in the Wardrobe

Harry GREGSON-WILLIAMS will score for the NARNIA's sequel : PRINCE CASPIAN


  2006, April 01


The tickets for Soncinemad Symphonic Concerts are now available for purchase. You can acquire the tickets for the Trevor Jones' and Harry Gregson Williams' two different concerts, online via www.telentrada.com, by this phone number 902-10-12-12 or through any Caixa Catalunya branch. Additionally, you can purchase the tickets from www.soncinemad.com.

For Concert Details and more info, please visit:
http://www.scoremagacine.com/Noticias_eng_det.php?Codigo=123


  2006, April 01
March 21st, 2006 : James Dooley is leaving for Prague to record the score to the short animated film "First Flight". The score will be recorded with an 80-piece orchestra in the Czech Philharmonic Hall. The live score will premiere with the film at the Tribeca film festival in NYC at the end of April and early May.

from his official website


  2006, April 01
Harry GREGSON-WILLIAMS to score SERAPHIM FALLS

A lot of projects for this year 2006 for the composer who should score this David VAN ACKEM's film, starring Liam NEESON & Pierce BROSNAN.



 HANS-ZIMMER.com© 2001-2018 OST 
Stephane Vidali / Antas - Nicolas Cabarrou