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Right. Hopefully the other missing stuff gets released on the 2nd CD though.why does Amity say (traditional)?Just rip it off the DVD....no biggieAll credits added for the OST, even though since it's long montages from lots of cues, it doesn't make THAT much sense... :)Which cues were written by Steve Jablonsky?
me too!No piano. I believe it was mostly strings and had a small bit of the choir.Which instruments were used to play the love theme? Piano?<br>There was also a Jean/Scott love theme that was briefly used in the bedroom scene after they return from space. It was included in the end credits suite as well.CD RELEASE?
Yes! That piano part is amazing! <br>„when charles and jean stand in front of the school“Saw the movie. Great score and it really fits the movie.<br><br>Missing stuff:<br>- 25 seconds of a piano version of Gap without the brass and bells<br>- a 30 second badass version of the main theme during the mageneto/jean helicopter stand off<br>- 1.5 minute end credits suite. Typical Zimmer to leave the best and most epic track and best main theme version off the album. I hope it will be on CD2, but knowing Zimmer the best tracks always remain unreleased. This is another escape from ship...after listening and listening...this score is truly amazing! i love it so much! i want the suites and ideas NOW! :DWhere can I find this?been listening to this score for a week now and i am going to wait a little more before putting a comment on it here... but there's something else i have been saying for a while now. let's stop associating scores with movies and start seeing them as a work of art in their own rights. (albeit inspired by movies)<br><br>people are here complaining about the movie that it didn't speak to them. and then i have the feeling that they project their disappointment on the soundtrack. but both pieces of art co-exist and not depend on each other. i, for example, seldom watch any of these movies. but i have listened to their soundtracks and love them.<br><br>also i never asked for an extended CD before... but we need one for this one. it's very clear that tracks like gap and coda were definitely shortened.<br><br>also i never asked for an extended CD before but we need one for DP. it's clear that tracks like gap and coda were definitely shortened.
There's nothing unique about those choirs, standard East European chorus stuff mixed with Johansson. Check out Debbie Wiseman's Warriors from 2000 and you'll get a much more elaborate version of this music.I cant say that this chorus reminds me of anything I have heard Zimmer done before. And I have played all his scores to death.I agree that Gap is the best track. My main complain with this score is that it feels that Zimmer composed it on autopilot. For me those choirs sounded too much to Electro's Theme in TASM. Is too standard and has very few remarkable moments. The movie itself lacks of personality and the score is part of that problem. I think they just wanted "dark" and hired Zimmer for making his dark ostitatos.I thought I read somewhere Armageddon was the last bay film that hgw was a part of<br>===============================<br><br><br>Well, Bay and HGW were not exactly best friends during Armageddon. Bay is very demanding and tough. HGW is also not a shy dude. He is an opinionated guy who stands his ground, as you can tell by his interviews. He reminds me of Mancina…..He's not afraid to speak up and have his opinion heard. And just like Mancina, his relationship with the Bay/Bruckheimer family seemed to be...….a bit complicated. Yet, he worked on Bad Boys 2 and Deja Vu. Now, it is possible - tho not likely - that Bay didn't even know that HGW did some work on BB2. Maybe it was just a favor for Steve and Trevor. Under the table, so to speak..... Personally, I don't believe that's the case. Whatever the truth, this is a great example of how different those composers are. Trevor and Steve work great with Bay/Bruckheimer and they always deliver great results. While composers like HGW and Mancina have problems with more demanding filmmakers. And apparently they don't even like action cinema. I don't necessary blame them, even though Mancina certainly didn't do himself any favors by trashing the genre and the people who back in the 90's gave him a shot to prove himself as a composer.Love John Powell. But he is not even close to Williams. Williams made his mark on every genre of film scoring. He freaking turn a holocaust movie score into a masterpiece for the ages.<br><br>Today, that score would have been some generic sound design.<br><br>Powell is an incredibly gifted orchestral composer. But he doesn't have the dimensions of someone like Williams. <br><br>
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 LATEST RELEASES
 NEWS
  2006, April 27
OVER THE EDGE audio clips

You can listen to audio clips from the latest Rupert GREGSON-WILLIAMS's score on SonyMusicStore.com


  2006, April 25
THE DA VINCI CODE Extracts
(Real Player Needed)




  1. Dies Mercurii I Martus / Extrait 2
  2. L'esprit Des Gabriel
  3. The Paschal Spiral
  4. Fructus Gravis
  5. Ad Arcana
  6. Malleus Maleficarum
  7. Salvete Virgines
  8. Daniel's 9th Cipher
  9. Poisoned Chalice
  10. The Citrine Cross
  11. Ross Of Arimathea
  12. Beneath Alrischa
  13. Chevaliers De Sangreal / Extrait 2
  14. Kyrie For The Magdalene / Extrait 2


  2006, April 19
Scoremagacine team and Soncinemad organizing committee are particularly excited to announce the presence of Hans Zimmer at the Soncinemad filmmusic festival in Madrid, Spain, June the 30th - July the 2nd, 2006.

The composer will be opening the Harry Gregson Williams concert with a formal introduction of Gregson-Williams, concert leader. Additionally, Hans Zimmer will closely follow the festival at its whole duration while participating in selected Soncinemad conferences and activities.

For more info about the event and ticketing, please visit :
Scoremagacine.com


  2006, April 17
The Da Vinci Code

Hans Zimmer recorded the soundtrack at Air Studios on Rosslyn Hill. Of the recording sessions, Ron Howard stated: "They were powerful, fresh and wonderfully effective...Like every other facet of this movie, the score for The Da Vinci Code demanded a range of textures that recognized and reinforced the layers of ideas and emotion, which unfold as the basic story does." Zimmer once again captures the essence of suspense and tension that builds throughout the film. "The inspired Hans Zimmer has given us extraordinarily memorable music to appreciate within the framework of a film or completely on its own, where you can let the sounds carry you on your own private journey," summarized Ron Howard. The two have previously collaborated on Backdraft in 1991.

Source : Iclassics.com


  2006, April 13
New score for Rupert GREGSON-WILLIAMS

Rupert GREGSON-WILLIAMS will score Click. Alan Silvestri was attached to this project but he left due to "creative differences".
Furthermore he is no longer attached to It's A Boy Girl Thing.


  2006, April 12
MARK MANCINA - Asylum

Certainly Mark Mancina's score, reminiscent of Bernard Herrmann's scores for the late master, and numerous images want to put audiences in a Hitchcock frame of mind. It's hard, however, to imagine Hitchcock even raising an eyebrow over this weak story.

Source : www.hollywoodreporter.com


  2006, April 12
Blood+
Mark Mancina

   Over The Hedge
Rupert Gregson-Williams / Ben Folds



  2006, April 11


Molussus clip ('30 mp3)


An exclusive track from the Cincinatti Pops "Fantasies" album of the cue Molussus from Batman Begins only available at iTunes
It's interesting to hear it played without all the electronic clutter.

Link : iTunes Music Store


  2006, April 11
RELEASES

X-MEN 3 : THE LAST STAND composed by John POWELL
Label : VARESE SARABANDE
Date : May, the 23th. 2006

POSEIDON composed by Klaus BADELT
Label : Interscope
Date : May, the 9th. 2006


  2006, April 10
Disco page updated



  2006, April 07
DISTURBIA by Geoff ZANELLI

GSA announced the composer will score this next D.J. CARUSO's film on 2007.


  2006, April 06
BMI Film/TV Awards to Honor 'Narnia' Composer Harry GREGSON-WILLIAMS



BMI composer Harry GREGSON-WILLIAMSwill receive the 2006 Richard Kirk Award for Outstanding Career Achievement at the performing right organization's Film & Television Awards slated for Wednesday, May 17 at the Regent Beverly Wilshire Hotel in Beverly Hills. The black-tie, invitation-only dinner will also honor the composers of the past year's top-grossing films, top-rated prime-time network television series and highest-ranking cable network programs.

Read more...


  2006, April 05


A Michael A. LEVINE INTERVIEW


Scoremagacine.com released an interview from the composer/performer, Remote control Studio's member (a studio is currently being built for him in Hans' Santa Monica complex).

By Demetris




  2006, April 04
Harry is back in the Wardrobe

Harry GREGSON-WILLIAMS will score for the NARNIA's sequel : PRINCE CASPIAN


  2006, April 01


The tickets for Soncinemad Symphonic Concerts are now available for purchase. You can acquire the tickets for the Trevor Jones' and Harry Gregson Williams' two different concerts, online via www.telentrada.com, by this phone number 902-10-12-12 or through any Caixa Catalunya branch. Additionally, you can purchase the tickets from www.soncinemad.com.

For Concert Details and more info, please visit:
http://www.scoremagacine.com/Noticias_eng_det.php?Codigo=123


  2006, April 01
March 21st, 2006 : James Dooley is leaving for Prague to record the score to the short animated film "First Flight". The score will be recorded with an 80-piece orchestra in the Czech Philharmonic Hall. The live score will premiere with the film at the Tribeca film festival in NYC at the end of April and early May.

from his official website


  2006, April 01
Harry GREGSON-WILLIAMS to score SERAPHIM FALLS

A lot of projects for this year 2006 for the composer who should score this David VAN ACKEM's film, starring Liam NEESON & Pierce BROSNAN.



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