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You are an idiot. Hans did what Nolan asked him of not the other way around.Man, this has to be the best news for a long time. Hans has got stuck in his silly overcompensating for sound effects mode for too long. No wonder Nolan went for someone else. Who here thought balfe was getting this - the dude is a copycat and nobody. Balfe is when you dont get HZ.....luckily better people are now getting the gigs. I mean who would hire balfe out of the blue, the dude is not even a tv guyThanks for the credits updateA bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.
Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is Balfe
I hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.
@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about it
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 LATEST RELEASES
 NEWS
  2006, May 31
LIVE FROM THE PUY DU FOU



Tomorrow, the new attraction from the theme park will open. Time for us to present this trailer with exclusives pictures from the show on Nick GLENNIE-SMITH's original score.
=> Watch Trailer <=

(Pictures by Nicolas, editing by Fabien FOURNIER)

Always at The Puy Du Fou, Dominique MICHONNEAU filmed this little video in september 2004, where Nick Glennie-Smith is performing "The Man In The Iron Mask" on the piano.



(Special Thanks to Dominique MICHONNEAU, Fabien FOURNIER and all the team from The Puy Du Fou).



  2006, May 30
DA VINCI CODE, once again...

Here are two interviews regarding the last Ron Howard's movie.

SFGate.com released an interview from Hans ZIMMER with some infos on Pirates Of The Caribbean 2


Hila PLITMANN & Hans ZIMMER


NPR.org completed its previous audio page dedicated to Hans ZIMMER speaking from his work with an audio interview from Hila PLITMANN, soprano from the Da Vinci Code's score.


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  2006, May 29
A Klaus BADELT audio interview


Klaus Badelt & director W. Petersen

Composer Klaus BADELT discusses his new blockbuster scores for POSEIDON and THE PROMISE, as well as looking back on his energetic, innovative scores for EQUILIBRIUM, ULTRAVIOLET, THE RECRUIT, CONSTANTINE (where he joined musical forces with Brian Tyler), THE PLEDGE, THE TIME MACHINE and INVINCIBLE. He also takes a unique look at his rise in the company of Hans ZIMMER.


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  2006, May 28
New Project For Hans ZIMMER & Klaus BADELT

According to the Gibraltar Films production, Hans ZIMMER would work on the next Werner Herzog's film : Rescue Dawn. Composer Richard Harvey will collaborate to the score and is using classical Asian musical instruments for the soundtrack.

Klaus BADELT would score for Heaven & Earth, the remarkable true story of the first woman doctor, who masqueraded as a man to pursue her career.


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  2006, May 27
A Klaus Badelt Interview : The Promise

The website Aintitcool.com released an interview from composer Klaus Badelt regarding his work on the Chen Kaige's movie.

"(...) What we wanted to do, both the director and me, was to create a film which can be felt by a global audience. That’s actually why he asked me to do it. You must know that Chen Kaige, the director, is maybe here not quite as well known…but in China, he’s a superstar more than any Steven Spielberg is in this country. He’s on TV everyday, he has a very famous actress wife, and wherever I went with him in any restaurant in Beijing, there’s a long line of people waiting for autographs(...)"

Read More...

...and Richard Harvey speaking from THE DA VINCI CODE

Read an interview from the composer about details & polemical surrounding the score.

www.nationmultimedia.com


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  2006, May 20

Hans Zimmer at Cannes 2006
VIDEOS

 


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  2006, May 20
The Da Vinci Code
Latin Words by Graham Preskett




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  2006, May 19
United 93
John Powell




  2006, May 19
Bruce FOWLER in the daylight


Salt Lake Tribune released an article on the famous orchestrator/composer.
"(...)Zimmer composes the music in small segments on computer and sends them to Fowler, who opens the file onto two large computer screens on his desk. The music looks like a complex graph, with colorful bars of varying heights stretching across both screens, signifying different instruments, pitches and dynamics.(...)"

Read the entire article


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  2006, May 15
Sound clips from FIRST FLIGHT
Music Composed by Jim Dooley

Main Title
Finale

Source : http://www.jimdooley.com/projects/film/firstflight/


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  2006, May 15
Gladiator the Musical

RIDLEY SCOTT's epic blockbuster GLADIATOR is set to be made into musical staged in London's West End.

The Oscar-winning film, which starred Hollywood hardman RUSSELL CROWE, will be adapted for the stage by WILLIAM NICHOLSON, who wrote the original screenplay.

The original HANS ZIMMER score will be used, but Crowe will not be reprising his role as MAXIMUS DECIMUS MERIDIUS. BRIAN STOKES MITCHELL will take on the part instead.

An associate of producer BRIAN EASTMAN says, "It's a terrific story which, with the right songs, will be a great show."

Source : www.pr-inside.com


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  2006, May 14
Hans ZIMMER's audio interview

The website NPR.org releases today an audio interview from Hans ZIMMER including themes like his mentor Stanley MYERS, The Future of Film Music, and of course : The Da Vinci Code.

Listen to the audio clips


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  2006, May 13
X-Men: The Last Stand
John Powell


Audio clips added



  2006, May 13
Sound clips from URMEL AUS DEM EIS (IMPY'S ISLAND)
Music Composed by Jim Dooley

Island Intro
Lullaby
Plant Fight
Sub Swim
New Shell

Source : http://www.jimdooley.com/projects/film/impysisland/


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  2006, May 13
Video about the DA VINCI CODE score with clips from the recording sessions.
Hans Zimmer and Ron Howard talk.



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  2006, May 09
Crusade against Da Vinci Code has begun

When a film goes before the censors the usual result is that producers are asked to make changes to the images on screen, particularly if the film is of an adult or violent nature. Rarely, if ever, does a film’s soundtrack and score raise the eyebrows of the censors… until now. The producers of The Da Vinci Code, wanting their film to get a 12A rating in the UK, were flabbergasted to find that the BBFC were more than a little unhappy with the sound mix and the level of tension in Hans Zimmer’s score.

> Read more


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  2006, May 07
Disco Page updated





  2006, May 04
UNITED 93 CD RELEASE

The score composed by John POWELL for the Paul Greengrass' film will be released on June, the 6th 2006 by Varese Sarabande.


  2006, May 03
Musketeer of Richelieu
at the rhythm of Nick Glennie-Smith




  2006, May 02
PIRATES OF THE CARIBBEAN 2 Release

Walt Disney Records will release Hans Zimmer's original music for Pirates of the Caribbean 2: Dead Man's Chest on July 4. It will be a score album featuring the orchestral music Hans Zimmer begins to record at the Sony Scoring Stage in Los Angeles this week.

Source : FilmMusicWorld.com

.:: New Trailer Online ::.


  2006, May 01
POSEIDON AUDIO EXTRACTS

You can listen to shorts extracts from the Klaus Badelt's score on Barnesandnoble.com.



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