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Great new podcast with Steve. Check it out, it's worth it - https://www.score-movie.com/single-post/2018/04/24/Episode-6 -Steve-Jablonsky-Behind-the-Score-Trent-Reznor-Atticus-Ross- Name-That-ScoreI'm guessing that the end credits will be where we hear what Williams wrote for the film, a concert arrangement of the new theme he contributed. So it'll start with the classic fanfare and then lead into that, and then if there's any time left to fill they'll put in some of Powell's material.For the most part I agree with you, especially in regards to continuity. Him writing a third theme for Cap makes no sense whatsoever, considering that the credits of TWS had a more traditional take on his CA theme which is basically what he ended up writing for Civil War. Same with the lack of The Falcon theme, which was even used in Ant-Man. I have a feeling this has something to do with what the Russo Bros wanted however.<br><br>As for the overall score though, I actually think it works great in context. Considering the film is a thriller, the more nuanced approach Henry took here feels very appropriate. And even though it’s a short motif, I genuinely like the theme for Black Panther.Listening to all these fan made covers!!! They all are more than awesome. Its feels good how Hans Zimmer is inspiring the world around to create such a great music. Lots of applause to all the fans who have submitted their covers over here. Good luck !!!<br>I have been revisiting a lot of scores of the MCU leading up to Infinity War, and what I don't really understand is why they didn't used almost any of the previously established themes in this one. He even created a new theme for Captain America, when he could have used his own theme from Winter Soldier. In fact, I think Winter Soldier's theme is the only one returning. Age of Ultron, although it was a really chaotic score, at least had some continuity and was a lot of fun, but this score feels flat for the most part of it.<br><br>And I really enjoyed TWS but for me this was a step down. But I must recognize that there are some great action cues, especially in the Airport Battle, but apart from that I didn't found anything that remarkable.
This might sound like a rather... odd question, but I did ask it when it came to Rogue One. Is John Powell going to use a 'classic' arrangement of the End Credits Suite, or is he writing something entirely new? The end credits theme is pretty much a staple of all the films so far and it would be interesting to know what Powell has in mind for his score there.And the release date has finally come !<br><br>MAY 25th !<br><br>Will it be Powell's masterpiece ? I hope so ! But it's going difficult to sound better than HTTYD !Yep, I noticed. And in mp3<br>I guess YT is still the better wayThere's a way to do it but I won't tell you for fear that I get HULK SMASHED by Hybrid. Besides, the file is in 112 kbps, it's barely worth the trouble (and I'm not even much of an audiophile).totally agreed...<br>maybe some way to hack into
I hope the Imperial March is in the score.Thank You NotaPix. That was really helpful. :)<br>I've never found this one either. It's the biggest gap in my HGW collection probably. Wonder why it never got a proper score release, sure it's a bit mickey-mousey and insubstantial but they could have at least put 30 minutes or so on the regular album, not just one track...hello Piyush VC<br>sorry, I hope I have correctly understood your question, I do not know English (google translator).<br>I do not remember well how long my covers have been published here after my submission.<br>but if you would like to publish your own cover of the composer Hans Zimmer here, it is more correct that you address the questions of this type to 'antas' admin.<br>as I said, I hope my answer is relevant to your question.<br>bye :)Anywhere I can find a complete recording of this soundtrack? I've looked everywhere.
Hey there.. Your music score is really good, I liked them all. I wanna know within how many days after your submission, were your tracks posted over here?Can anyone point me to where I can get a copy of this? I'd love to have this in my collection.It's been nearly 27 years since this came out in 1991.Nop, you're not the only one.<br><br>I can say everything i listen John Powell is something with quality and personality.<br><br>How to Train Your Dragon is one of his best. You are missing out. <br><br>But I may be the only person who thinks Face/Off is one of his best scores. I love that score more than nearly any John Powell scores.
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 LATEST RELEASES
 NEWS
  2006, May 31
LIVE FROM THE PUY DU FOU



Tomorrow, the new attraction from the theme park will open. Time for us to present this trailer with exclusives pictures from the show on Nick GLENNIE-SMITH's original score.
=> Watch Trailer <=

(Pictures by Nicolas, editing by Fabien FOURNIER)

Always at The Puy Du Fou, Dominique MICHONNEAU filmed this little video in september 2004, where Nick Glennie-Smith is performing "The Man In The Iron Mask" on the piano.



(Special Thanks to Dominique MICHONNEAU, Fabien FOURNIER and all the team from The Puy Du Fou).



  2006, May 30
DA VINCI CODE, once again...

Here are two interviews regarding the last Ron Howard's movie.

SFGate.com released an interview from Hans ZIMMER with some infos on Pirates Of The Caribbean 2


Hila PLITMANN & Hans ZIMMER


NPR.org completed its previous audio page dedicated to Hans ZIMMER speaking from his work with an audio interview from Hila PLITMANN, soprano from the Da Vinci Code's score.


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  2006, May 29
A Klaus BADELT audio interview


Klaus Badelt & director W. Petersen

Composer Klaus BADELT discusses his new blockbuster scores for POSEIDON and THE PROMISE, as well as looking back on his energetic, innovative scores for EQUILIBRIUM, ULTRAVIOLET, THE RECRUIT, CONSTANTINE (where he joined musical forces with Brian Tyler), THE PLEDGE, THE TIME MACHINE and INVINCIBLE. He also takes a unique look at his rise in the company of Hans ZIMMER.


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  2006, May 28
New Project For Hans ZIMMER & Klaus BADELT

According to the Gibraltar Films production, Hans ZIMMER would work on the next Werner Herzog's film : Rescue Dawn. Composer Richard Harvey will collaborate to the score and is using classical Asian musical instruments for the soundtrack.

Klaus BADELT would score for Heaven & Earth, the remarkable true story of the first woman doctor, who masqueraded as a man to pursue her career.


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  2006, May 27
A Klaus Badelt Interview : The Promise

The website Aintitcool.com released an interview from composer Klaus Badelt regarding his work on the Chen Kaige's movie.

"(...) What we wanted to do, both the director and me, was to create a film which can be felt by a global audience. That’s actually why he asked me to do it. You must know that Chen Kaige, the director, is maybe here not quite as well known…but in China, he’s a superstar more than any Steven Spielberg is in this country. He’s on TV everyday, he has a very famous actress wife, and wherever I went with him in any restaurant in Beijing, there’s a long line of people waiting for autographs(...)"

Read More...

...and Richard Harvey speaking from THE DA VINCI CODE

Read an interview from the composer about details & polemical surrounding the score.

www.nationmultimedia.com


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  2006, May 20

Hans Zimmer at Cannes 2006
VIDEOS

 


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  2006, May 20
The Da Vinci Code
Latin Words by Graham Preskett




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  2006, May 19
United 93
John Powell




  2006, May 19
Bruce FOWLER in the daylight


Salt Lake Tribune released an article on the famous orchestrator/composer.
"(...)Zimmer composes the music in small segments on computer and sends them to Fowler, who opens the file onto two large computer screens on his desk. The music looks like a complex graph, with colorful bars of varying heights stretching across both screens, signifying different instruments, pitches and dynamics.(...)"

Read the entire article


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  2006, May 15
Sound clips from FIRST FLIGHT
Music Composed by Jim Dooley

Main Title
Finale

Source : http://www.jimdooley.com/projects/film/firstflight/


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  2006, May 15
Gladiator the Musical

RIDLEY SCOTT's epic blockbuster GLADIATOR is set to be made into musical staged in London's West End.

The Oscar-winning film, which starred Hollywood hardman RUSSELL CROWE, will be adapted for the stage by WILLIAM NICHOLSON, who wrote the original screenplay.

The original HANS ZIMMER score will be used, but Crowe will not be reprising his role as MAXIMUS DECIMUS MERIDIUS. BRIAN STOKES MITCHELL will take on the part instead.

An associate of producer BRIAN EASTMAN says, "It's a terrific story which, with the right songs, will be a great show."

Source : www.pr-inside.com


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  2006, May 14
Hans ZIMMER's audio interview

The website NPR.org releases today an audio interview from Hans ZIMMER including themes like his mentor Stanley MYERS, The Future of Film Music, and of course : The Da Vinci Code.

Listen to the audio clips


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  2006, May 13
X-Men: The Last Stand
John Powell


Audio clips added



  2006, May 13
Sound clips from URMEL AUS DEM EIS (IMPY'S ISLAND)
Music Composed by Jim Dooley

Island Intro
Lullaby
Plant Fight
Sub Swim
New Shell

Source : http://www.jimdooley.com/projects/film/impysisland/


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  2006, May 13
Video about the DA VINCI CODE score with clips from the recording sessions.
Hans Zimmer and Ron Howard talk.



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  2006, May 09
Crusade against Da Vinci Code has begun

When a film goes before the censors the usual result is that producers are asked to make changes to the images on screen, particularly if the film is of an adult or violent nature. Rarely, if ever, does a film’s soundtrack and score raise the eyebrows of the censors… until now. The producers of The Da Vinci Code, wanting their film to get a 12A rating in the UK, were flabbergasted to find that the BBFC were more than a little unhappy with the sound mix and the level of tension in Hans Zimmer’s score.

> Read more


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  2006, May 07
Disco Page updated





  2006, May 04
UNITED 93 CD RELEASE

The score composed by John POWELL for the Paul Greengrass' film will be released on June, the 6th 2006 by Varese Sarabande.


  2006, May 03
Musketeer of Richelieu
at the rhythm of Nick Glennie-Smith




  2006, May 02
PIRATES OF THE CARIBBEAN 2 Release

Walt Disney Records will release Hans Zimmer's original music for Pirates of the Caribbean 2: Dead Man's Chest on July 4. It will be a score album featuring the orchestral music Hans Zimmer begins to record at the Sony Scoring Stage in Los Angeles this week.

Source : FilmMusicWorld.com

.:: New Trailer Online ::.


  2006, May 01
POSEIDON AUDIO EXTRACTS

You can listen to shorts extracts from the Klaus Badelt's score on Barnesandnoble.com.



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