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They all respected the theme of Courage, but each new composer brought a different sub-theme to the franchise.<br>@James  I don't know what you are referring to exactly, but I think that Horner's score in Star Trek II is a great example of a follow up movie score within the same universe. <br>I think all of those movies use the Alexander Courage theme for the original series but they still have some original material of their own and that's what Elfman should have done if he wanted to use the old themes for Batman and Superman. He could have used those in some moments but also keeping some material from BvS and MoS and creating new themes for the new characters and the League.What?! Did Mothersbaugh use a ghost writer?! he he heThis is a kind of Chappie mixed with Arcade of MoS.Hallo,<br>ich hätte eine Frage zu "Man of Steel", Track 2: "Oil Rig".<br>Da ist bei meiner Kaufversion (Download bei google) eine Stimme zu hören bei Sekunde 17 Bevor der Beat losgeht. Es hört sich an wie eine Kinderstimme die "O...O..." ruft. Ich finde es witzig, wüsste aber gerne wie die Stimme da rein kommt.<br>War das Absicht, gibt es eine Story dazu, oder ist es eine Fehler in der Aufnahme?<br>Weiß jemand was dazu?<br><br>LG
cd may have been shipped but ups tracking refrence shows up nothing on there site anyone got an ideas at to why this may be many thanksThe track is unreleased yeah, part of the movie's climax<br>chronologically it goes between Devils Anus and 'Asgard is a People'The Sierra Leone track Andrew K posted (link below)...I almost wonder if that's how 2010s Zimmer would redo The Lion King. More bass, more minimalist, more Interstellar...but still with an African flare.Horner and many others with Star Trek is a good example too.Huh. Well, the music Andrew posted is nice.
"Don't believe everything you hear, son."what do you gyus think about this? <br><br>www . youtube.com/watch?v=9riigqWjovMHallo,<br><br>Der 'Gladiator' ist schon langsam in die Jahre gekommen, die Musik ist aber nicht älter geworden. Genial.<br><br>Gruß  <br><br>Not bad score.<br><br>But I prefer the other oneIsn’t that ironic that DC is abandoning the continuity while Marvel is finally embracing it?<br><br>For any electronic fans out there, this score is definitely a must listen, there are some badass 80’s beats (with a dash of Tron legacy) in here.
I'm so mad at DC right now I'd rather promote Marvel !! lol<br><br><br>Well jokes aside I add cause Andrew worked on it. And btw he posted another 5 min cue on his Soundcloud, dunno if it's unreleased, there'll better specialists of that score than me !Yeah, I happen to have seen the film and the score is not really "coherent", it's more like many different cues put together...Okay, thanks for clearing that up. The Tracks released were kind of interesting, a kind of mix of soundsAnyone else think Hans knew about all the studio meddling during pre-production, the rewrites etc and walked away ? I mean, when I heard Elfman's score I thought it was generic and wouldn't fit the movie. Then I watched the movie and it fits well. The movie is just as bland as the music in the background.I don't have to ask, that movie was a failure that barely got distributed... No one had any interest in releasing this score...
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 LATEST RELEASES
 NEWS
  2006, May 31
LIVE FROM THE PUY DU FOU



Tomorrow, the new attraction from the theme park will open. Time for us to present this trailer with exclusives pictures from the show on Nick GLENNIE-SMITH's original score.
=> Watch Trailer <=

(Pictures by Nicolas, editing by Fabien FOURNIER)

Always at The Puy Du Fou, Dominique MICHONNEAU filmed this little video in september 2004, where Nick Glennie-Smith is performing "The Man In The Iron Mask" on the piano.



(Special Thanks to Dominique MICHONNEAU, Fabien FOURNIER and all the team from The Puy Du Fou).



  2006, May 30
DA VINCI CODE, once again...

Here are two interviews regarding the last Ron Howard's movie.

SFGate.com released an interview from Hans ZIMMER with some infos on Pirates Of The Caribbean 2


Hila PLITMANN & Hans ZIMMER


NPR.org completed its previous audio page dedicated to Hans ZIMMER speaking from his work with an audio interview from Hila PLITMANN, soprano from the Da Vinci Code's score.


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  2006, May 29
A Klaus BADELT audio interview


Klaus Badelt & director W. Petersen

Composer Klaus BADELT discusses his new blockbuster scores for POSEIDON and THE PROMISE, as well as looking back on his energetic, innovative scores for EQUILIBRIUM, ULTRAVIOLET, THE RECRUIT, CONSTANTINE (where he joined musical forces with Brian Tyler), THE PLEDGE, THE TIME MACHINE and INVINCIBLE. He also takes a unique look at his rise in the company of Hans ZIMMER.


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  2006, May 28
New Project For Hans ZIMMER & Klaus BADELT

According to the Gibraltar Films production, Hans ZIMMER would work on the next Werner Herzog's film : Rescue Dawn. Composer Richard Harvey will collaborate to the score and is using classical Asian musical instruments for the soundtrack.

Klaus BADELT would score for Heaven & Earth, the remarkable true story of the first woman doctor, who masqueraded as a man to pursue her career.


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  2006, May 27
A Klaus Badelt Interview : The Promise

The website Aintitcool.com released an interview from composer Klaus Badelt regarding his work on the Chen Kaige's movie.

"(...) What we wanted to do, both the director and me, was to create a film which can be felt by a global audience. That’s actually why he asked me to do it. You must know that Chen Kaige, the director, is maybe here not quite as well known…but in China, he’s a superstar more than any Steven Spielberg is in this country. He’s on TV everyday, he has a very famous actress wife, and wherever I went with him in any restaurant in Beijing, there’s a long line of people waiting for autographs(...)"

Read More...

...and Richard Harvey speaking from THE DA VINCI CODE

Read an interview from the composer about details & polemical surrounding the score.

www.nationmultimedia.com


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  2006, May 20

Hans Zimmer at Cannes 2006
VIDEOS

 


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  2006, May 20
The Da Vinci Code
Latin Words by Graham Preskett




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  2006, May 19
United 93
John Powell




  2006, May 19
Bruce FOWLER in the daylight


Salt Lake Tribune released an article on the famous orchestrator/composer.
"(...)Zimmer composes the music in small segments on computer and sends them to Fowler, who opens the file onto two large computer screens on his desk. The music looks like a complex graph, with colorful bars of varying heights stretching across both screens, signifying different instruments, pitches and dynamics.(...)"

Read the entire article


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  2006, May 15
Sound clips from FIRST FLIGHT
Music Composed by Jim Dooley

Main Title
Finale

Source : http://www.jimdooley.com/projects/film/firstflight/


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  2006, May 15
Gladiator the Musical

RIDLEY SCOTT's epic blockbuster GLADIATOR is set to be made into musical staged in London's West End.

The Oscar-winning film, which starred Hollywood hardman RUSSELL CROWE, will be adapted for the stage by WILLIAM NICHOLSON, who wrote the original screenplay.

The original HANS ZIMMER score will be used, but Crowe will not be reprising his role as MAXIMUS DECIMUS MERIDIUS. BRIAN STOKES MITCHELL will take on the part instead.

An associate of producer BRIAN EASTMAN says, "It's a terrific story which, with the right songs, will be a great show."

Source : www.pr-inside.com


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  2006, May 14
Hans ZIMMER's audio interview

The website NPR.org releases today an audio interview from Hans ZIMMER including themes like his mentor Stanley MYERS, The Future of Film Music, and of course : The Da Vinci Code.

Listen to the audio clips


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  2006, May 13
X-Men: The Last Stand
John Powell


Audio clips added



  2006, May 13
Sound clips from URMEL AUS DEM EIS (IMPY'S ISLAND)
Music Composed by Jim Dooley

Island Intro
Lullaby
Plant Fight
Sub Swim
New Shell

Source : http://www.jimdooley.com/projects/film/impysisland/


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  2006, May 13
Video about the DA VINCI CODE score with clips from the recording sessions.
Hans Zimmer and Ron Howard talk.



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  2006, May 09
Crusade against Da Vinci Code has begun

When a film goes before the censors the usual result is that producers are asked to make changes to the images on screen, particularly if the film is of an adult or violent nature. Rarely, if ever, does a film’s soundtrack and score raise the eyebrows of the censors… until now. The producers of The Da Vinci Code, wanting their film to get a 12A rating in the UK, were flabbergasted to find that the BBFC were more than a little unhappy with the sound mix and the level of tension in Hans Zimmer’s score.

> Read more


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  2006, May 07
Disco Page updated





  2006, May 04
UNITED 93 CD RELEASE

The score composed by John POWELL for the Paul Greengrass' film will be released on June, the 6th 2006 by Varese Sarabande.


  2006, May 03
Musketeer of Richelieu
at the rhythm of Nick Glennie-Smith




  2006, May 02
PIRATES OF THE CARIBBEAN 2 Release

Walt Disney Records will release Hans Zimmer's original music for Pirates of the Caribbean 2: Dead Man's Chest on July 4. It will be a score album featuring the orchestral music Hans Zimmer begins to record at the Sony Scoring Stage in Los Angeles this week.

Source : FilmMusicWorld.com

.:: New Trailer Online ::.


  2006, May 01
POSEIDON AUDIO EXTRACTS

You can listen to shorts extracts from the Klaus Badelt's score on Barnesandnoble.com.



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