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Oh wait... SCALPEL AND HAMMER is a combinations of two cues and I AM THE STORM is sort of in the middle :DFYI: <br><br>I AM THE STORM comes after SCALPEL AND HAMMER. <br><br>Gotta get my hands on the physical copy. Curious to hear the bonus tracks.He wants to compose for movie with good story.. retirement from superhero genre is just to chase Away justice league executives.. by the way how is HZ and JXL still buddies?I think he just wanna compose movie with good story.. now we know why he said he is retiring from superhero genreYeah, I didn't think that comment through. Hybrid, feel free to leave this chain up so my shame is forever on display.
Yeah Ben Wallfisch sure sounds a LOT like HZ !<br><br><br>#facepalmyeah I feel like it's been days, weeks even since the last oneDoes Hans really hire people with similar styles to him? Or do the people hired by him end up developing (or being asked to write in) a similar style to Hans'?Could you repeat that, but in legible English this time?Yes, but usually Hans hires people with similar styles to his, or promising new composers. Paesano fits the former fairly well in a lot of ways. I'm just saying it's surprising to me that he's never worked here.
"RCP" is not a "style", it's a place...Kind of shocking to me that John Paesano isn't a member of RCP. Marvel's Spider-Man is basically a more consistent version of this score in many ways with a touch of Danny Elfman's Spider-Man elements.so glad to see HZ back to the superhero genreso great to watch this new interview. it confirmed how i felt about wonder woman and widows. it is the right thing to do.<br><br>Hans's comment on losing his voice took me by surprise though. dunkirk touched on a few techniques i wanted to see explored more. i know other composers did it before. but i think dunkirk did a better job at putting those elements together... hopefully there is be a similar movie in the near future : )Steve is clearly spending time with his family. He had a second child just a few months ago. I think he will eventually be back on the Bay Train. <br><br>And Lorne is the right choice for a "replacement". He's been involved in one way or another with the Bay movies for more than 10 years now. He's certainly not a surprising choice and I'm looking forward to the score. It's a movie that takes place all over the world, so I have big expectations for the music.
Hans says he worked so hard to get WW1 to Rupert, but didn't he also recommend that they try a female composer?Balfe has constantly been brought in on Transformers movies , so great to see him working with Bay properlyApparently weíre in the wrong country :( If I could afford it, Iíd travel just to experience this.Lorne is now listed on IMDB and Wiki as the composer of 'Six Underground'. Clearly Bay likes working with him. Good for Lorne.You're absolutely right. Play's over. Exit's that way. On your feet. Go!<br><br>Good knowing you.
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  2006, June 27
VIDEO GAMES LIVE



> Metal Gear Solid Video (divx / 38 Mo) <

This video is copyrighted Videogameslive / IGN


Comments (11)

  2006, June 26


NICK GLENNIE SMITH and JIM DOOLEY to attend SONCINEMAD


Two of the most famous Remote Control Studios composers, Nick Glennie Smith and James Michael Dooley, will also be attending SONCINEMAD - the 1st MADRID INTERNATIONAL FILM MUSIC FESTIVAL, taking in place in Madrid, Spain at June the 30th and July the 1st and 2nd.

For more info, please visit:

http://scoremagacine.com/Noticias_eng_det.php?Codigo=142 http://scoremagacine.com/ http://www.soncinemad.com/home.php


Comments (7)

  2006, June 26


Interview with James Dooley
www.filmzene.net


We've first met James Dooley's name a few years ago as an additional composer. Hans Zimmer's student debuted this year with his first individual motion picture score, written for Simon West' When a Stranger Calls. His latest work is the animated short 'First Flight', which will be shown before Deramworks' 'Over the Hedge'. We asked the young composer about these works and the rest of his career.

> Read more


Comments (1)

  2006, June 25
Q&A: Hans Zimmer on scoring 'The Da Vinci Code'
soundtracks.monstersandcritics.com


Hans Zimmer's studio is dark red. The deep wood panels, flowing thick velvet curtains and the plush couch seem more fit for an 18th-century castle than a building in Santa Monica, Calif.

Zimmer sits at his desk - complete with piano keyboard and numerous computers, and coffee. He spins in his chair. He's excited and overworked. He just finished scoring 'The Da Vinci Code' - a project that consumed two years of his life. And now he is knee deep in 'Pirates of the Caribbean: Dead Man's Chest.'


> Read more


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  2006, June 20
Into The West
Geoff Zanelli


††


  2006, June 19
DEAD MAN's CHEST First listen



Soundtrack.net made a review from the next Hans ZIMMER's CD release, Pirates Of The Caribbean : Dead Man's Chest, with extracts from each track.


Comments (26)

  2006, June 18
Steve Jablonsky scores the TRANSFORMERS theatrical teaser

Soundtrack.net released pictures from the teaser' score recording session. Conducted by Bruce Fowler, with additional ambient music by Mel Wesson, this melody composed by Steve Jablonsky will maybe be present in the next Michael Bay's movie.

You can listen to some of the synth version from this music on the Official Website from the movie


Comments (0)

  2006, June 17
Trevor RABIN scoring SNAKES ON A PLANE

This past week, the Hollywood Studio Symphony recorded the score to one of this summer's most anticipated films: Snakes on a Plane. A 67-piece orchestra was employed to perform the score, written by Trevor Rabin (...)

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  2006, June 15
6 YEARS AFTER...

Hans Zimmer has apparently been sued by the Holst foundation and music publishers ĎJ. Curwen & Sonsí. They claim elements of Zimmerís Gladiator (in fact, a motif used in ĎThe Battleí) borrow directly from Gustav Holsts ĎThe Planetsí, namely ĎMars: Bringer of Warí. Zimmer and his lawyers of course refute this, though the composer has likened parts of his score to Holstís masterpiece, in terms of its musical language, in the past. (...)

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  2006, June 13

Artist TiŽsto to remix the title theme 'He's A Pirate'


To celebrate the release of this summer's blockbuster Pirates of the Caribbean: Dead Man's Chest, Disney invited TiŽsto to remix the title theme 'He's A Pirate' into a progressive epic trance anthem.

TiŽsto was honoured with this invitation and produced a trance anthem as well as an orchestral remix with the original euphoric orchestral break. Death Man's Chest: Remixes cd-single contains the TiŽsto remix, a TiŽsto radio edit and remixes by Friscia & Lamboy, Pelo Verde, Pete n' Red and Chris Joss. Radio edits of TiŽsto and Pete n' Red Jolly Roger remixes are included on the Promotional CD.

You can hear the remix HERE.
Just click on Previously aired shows: 10 juni 2006 and go to minute 27'30...


Comments (3)

  2006, June 13
Musqueteers of Richelieu :
Your opinion interests us


Please take a moment to answer this question in the right margin.
We will submit the result to the Puy du Fou organizer.


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  2006, June 11
Disco Page updated






  2006, June 10
Klaus BADELT working on MIAMI VICE

Klaus BADELT is currently co-scoring the next Michael MANN movie, MIAMI VICE, with composer John MURPHY (Basic Instinct 2).
Starring Colin Farrell & Jamie Foxx.

Release Date


Comments (1)

  2006, June 05
PIRATES OF THE CARRIBEAN 2
starring Hans ZIMMER


wmv file / German with English Subtitles / 13.3 Mos

The German Tv, ZDF, on its prime time news magazine Heute Journal, presented a video reportage from Hans ZIMMER while he was scoring Pirates Of The Carribean : Dead Man's Chest

Subtitled by dlmusic & Sylvos
Thank you Rudi


Comments (1)


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