NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
You realize there is a very easy and free method to get the music from that site, dont you?Random thought but this got me thinking about Zanelli's history with fantasy.<br><br>Whatever happened to his score for Delgo?  I know it's been accused of being super derivative of his other works anyways but still, it's weird to see a RCP score just drop off the face of the Earth like that.There's just something really charming about seeing a prototype for a famous future theme showing up in an old score.<br><br>Or in PotC's case, SCORES.The only ones I've seen properly confirmed are the cues Badelt had listed on his website. The issue with everything else is that there's certain themes that's been associated with certain people, but aren't credited for every appearance. Not to mention that I've never really seen much official credits elsewhere, so I take any that I've seen with a grain of salt.This comment was made before that was properly confirmed, so he was likely going to do it solo at the time.
I thought Hans was collaborating with Faltermayer For Top Gun 2From both ASCAP and GEMACan these be accessed anywhere?The dream is collapsing... :oHoly f*ck, just listened to "Too Many Notes..." and its containing pirates theme itself from Pirates of the caribbean
'No Good About Goodbye' was never the intended song for QOS. It was composed after the film was completed using thematic material from the film for Shirley Bassey to perform on her, David Arnold produced album, 'The Performance'Those files are just sitting there.<br><br>Undownloadable.<br><br>Taunting me.@Ds<br>Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br><br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br><br>I already discussed 300 and Pacific Rim.  Clearly deep scripts aren't what I'm aiming for here when I talk about good blockbusters.<br><br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br><br>300's a great example of this, though unfortunately a lot of Snyder's other work isn't, and Bay is close behind.  Their films get bogged with way too much obnoxious bullshit to make the odd sequence worth it.<br><br>The Scorponok sequence from TF1, the warehouse fight from BvS, that's real standout stuff.  Stuff that loses a lot of its luster when surrounded by two-and-a-half, or god forbid THREE, hours of self-serious pretense, lazy humor, and/or annoying characters.<br><br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br><br>They just aren't very good filmmakers on the whole, and need to learn to consolidate their efforts into something that brings out their best and subdues their worst.  Snyder in particular has SERIOUSLY misjudged where his talent is lately.Well, Steve, about the score, says he still working on it.<br><br>I can't wait.A snippet of the verse (at 0:49) also shows up occasionally in the score, in Somebody Wants to Kill You, the end of Greene and Camille, and Field Trip.
Ist there any chance for concert in Poland during this tour?How do I listen to this ?Hybrid, what about any credits for this score?Looking to travel to Berlin for the kickoff. Reckon the concert is in german instead in english?100% agree.<br><br>“You Know My Name”, “Skyfall”, “Goldfinger”, etc. all stand out because they embrace the grander aspects of 007. Having a calm and reflective Bond song can be just as effective though. I feel like “No Time to Die” is basically trying to do what “Writing on the Wall” tried but succeeding much better.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





 .
Comments (1)   
See More...  
 LATEST RELEASES
 NEWS
  2006, July 31
Hans ZIMMER on the german channel

The composer appears on german channel ZDF in order to present his new score for Pirates of the Caribbean : Dead Man's Chest

Watch the video

Thank you René HAHL


Comments (9)

  2006, July 30
Disco Page updated




  2006, July 20
A Hans ZIMMER video regarding DEAD MAN's CHEST

The official website released a video interview from the making of the music.

Just click on "Pirates soundtrack remixes", then "Watch the video"


  2006, July 19
Urmel aus dem Eis extracts

Click HERE to get extracts from each track from the new Jim DOOLEY's score.


Comments (0)

  2006, July 19
Hans ZIMMER's Holyday

GSA Music confirmed that the composer will score the next Nancy Meyers's movie, THE HOLIDAY with Jack Black playing a film composer.

View Trailer


  2006, July 12
EMMY AWARDS NOMINATIONS

The academy of television arts & sciences released the list of the nominees for the ceremony which will be held on Sunday, august the 27th.

Congratulations to Geoff ZANELLI, nominated for his composition for the miniserie INTO THE WEST, and to Ramin DJAWADI, nominated for the PRISON BREAK's main title.


Comments (5)

  2006, July 05
DEAD MAN's CHEST COMPLETE ALBUM LISTENING

AOL.com released a full version from the next Hans ZIMMER's score.

Listen to the entire score HERE.

(Select "Pirates Of The Caribbean : Dead Man's Chest" in the "full CD Listening Party" choice.)


Comments (62)

  2006, July 05
John POWELL at the 6th edition of the WSA

The sixth edition of the World Soundtrack Awards, which will be held on October 14, 2006 in Ghent (Belgium), will welcome Michael Giacchino, Peer Raben, John Powell and Piet Goddaer to attend the presentation of the World Soundtrack Awards and the concert thereafter.

Read more...


Comments (0)


 HANS-ZIMMER.com© 2001-2018 OST 
Stephane Vidali / Antas - Nicolas Cabarrou