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I imagine iTunes and Spotify by Friday. The people commenting on it have likely heard a leaked version.Where can we listen this score ?It's a good score, nice blend between orchestra and synths.<br><br>But, i think WW is more interesting scoreI'm listening right now, one of the best works by Tom, by far.<br><br>Beautiful choir, great action tracks (even there is a great renditions of the themes, Windflower with that version of Shrike's theme is gorgeous) and multiples themes.I'm guessing CONFESSIONS & REGRETS is Tom Sells out his Clone?
I have done this for... so many things ! :PThanks so much!01 - THE ISLAND AWAITS YOU => 1M1 MAIN TITLES + 1M2 NIGHTMARE #1<br>02 - WHERE DO THESE TUBES GO? => 1M2 MISSING A SHOE + 4M24 ROUTE 39<br>03 - SECTOR 6 => 4M19C CENSOR CHASE PT 3 + 4M19D THE OUTSIDE WORLD<br>04 - STARKWEATHER => NOT IN MIXES (Album idea or suite idea ?) + 6M33H MVC PT 6 THE BIG R<br>05 - AGNATE UKULELES => 2M10 AGNATE UKULELES + 2M10B UKULELES 2 - ELECTRIC B<br>06 - YOU HAVE A SPECIAL PURPOSE IN LIFE => 3M14A RELEASING THE MOTH + 3M14B LIMA'S DEMISE<br>07 - MASS VEHICULAR CARNAGE => 1MD HEALTH CLUB (ALBUM SONG VERSION)<br>08 - RENOVATIO => 5M32B TRACKING THE CLONES<br>09 - I'M NOT READY TO DIE => 3M15 STARKWEATHER'S DEMISE (EDITED)<br>10 - THIS TONGUE THING'S AMAZING => 7M43 THIS TONGUE THING'S AMAZING + 6M38 CONFESSIONS & REGRETS<br>11 - MASS WINNINGS => 7M44 MASS WINNINGS + 7M45 RETURN TO INSTITUTE + 7M45 RETURN TO INSTITURE PT 2<br>12 - THE CRAZIEST MESS I'VE EVER SEEN => 3M16-17 A PRODUCT ON THE LOOSE + 3M18A CENSOR CHASE PT 1<br>13 - SEND IN THE CLONES => 5M29 TRAIN STATION CHASE + 5M31-32 IN LA - CALVIN KLEIN<br>14 - MY NAME IS LINCOLN => 8M52 THE END OF MERRICK<br><br>;)Hybrid is it possible that you could do a crossreference of what cues here = the ones on album like you did for King Arthur and Transformers 4?And maybe there's too much synth work in both cause... Andrew K worked on both ?! lol
Mothersbaugh isn't the only person out there to use 80s synth, you know. You are after all, on the website named after perhaps the greatest pioneer of it in terms of film music. <br><br>Also, there is nothing about this film that screams "Thor Ragnarok" ripoff. If anything, the appropriate place to compare is Black Panther- however, as Aquaman and his mythology predates Black Panther by several years, that argument is rendered moot.<br><br> Sure, we have regal similarities (king, set in kingdom, evil half brother) but it literally ends there. The story is quite basic, but nowhere like Ragnarok in its entirety. Ragnarok was about two brothers putting aside their differences to stop their evil sister from unleashing Ragnarok itself, whilst Aquaman is about Arthur Curry being forced to reconnect with his Atlantean heritage, and it's explicitly a quest for him to clear Atlantis from a corrupt, purist ruler who wants to hurt the surface world because of how the humans have been mistreating the seas. Aquaman is very much its own thing, and it doesn't need any such comparisons. And I bet, it will stomp past Ragnarok at the box office overall. <br><br>the main theme is quite similar to Jackman's Kingsman ( the first three note)<br><br>andd..<br><br>I assume it is the studio's mandate for RGW to go (and adapt..or imitate?) Mothersbaugh's Ragnarok with its 80s synth. <br><br>----<br><br>Having seen the movie, i understand why RGW chose the 80s style, because basically, Aquaman is Thor Ragnarok underwater. <br>Dont get me wrong, the visual spectacle is amazing and colorful ( in a good way), some of the cinematography is downright breathtaking,but i really did have a hardtime enjoying this movie in its fullness beacuse the blatant Ragnarok ripping-off here and there.., and dont get me started on the story...<br>Really, the visual did the heavy lifting in this movie ( and it succeeded in overcoming the weak storyline)Um, is there a freaking Pitbull remix of Africa on here? What the heck?The kind of spacey synth parts reminds me of Blade Runner 2049, and for some reason, Michael Giacchino's work on Star Trek. The more orchestrated triumphant version of the theme is a little like the melodies heard on the Destiny 2 soundtrack.It’s out. Go find it. So far so good!
I listened to the track Arthur and it sounds really great. It's an unexpected mix of orchestra and synths (almost 80's style) with a really great theme I suppose is for Aquaman. <br><br>I hope the rest of the score is like this.Here<br><br>https:// itunes.apple.com/nz/album/aquaman-original-motion-picture-so undtrac k /1445500675<br><br>Includes some songs and the track of Joseph BisharaSo is this for Cue sheets or the actual complete score is out?Rupert Gregson-Williams stated on his twitter page that it will be released the 14thSupposedly there is some Joseph Bishara music for the “Trench Sequence”. For anyone who has seen the film was this something original or was it music tracked in from other Bishara scores?
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 LATEST RELEASES
 NEWS
  2006, October 27
UCLA WIND ENSEMBLE TO PERFORM WORLD PREMIERE of ACCLAIMED 'MARS UNDERGROUND' SCORE as a SUITE-to-PICTURE



Multi-talented composer of "When a Stranger Calls", DreamWorks' "First Flight" short, SOCOM video game series and contributor to "The Da Vinci Code" and "Pirates of the Caribbean" also to appear


  2006, October 26
A new interview from Jim DOOLEY

Our Friends from Scoremagacine.com released an interview from the composer, from Wallace and Gromit to Chicken Run and the Jerry Bruckheimer / Media Ventures sound up to the modern trends in film music, composing techniques, game scores and even score rejections, read about it all in the pleasant chat they had with him a while back.


  2006, October 25
Ultraviolet
Klaus Badelt


The Texas Chainsaw Massacre: The Beginning
Steve Jablonsky




  2006, October 23
JOHN POWELL ; Press conference in Ghent

We released the first part of the press conference the composer John POWELL held in Ghent on october the 14th for the World Soundtrack Awards, with text, pictures and videos.

Read the article


  2006, October 21
CHILDREN OF GLORY

Check the official website from the movie to get the main title from the Nick GLENNIE-SMITH' score.

Thank you Levente !


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  2006, October 20
Harry GREGSON WILLIAMS records DEJA VU

Soundtrack.net released pictures from the recording sessions from the new Harry GREGSON-WILLIAMS' score, for the Tony SCOTT's next movie.


  2006, October 17
John POWELL at The World Soundtrack Awards 2006

The sixth edition of the World Soundtrack Awards (WSA) held on October the 14th. 2006 in Ghent (Belgium) was once again a pre-eminent event for film music lovers.


Download our video (wmv - 56 Mos - 10mn)


The spanish composer Alberto Iglesias won Best Soundtrack and Best Composer Awards for The Constant Gardener and the argentine composer Gustavo Santaolalla sang and played a live guitar rendition from Brokeback Mountain.
The Flemish Radio Orchestra, conducted by Dirk Brossé, performed music from Michael Giacchino, Peer Raben, Piet Goddaer and John Powell, who joined in the orchestra for The Bourne Identity, Endurance, X-Men: The Last Stand, Two weeks Notice, Mr. & Mrs Smith and Ice Age: the Meltdown.

Hans-Zimmer.com wishes to thank the Flanders International Film Festival from Ghent and the World Soundtrack Academy for their amazing ceremony and concert.

More Infos on the official website


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  2006, October 15
Blood+ Vol2
Mark Mancina


   
Haven
Heitor Pereira




  2006, October 08
A new Hans ZIMMER's interview : part II.

(...)"Well, once I've done the next Batman movie, which will finish in early 2008, I thought I'd take a year off from writing film scores and just go and do some concerts. I only started thinking about this recently, that I have these complete pieces lying around, like The Ring, Gladiator, Thelma & Louise, Crimson Tide, and they all exist as proper concert pieces. One of the reasons they've never been performed is that the percussion parts mostly exist as a bunch of samples in the films, so Bruce never had to write it into the score. So we just need to sit down, add the percussion into the score, and things like that.(...)"

Read more on soundtrack.net


  2006, October 01
A new Hans ZIMMER's interview.

Soundtrack.net released the first part from an interview dedicated to Hans ZIMMER's work on The Da Vinci Code & Dead Man 's Chest.


  2006, October 01
A non-Italian Job

John POWELL has been commissioned to write the original music for Horton Hears a Who, an animated feature produced by 20th Century Fox for release in 2008. It’s based on the book by Dr. Seuss and will feature the voices of Jim Carrey and Steve Carell. The movie is directed by Jimmy Hayward and Steve Martino, who both worked on Robots.

Source :Filmmusicworld.com


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  2006, October 01
METAL GEAR SOLID 4 : GUNS OF THE PATRIOTS



Harry GREGSON-WILLIAMS is composing the score along with Toda NOBUKO who will be in charge of the in-game music while HGW will score for the cut-scenes. Release date for the video-game is announced for the year 2007.

Visit the official website HERE
Download the trailer HERE


Thank you Aggelos Tsompanidis !


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