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The Railroad Waits for No One is MazzaroWhat we know about Lorne's work on it? He do "Ranaway Train" aka "The Railroad Waits For No One" or "Finale"? And Zanelli did only "Finale"?Well, considering there's a lot more advanced orchestral writing in a lot of Transformers: The Game (which was composed by Jablonsky and Flood), than in many of Steve's other projects, I can't help but feel the more advanced stuff here was Flood too. Plus Flood's contribution to "Flying Battle" in D-War kind of makes him seem like the more advanced orchestra composer.Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.
Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).
Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there Mikeal
Typical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.
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 LATEST RELEASES
 NEWS
  2006, October 27
UCLA WIND ENSEMBLE TO PERFORM WORLD PREMIERE of ACCLAIMED 'MARS UNDERGROUND' SCORE as a SUITE-to-PICTURE



Multi-talented composer of "When a Stranger Calls", DreamWorks' "First Flight" short, SOCOM video game series and contributor to "The Da Vinci Code" and "Pirates of the Caribbean" also to appear


  2006, October 26
A new interview from Jim DOOLEY

Our Friends from Scoremagacine.com released an interview from the composer, from Wallace and Gromit to Chicken Run and the Jerry Bruckheimer / Media Ventures sound up to the modern trends in film music, composing techniques, game scores and even score rejections, read about it all in the pleasant chat they had with him a while back.


  2006, October 25
Ultraviolet
Klaus Badelt


The Texas Chainsaw Massacre: The Beginning
Steve Jablonsky




  2006, October 23
JOHN POWELL ; Press conference in Ghent

We released the first part of the press conference the composer John POWELL held in Ghent on october the 14th for the World Soundtrack Awards, with text, pictures and videos.

Read the article


  2006, October 21
CHILDREN OF GLORY

Check the official website from the movie to get the main title from the Nick GLENNIE-SMITH' score.

Thank you Levente !


Comments (3)

  2006, October 20
Harry GREGSON WILLIAMS records DEJA VU

Soundtrack.net released pictures from the recording sessions from the new Harry GREGSON-WILLIAMS' score, for the Tony SCOTT's next movie.


  2006, October 17
John POWELL at The World Soundtrack Awards 2006

The sixth edition of the World Soundtrack Awards (WSA) held on October the 14th. 2006 in Ghent (Belgium) was once again a pre-eminent event for film music lovers.


Download our video (wmv - 56 Mos - 10mn)


The spanish composer Alberto Iglesias won Best Soundtrack and Best Composer Awards for The Constant Gardener and the argentine composer Gustavo Santaolalla sang and played a live guitar rendition from Brokeback Mountain.
The Flemish Radio Orchestra, conducted by Dirk Brossé, performed music from Michael Giacchino, Peer Raben, Piet Goddaer and John Powell, who joined in the orchestra for The Bourne Identity, Endurance, X-Men: The Last Stand, Two weeks Notice, Mr. & Mrs Smith and Ice Age: the Meltdown.

Hans-Zimmer.com wishes to thank the Flanders International Film Festival from Ghent and the World Soundtrack Academy for their amazing ceremony and concert.

More Infos on the official website


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  2006, October 15
Blood+ Vol2
Mark Mancina


   
Haven
Heitor Pereira




  2006, October 08
A new Hans ZIMMER's interview : part II.

(...)"Well, once I've done the next Batman movie, which will finish in early 2008, I thought I'd take a year off from writing film scores and just go and do some concerts. I only started thinking about this recently, that I have these complete pieces lying around, like The Ring, Gladiator, Thelma & Louise, Crimson Tide, and they all exist as proper concert pieces. One of the reasons they've never been performed is that the percussion parts mostly exist as a bunch of samples in the films, so Bruce never had to write it into the score. So we just need to sit down, add the percussion into the score, and things like that.(...)"

Read more on soundtrack.net


  2006, October 01
A new Hans ZIMMER's interview.

Soundtrack.net released the first part from an interview dedicated to Hans ZIMMER's work on The Da Vinci Code & Dead Man 's Chest.


  2006, October 01
A non-Italian Job

John POWELL has been commissioned to write the original music for Horton Hears a Who, an animated feature produced by 20th Century Fox for release in 2008. It’s based on the book by Dr. Seuss and will feature the voices of Jim Carrey and Steve Carell. The movie is directed by Jimmy Hayward and Steve Martino, who both worked on Robots.

Source :Filmmusicworld.com


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  2006, October 01
METAL GEAR SOLID 4 : GUNS OF THE PATRIOTS



Harry GREGSON-WILLIAMS is composing the score along with Toda NOBUKO who will be in charge of the in-game music while HGW will score for the cut-scenes. Release date for the video-game is announced for the year 2007.

Visit the official website HERE
Download the trailer HERE


Thank you Aggelos Tsompanidis !


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