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Exactly Solomon !<br>THe use of the krypton theme in the spaceship scene made this moment more intense and it felt... natural... as if the rest of the music doesnt blend in the atmosphere we were used to with the previous movies.@scarecrow9: Wikipedia says that filming originally wrapped in October 2016, and that Zack was taken off the project in May 2017. That's at least 6 months of post-production, so hopefully yes.<br>@Leonard Dante: You don't think it's disrespect to Snyder that the film bears his name but Whedon cut it up and redid his story with terrible reshoots and replaced his nominated composer?<br><br>Lastly, I will say that I watched the film earlier today and thought it was absolutely terrible. The best part was the few seconds where Zimmer's "Krypton" theme was playing in the scoutship!Hybrid, do you think that the Snyderīs Cut could really exist somewhere? Let alone with Tomīs score, do you think that he even began scoring the film? I would love to see that version. Thank you for your answerBalfe is one of the few that hasnít got additional writers<br>=================================<br><br><br>Even composers who do one or two movies a year receive help. So it's very, very hard for me to believe that Balfe - with the amount of movies he works on now - is out there by himself, scoring it all by himself. It's simply not possible. And this is the MV/RC world after all. Composers help each other all the time. And many of these collaborations don't even make it to this site. It's very hard to keep track of everything.imo whedon and elfman screwed up the movie, i'd say Zacks original cut would be better, then again thats just me tho
Perhaps. But it would be a disrespect to Whedon and Elfman. Okay. If that means more money on the table, they will.HOPE NEVER DIES.<br><br>Sources confirm this days on social media that Zack Snyder Original Cut of Justice League not only exists, but have VFX's work and Junkie XL's score on it.<br><br>That could be really EPIC.<br><br>The Fight for this can happens is bigger every minute passes, dont lose the faith, not now.Cannot freaking wait!"Balfe is one of the few that hasnít got additional writers"<br><br>As if. Just look through this site and you'll see additional guys credited for lots of his scores. Max Aruj, Steffen Thum, Thomas Farnon, Andrew Kawczynski on some projects...he's a very busy guy but I promise you he doesn't do every single second of his 15 scores a year on his own.Bayhem - Balfe is one of the few that hasnít got additional writers though.which films has this small army of ghostwriters ???!!!!!!
You say Balfe worked on the last Transformers(2017). Okay. He may have been called by the Paramount. However, his involvement with the franchise in 2005 and in the following years happened because of the RCP and Zimmer's direct involvement in the project. There in 2005, 2007, 2011, 2014 he was a guest of RCP/MV and no received no call for help of the Paramount. There is no other way.he worked on the first transformers . And did a lot. Why not ask him on twitter .<br>.....................................<br><br><br>I've asked him a lot of stuff. We're Facebook friends. And yes, I know he worked on the first one. I clearly said it a couple of times in my replies here. He worked on the first one and the second one as well. But if you try to imply that Balfe deserves the credit for these scores, you are way, way off the mark. And it's very disrespectful to Jablonsky. Very.<br><br>Now, clearly you like Balfe a lot. Fine. But please don't undermine a far more experienced and successful composer like Jablonsky, just because Balfe is the "hot MV/RC composer" at the moment. We, the Jablonsky fans, certainly didn't act that way in 2007 when Jablonsky's name was everywhere and people were going crazy for the Transformers score. No one denies that Balfe worked hard on the Transformers films. But he's not the "main guy". Just like a lot of MV/RC composers have worked on HIS scores and they're not the main composers. You think Balfe scores all of his movies alone? Nope. Like any other successful and busy composer out there, he's supported by a small army of ghostwriters.Studio = Paramount and he worked on the first transformers . And did a lot. Why not ask him on twitter . I did !!!!!!Balfe never worked for Jablonsky =========================================<br><br>By "worked for Jablonsky" I meant he worked ON Jablonsky scores. And as James said, it's all MV/RC anyway. They all know each other and help each other. The first Transformers movie started post-production at the end of 2006. Back then no one knew who Balfe was (aside from the biggest MV/RC fans). His big break arguably came in 2009-2010. Years after the first Transformers movie. So no matter how we spin it, he still came after Jablonsky. Jablonsky is his senior and obviously has much more experience. And we have to respect that. <br><br>That was my point.Should have gotten one for Interstellar, not this.
"Strength And Honor" is a forerunner to the main theme of King Arthur and also the theme for Transformers!<br><br>I was listening to the soundtrack and unwittingly the music sent me to these two other movies. :Dhe says he was brought in by the studio.<br><br>-----------------------------------------------<br><br>Studio = RCP = Hans Zimmer credit as producer of the score.<br>In end of day is the same thing.Maybe a honorary in the future.Bayhem - your wrong on a couple of points . Balfe never worked for Jablonsky .In a recent podcast he was asked about Transformers and he says he was brought in by the studio.seems the same with the lastest Film also.its pretty obvious the temp for the end is 13 Hours also.A "spanish" score. This is great!
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 LATEST RELEASES
 NEWS
  2006, October 27
UCLA WIND ENSEMBLE TO PERFORM WORLD PREMIERE of ACCLAIMED 'MARS UNDERGROUND' SCORE as a SUITE-to-PICTURE



Multi-talented composer of "When a Stranger Calls", DreamWorks' "First Flight" short, SOCOM video game series and contributor to "The Da Vinci Code" and "Pirates of the Caribbean" also to appear


  2006, October 26
A new interview from Jim DOOLEY

Our Friends from Scoremagacine.com released an interview from the composer, from Wallace and Gromit to Chicken Run and the Jerry Bruckheimer / Media Ventures sound up to the modern trends in film music, composing techniques, game scores and even score rejections, read about it all in the pleasant chat they had with him a while back.


  2006, October 25
Ultraviolet
Klaus Badelt


The Texas Chainsaw Massacre: The Beginning
Steve Jablonsky




  2006, October 23
JOHN POWELL ; Press conference in Ghent

We released the first part of the press conference the composer John POWELL held in Ghent on october the 14th for the World Soundtrack Awards, with text, pictures and videos.

Read the article


  2006, October 21
CHILDREN OF GLORY

Check the official website from the movie to get the main title from the Nick GLENNIE-SMITH' score.

Thank you Levente !


Comments (3)

  2006, October 20
Harry GREGSON WILLIAMS records DEJA VU

Soundtrack.net released pictures from the recording sessions from the new Harry GREGSON-WILLIAMS' score, for the Tony SCOTT's next movie.


  2006, October 17
John POWELL at The World Soundtrack Awards 2006

The sixth edition of the World Soundtrack Awards (WSA) held on October the 14th. 2006 in Ghent (Belgium) was once again a pre-eminent event for film music lovers.


Download our video (wmv - 56 Mos - 10mn)


The spanish composer Alberto Iglesias won Best Soundtrack and Best Composer Awards for The Constant Gardener and the argentine composer Gustavo Santaolalla sang and played a live guitar rendition from Brokeback Mountain.
The Flemish Radio Orchestra, conducted by Dirk Brossť, performed music from Michael Giacchino, Peer Raben, Piet Goddaer and John Powell, who joined in the orchestra for The Bourne Identity, Endurance, X-Men: The Last Stand, Two weeks Notice, Mr. & Mrs Smith and Ice Age: the Meltdown.

Hans-Zimmer.com wishes to thank the Flanders International Film Festival from Ghent and the World Soundtrack Academy for their amazing ceremony and concert.

More Infos on the official website


Comments (10)

  2006, October 15
Blood+ Vol2
Mark Mancina


   
Haven
Heitor Pereira




  2006, October 08
A new Hans ZIMMER's interview : part II.

(...)"Well, once I've done the next Batman movie, which will finish in early 2008, I thought I'd take a year off from writing film scores and just go and do some concerts. I only started thinking about this recently, that I have these complete pieces lying around, like The Ring, Gladiator, Thelma & Louise, Crimson Tide, and they all exist as proper concert pieces. One of the reasons they've never been performed is that the percussion parts mostly exist as a bunch of samples in the films, so Bruce never had to write it into the score. So we just need to sit down, add the percussion into the score, and things like that.(...)"

Read more on soundtrack.net


  2006, October 01
A new Hans ZIMMER's interview.

Soundtrack.net released the first part from an interview dedicated to Hans ZIMMER's work on The Da Vinci Code & Dead Man 's Chest.


  2006, October 01
A non-Italian Job

John POWELL has been commissioned to write the original music for Horton Hears a Who, an animated feature produced by 20th Century Fox for release in 2008. Itís based on the book by Dr. Seuss and will feature the voices of Jim Carrey and Steve Carell. The movie is directed by Jimmy Hayward and Steve Martino, who both worked on Robots.

Source :Filmmusicworld.com


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  2006, October 01
METAL GEAR SOLID 4 : GUNS OF THE PATRIOTS



Harry GREGSON-WILLIAMS is composing the score along with Toda NOBUKO who will be in charge of the in-game music while HGW will score for the cut-scenes. Release date for the video-game is announced for the year 2007.

Visit the official website HERE
Download the trailer HERE


Thank you Aggelos Tsompanidis !


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