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@jazzy -- natürlich.  Any criticism must mean I am a Nazi.  Spoken like a modern U.S. Democrat.Yes. I know. But Giacchino has always worked with the Disney.John, on the other hand, is his equivalent in the Blue Sky and  Dreamworks.Well this is... fuck YESThe prologue music builds on the music from the very first teaser with lots of rhythmic variations. It has a very ominous sounding hum in the background and some sounds that are very hard to describe but are very addictive. Also, the tempo changes throughout the prologue. A lot of people disagree with me (some think it's nothing special) but I think the track should've been released.hmm... the part of the theme near the end reminds me of a few notes from pirates, different enough yet very familiar... where did you find this??
All right now I understand... How was the prologue music?There was a 5 minute prologue (it was more like a montage than a prologue) It was attached to IMAX screenings of Rogue One and Kong: Skull Island.What is the prologue that you refer to? I remember the opening of the movie having the first part of the Mole playing.Now that I've seen the movie I can say: <br><br>1- The album is pretty good. It's definitely not as bad as I thought it was, even though there are some stuff missing. I personally enjoy listening to it on its own.<br>2- The prologue music is NOT in the movie. <br>3- The cue that starts as they carry the stretcher is a variation of Supermarine (the first 3 minutes melody-wise)<br>4- I knew that drum break in Supermarine at 5:30 is too good to be in the movie. (Maybe it is, I'll pay more attention next time I see the movie again)<br>5- I love how they incorporated Elgar's theme in a very dark and twisted way throughout the score then introduced it in a very uplifting way. I got goosebumps. <br><br>To me personally, it would've been a perfect release if they had included the music from the prologue on the album.Well. It certainly sounds like HZ. Hybrid?
Is this legit?First 2 minutes look like to be demo of "Home"Zimmer, Badelt and Djawadih t t p s://www.youtube.com/watch?v=aAleXrIgBr8&feature=youtu.be hello I found this a while ago it is a rejected theme from the film lone ranger, score compos by hans zimmer. Probably hans didnt like this theme and decided not to use it, or maybe it was directors decision not to use. Anyway, enjoy it! I like very much the score how it is now but this ideas is interesting!<br>Just listen to "The Oil" for an example
The orchestral intro to "it's on again" (also outro of "You're that spider guy", just not with the percussion from TASM2) was re-used all over the Dunkirk score as well. The bass line for it is pretty obviously or very similarly re-purposed in a few places.Bill Conti gets an Oscar...so...i think Hans get a nominationThe reason I believe it partially depends on the piece's composition date is because of copyright laws. Arrival had to pay rights to use Richter's piece, just like if it had used a pop song, and I believe this played a big factor in its disqualification. Elgar's piece is public domain now, so it would be like if a score had included a Mozart sonata (extreme comparison).LOL @Macejko. I think Edmund is completely exhausted now. It'll take two to three days regain all the fluids he lost.@ James D<br><br>I don't disagree that Star Wars is the tip-of-the-iceberg when it comes to film music projects. However, you have to remember Powell has been in the game far longer than Giacchino has. I don't believe it has to do with how long you've been in the business, but if you're "sound" can carry the movie.
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 LATEST RELEASES
 NEWS
  2006, October 27
UCLA WIND ENSEMBLE TO PERFORM WORLD PREMIERE of ACCLAIMED 'MARS UNDERGROUND' SCORE as a SUITE-to-PICTURE



Multi-talented composer of "When a Stranger Calls", DreamWorks' "First Flight" short, SOCOM video game series and contributor to "The Da Vinci Code" and "Pirates of the Caribbean" also to appear


  2006, October 26
A new interview from Jim DOOLEY

Our Friends from Scoremagacine.com released an interview from the composer, from Wallace and Gromit to Chicken Run and the Jerry Bruckheimer / Media Ventures sound up to the modern trends in film music, composing techniques, game scores and even score rejections, read about it all in the pleasant chat they had with him a while back.


  2006, October 25
Ultraviolet
Klaus Badelt


The Texas Chainsaw Massacre: The Beginning
Steve Jablonsky




  2006, October 23
JOHN POWELL ; Press conference in Ghent

We released the first part of the press conference the composer John POWELL held in Ghent on october the 14th for the World Soundtrack Awards, with text, pictures and videos.

Read the article


  2006, October 21
CHILDREN OF GLORY

Check the official website from the movie to get the main title from the Nick GLENNIE-SMITH' score.

Thank you Levente !


Comments (3)

  2006, October 20
Harry GREGSON WILLIAMS records DEJA VU

Soundtrack.net released pictures from the recording sessions from the new Harry GREGSON-WILLIAMS' score, for the Tony SCOTT's next movie.


  2006, October 17
John POWELL at The World Soundtrack Awards 2006

The sixth edition of the World Soundtrack Awards (WSA) held on October the 14th. 2006 in Ghent (Belgium) was once again a pre-eminent event for film music lovers.


Download our video (wmv - 56 Mos - 10mn)


The spanish composer Alberto Iglesias won Best Soundtrack and Best Composer Awards for The Constant Gardener and the argentine composer Gustavo Santaolalla sang and played a live guitar rendition from Brokeback Mountain.
The Flemish Radio Orchestra, conducted by Dirk Brossé, performed music from Michael Giacchino, Peer Raben, Piet Goddaer and John Powell, who joined in the orchestra for The Bourne Identity, Endurance, X-Men: The Last Stand, Two weeks Notice, Mr. & Mrs Smith and Ice Age: the Meltdown.

Hans-Zimmer.com wishes to thank the Flanders International Film Festival from Ghent and the World Soundtrack Academy for their amazing ceremony and concert.

More Infos on the official website


Comments (10)

  2006, October 15
Blood+ Vol2
Mark Mancina


   
Haven
Heitor Pereira




  2006, October 08
A new Hans ZIMMER's interview : part II.

(...)"Well, once I've done the next Batman movie, which will finish in early 2008, I thought I'd take a year off from writing film scores and just go and do some concerts. I only started thinking about this recently, that I have these complete pieces lying around, like The Ring, Gladiator, Thelma & Louise, Crimson Tide, and they all exist as proper concert pieces. One of the reasons they've never been performed is that the percussion parts mostly exist as a bunch of samples in the films, so Bruce never had to write it into the score. So we just need to sit down, add the percussion into the score, and things like that.(...)"

Read more on soundtrack.net


  2006, October 01
A new Hans ZIMMER's interview.

Soundtrack.net released the first part from an interview dedicated to Hans ZIMMER's work on The Da Vinci Code & Dead Man 's Chest.


  2006, October 01
A non-Italian Job

John POWELL has been commissioned to write the original music for Horton Hears a Who, an animated feature produced by 20th Century Fox for release in 2008. It’s based on the book by Dr. Seuss and will feature the voices of Jim Carrey and Steve Carell. The movie is directed by Jimmy Hayward and Steve Martino, who both worked on Robots.

Source :Filmmusicworld.com


Comments (2)

  2006, October 01
METAL GEAR SOLID 4 : GUNS OF THE PATRIOTS



Harry GREGSON-WILLIAMS is composing the score along with Toda NOBUKO who will be in charge of the in-game music while HGW will score for the cut-scenes. Release date for the video-game is announced for the year 2007.

Visit the official website HERE
Download the trailer HERE


Thank you Aggelos Tsompanidis !


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