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Any word on where this can be found, or if it actually exists? H-Z (here) is the only place any of these tracks (let alone mention of a complete version of this score) can be found.Why you haven't update about David Buckley with Angel Has Fallen score yet?Yep, fun (if slight) score to a very fun movie. "Get it On" is a great action cue.It was also one of the first HG-W's scores I ever listened to (way back when!), so maybe it's just nostalgia talking. <br>But it's worth a listen at least.It's a shame no one talks about this score. <br><br>It's a great listen if you love heavily percussive music! <br><br>Not a highlight in HG-W's carreer by any means, but it's a fun ride, and has some neat unique sounding stuff courtesy of Heitor Pereira, as well as plenty of goold ol' MV style synth/orchestra pounding!
He returns to the hitman's bodyguard part 2I was honored, back in 2006, to meet both Nick Glennie-Smith and Harry Gregson-Williams.<br><br>I talked with both about The Rock, and here's what they told.<br><br>Nick & Hans worked very closely on most of their cues. That's why it's so hard to notice any difference between their own styles (and why they share most of the credits).<br>Harry worked separately from Nick & Hans. He remembered working on the San Francisco Chase (though we know Don Harper helped at some point in the process), and on "a lot of the action material from the second half of the movie, once the heroes reach Alcatraz".<br>The credits here tend to prove they were right.<br><br>All the Opening Titles / SEAL Attack is a bit complicated. Hans might have written the theme, but it also might be arranged for pictures by Nick Glennie-Smith (plus there's a lot more going on in these tracks than the man theme alone). So, well, I guess the final result still is a collaborative effort.A brilliant score, no matter what some people might say. Some of the darkest and most beautiful themes by Hans Zimmer were born here, as well as a lot of very exciting and propulsive electronic techniques. <br>Heck, I even like the movie! The score fits like a glove.<br>It helps that I'm a huge Tony Scott fan though.<br><br>Zimmer would even 'steal' from this score quite a bit in some of his later films. The 'Wayne Manor Suite' from TDKR comes to mind, as well as one of the Blade Runner 2049 themes being strangely similar to The Fan's 'Opening Titles' theme, and I'm sure there are other examples.<br><br>I would love for a complete version to be officially released sometime. It's very unlikely, but one can dream...Listen to the first demo at NGS demos album of "The Rock". The opening and SEAL Attack have a few notes from original NGS theme. That's why NGS is credited to it.I remember hearing something about NGS not wanting his name in the opening credits since it was a Hans cue playing. So yeah. I think the opening is really just Zimmer and the NGS credit is a formality since it was supposed to be Nick’s score.
I'm sorry, disregard EVERYTHING I just wrote...The credit on "SEAL Attack" is HZ/NGS/Stern, not HZ/HGW/Stern. Not sure how I missed that. *facepalm*OK, so a thought...<br><br>"Opening" and "SEAL Attack" are functionally identical; Hybrid says that Hans originally wrote it for the latter scene and it was then placed over the main titles of the film. However, the former is credited to Hans and NGS, the latter to Hans, HGW and Steven Stern. Presumably, since HGW/Stern aren't credited on "Opening", their contribution to "SEAL Attack" is limited to that first minute, which does indeed have a lot of HGW-ish percussion work to my ears. That leaves the rest of "SEAL Attack" as Hans' work alone, which begs the question: why the heck is NGS credited for "Opening", then, since it's basically identical? Screw it, I'm labeling that a solo Hans cue. Always bugged me that there wasn't at least one on this score. :pHi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.comHi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.comThat's the 'Album Version' of Time To Suit Up
I'm "missing" three of the tracks for the complete score - CA Suite, WS Suite, and the alternate version of Time to Suit Up. <br><br>It looks like the CA and WS suites are pretty much the same ones on the official release as the lengths match up perfectly, but where can I find the alternate of Suit Up?Cheers mateI agree. Great score. This is "Hans Zimmer Dark Minimalism" done absolutely right. And the Oscorp stuff has to be temp. It goes up and down in just the right places.Forgot Macrotus, so the numbering messed up on 5-8 lol... Macrotus = Father to the Rescue + Hide in the Dark + Courthouse Pt. 1... Also, Myotis actually = Initiation into the League + Temple Fight. <br><br>If you have the End Credits too, that's a Batman Arrives/Backup mashup + Training + Father to the Rescue + Bruce Left for Dead + Batman Theme.<br>Gotcha covered. <br><br>1. Vespertilio = Batman Titles + The Long Walk<br>2. Eptesicus = Bruce Goes Home + Training <br>3. Myotis = Temple Fight<br>4. Barbastella = Mugging Pt. 2 + Bat Cave <br>6. Artibeus = Dockyard Ambush Pt. 1 + Meeting Ducard<br>7. Tadarida = Rachel in the Bat Cave + Fight in Crane's Lab Pt. 1 + Batman on Fire + Microwave Stolen<br>8. Antrozus = Facing the League + Gordon at Home <br>9. Nycteris = Prototypes + Why Bats? + Finders Keepers Pt. 1<br>10. Molossus = Batmobile Chase<br>11. Corynorhinus = Surveying the Ruins + Gordon Says Thanks <br>12. Lasiurus = Ra's al Ghul theme suite<br>
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  2006, December 30
ScoreKeeper Talks To Composer John Powell About BOURNE, X3, UNITED 93, HAPPY FEET, And...MAD MAX: FURY ROAD!?!?
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  2006, December 23
Soundtrack.net - Geoff Zanelli scores Disturbia



This past week Emmy-winning composer Geoff Zanelli (Into the West) recorded his score for the Dreamworks feature thriller, Disturbia. Directed by D.J. Caruso, the film is about a young man (Shia LaBeouf) who is put under house arrest, and begins to believe that one of his neighbors is a serial killer.
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  2006, December 18
THE DA VINCI CODE NEW NOMINATIONS

The Hans ZIMMER's score has been nominated for the 64th. annual Golden Globes ceremony (which will be held on 2007 January, the 15th.) and by the The Broadcast Film Critics Associations.


  2006, December 10
Hans ZIMMER on Holiday

The Film Music Radio released an audio interview from the composer, recorded at Remote control Studio. A come back on his career, and one of the first interview regarding his work on THE HOLIDAY and extract release from this score. Just one thing to do, listen...

Many Thanks to Daniel Schweiger from Film Music Radio


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  2006, December 10
Williams alone face to Zimmer's team

Nominations for the Grammy Awards revealed three nominated composers for five movies.

John WILLIAMS is nominated for his great work on Memoirs of a Geisha & Munich.
Harry Gregson-Williams get his first Grammy nomination for The Chronicles of Narnia (part 1), and Hans ZIMMER is nominated for The Da Vinci Code & Dead Man 's Chest.

The Da Vinci Code's score has been nominated by the International Press Academy (The Golden Satellite Awards), "the largest entertainment press organization in the world with more than 200 respected entertainment journalists covering film, television and new interactive media".

The Satellite Awards ceremony will be held on December, the 17th 2006 in Beverly Hills, LA.
The Grammy awards ceremony will be held on 2007, February, the 11th.


  2006, December 10
News from Jim DOOLEY

The third trailer for Eragon has been released, which features original music composed by James DOOLEY. Also, he will be scoring the sequel to the Eddie Murphy hit Daddy Day Care, with Fred Savage's directorial feature debut, Daddy Day Camp starring Academy Award-winner Cuba Gooding, Jr.

From the Jim Dooley's official website


  2006, December 05
THE HOLIDAY SCORE RELEASE

Varese will release the Hans ZIMMER's score for the Nancy MEYERS's film.
No, it won't be a present for Christmas as the release is for January, the 9th 2007.



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