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Tracklist<br><br>1. Hostage Part 1<br>  2. Will & Sarah<br>  3. Welcome To Heaven<br>  4. Botha<br>  5. The Crane<br>  6. Chopper Ambush<br>  7. Duct Tape<br>  8. Bridge Collapse<br>  9. Proper Motivation<br>  10. Out On A Ledge<br>  11. Georgia & Henry<br>  12. Reflections<br>  13. Hostage Part 2<br>  14. Reboot<br>  15. Lucky Man<br>  16. Skyscraper<br>  17. The Pearl<br>  18. WallsSorry about my ingnorance, but what means "Additional Music" (Batu Sener, Paul Mounsey, etc)?Conrad Pope orchestrated and conducted this in New Zealand so i hope this isnít Junkieís regular sound design, percussion and synth score.@Edmund Meinerts:<br><br>"Hope nobody is stupid enough to think Powell was to blame." This. Following that same logic, Disney should never have let Williams back after the prequel trilogy.Has anyone been able to source this amazing soundtrack on records? <br><br>Thanks,
He already did score a masterpiece in Mad Max Fury Road, although his music for that was no masterpiece. ;)Do you say "masterpiece" based on Peter Jackson's name, or based on the trailer? Because I'm really afraid for this movie, I love Jackson's films, but it just looks too dumb :-pBest chance Junkie XL will ever have to score a masterpiece. Hope he do one this right.According to Film Music Reporter Junkie will score Mortal Engines. <br><br>http: //filmmusicreporter.com/2018/06/18/junkie-xl-scoring-mortal- engines-movie-adaptation/There wasn't really any hype for the movie, it didn't seem like people were all that interested in a Han Solo origin story. Plus it's only been half a year since Last Jedi came out and broke the internet. Unlike Marvel, Star Wars doesn't seem immune to franchise fatigue.<br><br>A shame. Hope nobody is stupid enough to think Powell was to blame.
Hi guys. Dose anybody know why solo faild in box office ?Search for "filmtracks".Sorry, just found it.Tried that, couldn't find an author named Clemmensen who reviewed it. (I don't know where to look I haven't seen this guy's reviews before).Should be easy to find with google...
Seriously guys, what site is he on? I want to see this review, but I don't know where it is.I know woodwinds, with few exception, have been completely abandoned by RCP, but man would it be nice if Steve fit woodwinds into the small scale family scenes. He's great with them, but for whatever reason he doesn't seem to be able to use them unless it's an animation, The Sims or IDEA specifically, or fantasy (even then The Last Witch Hunter had no woodwinds). They add so much to the soundscape and make any score so much richer. <br><br>I'm listening to the Lord of the Rings Trilogy again currently, and god, they'd be nothing without all of those flutes and clarinets. Even when the main instrument is brass or string, the addition of woodwinds is so cleverly implemented by Shore, and they not only blend, but they actively enhance the sound. <br><br>Of course I'd also love Steve to continue using choir. He even seems to be getting better with it, with Transformers 5's use of it resembling the Halo franchise in a number of ways. It would be a wonderful surprise though if he went back to woodwinds eventually. I'm definitely not of the belief that they can't be used in a modern day setting either (Silence of the Lambs and the Spider-Man scores use them particularly well).Steve is a very accommodating composer. So it's really up to the director's vision. With Bay, you know you gonna hear some of the best stuff Steve has to offer and that's because they share the same "musical ear".<br><br>When he's scoring Peter Berg movies, Steve often relies on sound design and his scores for those movies are not really melodic. The few exceptions aside, Berg likes sound design scores. And he likes to experiment A LOT (example: the MRI machine sound that was incorporated in the Battleship score. Bold choice!).<br><br>Where does the director of Skyscraper stand in all of this?<br><br>Personally, I think this score will be "in the middle". Little sound design there, little melodic cue over here.... : ) I don't expect power anthems, simply because - as big as the movie is - it's not "Michael Bay big". I do hope for a little choir work though. Steve is great with choir.The Solo review does look quite good.<br><br>Clemmensen comes across pretty badly in many of his reviews. Even some of the positive ones. He has some very strong preconceptions about certain things that sometimes lead him to say some reasonably aggravating stuff.<br><br>Interestingly, he stays almost reasonable in his A World's End review. I wouldn't point to that one as his most typical negative review.Additional information<br>Posted date 2016<br><br>but, It was sold for two years.<br><br>
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 LATEST RELEASES
 NEWS
  2006, December 30
ScoreKeeper Talks To Composer John Powell About BOURNE, X3, UNITED 93, HAPPY FEET, And...MAD MAX: FURY ROAD!?!?
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  2006, December 23
Soundtrack.net - Geoff Zanelli scores Disturbia



This past week Emmy-winning composer Geoff Zanelli (Into the West) recorded his score for the Dreamworks feature thriller, Disturbia. Directed by D.J. Caruso, the film is about a young man (Shia LaBeouf) who is put under house arrest, and begins to believe that one of his neighbors is a serial killer.
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  2006, December 18
THE DA VINCI CODE NEW NOMINATIONS

The Hans ZIMMER's score has been nominated for the 64th. annual Golden Globes ceremony (which will be held on 2007 January, the 15th.) and by the The Broadcast Film Critics Associations.


  2006, December 10
Hans ZIMMER on Holiday

The Film Music Radio released an audio interview from the composer, recorded at Remote control Studio. A come back on his career, and one of the first interview regarding his work on THE HOLIDAY and extract release from this score. Just one thing to do, listen...

Many Thanks to Daniel Schweiger from Film Music Radio


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  2006, December 10
Williams alone face to Zimmer's team

Nominations for the Grammy Awards revealed three nominated composers for five movies.

John WILLIAMS is nominated for his great work on Memoirs of a Geisha & Munich.
Harry Gregson-Williams get his first Grammy nomination for The Chronicles of Narnia (part 1), and Hans ZIMMER is nominated for The Da Vinci Code & Dead Man 's Chest.

The Da Vinci Code's score has been nominated by the International Press Academy (The Golden Satellite Awards), "the largest entertainment press organization in the world with more than 200 respected entertainment journalists covering film, television and new interactive media".

The Satellite Awards ceremony will be held on December, the 17th 2006 in Beverly Hills, LA.
The Grammy awards ceremony will be held on 2007, February, the 11th.


  2006, December 10
News from Jim DOOLEY

The third trailer for Eragon has been released, which features original music composed by James DOOLEY. Also, he will be scoring the sequel to the Eddie Murphy hit Daddy Day Care, with Fred Savage's directorial feature debut, Daddy Day Camp starring Academy Award-winner Cuba Gooding, Jr.

From the Jim Dooley's official website


  2006, December 05
THE HOLIDAY SCORE RELEASE

Varese will release the Hans ZIMMER's score for the Nancy MEYERS's film.
No, it won't be a present for Christmas as the release is for January, the 9th 2007.



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