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They all respected the theme of Courage, but each new composer brought a different sub-theme to the franchise.<br>@James  I don't know what you are referring to exactly, but I think that Horner's score in Star Trek II is a great example of a follow up movie score within the same universe. <br>I think all of those movies use the Alexander Courage theme for the original series but they still have some original material of their own and that's what Elfman should have done if he wanted to use the old themes for Batman and Superman. He could have used those in some moments but also keeping some material from BvS and MoS and creating new themes for the new characters and the League.What?! Did Mothersbaugh use a ghost writer?! he he heThis is a kind of Chappie mixed with Arcade of MoS.Hallo,<br>ich hätte eine Frage zu "Man of Steel", Track 2: "Oil Rig".<br>Da ist bei meiner Kaufversion (Download bei google) eine Stimme zu hören bei Sekunde 17 Bevor der Beat losgeht. Es hört sich an wie eine Kinderstimme die "O...O..." ruft. Ich finde es witzig, wüsste aber gerne wie die Stimme da rein kommt.<br>War das Absicht, gibt es eine Story dazu, oder ist es eine Fehler in der Aufnahme?<br>Weiß jemand was dazu?<br><br>LG
cd may have been shipped but ups tracking refrence shows up nothing on there site anyone got an ideas at to why this may be many thanksThe track is unreleased yeah, part of the movie's climax<br>chronologically it goes between Devils Anus and 'Asgard is a People'The Sierra Leone track Andrew K posted (link below)...I almost wonder if that's how 2010s Zimmer would redo The Lion King. More bass, more minimalist, more Interstellar...but still with an African flare.Horner and many others with Star Trek is a good example too.Huh. Well, the music Andrew posted is nice.
"Don't believe everything you hear, son."what do you gyus think about this? <br><br>www . youtube.com/watch?v=9riigqWjovMHallo,<br><br>Der 'Gladiator' ist schon langsam in die Jahre gekommen, die Musik ist aber nicht älter geworden. Genial.<br><br>Gruß  <br><br>Not bad score.<br><br>But I prefer the other oneIsn’t that ironic that DC is abandoning the continuity while Marvel is finally embracing it?<br><br>For any electronic fans out there, this score is definitely a must listen, there are some badass 80’s beats (with a dash of Tron legacy) in here.
I'm so mad at DC right now I'd rather promote Marvel !! lol<br><br><br>Well jokes aside I add cause Andrew worked on it. And btw he posted another 5 min cue on his Soundcloud, dunno if it's unreleased, there'll better specialists of that score than me !Yeah, I happen to have seen the film and the score is not really "coherent", it's more like many different cues put together...Okay, thanks for clearing that up. The Tracks released were kind of interesting, a kind of mix of soundsAnyone else think Hans knew about all the studio meddling during pre-production, the rewrites etc and walked away ? I mean, when I heard Elfman's score I thought it was generic and wouldn't fit the movie. Then I watched the movie and it fits well. The movie is just as bland as the music in the background.I don't have to ask, that movie was a failure that barely got distributed... No one had any interest in releasing this score...
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 LATEST RELEASES
 NEWS
  2006, December 30
ScoreKeeper Talks To Composer John Powell About BOURNE, X3, UNITED 93, HAPPY FEET, And...MAD MAX: FURY ROAD!?!?
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  2006, December 23
Soundtrack.net - Geoff Zanelli scores Disturbia



This past week Emmy-winning composer Geoff Zanelli (Into the West) recorded his score for the Dreamworks feature thriller, Disturbia. Directed by D.J. Caruso, the film is about a young man (Shia LaBeouf) who is put under house arrest, and begins to believe that one of his neighbors is a serial killer.
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  2006, December 18
THE DA VINCI CODE NEW NOMINATIONS

The Hans ZIMMER's score has been nominated for the 64th. annual Golden Globes ceremony (which will be held on 2007 January, the 15th.) and by the The Broadcast Film Critics Associations.


  2006, December 10
Hans ZIMMER on Holiday

The Film Music Radio released an audio interview from the composer, recorded at Remote control Studio. A come back on his career, and one of the first interview regarding his work on THE HOLIDAY and extract release from this score. Just one thing to do, listen...

Many Thanks to Daniel Schweiger from Film Music Radio


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  2006, December 10
Williams alone face to Zimmer's team

Nominations for the Grammy Awards revealed three nominated composers for five movies.

John WILLIAMS is nominated for his great work on Memoirs of a Geisha & Munich.
Harry Gregson-Williams get his first Grammy nomination for The Chronicles of Narnia (part 1), and Hans ZIMMER is nominated for The Da Vinci Code & Dead Man 's Chest.

The Da Vinci Code's score has been nominated by the International Press Academy (The Golden Satellite Awards), "the largest entertainment press organization in the world with more than 200 respected entertainment journalists covering film, television and new interactive media".

The Satellite Awards ceremony will be held on December, the 17th 2006 in Beverly Hills, LA.
The Grammy awards ceremony will be held on 2007, February, the 11th.


  2006, December 10
News from Jim DOOLEY

The third trailer for Eragon has been released, which features original music composed by James DOOLEY. Also, he will be scoring the sequel to the Eddie Murphy hit Daddy Day Care, with Fred Savage's directorial feature debut, Daddy Day Camp starring Academy Award-winner Cuba Gooding, Jr.

From the Jim Dooley's official website


  2006, December 05
THE HOLIDAY SCORE RELEASE

Varese will release the Hans ZIMMER's score for the Nancy MEYERS's film.
No, it won't be a present for Christmas as the release is for January, the 9th 2007.



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