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Yea But it isn't like they would lost Money with such a Giant Score like the TF3 one. Well I still Hope that we will get it one day :)@meta I'm feeling the same way. TF movies have always been flawed but very enjoyable for me thanks to Michael Bay's trademark. But this one... is so bad not even Michael Bay can save it. I really don't know what the screenwriters did in their "collaboration room"... but for sure they didn't collaborate a lot, because this "story" is probably the most disjointed mess I've ever seen.<br><br>The saving grace for me was the track "We Have To Go", which plays entirely without cut, that whole scene was pretty bad-ass.@Ds: Actually I prefer Ender's Game (also released by Varese Sarabande) over P&G (but the movie is cool)Pain and Gain is not a bad score, actually it's maybe better than the TF scores, in its own genre.<br><br>But it's entirely electronic so I guess there are no musicians to pay!<br><br>Also, maybe a lot of releases have the same deal as TF3 and TF4, but so few people buy them, they remain for sale forever because the maximum allowed number of sales is never reached...I must be the biggest weirdo in all of film score history, because the highlight of DMTNT for me was "I've Come With the Butcher's Bill." It resonated instrumentally, most notably that badass cello (?) at around the 2:35 mark, it was the perfect blend of old and new themes, and best of all, it sounded like a swashbuckling theme. As much as I loved the  action cues in the first three, I sometimes felt that they resembled a Latin hell choir more than a traditional pirate piece, especially AWE. It's good listening, but sometimes it sounded more like Gregorian Chanters of the Caribbean. :P <br>I seriously blast Butcher's Bill out loud on the highway, I love it so much.
one more question. Who wrote the Bumblebee theme?Does an instrumental version of BATTLE CRY exist?? 0.oAwesome Thx.which tracks are suites, cuz it seems like a bunch are...?Love Izzy!
I take it back...<br><br>Just saw the movie and the only good thing to come out of it is the score....<br><br>What the Hell Michael Bay? Who the hell is writing this crap and how the hell did you approve this story? By far the worst of the 5.....and I don't blame Jablonsky at all.There's also a little hint in "Code Red" too...Year there Are some interesting hidden thinks in this Score ! And i Hope that You Are Right and that we will get Even more Original themes in the next one. I Personally Hope that er will get a New arrival to Earth Version !Well ok but I don't See a Problem with paying the musicians cause many People would buy it especially the Third one. I mean every other Score gets released These days and many Are Not as half as good as the TF3 score is and it Looks like Even the Bad Scores like pain and gain Are paying of so for me it seems very unnatural and Strange. I guess we have to Hope that they will Release a Soundtrack Box one day like the tresure Collection from Pirates of the caribbean...Exactly! How is it possible that a major movie franchise has no consistency in their scores? To me very strange! I downloaded the scores of the old Robocop movies (except Robocop 3 is everything there) although this franchise is "dead". From a FAN point of view I would appreciate the Return of TF3 & TF4 scores.
Lea Halalela on CD “RHYTHM of the PRIDE LANDS“ from 1995;...<br>Frankfurt show was amazing, Leipzig tooHey guys! When listening to it again, I discovered that the first few notes of the Autobot theme is played near the end of History of Transformers. This score really does feel like a return to form for Jablonsky.Technically Paramount could release the 3rd and 4th scores again, but they would have to pay extra money to the musicians & orchestra, if I understand this correctly.<br><br>The EP is still on iTunes because it's only demos I think.Well it's strange because the score of TF3 is (in my opinion) with the first one the best. I didn't see the deal working cause obviously there are many people out here that would definitely buy it. And with the fourth one, well I do remember one or two weeks after the movie was released there was the full score and a few days later they changed it to the EP version. Very strange and sad especially cause it effects this beautiful score.Thanks for sharing! It is a petty that the TF3 is not distributed any more,it makes no sense to me. Hope it re-appears one day because fans want to have a complete selection of scores!<br><br>Greetings from Southampton/England
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 LATEST RELEASES
 NEWS
  2007, January 27


Official Hans Zimmer myspace page


Comments (12)

  2007, January 25
Cool Runnings (Score only)
Hans Zimmer / Nick Glennie-Smith




  2007, January 20
Beat The Drum
Klaus Badelt / Ramin Djawadi




  2007, January 16
GOLDEN GLOBES 2007

Best Original Score - Motion Picture
  • WINNER : The Painted Veil (Desplat) Composed by Alexandre Desplat
  • The Fountain (Mansell) Composed by Clint Mansell
  • Babel (Santaolalla) Composed by Gustavo Santaolalla
  • Nomad (Siliotto) Composed by Carlo Siliotto
  • The Da Vinci Code (Zimmer) Composed by Hans Zimmer
Best Original Song - Motion Picture
  • "A Father's Way" (The Pursuit Of Happyness) - Music By Seal and Christopher Bruce / Lyrics By Seal
  • "Listen" (Dreamgirls) - Music & Lyrics By Beyoncé Knowles, Henry Krieger, Anne Preven and Scott Cutler
  • "Never Gonna Break My Faith" (Bobby) - Music & Lyrics By Bryan Adams, Eliot Kennedy and Andrea Remanda
  • WINNER : "The Song Of The Heart" (Happy Feet) - Music & Lyrics By Prince Rogers Nelson
  • "Try Not To Remember" (Home Of The Brave) - Music & Lyrics By Sheryl Crow


Comments (12)

  2007, January 10
A Good Year
Marc Streitenfeld


Flushed Away
Harry Gregson-Williams



I'll Always Know
What You Did Last Summer

Justin Caine Burnett


Pearl Harbor
Hans Zimmer




  2007, January 09
Disco Page updated




  2007, January 08
Richard Harvey



Disco page updated


Comments (0)

  2007, January 02
Disco page updated

Children of Glory
Nick Glennie-Smith


  
The Rock
Hans Zimmer



Ashes and Snow
Patrick Cassidy / Lisa Gerrard




  2007, January 01
Noted film composers and producers talk about the way GigaStudio changed the way they write music.
Featuring Hans Zimmer, Trevor Rabin, Chris Young, Jeff Rona, Mark Isham, Cliff Martinez and David Kahan



Comments (0)

  2007, January 01
Hans Zimmer - Press conference
Madrid - 30 June 2006




Links :
http://www.youtube.com/watch?v=Gy4WcQRKR18
http://www.youtube.com/watch?v=niJocQ7_3bQ
http://www.youtube.com/watch?v=h9zvMEAMgCg


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