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You realize there is a very easy and free method to get the music from that site, dont you?Random thought but this got me thinking about Zanelli's history with fantasy.<br><br>Whatever happened to his score for Delgo? I know it's been accused of being super derivative of his other works anyways but still, it's weird to see a RCP score just drop off the face of the Earth like that.There's just something really charming about seeing a prototype for a famous future theme showing up in an old score.<br><br>Or in PotC's case, SCORES.The only ones I've seen properly confirmed are the cues Badelt had listed on his website. The issue with everything else is that there's certain themes that's been associated with certain people, but aren't credited for every appearance. Not to mention that I've never really seen much official credits elsewhere, so I take any that I've seen with a grain of salt.This comment was made before that was properly confirmed, so he was likely going to do it solo at the time.
I thought Hans was collaborating with Faltermayer For Top Gun 2From both ASCAP and GEMACan these be accessed anywhere?The dream is collapsing... :oHoly f*ck, just listened to "Too Many Notes..." and its containing pirates theme itself from Pirates of the caribbean
'No Good About Goodbye' was never the intended song for QOS. It was composed after the film was completed using thematic material from the film for Shirley Bassey to perform on her, David Arnold produced album, 'The Performance'Those files are just sitting there.<br><br>Undownloadable.<br><br>Taunting me.@Ds<br>Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br><br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br><br>I already discussed 300 and Pacific Rim. Clearly deep scripts aren't what I'm aiming for here when I talk about good blockbusters.<br><br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br><br>300's a great example of this, though unfortunately a lot of Snyder's other work isn't, and Bay is close behind. Their films get bogged with way too much obnoxious bullshit to make the odd sequence worth it.<br><br>The Scorponok sequence from TF1, the warehouse fight from BvS, that's real standout stuff. Stuff that loses a lot of its luster when surrounded by two-and-a-half, or god forbid THREE, hours of self-serious pretense, lazy humor, and/or annoying characters.<br><br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br><br>They just aren't very good filmmakers on the whole, and need to learn to consolidate their efforts into something that brings out their best and subdues their worst. Snyder in particular has SERIOUSLY misjudged where his talent is lately.Well, Steve, about the score, says he still working on it.<br><br>I can't wait.A snippet of the verse (at 0:49) also shows up occasionally in the score, in Somebody Wants to Kill You, the end of Greene and Camille, and Field Trip.
Ist there any chance for concert in Poland during this tour?How do I listen to this ?Hybrid, what about any credits for this score?Looking to travel to Berlin for the kickoff. Reckon the concert is in german instead in english?100% agree.<br><br>“You Know My Name”, “Skyfall”, “Goldfinger”, etc. all stand out because they embrace the grander aspects of 007. Having a calm and reflective Bond song can be just as effective though. I feel like “No Time to Die” is basically trying to do what “Writing on the Wall” tried but succeeding much better.
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 LATEST RELEASES
 NEWS
  2007, March 28
New interview with KLAUS BADELT

This week's edition of Film Music Weekly magazine features a very interesting new interview with KLAUS BADELT on TEENAGE MUTANT NINJA TURTLES.

Here's a characteristic extract: "I think an earlier approach was to make it an all too serious, heavy and dark picture. When I saw it, I felt it had all the potential to have more fun without losing the integrity of the story, the brotherhood theme, and 'real story lines and emotions.' Kind of what I did with 'Pirates of the Caribbean' – there were a lot of spooky and dark aspects to it, but I tried always to keep the music fun and never overweight."

You can read the whole article by downloading the latest edition of the magazine for free via the magazine's official website at FilmMusicWeekly.com.

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  2007, March 26
Audio Interview with MARK MANCINA

Scorenotes.com features a very interesting new interview with the composer, talking about his scores to "Shooter", "Criminal Minds" and more. Listening options are Real Audio or MP3.

Comments (1)

  2007, March 15
Scoring coverage of Mark Mancina's SHOOTER

Composer Mark Mancina has just finished recording his score to the new action thriller, "Shooter". Reuniting with director Antoine Fuqua ("Training Day"), Mancina composed a tense and exciting score for the film and Soundtrack.net features a very interesting article with photos on the scoring sessions.

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  2007, March 06
Harry Gregson Williams to score GONE, BABY, GONE

According to FilmMusicWeekly.com Harry will score "Gone, Baby, Gone", a crime drama written and directed by Ben Affleck and starring Morgan Freeman, Casey Affleck, Robert Wahlberg, Michelle Monaghan and Ed Harris.

For more info and release date of the film, please visit the original source and download the latest edition of the magazine (March 5, 2007) for free.

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  2007, March 02
Jim Dooley scores new videogames

Composer Jim Dooley has a couple of new exciting credits in his agenda, namely the new XBOX360 game Def Jam: Icon by Cinematics and Castle Wolfenstein by Activision.

For more info you can visit Dooley's official website and the Gorfaine-Schwartz Agency

Additionally, Scott Glasgow will finally provide the score to Bone Dry and not Dooley with Mel Wesson, as previously reported.

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  2007, March 01
Mark Mancina scores SHEEPISH

The the Gorfaine-Schwartz Agency just released confirmation about this new assignment for composer Mark Mancina, an animated movie entitled "Sheepish" which is still under pre-production and will be directed by Kevin Johnson and Dan St. Pierre. Release comes from Starz Animation and 20th Century Fox.

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