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Random thought but this got me thinking about Zanelli's history with fantasy.<br><br>Whatever happened to his score for Delgo?  I know it's been accused of being super derivative of his other works anyways but still, it's weird to see a RCP score just drop off the face of the Earth like that.There's just something really charming about seeing a prototype for a famous future theme showing up in an old score.<br><br>Or in PotC's case, SCORES.The only ones I've seen properly confirmed are the cues Badelt had listed on his website. The issue with everything else is that there's certain themes that's been associated with certain people, but aren't credited for every appearance. Not to mention that I've never really seen much official credits elsewhere, so I take any that I've seen with a grain of salt.This comment was made before that was properly confirmed, so he was likely going to do it solo at the time.I thought Hans was collaborating with Faltermayer For Top Gun 2
From both ASCAP and GEMACan these be accessed anywhere?The dream is collapsing... :oHoly f*ck, just listened to "Too Many Notes..." and its containing pirates theme itself from Pirates of the caribbean'No Good About Goodbye' was never the intended song for QOS. It was composed after the film was completed using thematic material from the film for Shirley Bassey to perform on her, David Arnold produced album, 'The Performance'
Those files are just sitting there.<br><br>Undownloadable.<br><br>Taunting me.@Ds<br>Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br><br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br><br>I already discussed 300 and Pacific Rim.  Clearly deep scripts aren't what I'm aiming for here when I talk about good blockbusters.<br><br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br><br>300's a great example of this, though unfortunately a lot of Snyder's other work isn't, and Bay is close behind.  Their films get bogged with way too much obnoxious bullshit to make the odd sequence worth it.<br><br>The Scorponok sequence from TF1, the warehouse fight from BvS, that's real standout stuff.  Stuff that loses a lot of its luster when surrounded by two-and-a-half, or god forbid THREE, hours of self-serious pretense, lazy humor, and/or annoying characters.<br><br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br><br>They just aren't very good filmmakers on the whole, and need to learn to consolidate their efforts into something that brings out their best and subdues their worst.  Snyder in particular has SERIOUSLY misjudged where his talent is lately.Well, Steve, about the score, says he still working on it.<br><br>I can't wait.A snippet of the verse (at 0:49) also shows up occasionally in the score, in Somebody Wants to Kill You, the end of Greene and Camille, and Field Trip.Ist there any chance for concert in Poland during this tour?
How do I listen to this ?Hybrid, what about any credits for this score?Looking to travel to Berlin for the kickoff. Reckon the concert is in german instead in english?100% agree.<br><br>“You Know My Name”, “Skyfall”, “Goldfinger”, etc. all stand out because they embrace the grander aspects of 007. Having a calm and reflective Bond song can be just as effective though. I feel like “No Time to Die” is basically trying to do what “Writing on the Wall” tried but succeeding much better.I really like the song. It has, I think, a Bangkok Dangerous vibe at first, before the first lyrics. <br>I read some comments on youtube stating its a bad Bond song because its too calm. I disagree. Sure, its less punchy than You Know My Name, but some previous Bond songs, like Tomorrow Never Dies, had the same "mood". <br>This song, No Time to Die, would also have been a prefect choice for the movie Quantum of Solace, which had this melancholic tone. i espacially picture this music during the train bar scene in Quantum of solace, when Bond is drinking thinking about Vesper and the past.
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 LATEST RELEASES
 NEWS
  2007, April 27
Mark Mancina's new website launched

Composer Mark Mancina's new official website has just been opened and it contains a lot of interesting topics and info on the composer such as Latest News, Biography, Projects' list, Songs, Studio and Favorite instruments sections along with numerous sound clips. You can visit the website at MarkMancina.com.

Also, you can check out the audio clips from his upcoming projects, CAMILLE and AUGUST RUSH.


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  2007, April 23
Audio Interview with KLAUS BADELT

ScoreNotes recently had the chance to chat with composer Klaus Badelt, his recent works including "Premonition", and "Teenage Mutant Ninja Turtles", and discussed about his early interests in film music, his top CD score releases, his time at Media Ventures, Pirates of the Caribbean and more.

You can listen to the interview in either Real Audio or MP3 .

Alternatively, you can listen the podcast by visiting ScoreNotes.com


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  2007, April 22
Mr. Brooks
Ramin Djawadi




  2007, April 20
Pirates Of The Caribbean: At World's End
Hans Zimmer




  2007, April 18
Geoff Zanelli on DISTURBIA: An interview with the composer

Following his Emmywinning score for Into the West, Dreamworks hired up and coming composer Geoff Zanelli to score their new thriller, Disturbia and as stated in the latest issue of FilmMusicWeekly.com , Disturbia” is a tense thriller with a score that mirrors two elements of the film: the terror and the romance.

Make sure you read the whole interesting interview with the composer in the latest edition of the free online magazine.


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  2007, April 15
Shooter
Mark Mancina




  2007, April 15
Musik, der unsichtbare Schauspieler - Hans Zimmer in Hollywood (Music, the invisible actor - Hans Zimmer in Hollywood)

This is a documentary about Hans Zimmer made by Henning Lohner and was aired in Germany in 1999. Hans speaks about Renaissance Man, Two Deaths, A World Apart, Rain Man, Black Rain, The Lion King, As Good As It Gets.

Length: 1h
Size: 336 MB
Language: A mixture of English and German
Playable with Quick Time Player

> Link


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  2007, April 15
The Essential Hans ZIMMER Film Music Collection



  2007, April 15
You can now submit us your own cover version of a music composed by artists from RC Prod -- We will put it on this page : Cover versions

  2007, April 14
Premonition
Klaus Badelt




  2007, April 04
HARRY GREGSON WILLIAMS SCORES 'JOLENE '

Harry Gregson-Williams reunites with director Dan Ireland, scoring his new film "Jolene ". For more info please visit FilmMusicWeekly.com and download the current issue of the magazine.


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