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Tracklist<br><br>1. Hostage Part 1<br>  2. Will & Sarah<br>  3. Welcome To Heaven<br>  4. Botha<br>  5. The Crane<br>  6. Chopper Ambush<br>  7. Duct Tape<br>  8. Bridge Collapse<br>  9. Proper Motivation<br>  10. Out On A Ledge<br>  11. Georgia & Henry<br>  12. Reflections<br>  13. Hostage Part 2<br>  14. Reboot<br>  15. Lucky Man<br>  16. Skyscraper<br>  17. The Pearl<br>  18. WallsSorry about my ingnorance, but what means "Additional Music" (Batu Sener, Paul Mounsey, etc)?Conrad Pope orchestrated and conducted this in New Zealand so i hope this isnít Junkieís regular sound design, percussion and synth score.@Edmund Meinerts:<br><br>"Hope nobody is stupid enough to think Powell was to blame." This. Following that same logic, Disney should never have let Williams back after the prequel trilogy.Has anyone been able to source this amazing soundtrack on records? <br><br>Thanks,
He already did score a masterpiece in Mad Max Fury Road, although his music for that was no masterpiece. ;)Do you say "masterpiece" based on Peter Jackson's name, or based on the trailer? Because I'm really afraid for this movie, I love Jackson's films, but it just looks too dumb :-pBest chance Junkie XL will ever have to score a masterpiece. Hope he do one this right.According to Film Music Reporter Junkie will score Mortal Engines. <br><br>http: //filmmusicreporter.com/2018/06/18/junkie-xl-scoring-mortal- engines-movie-adaptation/There wasn't really any hype for the movie, it didn't seem like people were all that interested in a Han Solo origin story. Plus it's only been half a year since Last Jedi came out and broke the internet. Unlike Marvel, Star Wars doesn't seem immune to franchise fatigue.<br><br>A shame. Hope nobody is stupid enough to think Powell was to blame.
Hi guys. Dose anybody know why solo faild in box office ?Search for "filmtracks".Sorry, just found it.Tried that, couldn't find an author named Clemmensen who reviewed it. (I don't know where to look I haven't seen this guy's reviews before).Should be easy to find with google...
Seriously guys, what site is he on? I want to see this review, but I don't know where it is.I know woodwinds, with few exception, have been completely abandoned by RCP, but man would it be nice if Steve fit woodwinds into the small scale family scenes. He's great with them, but for whatever reason he doesn't seem to be able to use them unless it's an animation, The Sims or IDEA specifically, or fantasy (even then The Last Witch Hunter had no woodwinds). They add so much to the soundscape and make any score so much richer. <br><br>I'm listening to the Lord of the Rings Trilogy again currently, and god, they'd be nothing without all of those flutes and clarinets. Even when the main instrument is brass or string, the addition of woodwinds is so cleverly implemented by Shore, and they not only blend, but they actively enhance the sound. <br><br>Of course I'd also love Steve to continue using choir. He even seems to be getting better with it, with Transformers 5's use of it resembling the Halo franchise in a number of ways. It would be a wonderful surprise though if he went back to woodwinds eventually. I'm definitely not of the belief that they can't be used in a modern day setting either (Silence of the Lambs and the Spider-Man scores use them particularly well).Steve is a very accommodating composer. So it's really up to the director's vision. With Bay, you know you gonna hear some of the best stuff Steve has to offer and that's because they share the same "musical ear".<br><br>When he's scoring Peter Berg movies, Steve often relies on sound design and his scores for those movies are not really melodic. The few exceptions aside, Berg likes sound design scores. And he likes to experiment A LOT (example: the MRI machine sound that was incorporated in the Battleship score. Bold choice!).<br><br>Where does the director of Skyscraper stand in all of this?<br><br>Personally, I think this score will be "in the middle". Little sound design there, little melodic cue over here.... : ) I don't expect power anthems, simply because - as big as the movie is - it's not "Michael Bay big". I do hope for a little choir work though. Steve is great with choir.The Solo review does look quite good.<br><br>Clemmensen comes across pretty badly in many of his reviews. Even some of the positive ones. He has some very strong preconceptions about certain things that sometimes lead him to say some reasonably aggravating stuff.<br><br>Interestingly, he stays almost reasonable in his A World's End review. I wouldn't point to that one as his most typical negative review.Additional information<br>Posted date 2016<br><br>but, It was sold for two years.<br><br>
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 LATEST RELEASES
 NEWS
  2007, April 27
Mark Mancina's new website launched

Composer Mark Mancina's new official website has just been opened and it contains a lot of interesting topics and info on the composer such as Latest News, Biography, Projects' list, Songs, Studio and Favorite instruments sections along with numerous sound clips. You can visit the website at MarkMancina.com.

Also, you can check out the audio clips from his upcoming projects, CAMILLE and AUGUST RUSH.


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  2007, April 23
Audio Interview with KLAUS BADELT

ScoreNotes recently had the chance to chat with composer Klaus Badelt, his recent works including "Premonition", and "Teenage Mutant Ninja Turtles", and discussed about his early interests in film music, his top CD score releases, his time at Media Ventures, Pirates of the Caribbean and more.

You can listen to the interview in either Real Audio or MP3 .

Alternatively, you can listen the podcast by visiting ScoreNotes.com


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  2007, April 22
Mr. Brooks
Ramin Djawadi




  2007, April 20
Pirates Of The Caribbean: At World's End
Hans Zimmer




  2007, April 18
Geoff Zanelli on DISTURBIA: An interview with the composer

Following his Emmywinning score for Into the West, Dreamworks hired up and coming composer Geoff Zanelli to score their new thriller, Disturbia and as stated in the latest issue of FilmMusicWeekly.com , DisturbiaĒ is a tense thriller with a score that mirrors two elements of the film: the terror and the romance.

Make sure you read the whole interesting interview with the composer in the latest edition of the free online magazine.


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  2007, April 15
Shooter
Mark Mancina




  2007, April 15
Musik, der unsichtbare Schauspieler - Hans Zimmer in Hollywood (Music, the invisible actor - Hans Zimmer in Hollywood)

This is a documentary about Hans Zimmer made by Henning Lohner and was aired in Germany in 1999. Hans speaks about Renaissance Man, Two Deaths, A World Apart, Rain Man, Black Rain, The Lion King, As Good As It Gets.

Length: 1h
Size: 336 MB
Language: A mixture of English and German
Playable with Quick Time Player

> Link


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  2007, April 15
The Essential Hans ZIMMER Film Music Collection



  2007, April 15
You can now submit us your own cover version of a music composed by artists from RC Prod -- We will put it on this page : Cover versions

  2007, April 14
Premonition
Klaus Badelt




  2007, April 04
HARRY GREGSON WILLIAMS SCORES 'JOLENE '

Harry Gregson-Williams reunites with director Dan Ireland, scoring his new film "Jolene ". For more info please visit FilmMusicWeekly.com and download the current issue of the magazine.


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