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Ds, am I reading that correctly that you're using the fact that JJ works with Giacchino as evidence that the score might *not* be melodic or thematic? Because say what you want about Giacchino (and I'm far from his biggest fan either), it's an objective fact that he writes film music that is almost exclusively thematic/melodic. Whether you like those themes and melodies is another question, but they are undeniably themes and melodies.Yeah, totally agree IMO Mad Max is over rated, this is JunkieXL's best score as a solo outing, especially Tom's Sketchbook is so awesome & Batman v Superman is a perfect score in itself but yeah some pieces will fit perfectly. On another note Justice League (2017) could've benefited from Tom's presence but the movie failed from every point of view.Now released: http:/ /filmmusicreporter.com/2018/04/19/soundtrack-album-for-sky-h unter-to-be-released/<br><br>https: //www.amazon.com/gp/product/B07C26S729/ref=as_li_qf_asin_il_ tl?ie=UTF8&tag=filmusrep-20&creative=9325&linkCode=as2&creat iveASIN=B07C26S729&linkId=18cb85bfc0aaee3094cdba507fe05649I hope Balfe delivers but he has not done a score that I really listen to more than once so I hope this will be it.I agree with Edmund for the most part, except that JJ Abrams usually works with Giacchino, and Cruise's recent productions include Jack Reacher 2 and Edge of Tomorrow. So I wouldnt exactly take a melodic or thematic score for granted...<br>That being said, at this point I expect something like Penguins, but I secretely hope for something really amazing and surprising that would explain why McQuarrie broke up with Kraemer.
BOOKLET CREDITS (From The Album):<br><br>Score Composed, Produced And Mixed By<br>TOM HOLKENBORG<br><br>Additional Music By<br>ALJOSCHA CHRISTENHUB<br>ANTONIO DI IORIO<br><br>Orchestra Conducted By<br>JOHN ASHTON THOMAS<br><br>Technical Score Engineer<br>ALEX RUGER<br><br>Additional Programming By<br>EMILY RICE<br>JACOPO TRIFONE<br><br>Music Editor<br>SIMON CHANGER<br><br>Assistant Music Editors<br>BEN SMITHERS<br>ARABELLA WINTER<br><br>Music Consultant<br>BOB BADAMI<br><br>Score Orchestrated And Copied By<br>JONATHAN BEARD<br>EDWARD TRYBEK<br>HENRI WILKINSON<br>TOM HOLKENBORG<br><br>Librarian<br>JILL STREATER<br><br>Orchestra Contractors<br>ISOBEL GRIFFITHS<br>SUSSIE GILLIS<br><br>Orchestral Recording Engineer And Mixer<br>NICK WOLLAGE<br><br>Orchestra Recorded At<br>AIR STUDIO<br><br>Air Studios Managers<br>ALISON BURTON<br>CHARLOTTE MATTHEWS<br>LUCY MATTHEWS<br><br>Music Production Services<br>MICHIEL GROENEVELD<br><br>Agent<br>AMOS NEWMAN<br><br>Legal Representation<br>DAVID ALTSCHUL<br><br>Music Recorded <br>6-7 January 2018<br>At<br>AIR STUDIOS, London<br><br>Score Published By<br>UNITED LION MUSIC, INC. (BMI)<br><br>Booklet Editing & Design<br>WLP LTD<br><br>Soundtrack Acquisitions<br>MARK CAVELL<br><br>Sony Classical Product Development<br>KLARA KORYTOWSKA<br><br>Special Thanks To:<br>ROAR UTHAUG, GRAHAM KING, SASKIA, JULIAN and DARREN, ANNE COBB, SHANE GLASSThe Stark theme always left a big impression on me, but the way it plays when Jon Snow dies gives me the chills<br><br>Andrew Kawczynski scored the movie Sky Hunter. The score is available on Spotify now. <br><br>The score is probably the most melodic/heroic that I heard from him.wtf is this? did zimmer score a porno?why hybrid when lorne himself confirmed it? <.<
@Hybrid, can you confirm Lorne is scoring MI6?I feel like the only way I could be excited about this would be if they adopted the sound of M:I-2, which I find very unlikely. Primarily because the sound is very dated, but also because Fallout is likely to be a more serious movie than II ever will be. Still, I'm cautiously optimistic, especially if it was true that he did the trailer music.<br><br>And it was Rogue Nation that Kraemer worked on, not Ghost Protocol.It's sort of been implied here before that Lorne Balfe worked on the "Bumblebee" suite... Is that correct (as far as anybody knows, at least)?Both scores are absolutely masterpieces, personally I prefer the second one. Outstanding. <br>This story deserves a perfect close also musically.I think we may be surprised with this one, guys. Tom Cruise and JJ Abrams both are into melodic sounding scores, amd when Lorne is allowed to go all out melodic on us he creates perfection (ie: LEGO Batman, Home, parts of Geostorm, his contributions to kung fu panda and Sherlock)... I do hope he has somewhat of a throwback sound from it, but I also want that signature RCP sound too! Not gonna lie this is good news for me.
I'm sure the Balfe brigade will still find some way to tar and feather me for this, but I think he could do a decent job here. After all, you can't just write a generic action score for Mission Impossible. It has to have that throwback espionage feel, the suaveness, the sense of cool, and I think Balfe will do okay with that - look at Penguins of Madagascar. I just hope he gets to use a real orchestra for once (no excuse not to on a film of this type and size), and that he doesn't ignore Lalo Schifrin's theme.<br><br>I'd still rather have had Kraemer back considering the excellent job he did on Ghost Protocol (and the fact he never gets any assignments otherwise) but Balfe could do well here.Damn I was hoping Zimmer, Giacchino or Kraemer would do this.Ha ha! Yes again and again ! This is excellent newsNOOOOOOOOOOOOOOOOOOOOOOOOOOOOO not Balfe again and again and again :(Hey, everybody!<br>Did you hear the news?<br>Check this out:<br>https://m.facebook.com/story.php?story_fbid=962210980613161& id=138474459653488
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 LATEST RELEASES
 NEWS
  2007, May 31


German interview of Klaus Badelt
www.cinemamusica.de


Comments (2)

  2007, May 31
Klaus Badelt
Catwoman Expanded Score


Hans Zimmer
The Ring Recording Sessions


  
Harry Gregson-Williams
Kingdom Of Heaven Recording Sessions


Klaus Badelt
Rescue Dawn




  2007, May 29
TRANSFORMERS recording session coverage



Steve Jablonsky has been recording his score to the highly anticipated action-packed summer movie Transformers and SoundtrackNet now features a visual look at the musical recording process for this highly anticipated summer film, which opens on July 4th.

You can view the whole article with photos by visiting Soundtrack.net


Comments (0)

  2007, May 23
NEW RELEASES

  1. Shrek The Third (Harry GREGSON-WILLIAMS) CD page is now available.
  2. The Klaus BADELT' score for Rescue Dawn will be released by Milan.
  3. Lakeshore Records will release the score DISTURBIA composed by Geoff ZANELLI on 2007 July the 10th.


  2007, May 21
New AUDIO INTERVIEW with Hans Zimmer

Film Music website Scorenotes.com features a brand-new audio interview with the composer with the listening options being Real Audio and MP3 (podcast).

You can listen to the interview by visiting the website as linked above.


Comments (1)

  2007, May 20


Yesterday, Disneyland (LA) released the world premiere from the movie AT WORLD'S END.

...and Hans ZIMMER was there as you can see...
(click on the picture to read the review)


  2007, May 18
PIRATES OF THE CARIBBEAN: AT WORLD'S END - REMIX ALBUM

EMI Music is set to release an album containing 5 remixes of primarily the Jack Sparrow themes from the score for the Pirates of the Caribbean: At World's End by such popular artists as Paul Oakenfold, The Crystal Method and Ryeland Allison.

Release date is June the 15th, 2007 and for more info please visit the EMI page as linked above or Amazon.de.


Comments (11)

  2007, May 14
New Podcast: SoundtrackNet talks with Academy Award-winning composer Hans Zimmer

Composer Hans Zimmer talked to Soundtrack.net and discussed his latest soundtrack, PIRATES OF THE CARIBBEAN: AT WORLD'S END. He also talks about the new themes, the evolution of the PIRATES scores, and also about his approach for THE SIMPSONS MOVIE.

You can download and listen to the 33-minute long podcast by visiting Soundtrack.net's Podcast page.


Comments (8)

  2007, May 07
HARRY GREGSON WILLIAMS' SHREK THE THIRD to be released

Varese Sarabande just announced today that the original score to the 3rd installment of the well-known animated franchise, entitled "Shrek The Third" and composed by prolific composer Harry Gregson Williams will be officially released.

Described as "an enchanting score of wonder, magic, excitement and fun" the CD will be released 06/19/07 with a Catalog number of 302 066 826 2 and the movie opens on on May 18.

For more info please visit Varese Sarabande's official website.


Comments (4)

  2007, May 03
LISA GERRARD - NORTH AMERICAN TOUR 2007



Lisa GERRARD is starting a US/Canadian tour today. In her setlist, she is performing some tracks from Gladiator as well as other films like The Insider and WhaleRider.

*** Tickets still available for this Tour ***
*** Visit www.ticketmaster.com***


The dates are as follows:

MAY
  1. 03 US, Atlanta: Variety Playhouse
  2. 05 US, PA, Philadelphia: Theatre of the Living Arts
  3. 07 US, VA, Alexandria: Birchmere
  4. 09 US, New York: The Concert Hall
  5. 11 CANADA, Montreal: Theater Maisonneuve
  6. 13 CANADA, Toronto: Danforth Music Hall
  7. 15 US, Chicago: Vic Theater
  8. 17 US, Minneapolis: Guthrie Theater
  9. 19 US, Denver: Boulder Theater
  10. 22 US, Vancouver: Center for the Performing Arts
  11. 24 US, Seattle: Moore Theater
  12. 26 US, San Francisco: Palace of Fine Arts
  13. 29 US, Los Angeles: Orpheum Theatre
  14. 30 US, San Diego: Humphrey's Concerts by the Bay
JUNE
  1. 01 MEXICO, Mexico City: Luinario


Comments (1)

  2007, May 03
First listen at Soundtrack.net



Comments (32)

  2007, May 02
Pirates of The Caribbean : At World's End EXTRACTS

  1. Drink Up Me Hearties Yo Ho
  2. Hoist the Colours (Solo)
  3. One Day
  4. Parlay


Comments (37)

  2007, May 01
Shrek The Third
Harry Gregson-Williams / Various




  2007, May 01
JOHN POWELL scores 'STOP LOSS'

Stop Loss, a political drama about a soldier who refuses to return to battle in Iraq after returning home from the war will get an original score from composer JOHN POWELL.

More info in this week's edition of FILM MUSIC WEEKLY or vie this Direct Download.


Comments (2)


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