NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Any word on where this can be found, or if it actually exists? H-Z (here) is the only place any of these tracks (let alone mention of a complete version of this score) can be found.Why you haven't update about David Buckley with Angel Has Fallen score yet?Yep, fun (if slight) score to a very fun movie. "Get it On" is a great action cue.It was also one of the first HG-W's scores I ever listened to (way back when!), so maybe it's just nostalgia talking. <br>But it's worth a listen at least.It's a shame no one talks about this score. <br><br>It's a great listen if you love heavily percussive music! <br><br>Not a highlight in HG-W's carreer by any means, but it's a fun ride, and has some neat unique sounding stuff courtesy of Heitor Pereira, as well as plenty of goold ol' MV style synth/orchestra pounding!
He returns to the hitman's bodyguard part 2I was honored, back in 2006, to meet both Nick Glennie-Smith and Harry Gregson-Williams.<br><br>I talked with both about The Rock, and here's what they told.<br><br>Nick & Hans worked very closely on most of their cues. That's why it's so hard to notice any difference between their own styles (and why they share most of the credits).<br>Harry worked separately from Nick & Hans. He remembered working on the San Francisco Chase (though we know Don Harper helped at some point in the process), and on "a lot of the action material from the second half of the movie, once the heroes reach Alcatraz".<br>The credits here tend to prove they were right.<br><br>All the Opening Titles / SEAL Attack is a bit complicated. Hans might have written the theme, but it also might be arranged for pictures by Nick Glennie-Smith (plus there's a lot more going on in these tracks than the man theme alone). So, well, I guess the final result still is a collaborative effort.A brilliant score, no matter what some people might say. Some of the darkest and most beautiful themes by Hans Zimmer were born here, as well as a lot of very exciting and propulsive electronic techniques. <br>Heck, I even like the movie! The score fits like a glove.<br>It helps that I'm a huge Tony Scott fan though.<br><br>Zimmer would even 'steal' from this score quite a bit in some of his later films. The 'Wayne Manor Suite' from TDKR comes to mind, as well as one of the Blade Runner 2049 themes being strangely similar to The Fan's 'Opening Titles' theme, and I'm sure there are other examples.<br><br>I would love for a complete version to be officially released sometime. It's very unlikely, but one can dream...Listen to the first demo at NGS demos album of "The Rock". The opening and SEAL Attack have a few notes from original NGS theme. That's why NGS is credited to it.I remember hearing something about NGS not wanting his name in the opening credits since it was a Hans cue playing. So yeah. I think the opening is really just Zimmer and the NGS credit is a formality since it was supposed to be Nick’s score.
I'm sorry, disregard EVERYTHING I just wrote...The credit on "SEAL Attack" is HZ/NGS/Stern, not HZ/HGW/Stern. Not sure how I missed that. *facepalm*OK, so a thought...<br><br>"Opening" and "SEAL Attack" are functionally identical; Hybrid says that Hans originally wrote it for the latter scene and it was then placed over the main titles of the film. However, the former is credited to Hans and NGS, the latter to Hans, HGW and Steven Stern. Presumably, since HGW/Stern aren't credited on "Opening", their contribution to "SEAL Attack" is limited to that first minute, which does indeed have a lot of HGW-ish percussion work to my ears. That leaves the rest of "SEAL Attack" as Hans' work alone, which begs the question: why the heck is NGS credited for "Opening", then, since it's basically identical? Screw it, I'm labeling that a solo Hans cue. Always bugged me that there wasn't at least one on this score. :pHi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.comHi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.comThat's the 'Album Version' of Time To Suit Up
I'm "missing" three of the tracks for the complete score - CA Suite, WS Suite, and the alternate version of Time to Suit Up. <br><br>It looks like the CA and WS suites are pretty much the same ones on the official release as the lengths match up perfectly, but where can I find the alternate of Suit Up?Cheers mateI agree. Great score. This is "Hans Zimmer Dark Minimalism" done absolutely right. And the Oscorp stuff has to be temp. It goes up and down in just the right places.Forgot Macrotus, so the numbering messed up on 5-8 lol... Macrotus = Father to the Rescue + Hide in the Dark + Courthouse Pt. 1... Also, Myotis actually = Initiation into the League + Temple Fight. <br><br>If you have the End Credits too, that's a Batman Arrives/Backup mashup + Training + Father to the Rescue + Bruce Left for Dead + Batman Theme.<br>Gotcha covered. <br><br>1. Vespertilio = Batman Titles + The Long Walk<br>2. Eptesicus = Bruce Goes Home + Training <br>3. Myotis = Temple Fight<br>4. Barbastella = Mugging Pt. 2 + Bat Cave <br>6. Artibeus = Dockyard Ambush Pt. 1 + Meeting Ducard<br>7. Tadarida = Rachel in the Bat Cave + Fight in Crane's Lab Pt. 1 + Batman on Fire + Microwave Stolen<br>8. Antrozus = Facing the League + Gordon at Home <br>9. Nycteris = Prototypes + Why Bats? + Finders Keepers Pt. 1<br>10. Molossus = Batmobile Chase<br>11. Corynorhinus = Surveying the Ruins + Gordon Says Thanks <br>12. Lasiurus = Ra's al Ghul theme suite<br>
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50
 .
Comments (2)   
See More...  
 LATEST RELEASES
 NEWS
  2007, May 31


German interview of Klaus Badelt
www.cinemamusica.de


Comments (2)

  2007, May 31
Klaus Badelt
Catwoman Expanded Score
Hans Zimmer
The Ring Recording Sessions
  
Harry Gregson-Williams
Kingdom Of Heaven Recording Sessions
Klaus Badelt
Rescue Dawn


  2007, May 29
TRANSFORMERS recording session coverage



Steve Jablonsky has been recording his score to the highly anticipated action-packed summer movie Transformers and SoundtrackNet now features a visual look at the musical recording process for this highly anticipated summer film, which opens on July 4th.

You can view the whole article with photos by visiting Soundtrack.net

Comments (0)

  2007, May 23
NEW RELEASES

  1. Shrek The Third (Harry GREGSON-WILLIAMS) CD page is now available.
  2. The Klaus BADELT' score for Rescue Dawn will be released by Milan.
  3. Lakeshore Records will release the score DISTURBIA composed by Geoff ZANELLI on 2007 July the 10th.


  2007, May 21
New AUDIO INTERVIEW with Hans Zimmer

Film Music website Scorenotes.com features a brand-new audio interview with the composer with the listening options being Real Audio and MP3 (podcast).

You can listen to the interview by visiting the website as linked above.

Comments (1)

  2007, May 20


Yesterday, Disneyland (LA) released the world premiere from the movie AT WORLD'S END.

...and Hans ZIMMER was there as you can see...
(click on the picture to read the review)

  2007, May 18
PIRATES OF THE CARIBBEAN: AT WORLD'S END - REMIX ALBUM

EMI Music is set to release an album containing 5 remixes of primarily the Jack Sparrow themes from the score for the Pirates of the Caribbean: At World's End by such popular artists as Paul Oakenfold, The Crystal Method and Ryeland Allison.

Release date is June the 15th, 2007 and for more info please visit the EMI page as linked above or Amazon.de.

Comments (11)

  2007, May 14
New Podcast: SoundtrackNet talks with Academy Award-winning composer Hans Zimmer

Composer Hans Zimmer talked to Soundtrack.net and discussed his latest soundtrack, PIRATES OF THE CARIBBEAN: AT WORLD'S END. He also talks about the new themes, the evolution of the PIRATES scores, and also about his approach for THE SIMPSONS MOVIE.

You can download and listen to the 33-minute long podcast by visiting Soundtrack.net's Podcast page.

Comments (8)

  2007, May 07
HARRY GREGSON WILLIAMS' SHREK THE THIRD to be released

Varese Sarabande just announced today that the original score to the 3rd installment of the well-known animated franchise, entitled "Shrek The Third" and composed by prolific composer Harry Gregson Williams will be officially released.

Described as "an enchanting score of wonder, magic, excitement and fun" the CD will be released 06/19/07 with a Catalog number of 302 066 826 2 and the movie opens on on May 18.

For more info please visit Varese Sarabande's official website.

Comments (4)

  2007, May 03
LISA GERRARD - NORTH AMERICAN TOUR 2007



Lisa GERRARD is starting a US/Canadian tour today. In her setlist, she is performing some tracks from Gladiator as well as other films like The Insider and WhaleRider.

*** Tickets still available for this Tour ***
*** Visit www.ticketmaster.com ***

The dates are as follows:

MAY
  1. 03 US, Atlanta: Variety Playhouse
  2. 05 US, PA, Philadelphia: Theatre of the Living Arts
  3. 07 US, VA, Alexandria: Birchmere
  4. 09 US, New York: The Concert Hall
  5. 11 CANADA, Montreal: Theater Maisonneuve
  6. 13 CANADA, Toronto: Danforth Music Hall
  7. 15 US, Chicago: Vic Theater
  8. 17 US, Minneapolis: Guthrie Theater
  9. 19 US, Denver: Boulder Theater
  10. 22 US, Vancouver: Center for the Performing Arts
  11. 24 US, Seattle: Moore Theater
  12. 26 US, San Francisco: Palace of Fine Arts
  13. 29 US, Los Angeles: Orpheum Theatre
  14. 30 US, San Diego: Humphrey's Concerts by the Bay
JUNE
  1. 01 MEXICO, Mexico City: Luinario


Comments (1)

  2007, May 03
First listen at Soundtrack.net



Comments (32)

  2007, May 02
Pirates of The Caribbean : At World's End EXTRACTS

  1. Drink Up Me Hearties Yo Ho
  2. Hoist the Colours (Solo)
  3. One Day
  4. Parlay


Comments (37)

  2007, May 01
Shrek The Third
Harry Gregson-Williams / Various



  2007, May 01
JOHN POWELL scores 'STOP LOSS'

Stop Loss, a political drama about a soldier who refuses to return to battle in Iraq after returning home from the war will get an original score from composer JOHN POWELL.

More info in this week's edition of FILM MUSIC WEEKLY or vie this Direct Download.

Comments (2)


 HANS-ZIMMER.com© 2001-2018 OST 
Stephane Vidali / Antas - Nicolas Cabarrou