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Are the above credits with only Hans complete or not? If they are, then it's interesting how much of this album is just Zimmer. Even if it is an exercise in musical intensity more than anything else. I have to yet to see the film, but the score isn't as bad as I was worried it would be. In fact, most of it's just fine, and I look forward to hearing it with the film. It certainly does raise the pulse when you listen to it. It's like dread in musical form.I know exactly what part you're talking about. Unfortunately that segment wasn't released in any part of the score. It's a matter of waiting for the film version when the complete score is released.Perhaps. I also noticed a more heroic variation. How to turn the theme into a march.Lol, why though? <br>But yeah I think it will get disqualified. Maybe it'll get a Golden Globe.Hans probably hopes so... Warner not so much... lol
Do you guys think Dunkirk will be disqualify from the Oscars because the score used Elgar's theme? Similar to how Johannson was disqualified for using Richter's piece.I wanted that track as well!!! recording sessions when :'(I think its probably a remix by Hi-Finesse or someone like that. Just guessing maybe based on some of Elfmans work based on XL&Zimmer's themesYep. I know, but we have to agree that Elfman would never do anything like that. I do not think even XL.<br>Listen again. They refer to the themes of Hans' Superman in the second half of the trailer.I'd also like that chilling piece from when the ship sinks<br><br>other than that, not that much I desire
You said it yourself "almost never". <br>Some MoS trailers featured Hans' score. ComicCon trailer for BvS featured music from Hans and Tom. <br>I actually didn't hear any reference to Hans' 3 main Supes motifs. Beside the hints of "Come Together", I find the music rather boring anf generic.no, you can buy on steamNo.<br>The trailer's music is almost never is composed by the composer of the score. It is made by a specialized company.So, is that Elfman's score in the trailer? It seems a bit early, but if that is, I just MIGHT be okay with him taking over from Junkie.Okay, point taken, but at least his previous scores for Nolan were obviously music and had an emotional presence. And the two note Batman theme was actually something Hans had to convince Nolan about. Nolan wanted this heroic theme that was left unused.
@Mike Hans himself said sometimes a movie does not need a melody theme. It depends on the movie and the characters in it.<br>the main character here is fear threat and so on... in that regards the score respects that.<br><br>@hybrid: in order to have the full soundtrack we will then have to wait for bluray and rip the music & effect out of it. ^^This was one of the most emotionally engaging movies I have ever seen.  I suspect it has to do with the fact that my father was a WW II vet who was on a ship going through the Straits of Gibraltar when they were bombarded by German airplanes.  The selection of Elgar's Nimrod was a stroke of genius.  It rises and falls like the ocean, like a wheezy organ.  I wept.  This movie is a tribute to the Everyman who did his or her part.  We need to be reminded.It's not iTunes ????? Hybrid any examples you can post ?I’m going to see the movie again on Tuesday, but after the first viewing I would say yes and no. The cues on the album are mostly in chronological order (towards the end at least) and I would say ‘Home’, ‘The Oil’, ‘Variation 15’ and ‘End Titles’ play basically unchanged in the movie. However, in my experience the ticking sound is much more present throughout the entire movie and speeds up and slows down during tense moments. On the top of my head, there is not a cue that played in the film that stood out for not being on the album, except for the one when Tommy and Gibson are racing the stretcher across the beach. It’s the staccato violin or cello cue. I don’t know what kind of cue was composed for the prologue since I haven’t seen it, but judging from the comments here that cue is missing as well.Totally agree on that note . Genius has been one of most unique scores in ages and the music is great
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 LATEST RELEASES
 NEWS
  2007, July 31
JAMES DOOLEY's latest project: BACHELOR PARTY 2

According to The Gorfaine/Schwartz Agency, Inc., the composer's latest project is "Bachelor Party 2", a new Blue Star Pictures comedy directed by James Ryan.


Comments (0)

  2007, July 28
New composer in our website

We introduce german composer Wolfram de Marco who frequently worked with Klaus Badelt on many of his scores , while working on his own project.



Recently, he composed for The Wedding Party which received a DVD release in USA.
Klaus Badelt was the executive music producer, Wolfram de Marco the composer, Steve McLaughlin recorded the London Metropolitan Orchestra in Studio 2 at Abbey Road and mixed the score in his Northpole studio in London.(Read more & pictures).


Comments (1)

  2007, July 27
THE SIMPSONS MOVIE featurette



The Official THE SIMPSONS MOVIE website now features a video about the music of the movie composed by Hans Zimmer and can be viewed in the above link.


Comments (13)

  2007, July 26
New scores for Hans ZIMMER



On 2008, the composer will score MADAGASCAR 2(us movie release on 2008, november the 7th.), Ron Howard's FROST/NIXON, and will compose for the Christopher NOLAN's THE DARK KNIGHT.

*** UPDATE ***

Hans Zimmer also mentioned at the Composer Expo in LA that he will probably also score Ron Howard's Da Vinci Code sequel Angels & Demons.


Comments (19)

  2007, July 25
The Recruit Complete Score
Klaus Badelt




  2007, July 23
The Bourne Ultimatum
John Powell




  2007, July 20
No more Oscars for Hans ZIMMER

The german website ONLINE FOCUS revealed that Hans ZIMMER didn't want to be nominated for the Oscars anymore.
"I was 7 times nominated ; Each time, it brought my life out its balance ; call, interviews and stress. That's why i decided it was enough. From now, I forbid the Filmstudios to submit my music to the Academy."


Comments (27)

  2007, July 16
Disturbia
Geoff Zanelli




  2007, July 15
The Simpsons Movie
The Music (Promo EP)


Transformers The Game
Steve Jablonsky / Jonathan Flood




  2007, July 13
RAMIN DJAWADI scores THE TOURIST

According to The Gorfaine/Schwartz Agency inc., composer Ramin Djawadi is responsible for providing the musical score for Marcel Langenegger's new action/thriller THE TOURIST .

For more info on the movie you can visit The Tourist on imdb.com


Comments (2)

  2007, July 12
JOHN POWELL on STOP LOSS: Scoring session coverage from soundtrack.net



Image Copyright © Soundtrack.net

Composer John Powell has recorded orchestral music for the upcoming drama, Stop Loss and Soundtrack.net has the scoring session coverage.

The full article with photos, can be viewed in the above link.


Comments (2)

  2007, July 10
New Interview with STEVE JABLONSKY



IFMagazine now features an exclusive new interview with the composer behind TRANSFORMERS, Steve Jablonsky.

The interview is by Daniel Schweiger, Soundtrack Editor and it is Published 7/10/2007. You can read the whole article in the above link.


Comments (53)

  2007, July 03
VARESE SARABANDE releases PRISON BREAK score

Soundtrack label Varese Sarabande releases the CD with the score composed for the popular TV series "Prison Break" by composer Ramin Djawadi.

As Varese states in their website: " The calls for a soundtrack release to the blockbuster Fox television show PRISON BREAK have now been answered. Ramin Djawadi’s music for the first two thrilling seasons of PRISON BREAK has now been gathered together for this exciting CD. "

Release date is set at 08/28/07 and the catalog number for the CD is 302 066 839 2


Comments (4)


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