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Interesting to see Lorne Balfe replacing Jablonsky now with Micheal Bay.6 Underground is totally crazy and Balfe’s score equals it.Also has emotion like 13 Hours.<br>Doesn’t beat His Dark Materials but a great scoreSorry, das ist doch ein Witz, Dortmund ist nicht dabei :(Way too many songs.<br>Lorne Balfe score nailed it.Great to see Bay working with Balfe now.This is an RCP website, those scores aren't by RCP composers...Power anthems ???? Obviously you haven’t watched the movie.They would not fit in this movie.<br><br>Balfe’s score is really cool and not expected.Already listened to it 4 times!
I agree completely.<br><br>The movie was awesome, the score works perfectly, and the only thing I didn't like was the use of songs. Too much of them. Songs rarely work during intense action scenes. They distract.<br><br>But every time the score started, I liked it. Bay may be known as the big action guy, but when it comes to scoring the more intimate/emotional moments, he and the composer (no matter who he is) always do a good job.Greenaway for President! :))I agree with Knight.<br><br>It seems some peeps were expecting power anthems left and right. Yes, this is a big movie, but not a "Transformers-big" movie. I didn't like the use of source music (I hate songs in action movies) but when Balfe's work popped up I noticed it right away.<br><br>The more emotional cues were definitely the most memorable.What a fantastic soundtrack.<br>It’s totally crazy and works brilliantly in the film.<br>The bit emotional sections are very classic Bay but Balfe’s electronic weirdness is very unique.<br>It’s nothing like Balfe’s Dark Materials BUT why I’m earth should it be !<br>10/10Gavin should be listed as conductor
Because Ice Age was composed by David Newman and Collision Course was composed by John DebneyWhen i heard just the sound clips, i thought wtf. Sounds like the worst score, a michael bay movie ever had. Then i listened to the whole album and i have to say, there are some pretty cool tracks. I really like the electronic rhythmic stuff. Welcome to florence is awesome. The emotional moments are nice, but standard balfe stuff. In the movie, the music works really good. I think this music style is the only style, that works in THIS movie. And as hybrid says a mish mash of score and songs. The movie itself is.....strange. but at least the action rocks as hell.If "The Meltdown," "Dawn of The Dinosaurs" and "Continental Drift" are added, then how come "Ice Age" and "Collision Course" aren't?I haven't heard the album yet but there isn't much score in the film. It's like Bad Boys II meets Domino in terms of editing, songs everywhere (19 sourced songs used), short cues... Hell there's even a 13 Hours cue tracked in the film ("Getting Aboard The Plane")."Second time"... lol
Another awsome score by lorne balfe. I really like the film 6 underground directed by michael bay, is very awsome and intense and i begin to hear the score composed by lorne balfe, and its phenomenal and his second time working with michael bay since 13 hours, which i like lorne balfe's score too. Balfe's work is really inspiring in his film score.I don't expect Lorne to make a masterpiece with each movie, but it is true that most of her films are action candies, and I can't understand how she can deliver 6 underground and then make His dark materials.  It seems that within Lorne there are a thousand different composers.  And I don't know what to expect from Lorne again.Can't help noticing not one, but two Zimmer titles in here.... Tracks 14 and 16. lol.What is most disappointing is that this is a Michael Bay movie with a score being so bad. Historically his movies have fantastic scores by either Hans, Steve Jablonsky, and even Lorne Balfe. But this is hands down the worst Michael Bay score I’ve ever heard. <br><br>It’s functional, yes, but nothing compared to 13 Hours, any of the Transformers movies, The Rock, Pearl Harbor, etc. I definitely had high hopes for another good “power anthem” score... and the only cues that are any good are just Time ripoffs.<br><br>Highly disappointing.Again, if we have to expect every piece of work of one composer is have to be as good like his others pieces of work, that's pretty underwhelming and impossible.<br><br>Yeah, 6 Underground is not a good score by any means (neither Gemini Man, but is far more listenable), but works perfectly in the hiperbolic movie.
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 LATEST RELEASES
 NEWS
  2007, August 27
TRANSFORMERS' SCORE COMING SOON

The website THE NIGHT SHIFT announced that Warner Bros. Records will "shortly" be releasing the album of Steve Jablonsky's orchestral score from the movie Transformers, according to a Senior Vice President in the Music Department at Paramount Pictures.
Read more...

The information has been confirmed by websites such as amazon.com & barnesandnobles.com which indicate a release date for october 9.


Comments (26)

  2007, August 20
PART III of the interview with Henry Jackman on THE SIMPSONS MOVIE



Christine BLANC & Jérémie NOYER published the third part of their interview with RC composer Henry Jackman and his work on "The Simpsons Movie".

Part II and I can also be read at the above link.


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  2007, August 16


Harry Gregson-Williams to be present at the WSA and live performance of his music.

During the 7th edition of the World Soundtrack Awards, the Flemish Radio Orchestra will give a live performance of music by Mychael Danna (Little Miss Sunshine, Capote, Exotica, Monsoon Wedding), Harry Gregson-Williams (Antz, Shrek, Chicken Run, Veronica Guerin) and the Greek composer Evanthia Reboutsika (My Father & My Son), who won the WSA Discovery of the Year award last year. The orchestra will be conducted by Dirk Brossé. All composers will, of course, be present in Ghent.

> Read more


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  2007, August 16
RUPERT GREGSON WILLIAMS scores another comedy



Filmmusicweekly.com report in their latest edition of the magazine (15th of August, 2007), that composer Rupert Gregson Williams is working on another comedy score, this time for Dennis Dugan's "You don't mess with Zohan".

For more info please download the free edition of this week's issue via the link provided above.


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  2007, August 15
D-War
Steve Jablonsky




> mp3 extracts added <


  2007, August 13


New Hans Zimmer interviews :

Exclusive: The One and Only Hans Zimmer!
> www.comingsoon.net <

Hans Zimmer's ode to Homer
> www.mp3.com <

Comments (10)

  2007, August 12
Prison Break
Ramin Djawadi


Prison Break (bootleg)
Ramin Djawadi




  2007, August 08
INTERVIEW WITH HENRY JACKMAN ON THE SIMPSONS



Christine BLANC of inter-activities.blogspot.com recently interviewed RC composer Henry Jackman, covering a variety of topics and specifically his work on The Simpsons Movie.

The interview is in three parts and you can read Part I at the above link.



Comments (1)

  2007, August 07
Klaus Badelt scores Killshot



The official website of the London Metropolitan Orchestra states that Klaus Badelt was recently in London to score Killshot with a part of the LMO at Abbey Road studio 1.

Killshot is directed by John Madden and Badelt used a 30-piece string orchestra with a solo cello for the musical accompaniment of the film which will come out in cinemas later this year.

Klaus Badelt comes in the place of composer Stephen Warbeck, a frequent collaborator of John Madden and who was previously attached to the scoring duties of the film.

For more info please visit the above LMO link.


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