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Great new podcast with Steve. Check it out, it's worth it - https://www.score-movie.com/single-post/2018/04/24/Episode-6 -Steve-Jablonsky-Behind-the-Score-Trent-Reznor-Atticus-Ross- Name-That-ScoreI'm guessing that the end credits will be where we hear what Williams wrote for the film, a concert arrangement of the new theme he contributed. So it'll start with the classic fanfare and then lead into that, and then if there's any time left to fill they'll put in some of Powell's material.For the most part I agree with you, especially in regards to continuity. Him writing a third theme for Cap makes no sense whatsoever, considering that the credits of TWS had a more traditional take on his CA theme which is basically what he ended up writing for Civil War. Same with the lack of The Falcon theme, which was even used in Ant-Man. I have a feeling this has something to do with what the Russo Bros wanted however.<br><br>As for the overall score though, I actually think it works great in context. Considering the film is a thriller, the more nuanced approach Henry took here feels very appropriate. And even though it’s a short motif, I genuinely like the theme for Black Panther.Listening to all these fan made covers!!! They all are more than awesome. Its feels good how Hans Zimmer is inspiring the world around to create such a great music. Lots of applause to all the fans who have submitted their covers over here. Good luck !!!<br>I have been revisiting a lot of scores of the MCU leading up to Infinity War, and what I don't really understand is why they didn't used almost any of the previously established themes in this one. He even created a new theme for Captain America, when he could have used his own theme from Winter Soldier. In fact, I think Winter Soldier's theme is the only one returning. Age of Ultron, although it was a really chaotic score, at least had some continuity and was a lot of fun, but this score feels flat for the most part of it.<br><br>And I really enjoyed TWS but for me this was a step down. But I must recognize that there are some great action cues, especially in the Airport Battle, but apart from that I didn't found anything that remarkable.
This might sound like a rather... odd question, but I did ask it when it came to Rogue One. Is John Powell going to use a 'classic' arrangement of the End Credits Suite, or is he writing something entirely new? The end credits theme is pretty much a staple of all the films so far and it would be interesting to know what Powell has in mind for his score there.And the release date has finally come !<br><br>MAY 25th !<br><br>Will it be Powell's masterpiece ? I hope so ! But it's going difficult to sound better than HTTYD !Yep, I noticed. And in mp3<br>I guess YT is still the better wayThere's a way to do it but I won't tell you for fear that I get HULK SMASHED by Hybrid. Besides, the file is in 112 kbps, it's barely worth the trouble (and I'm not even much of an audiophile).totally agreed...<br>maybe some way to hack into
I hope the Imperial March is in the score.Thank You NotaPix. That was really helpful. :)<br>I've never found this one either. It's the biggest gap in my HGW collection probably. Wonder why it never got a proper score release, sure it's a bit mickey-mousey and insubstantial but they could have at least put 30 minutes or so on the regular album, not just one track...hello Piyush VC<br>sorry, I hope I have correctly understood your question, I do not know English (google translator).<br>I do not remember well how long my covers have been published here after my submission.<br>but if you would like to publish your own cover of the composer Hans Zimmer here, it is more correct that you address the questions of this type to 'antas' admin.<br>as I said, I hope my answer is relevant to your question.<br>bye :)Anywhere I can find a complete recording of this soundtrack? I've looked everywhere.
Hey there.. Your music score is really good, I liked them all. I wanna know within how many days after your submission, were your tracks posted over here?Can anyone point me to where I can get a copy of this? I'd love to have this in my collection.It's been nearly 27 years since this came out in 1991.Nop, you're not the only one.<br><br>I can say everything i listen John Powell is something with quality and personality.<br><br>How to Train Your Dragon is one of his best. You are missing out. <br><br>But I may be the only person who thinks Face/Off is one of his best scores. I love that score more than nearly any John Powell scores.
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 LATEST RELEASES
 NEWS
  2007, October 23


One of the most successful and busy composers in Hollywood, Harry Gregson-Williams, talks to Tommy Pearson, recorded in Ghent during the annual World Soundtrack Awards.
[Length : 40 mins / Recorded Oct 2007]

> www.stageandscreenonline.com


Comments (2)

  2007, October 23
PROJECT UPDATES FOR THE RC TEAM

According to the Gorfaine/Schwartz Agency, inc, the following updates in the assignments' lists of the composers have been just noted:

HARRY GREGSON WILLIAMS



"Wolverine"
    
HANS ZIMMER



"Casi Divas"


You can also read further info on this particular new project by visiting this Hollywood Reporter relevant link.

JAMES DOOLEY



"The Little Mermaid III"



Comments (6)

  2007, October 22
Gone Baby Gone
Harry Gregson-Williams




  2007, October 17
Christopher Knight and Steve Jablonsky are delighted to offer this signed copy of Transformers: The Score, the CD of the orchestral soundtrack from the smash-hit movie of 2007.



This artist-signed copy of Transformers: The Score would make a fine and unique addition to your collection, whether your are a die-hard Transformers fan or one who particularly enjoys the art of scoring music for film and television. It would also make a wonderful gift for that special someone, especially with the holiday season just around the corner.

100% of the proceeds from this auction will be used to further music education in Rockingham County Public Schools in Rockingham County, North Carolina. This will include helping to defray the costs of new instruments and also to support music programs for elementary students.

> Link on this auction at Ebay <


Comments (7)

  2007, October 16
August Rush
Various




  2007, October 15
from www.markmancina.com

Mark Mancina will be performing in a concert of music from August Rush live in concert at the NY City Center on November 9, 2007.
Performances will be by Jonathan Rhys Meyers, Freddie Highmore, Keri Russell, Five for Fighting's John Ondrasik, John Legend, David Crosby, The Berklee College of Music Symphony, Impact Repertory Theatre, Jamia Simone Nash, Leon Thomas III and surprise guests! For tickets, visit the NY City Center box office website.

Details : http://www.nycitycenter.org/events/event_detail.cfm?event_code=AFA08


Comments (3)

  2007, October 13
Bee Movie
Rupert Gregson-Williams




  2007, October 06
My Winter Storm
Tarja Turunen




  2007, October 05
Pirates Of The Caribbean
Soundtrack Treasures Collection




  2007, October 05
Desperate Housewives Score Music by Steve Jablonsky CD release Petition

Please visit the online petition page


Comments (5)

  2007, October 05
Transformers Expanded score
Steve Jablonsky




  2007, October 04
Harry Gregson-Williams and Stephen Barton score Call of Duty 4: Modern Warfare


Infinity Ward and Activision, Inc. have announced that award-winning Call of Duty 4: Modern Warfare will feature an original score by Stephen Barton with the Main Theme & Music Production provided by award-winning composer Harry Gregson-Williams.

Gregson-Williams' work has been featured in numerous feature films, television series, and video games with credits including "Enemy of the State," "Man on Fire," "Spy Game," "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe," and "Team America: World Police." The soundtrack for Call of Duty 4: Modern Warfare was performed and recorded by a full orchestra, largely at the legendary Abbey Road Studios in London, England.

"Harry Gregson-Williams was the perfect choice to craft an immersive and rich soundtrack that matches the heightened atmosphere and tension of Call of Duty 4: Modern Warfare," says Grant Collier, Studio Head at Infinity Ward. "Harry's wealth of experience, passion and intensity together with the talents of young composer, Stephen Barton, shine through in the score draws gamers deeper into the epic and cinematic experience that is Call of Duty 4."

Source : www.music4games.net


Comments (3)


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