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1576, do you read yourself after typing it out?You are an idiot. Hans did what Nolan asked him of not the other way around.Man, this has to be the best news for a long time. Hans has got stuck in his silly overcompensating for sound effects mode for too long. No wonder Nolan went for someone else. Who here thought balfe was getting this - the dude is a copycat and nobody. Balfe is when you dont get HZ.....luckily better people are now getting the gigs. I mean who would hire balfe out of the blue, the dude is not even a tv guyThanks for the credits updateA bit of who did what...
Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great job
Bob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.
I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!
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 LATEST RELEASES
 NEWS
  2007, October 23


One of the most successful and busy composers in Hollywood, Harry Gregson-Williams, talks to Tommy Pearson, recorded in Ghent during the annual World Soundtrack Awards.
[Length : 40 mins / Recorded Oct 2007]

> www.stageandscreenonline.com


Comments (2)

  2007, October 23
PROJECT UPDATES FOR THE RC TEAM

According to the Gorfaine/Schwartz Agency, inc, the following updates in the assignments' lists of the composers have been just noted:

HARRY GREGSON WILLIAMS



"Wolverine"
    
HANS ZIMMER



"Casi Divas"


You can also read further info on this particular new project by visiting this Hollywood Reporter relevant link.

JAMES DOOLEY



"The Little Mermaid III"



Comments (6)

  2007, October 22
Gone Baby Gone
Harry Gregson-Williams




  2007, October 17
Christopher Knight and Steve Jablonsky are delighted to offer this signed copy of Transformers: The Score, the CD of the orchestral soundtrack from the smash-hit movie of 2007.



This artist-signed copy of Transformers: The Score would make a fine and unique addition to your collection, whether your are a die-hard Transformers fan or one who particularly enjoys the art of scoring music for film and television. It would also make a wonderful gift for that special someone, especially with the holiday season just around the corner.

100% of the proceeds from this auction will be used to further music education in Rockingham County Public Schools in Rockingham County, North Carolina. This will include helping to defray the costs of new instruments and also to support music programs for elementary students.

> Link on this auction at Ebay <


Comments (7)

  2007, October 16
August Rush
Various




  2007, October 15
from www.markmancina.com

Mark Mancina will be performing in a concert of music from August Rush live in concert at the NY City Center on November 9, 2007.
Performances will be by Jonathan Rhys Meyers, Freddie Highmore, Keri Russell, Five for Fighting's John Ondrasik, John Legend, David Crosby, The Berklee College of Music Symphony, Impact Repertory Theatre, Jamia Simone Nash, Leon Thomas III and surprise guests! For tickets, visit the NY City Center box office website.

Details : http://www.nycitycenter.org/events/event_detail.cfm?event_code=AFA08


Comments (3)

  2007, October 13
Bee Movie
Rupert Gregson-Williams




  2007, October 06
My Winter Storm
Tarja Turunen




  2007, October 05
Pirates Of The Caribbean
Soundtrack Treasures Collection




  2007, October 05
Desperate Housewives Score Music by Steve Jablonsky CD release Petition

Please visit the online petition page


Comments (5)

  2007, October 05
Transformers Expanded score
Steve Jablonsky




  2007, October 04
Harry Gregson-Williams and Stephen Barton score Call of Duty 4: Modern Warfare


Infinity Ward and Activision, Inc. have announced that award-winning Call of Duty 4: Modern Warfare will feature an original score by Stephen Barton with the Main Theme & Music Production provided by award-winning composer Harry Gregson-Williams.

Gregson-Williams' work has been featured in numerous feature films, television series, and video games with credits including "Enemy of the State," "Man on Fire," "Spy Game," "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe," and "Team America: World Police." The soundtrack for Call of Duty 4: Modern Warfare was performed and recorded by a full orchestra, largely at the legendary Abbey Road Studios in London, England.

"Harry Gregson-Williams was the perfect choice to craft an immersive and rich soundtrack that matches the heightened atmosphere and tension of Call of Duty 4: Modern Warfare," says Grant Collier, Studio Head at Infinity Ward. "Harry's wealth of experience, passion and intensity together with the talents of young composer, Stephen Barton, shine through in the score draws gamers deeper into the epic and cinematic experience that is Call of Duty 4."

Source : www.music4games.net


Comments (3)


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