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They all respected the theme of Courage, but each new composer brought a different sub-theme to the franchise.<br>@James  I don't know what you are referring to exactly, but I think that Horner's score in Star Trek II is a great example of a follow up movie score within the same universe. <br>I think all of those movies use the Alexander Courage theme for the original series but they still have some original material of their own and that's what Elfman should have done if he wanted to use the old themes for Batman and Superman. He could have used those in some moments but also keeping some material from BvS and MoS and creating new themes for the new characters and the League.What?! Did Mothersbaugh use a ghost writer?! he he heThis is a kind of Chappie mixed with Arcade of MoS.Hallo,<br>ich hätte eine Frage zu "Man of Steel", Track 2: "Oil Rig".<br>Da ist bei meiner Kaufversion (Download bei google) eine Stimme zu hören bei Sekunde 17 Bevor der Beat losgeht. Es hört sich an wie eine Kinderstimme die "O...O..." ruft. Ich finde es witzig, wüsste aber gerne wie die Stimme da rein kommt.<br>War das Absicht, gibt es eine Story dazu, oder ist es eine Fehler in der Aufnahme?<br>Weiß jemand was dazu?<br><br>LG
cd may have been shipped but ups tracking refrence shows up nothing on there site anyone got an ideas at to why this may be many thanksThe track is unreleased yeah, part of the movie's climax<br>chronologically it goes between Devils Anus and 'Asgard is a People'The Sierra Leone track Andrew K posted (link below)...I almost wonder if that's how 2010s Zimmer would redo The Lion King. More bass, more minimalist, more Interstellar...but still with an African flare.Horner and many others with Star Trek is a good example too.Huh. Well, the music Andrew posted is nice.
"Don't believe everything you hear, son."what do you gyus think about this? <br><br>www . youtube.com/watch?v=9riigqWjovMHallo,<br><br>Der 'Gladiator' ist schon langsam in die Jahre gekommen, die Musik ist aber nicht älter geworden. Genial.<br><br>Gruß  <br><br>Not bad score.<br><br>But I prefer the other oneIsn’t that ironic that DC is abandoning the continuity while Marvel is finally embracing it?<br><br>For any electronic fans out there, this score is definitely a must listen, there are some badass 80’s beats (with a dash of Tron legacy) in here.
I'm so mad at DC right now I'd rather promote Marvel !! lol<br><br><br>Well jokes aside I add cause Andrew worked on it. And btw he posted another 5 min cue on his Soundcloud, dunno if it's unreleased, there'll better specialists of that score than me !Yeah, I happen to have seen the film and the score is not really "coherent", it's more like many different cues put together...Okay, thanks for clearing that up. The Tracks released were kind of interesting, a kind of mix of soundsAnyone else think Hans knew about all the studio meddling during pre-production, the rewrites etc and walked away ? I mean, when I heard Elfman's score I thought it was generic and wouldn't fit the movie. Then I watched the movie and it fits well. The movie is just as bland as the music in the background.I don't have to ask, that movie was a failure that barely got distributed... No one had any interest in releasing this score...
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 LATEST RELEASES
 NEWS
  2007, October 23


One of the most successful and busy composers in Hollywood, Harry Gregson-Williams, talks to Tommy Pearson, recorded in Ghent during the annual World Soundtrack Awards.
[Length : 40 mins / Recorded Oct 2007]

> www.stageandscreenonline.com


Comments (2)

  2007, October 23
PROJECT UPDATES FOR THE RC TEAM

According to the Gorfaine/Schwartz Agency, inc, the following updates in the assignments' lists of the composers have been just noted:

HARRY GREGSON WILLIAMS



"Wolverine"
    
HANS ZIMMER



"Casi Divas"


You can also read further info on this particular new project by visiting this Hollywood Reporter relevant link.

JAMES DOOLEY



"The Little Mermaid III"



Comments (6)

  2007, October 22
Gone Baby Gone
Harry Gregson-Williams




  2007, October 17
Christopher Knight and Steve Jablonsky are delighted to offer this signed copy of Transformers: The Score, the CD of the orchestral soundtrack from the smash-hit movie of 2007.



This artist-signed copy of Transformers: The Score would make a fine and unique addition to your collection, whether your are a die-hard Transformers fan or one who particularly enjoys the art of scoring music for film and television. It would also make a wonderful gift for that special someone, especially with the holiday season just around the corner.

100% of the proceeds from this auction will be used to further music education in Rockingham County Public Schools in Rockingham County, North Carolina. This will include helping to defray the costs of new instruments and also to support music programs for elementary students.

> Link on this auction at Ebay <


Comments (7)

  2007, October 16
August Rush
Various




  2007, October 15
from www.markmancina.com

Mark Mancina will be performing in a concert of music from August Rush live in concert at the NY City Center on November 9, 2007.
Performances will be by Jonathan Rhys Meyers, Freddie Highmore, Keri Russell, Five for Fighting's John Ondrasik, John Legend, David Crosby, The Berklee College of Music Symphony, Impact Repertory Theatre, Jamia Simone Nash, Leon Thomas III and surprise guests! For tickets, visit the NY City Center box office website.

Details : http://www.nycitycenter.org/events/event_detail.cfm?event_code=AFA08


Comments (3)

  2007, October 13
Bee Movie
Rupert Gregson-Williams




  2007, October 06
My Winter Storm
Tarja Turunen




  2007, October 05
Pirates Of The Caribbean
Soundtrack Treasures Collection




  2007, October 05
Desperate Housewives Score Music by Steve Jablonsky CD release Petition

Please visit the online petition page


Comments (5)

  2007, October 05
Transformers Expanded score
Steve Jablonsky




  2007, October 04
Harry Gregson-Williams and Stephen Barton score Call of Duty 4: Modern Warfare


Infinity Ward and Activision, Inc. have announced that award-winning Call of Duty 4: Modern Warfare will feature an original score by Stephen Barton with the Main Theme & Music Production provided by award-winning composer Harry Gregson-Williams.

Gregson-Williams' work has been featured in numerous feature films, television series, and video games with credits including "Enemy of the State," "Man on Fire," "Spy Game," "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe," and "Team America: World Police." The soundtrack for Call of Duty 4: Modern Warfare was performed and recorded by a full orchestra, largely at the legendary Abbey Road Studios in London, England.

"Harry Gregson-Williams was the perfect choice to craft an immersive and rich soundtrack that matches the heightened atmosphere and tension of Call of Duty 4: Modern Warfare," says Grant Collier, Studio Head at Infinity Ward. "Harry's wealth of experience, passion and intensity together with the talents of young composer, Stephen Barton, shine through in the score draws gamers deeper into the epic and cinematic experience that is Call of Duty 4."

Source : www.music4games.net


Comments (3)


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