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They all respected the theme of Courage, but each new composer brought a different sub-theme to the franchise.<br>@James  I don't know what you are referring to exactly, but I think that Horner's score in Star Trek II is a great example of a follow up movie score within the same universe. <br>I think all of those movies use the Alexander Courage theme for the original series but they still have some original material of their own and that's what Elfman should have done if he wanted to use the old themes for Batman and Superman. He could have used those in some moments but also keeping some material from BvS and MoS and creating new themes for the new characters and the League.What?! Did Mothersbaugh use a ghost writer?! he he heThis is a kind of Chappie mixed with Arcade of MoS.Hallo,<br>ich hätte eine Frage zu "Man of Steel", Track 2: "Oil Rig".<br>Da ist bei meiner Kaufversion (Download bei google) eine Stimme zu hören bei Sekunde 17 Bevor der Beat losgeht. Es hört sich an wie eine Kinderstimme die "O...O..." ruft. Ich finde es witzig, wüsste aber gerne wie die Stimme da rein kommt.<br>War das Absicht, gibt es eine Story dazu, oder ist es eine Fehler in der Aufnahme?<br>Weiß jemand was dazu?<br><br>LG
cd may have been shipped but ups tracking refrence shows up nothing on there site anyone got an ideas at to why this may be many thanksThe track is unreleased yeah, part of the movie's climax<br>chronologically it goes between Devils Anus and 'Asgard is a People'The Sierra Leone track Andrew K posted (link below)...I almost wonder if that's how 2010s Zimmer would redo The Lion King. More bass, more minimalist, more Interstellar...but still with an African flare.Horner and many others with Star Trek is a good example too.Huh. Well, the music Andrew posted is nice.
"Don't believe everything you hear, son."what do you gyus think about this? <br><br>www . youtube.com/watch?v=9riigqWjovMHallo,<br><br>Der 'Gladiator' ist schon langsam in die Jahre gekommen, die Musik ist aber nicht älter geworden. Genial.<br><br>Gruß  <br><br>Not bad score.<br><br>But I prefer the other oneIsn’t that ironic that DC is abandoning the continuity while Marvel is finally embracing it?<br><br>For any electronic fans out there, this score is definitely a must listen, there are some badass 80’s beats (with a dash of Tron legacy) in here.
I'm so mad at DC right now I'd rather promote Marvel !! lol<br><br><br>Well jokes aside I add cause Andrew worked on it. And btw he posted another 5 min cue on his Soundcloud, dunno if it's unreleased, there'll better specialists of that score than me !Yeah, I happen to have seen the film and the score is not really "coherent", it's more like many different cues put together...Okay, thanks for clearing that up. The Tracks released were kind of interesting, a kind of mix of soundsAnyone else think Hans knew about all the studio meddling during pre-production, the rewrites etc and walked away ? I mean, when I heard Elfman's score I thought it was generic and wouldn't fit the movie. Then I watched the movie and it fits well. The movie is just as bland as the music in the background.I don't have to ask, that movie was a failure that barely got distributed... No one had any interest in releasing this score...
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  2007, November 26
     

     

     

     


  2007, November 25
PART II of the Geoff Zanelli interview now available over at inter-activities.blogspot.com talking about INTO THE WEST.

Interview by Christine Blanc and you can read the entire article at the above link.


Comments (6)

  2007, November 25
Interview Marc Streitenfeld



www.filmmuziek.com


Comments (1)

  2007, November 24
For The Week-End...

Wibi Soerjadi : 'He's a Pirate': one hand and a hook


...performing a GLADIATOR Transcription...


...and performing paraphrases around THE LION KING...


Comments (7)

  2007, November 21
BODY OF LIES

According to Marc Streitenfeld’s publicist, the composer of the score for the current no. 1 film at the US box office, American Gangster, is in Morocco preparing his music for the next Ridley Scott film, Body of Lies. The film is based on David Ignatius’ novel about a former journalist who is recruited by the CIA to track down a terrorist leader in Jordan. Russell Crowe, Leonardo DiCaprio and Carice van Houten will star in the film, which is produced by De Line Pictures and Scott Free Pictures, set to be distributed by Warner Bros.

This will be Streitenfeld’s third score for Ridley Scott, following A Good Year and American Gangster.

SOURCE


Comments (8)

  2007, November 15
Hitman
Geoff Zanelli




  2007, November 15
Call of Duty 4: Modern Warfare
Harry Gregson-Williams / Stephen Barton




  2007, November 03
Interview with Call of Duty 4 composer Stephen Barton



www.music4games.net


Comments (4)

  2007, November 02
Interview with Harry Gregson Williams and with Mark Mancina

  

www.filmmuziek.com


Comments (2)

  2007, November 02
DISTURBIA/PARANOIAK - Geoff ZANELLI
from Pirates of the Caribbean to Hitman




Interview Part 1 by Christine Blanc


Comments (0)


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