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Are you sure Jackmans been removing the electronics from his music, or just from his albums?<br><br>Civil War was noticeably different, if you compare the OST to what you heard in the movie.Hybrid said there was some sort of legal issue that came up which prevented use of the samples or something like that.Eh, Shore is a smart composer. He could make it work. I guess whether that's what studios think audiences want is another question entirely...Is it me or are none of the soundtracks on the website showing the sample tracks that you could listen to anymore?Have you heard that Henry Jackman will composing his music for the upcoming 2019 picture called Pokemon: Detective Pikachu?  I wonder what the film soundtrack would sound like.  Hmm...
I think that Howard´s style of music doesn´t really fit to the post apocalyptic genreFor a Peter Jackson production I was expecting Howard Shore.I listened to the score and is one of the most entertaining scores of this year. It's great to see the main theme return but there are a lot of new elements to enjoy and discover here. There were parts that kind of reminded me of Incredibles 2, like the begining of Shank. And tracks like Vanellope's March or Big Strong Man In Need of Rescue are just pure fun.<br><br>Really great score!I was this tracklist for a 3rd cd floating around, is this legit ?<br><br><br>Disc 1  <br>1.  Planet Earth II Suite  <br>2.  The Sloth<br>3.  Home To Dragons<br>4.  Albatross Dance<br>5.  Racer Snakes vs Iguanas<br>6.  Chinstrap Penguins<br>7.  Singing Indri<br>8.  Competing Hummingbirds<br>9.  Life In The Canopy<br>10. Jungle Weather<br>11. Night Crawlers<br>12. World of Bioluminescence<br>13. Wilson's Bird-of-Paradise<br>14. Something Worth Protecting<br>15. Life Without Water<br>16. Monsoon Deserts/Canyonlands<br>17. Lions vs Giraffe<br>18. The Butcher Bird<br>19. Wild Horses<br>20. Desert Nightlife/Golden Mole<br>21. Long-Eared Bat vs Scorpion<br>22. Early Morning Fog<br><br>Disc 2 <br>1.  Roof Of The World<br>2.  Peaks of North America<br>3.  The Ibex<br>4.  The Himalayas<br>5.  Flight Over Alps<br>6.  Ice Skating Flamingos<br>7.  Dancing Bears<br>8.  Tenacious Bobcat<br>9.  Garden of Ice<br>10. Snow Leopards<br>11. Savage Beauty<br>12. Nomadic Life<br>13. Hunting Buffalo Herds<br>14. The Okavango<br>15. Carmine Bee Eaters<br>16. Industrious Insects<br>17. The Great Migration<br>18. The Unnatural Habitat<br>19. Langurs of Jodhpur<br>20. Temple Gardens<br>21. Market Thieves<br>22. Illuminated<br>23. City Skylines<br>24. Starlings<br>25. Toronto Raccoons<br>26. We Are The Designers<br>27. Epilogue<br><br>Disc 3<br>1. Harvest Mouse<br>2. Jumping Widowbirds<br>3. The Red Fox<br>4. Cacti<br>5. Harris Hawks<br>6. Draco Lizard<br>7. Glass Frog vs Wasp<br>8. Galapagos<br>9.  Zavodovski Island<br>10. The Great Bower Bird  <br>11. Wels Catfish    <br>12. Frozen NightAbout his studio at RCP, is it rental or he owns the stuff? What happens to the gear when he is not around?
That is probably the fairest thing anyone on this website will say about Clemmensen. :P@Anonymous<br><br>Christian Clemmensen believes that Hans Zimmer found his definitive voice back in the 1990s with scores such as Driving Miss Daisy, Rain Man, Crimson Tide, and Lion King. However, he has in reviews of later scores compared Zimmer's overly obvious chord progressions and masculinity with what the "rock ballad" did to rock-n'roll music of the '70s. To him, it's overly powerful, unsubtle, and aggressive music that appeals to the gut more than the heart or the mind. Some of Zimmer's most popular scores such as Gladiator, Pirates, and The Dark Knight he has given middling reviews for because the general sound is derivative from his earlier works, not colorful, and not creative. He also accuses Zimmer of starting a trend with overly-recycled, bombastic, masculine action music that's big on density and power and low on subtlety and personality. <br><br>I can definitely see where he's coming from, one cannot deny the similarities between Crimson Tide, Lion King, Gladiator, Pirates, Dark Knight and so forth. One also cannot deny that scores such as Dunkirk and Blade Runner 2049 qualify more as sound design than actual symphonic music (mostly). However, if he had his way, every film score would be shamelessly optimistic and flighty, all major chords (and occasionally alternating off-key), with prominent woodwinds and metallic percussion. He definitely knows what he's talking about, but he has an ideal image for film music in mind, and that very much comes through in his Zimmer reviews, some of which I think deserve much more credit than he offered (Pirates 3, Da Vinci Code, and Gladiator come to mind).a more orchestral fury roadTom is gonna score Mortal Engines<br>What kind of sound do you expect?He has a studio at RCP but mostly work from his own home studio. His business is "Sacred Tiger Music."<br>
Does Henry actually work for HZ at RCP or does he have his own film score company now like HGW?Why filmtracks always behave very Aggressive about hans zimmer and always trys to make his scores worthless ??!! Its odd for meAw Hell...<br><br>I guess it never did freeze over.Sorry, I should've been more specific. This is a comment I had originally posted on the Filmtracks forum, NOT from a Christian Clemmensen review. My bad.Referring to the previous comment (how did it not reply to the the previous message?)
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 LATEST RELEASES
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  2007, December 31
HITMAN - PIRATES OF THE CARIBBEAN



Interview with Geoff Zanelli Part 3
by Christine Blanc



Comments (6)

  2007, December 12
BABYLON A.D.

Hans ZIMMER will be executive music producer for the next french director Mathieu KASSOVITZ's movie, Babylon A.D. He will work with the System Of A Down group's bassist, Shavo Odadjian (see picture), who is in charge of the music with composer Atli Orvarsson ; composer Clay Duncan will compose additional music and RZA will collaborate to the soundtrack.
Hans ZIMMER said the focus of this soundtrack will be to mix the sound and energy of Hip-hop music with the classical one, in order to create a kind of unexpected music...

Release date for the movie : September 2008

Source
Also visit Atlimusic.com


Comments (7)

  2007, December 09
DEDICATED ITEMS ARE HERE !!! ** (UPDATED) **

As we receive a lot of mails asking us for dedicated pictures or Cds, here's an opportunity to get one !
Composer Lorne BALFE collected some prizes for a charity auction for the Inverness Hospice in Scotland.
The list contains movie memorabilia including :

THE SIMPSONS MOVIE LIMITED EDITION SOUNDTRACK CD
Signed by Hans ZIMMER (one item)

VERONICA GUERIN SOUNDTRACK CD
Signed by Harry GREGSON-WILLIAMS(one item)

THE CHRONICLES OF NARNIA SOUNDTRACK CD
Signed by Harry GREGSON-WILLIAMS(one item)

ENCHANTED SOUNDTRACK CD
Signed by Alan MENKEN (one item)

KINGDOM OF HEAVEN SOUNDTRACK CD
Signed by Harry GREGSON-WILLIAMS (one item)

TRANSFORMERS SOUNDTRACK CD
Signed by Steve JABLONSKY (one item)

BLOOD DIAMOND SOUNDTRACK CD
Signed by James Newton HOWARD (one item)

BATMAN BEGINS SOUNDTRACK CD
Signed by Hans ZIMMER & James Newton HOWARD (one item)

College Roadtrip film Crew Jacket

Pirates Of The Carribean Crew Jacket

THE HOLIDAY
Signed by Hans ZIMMER & Nancy MYERS
1 soundtrack & 1 DVD

PIRATES OF THE CARRIBEAN :
AT WORLD'S END SOUNDTRACK CD

Signed By Hans ZIMMER & Gore VERBINSKI (one item)

You can check the complete list of the items HERE.

Bids can be placed by phoning Amanda Mackay on 01463 227 913 between 9am – 5pm Monday – Friday and anytime by E-MAIL.

** Auction will be ended on Sunday the 16th. at 11.59pm (GMT). **


Comments (1)

  2007, December 05
Hans Zimmer Signs With Cherry Lane Music Publishing

Cherry Lane Music Publishing Company Inc., publishing administrator to film companies such as The Weinstein Company, DreamWorks Animation SKG, DreamWorks Pictures, Lakeshore Entertainment and Walden Media, has signed film composer Hans Zimmer to a worldwide, long-term publishing administration agreement.
The parties were brought together by Cherry Lane joint venture partner Joel Sill. The veteran music publisher, record producer and music supervisor (Easy Rider, Forrest Gump, Munich, Bobby) notes, “I have had the good fortune to know Hans as a friend and as a professional. I watch and listen in amazement as he reinvents himself for each project...

Read more on page 4 of FILMMUSICWEEKLY


Comments (7)


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