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Bay has Lorne scoring his films now cause they established a relationship on 13 Hours, and Bay didn't even want Lorne for that; he wanted Hans but he didn't want to go through the exhausting process of another Bay blockbuster so he brought in Lorne instead.<br>And even then, Hans still worked together with Lorne very closely on the project (Hybrid said he was there for all the meetings, helped with synth programming, etc)Of cause Balfe worked on it .That is why Bay now uses Balfeyou can absolutely hear the 13 hours temp track in Battlefield and We Have to GoNot to mention that Steve and Lorne structure their power anthems differently.<br>To me this score sounds like 100% SteveI wouldn't say so, Lorne stacks his ostinatos and rhythms on top of each other (see Blackwood, Last Man on the Moon) and shotguns piano writing all over his scores in addition to using it for almost any kind of emotional scene (see Manny, Duck Shoot, Brothers Theme from Hurricane Heist)
Well, if all we're using to distinguish Lorne is ostinatos and piano writing, then in that case, he's all over this film!The interesting thing is, that if Lorne did work on it, his work is indistinguishable from Steve's cause I hear none of his ostinatos or extensive piano writing.@Hybrid, a while ago I saw a rumor stating that Lorne Balfe ghostwrote this score and dismissed it as crap.<br>But looking at the credits I see some people from his team have been involved( his assistant Queenie Li as music coordinator, and Max Aruj and Steffen Thum did arrangements..)<br>Do you know why and to which extent he was involved or why his team worked on the score?This little gem of a score is one of my favourites of Lorne's smaller projects.<br>Got a great main theme and varying instrumentations of it throughout, plus he's using a real orchestra which is always good. (Check out The Heist, very upbeat jazzy piece)Balfe - for anything than bad TV? How much did you smoke tonight? The Mission score must have been a studio decision but Balfe should not be allowed anywhere near a (any) franchise - the dude is a headcase and a total copycat. Tell me one piece that Balfe did that is original?
Balfe - for anything than bad TV? How much did you smoke tonight? The Mission score must have been a studio decision but Balfe should not be allowed anywhere near a (any) franchise - the dude is a headcase and a total copycat. Tell me one piece that Balfe did that is original?Looking forward to what Ben's going to do with that movie.Hellboy coming by Sony Classical at 4/5/19Kung Fu Fighting (Celebration Time) on KFP3 also has a HZ credit despite again the booklet not crediting him for anything on it.I noticed that on Kung Fu Fighting here, Try on KFP3, and Here Comes the Sun on Bee Movie complete that there are primary composer credits on them (HZ, JP here, HZ on Try, Rupert on Here Comes the Sun) but both the film and booklet info doesn't credit them. Did they do ghost arranging/producing on them?
Lorne Balfe score for Fallout was perfection so would be perfect for a Chris Nolan film. He also has worked with him on Dunkirk and Inception.But I expect and hope Hans is doing the score .If Hans is notworking with Nolan then Lorne Balfe should do it .So... Can it be considered as the second CD? Or something like that?<br>If Nolan is not working with Zimmer, Ludwig Göransson would be a dream choice for me. I really think he is an up and coming composer capable of great things. <br><br>But of course, I rather Nolan stick with Zimmer.Ludwig Göransson
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 LATEST RELEASES
 NEWS
  2008, May 30
Interview Hans Zimmer & James Newton Howard



Hans Zimmer and James Newton Howard have re-teamed again for Batman: The Dark Knight. Filmmuziek.com spoke with both composers about this movie.
> www.filmmuziek.com


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  2008, May 28
Henning Lohner



Kleiner Dodo


  2008, May 24
Ramin Djawadi Interview



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  2008, May 23
Hans Zimmer - John Powell



Kung Fu Panda


  2008, May 14
David Buckley



The Forbidden Kingdom


  2008, May 12
Audio Interview with Ramin Djawadi
Ramin discusses his latest score, the music for the blockbuster, "Iron Man."

Link : www.scorenotes.com


Comments (4)

  2008, May 10
Harry Gregson-Williams returns to Narnia with The Chronicles of Narnia: Prince Caspian
by Dan Goldwasser



Comments (12)

  2008, May 06
Composer David Buckley
A New Musical Kingdom




"Rushing from L.A.X. (if that is actually possible), I made my way to Wavecrest Studios, where composer DAVID BUCKLEY had just finished a meeting with director JOEL SCHUMACHER. I was, most generously, welcomed in and, over the next hour, I was treated to a tour of the state-of-the-art facility. I talked with David Buckley about how came into the film-music business, his work-relationship with Harry Gregson-Williams, and his two new projects: THE FORBIDDEN KINGDOM and TOWN CREEK."

Read More : www.tracksounds.com (contains Exclusive Music from The Forbidden Kingdom)


Comments (4)

  2008, May 04
For those who haven't seen it yet
Hans Zimmer live @ Pirates At World's End Premiere



Comments (28)

  2008, May 01
James Dooley



Urmel Voll In Fahrt



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