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Just listened to the whole thing. Unfortunately, like four, this seems to be lacking a really strong theme like the first three soundtracks.Someone probably knows better, but I'm almost certain that "Your Voice", "Did You Forget Who I Am" and "Calling All Autobots" feature theme reprises. Haven't heard the score yet but this is just judging by the movie.It's quite Long ! :) he started at 20:15/08:15pm and they finished Inception at 23:30/11:30pm so You get a 3 Hours Event but I have to say that there is a 20mimutes Long Break but it's still a very Great Time compared to other concerts and it feels very Short !I think we All Love Hans but somehow it would feel Strange to See his Name in the legendary Blue letters. I think balfe would be ok but I have to say that Alexandre desplat would be perfekt when it comes to "writing something Star Wars/John Williams like". He would have been Perfect for rogue one because there he could have used the old themes much more than You could in a han solo Movie. Cause man did giacchino screwed up in rogue one the only good Part is the Star destroyer Crash and the rest is garbage.Can anyone here create a List which titles are actually old themes like "autobots" or "arrival to Earth" ? :)
Totally agree . Balfe or Giacchino.My guess is either Balfe or Giacchino. Giacchino has that Star Wars/John Willams-esque sound and he did an amazing job in Rogue One. <br><br>I don't see Hans doing this type of a movie. From what I understand he wants to stay away from franchises with extremely passionate fandoms lol. He seems to want to focus on smaller/more original projects. That what he said.Balfe isn't a big enough name yet ???!!! He had one of the biggest films of the year !!! Also just worked with Howard . Go Balfe !!!Hans is not a good match for the Star Wars musical universe. Out of all the RCP guys current and former, John Powell would be the natural best choice, but given his level of activity right now the chances of that happening are basically zero. Balfe is talented but he hasn't shown that he's worthy of Star Wars if you ask me.<br><br>My guess is it will go to what Disney considers the safest pair of hands, i.e. Michael Giacchino again. Which would be...OK...but somehow not that inspiring.<br><br>And for all my misgivings, if it does end up being Hans himself, I'd be incredibly curious to see what he does.Tracks 1,3,7,15,16,and 34 are probably suites. Sounds good to me!
Seglass Ni Tonday is a standout track. one of jablonskys best i've heard from him.I'd love to see Hans push himself to write something in that kind of style. It'd be an interesting challenge. <br><br>It won't be Balfe. Not big name enough (yet).No need. Found it...C'mon Everan....It did, but not telling where. Still downloading my itunes version tomorrow though, original always wins.
It could leak out already, come on! I don't want to wait anymore!!1. Sacrifice (6:46)<br>2. The Coming of Cybertron (4:58)<br>3. Merlin’s Staff (5:49)<br>4. No-Go Zone (3:28)<br>5. Stay and Fight (6:26)<br>6. Code Red (2:12)<br>7. Izzy (4:00)<br>8. Purity of Heart (3:34)<br>9. Megatron Negotiation (3:37)<br>10. Today We Hunt (1:46)<br>11. Running out of Tomorrows (1:20)<br>12. Drone Chase (5:07)<br>13. You Have Been Chosen (2:17)<br>14. Seglass Ni Tonday (6:27)<br>15. Quintessa (6:36)<br>16. Vivian (3:52)<br>17. Abduction (3:04)<br>18. History of Transformers (4:23)<br>19. Cogman Sings (2:09)<br>20. Vivian Follows Merlin (6:41)<br>21. The Greatest Mission of All (2:19)<br>22. Dive (3:15)<br>23. Two Moons (2:03)<br>24. Merlin’s Tomb (3:18)<br>25. Claim the Staff (3:36)<br>26. Prime Versus Bee (2:45)<br>27. Your Voice (4:34)<br>28. I Had My Moment (2:29)<br>29. Ospreys (1:49)<br>30. Battlefield (3:43)<br>31. Did You Forget Who I Am (1:56)<br>32. We Have to Go (5:48)<br>33. Calling All Autobots (2:55)<br>34. Sir Edmund Burton (4:10)I have to agree. As great as Zimmer and team is/are, The star Wars id is without doubt romantic symphonic. Giacchino it should be.<br><br>Now that Ron Howard is involved, I really miss James Horner right now. Can you imagine his interpretation of the Star Wars Universe if he got the opportunity?Balfe would be my choice also . Genius was a cool scoreGiacchino would be the best choice. Hans shouldn't do a Star Wars movie because Star Wars needs a specific kind of music and that's not hans' type of music. I think giacchino has done an amazing job on Rogue One and I think he will do a great job on Han Solo
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 LATEST RELEASES
 NEWS
  2008, July 26
Dark Knight LIVE Score Performance Zimmer & Howard 7.14.08



Comments (22)

  2008, July 25
The Dark Knight - Let The Blood Run Cold
James Newton-Howard / Hans Zimmer interview

> www.musicfromthemovies.com


Comments (2)

  2008, July 18
Steve Jablonsky scores Gears of War 2 soundtrack
source : www.music4games.net


Comments (4)

  2008, July 17
A Wonderful, Dark Knight in New York City.
ScoreNotes interviews Hans Zimmer and James Newton Howard.



Comments (4)

  2008, July 16
Photos from The Dark Knight's Virgin Megastore signing, Kung Fu Panda premier and more here : www.jamd.com

Comments (0)

  2008, July 12
Hans Zimmer and James Newton-Howard to Perform at Dark Knight Premiere

More informations here : www.superherohype.com

Zimmer and Howard will be signing copies of the soundtrack at Virgin Megastores in New York on Tuesday, July 15, in Times Square at 7pm, and in Los Angeles on Wednesday, July 16, at Hollywood and Highland, also at 7pm.

Other news here : www.scoremagacine.com/forum


Comments (15)

  2008, July 11
JEFF RONA at Olympic Games 2008



Acclaimed film composer Jeff Rona has composed “Songs of the Sea: The Regatta Suite” at the invitation of the International Olympics Committee and the City of Qingdao, host of the 2008 Olympics Regatta. The music will be the theme of the Olympic regatta competition.

On July 16, in Qingdao at the Olympic Village, Rona will conduct a 110 piece orchestra, traditional Chinese musicians and one of the country’s top sopranos in the first ever performance of the music. Rona has tapped renown poet David Whyte and singer/songwriter Lisa Gerrard (of Dead Can Dance) to create words as part of the concert. Rona will bring the production to Beijing, Shanghai and Hong Kong following the Qingdao world premier.

"For as long as I can remember. I have truly loved the Olympics - the spirit of global friendship and competition. A chance to see the best of the best" says Rona.

"The Olympics are about being a part of the world,” he continued. “The IOC wanted music that had a universal sound, one that conveyed the scope and prestige of the games. Dongxiao Xu, conductor of the Qingdao Symphony and a musical director for the Regatta, was introduced to my film scores quite by accident. He felt that this style was what they wanted the Olympic concert to feel like. I met with him both in Los Angeles and China, along with other musical and cultural directors for the city and the games, who were given the task of commissioning a composer for the concert - and it all went very well."

Rona traveled to the seaside town of Qingdao in January to tour the just completed Olympic Village, meet with the artistic directors, and get a feel for what he might compose. During his stay he walked through small village street markets, sat in a 1000 year old Taoist monastery and looked at the harbor where the races will take place. He visited all the concert venues throughout the city, dined with the local residents, and met with everyone involved in the regatta. He also went to Beijing to see the Olympic facilities, meet with leading Chinese musicians, tour the Great Wall of China. He also traveled to Xi'an to see the Terra Cotta warriors and travel through the country side to the Famen Temple - one of the holiest Buddhist shrines in China. All to get a better sense of a country most westerners know little about outside of politics.

Upon his return to Los Angeles, he began to sketch the 12 pieces that would make up the Regatta Suite. Using the state of the art computer technology he uses for film and television scores, he composed the symphonic pieces in a way that reflected his experiences in China, and brought his own personal sense of music and culture to the Olympics. He returns to China in July to record the Suite before the big tour begins in the 2 weeks leading up to the opening of the games.


Comments (4)

  2008, July 08
Harry Gregson-Williams: Scoring the Return to Narnia!



For any film music buff, Harry Gregson-Williams is no stranger. We owe him such notable scores for all three Shreks, Gone Baby Gone, Chicken Run, Man on Fire, Flushed Away, Domino, Phone Booth, Bridget Jones: The Age of Reason, Enemy of the State, Antz and Kingdom of Heaven, among others. Such impressive credits that prove his being as comfortable in live action as in animation to provide elegant, smooth and at the same time strong scores.
> Read more at animated-views.com


Comments (6)

  2008, July 02
The Dark Knight soundclips here : www.warnerbrosrecords.com/thedarkknight/

  2008, July 02
Award-winning composers Hans Zimmer and James Newton Howard have teamed up once again to score the highly anticipated sequel, The Dark Knight. They last collaborated on 2005's Batman Begins, and this time, things are much darker. SoundtrackNet talks with these two powerhouse composers about their approach to writing music for what will be one of the biggest films of the year.

> www.soundtrack.net

Author : Dan Goldwasser


Comments (1)


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