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I don't expect Lorne to make a masterpiece with each movie, but it is true that most of her films are action candies, and I can't understand how she can deliver 6 underground and then make His dark materials.  It seems that within Lorne there are a thousand different composers.  And I don't know what to expect from Lorne again.Can't help noticing not one, but two Zimmer titles in here.... Tracks 14 and 16. lol.What is most disappointing is that this is a Michael Bay movie with a score being so bad. Historically his movies have fantastic scores by either Hans, Steve Jablonsky, and even Lorne Balfe. But this is hands down the worst Michael Bay score I’ve ever heard. <br><br>It’s functional, yes, but nothing compared to 13 Hours, any of the Transformers movies, The Rock, Pearl Harbor, etc. I definitely had high hopes for another good “power anthem” score... and the only cues that are any good are just Time ripoffs.<br><br>Highly disappointing.Again, if we have to expect every piece of work of one composer is have to be as good like his others pieces of work, that's pretty underwhelming and impossible.<br><br>Yeah, 6 Underground is not a good score by any means (neither Gemini Man, but is far more listenable), but works perfectly in the hiperbolic movie.I expected a lot from this score, and the truth is that it left me cold.  Honestly, I think it is Bay's fault, Balfe has shown that he is capable of doing everything, but here it gives the feeling of being covered.  Again, Balfe must focus on fewer projects and the projects he accepts are of quality.
There are speculations about the track "Til Death Do Us Part "as being composed by Brandon Campbell. Can anyone confirm whether it was Djawadi or Campbell who composed it?Come to Portugal again.> which ones are listenable<br>all of the ones I listed are the melodic/orchestral moments in the score not counting Memories and Beautiful Sunday.<br>Listen to Haunt the Living, Thrones, A Million Battles or One, But Not Done and tell me that the score is a travesty.Knight - okay, let us know which ones of these tracks are even listenable? Hyperbolic nonsense defines this score, but I do not blame Balfe - this would have been what Bay wanted. Such a shame to see his artistic credibility reduced to this after the stellar work on His Dark Materials and acceptable material on Gemini Man,.Maybe try using your ears or brain next time before spewing out more hyperbolic nonsense.
Ok tracks? Easy. About half the score is some decent anthemic tracks<br><br>Ghosts<br>Haunt the Living<br>I Am the Danger<br>You Can Change the World<br>Thrones<br>A Million Battles<br>One, But Not DoneOh wow, Balfe's had a potentially too productive year. I am still convinced if he took more time to compose His Dark Materials, it would be a classic on the level of Shore. Now, it is fine and impressive. <br><br>But what the fuck. I know Bay is a lucrative customer and you have to do what he wants but this 'score' is a travesty that will be buried soon. Seriously. This is the worst of the worst, I ask anyone on this site to name one track that is 'ok', there's an ethical limit, Balfe, Baby!Do not forget LisboaThanks for sharing the tracklist :)Sooooooooooo excited for the film and the score!<br><br>
I got the real tracklist, and is supposed to be 19 tracks from the score. Can wait to hear the score and see the movie tomorrow<br><br>1.Point of Extraction   2:24<br>2.Ghosts  3:22<br>3.Welcome To Florence   3:54 <br>4.Lose The Chopper      1:54<br>5.Haunt The Living      2:06<br>6.One Rule              2:07<br>7.I Am The Danger       3:17<br>8.You Can Change The World  2:15<br>9.Thrones             3:22<br>10.Memories           1:58<br>11.Beautiful Sunday   1:17<br>12.The Past            0:51<br>13.Shit Ton Of Blood   2:35<br>14.Leave No Man Behind  1:50<br>15.A Million Battles    4:18<br>16.Day Of The Dead      4:08<br>17.Sabotage             3:16<br>18.Live Or Die          1:56<br>19.One, But Not Done    3:08Visit Ukraine!Ho visto il concerto a Berlino The World of Hans Zimmer il 29 aprile 2018. Vorrei vedere lui con la sua orchestra a Napoli.A Napoli non &#232; possibile?sound clips<br><br>https:// music.apple.com/nz/album/6-underground -music-from-the-netflix-film/ 1490017912
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  2008, August 30


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  2008, August 26
Jeff RONA



  2008, August 25
THE FLAME OF LOVE
Co-composed by Klaus BADELT



Click on the video to play

Yesterday, spanish tenor Placido Domingo and Chinese top female singer Song Zuying jointly presented a song entitled "The Flame of Love" at the Beijing Olympics closing ceremony, echoing the tender theme song "You and Me" at the opening ceremony.
The lyrics were created by Chinese writers Song Xiaoming and Yuan Yuan. While the music was produced by Chinese top composer Bian Liunian and Klaus Badelt.

Read more at Xinhuanet.com


Comments (2)

  2008, August 21
Unsurprisingly, Hans Zimmer has been hired to score Angels and Demons for director Ron Howard, following up their smash hit film version of The DaVinci Code from 2006. Zimmer's involvement in the sequel has just been confirmed by the Gorfaine-Schwartz Agency.

More at: upcomingfilmscores.blogspot.com


Comments (10)

  2008, August 13
Ramin Djawadi



  2008, August 09
Ramin Djawadi



  2008, August 08
Hans Zimmer & James Newton-Howard
create the Dark Knight score




Videos available here : www.thedarkknightscore.com


Comments (7)

  2008, August 08
John Van Tongeren



  2008, August 06
Photo Gallery - Hans Zimmer Reflects on 15 of His Memorable Film Scores

The man behind the music for "The Dark Knight" leads a guided tour of his unforgettable movie music, from "Rain Man" and "Thelma & Louise" to "The Lion King" and "Pirates of the Caribbean"
> www.ew.com


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