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An interesting album arrangement given the 1994 album arranged the tracks into suites and it seems that's not happening here (and we all know how much hans loves his suites). Seems like it's going to hit every major note that the previous Legacy set does and then some.Does this mean that He Lives In You and Mbube are not new recordings, or at least not entirely new recordings?do you have Informations about a limited edition ?<br>(like BR2049, interstellar,...)it's a complete new recording1.      “Circle of Life”/“Nants’ Ingonyama” – Performed by Lindiwe Mkhize; African vocals performed by Lebo M; written and composed by Elton John and Tim Rice; “Nants’ Ingonyama” written by Lebohang Morake and Hans Zimmer; produced by Hans Zimmer; vocals produced by Stephen Lipson<br><br>2.      “Life’s Not Fair” – Hans Zimmer<br><br>3.      “Rafiki’s Fireflies” – Hans Zimmer<br><br>4.      “I Just Can’t Wait to Be King” – Performed by JD McCrary, Shahadi Wright Joseph and John Oliver; written by Elton John and Tim Rice; produced by Pharrell Williams; co-produced by Stephen Lipson<br><br>5.      “Elephant Graveyard” – Hans Zimmer<br><br>6.      “Be Prepared” (2019 Version) – Performed by Chiwetel Ejiofor; written by Elton John and Tim Rice; produced by Hans Zimmer and David Fleming<br><br>7.      “Stampede” – Hans Zimmer<br><br>8.      “Scar Takes the Throne” – Hans Zimmer<br><br>9.      “Hakuna Matata” – Performed by Billy Eichner, Seth Rogen, JD McCrary and Donald Glover; written by Elton John and Tim Rice; produced by Pharrell Williams; co-produced by Stephen Lipson<br><br>10.  “Simba is Alive!” – Hans Zimmer<br><br>11.  “The Lion Sleeps Tonight” – Performed by Billy Eichner and Seth Rogen; written by Luigi Creatore, Hugo Peretti, George David Weiss and Solomon Linda; produced by Pharrell Williams<br><br>12.  “Can You Feel the Love Tonight” – Performed by Beyoncé, Donald Glover, Billy Eichner and Seth Rogen; written by Elton John and Tim Rice; produced by Pharrell Williams; co-produced by Stephen Lipson<br><br>13.  “Reflections of Mufasa” – Hans Zimmer<br><br>14.  TBA<br><br>15.  “Battle for Pride Rock” – Hans Zimmer<br><br>16.  “Remember” – Hans Zimmer<br><br>17.  “Never Too Late” – Performed by Elton John; African vocal and choir arrangements created and produced by Lebo M; written by Elton John and Tim Rice; produced by Greg Kurstin; additional production by Elton John and Matt Still<br><br>18.  “He Lives in You” – Performed by Lebo M; written by Mark Mancina, Jay Rifkin and Lebohang Morake; produced by Lebo M and Mark Mancina<br><br>19.  “Mbube” – Performed by Lebo M; African vocal and choir arrangements created and produced by Lebo M; written by Solomon Linda; produced by Pharrell Williams
The movie is like 30 minutes longer than the original so I don't think it can be the same all the way through.Hybrid did Hans do everything the same? or is there any difference in this score? Yes or no :DProbably not.Hybrid, I counted only 9 tracks from Zimmer. Is this the complete score or will there be a separate album with more music?Incredible work !, I admire you Hans Zimmer !.<br>Jaime Altozano (Youtuber music), he had a talk with you, and talked about interstellar music. I meet you more, thanks to his videos :)
The most colorful score by Ramin! I dig it!This is not a best soundtrack of Hans, but the theme "Gap" and the first two minutes for me are very good, no good....excellent.no :(Michael, that's my impression with some Zimmer scores: he composes a suite with the themes, hands the rest to his collaborators and supervise the work. But at the end the cue sheets will give us the information.Lorne did the great majority of the onscreen cues. Hans spent most of his time on this score writing the Moriarty Suite (which is longer than on album and has a few versions).
Is it possible to get full credit list for this score? I'll love to know which tracks Lorne worked in.Why soundtrack albums are made? Because most of the times a well edited album is a much better listening experience than the music as heard in the film, complete and chronological. At least  9 out of 10 cases I prefer to listen a well edited album. There are very few cases when a complete album is needed, in my opinion. The other thing is: I only have about 40-60 minutes patience for an album listen.<br>In Hans' case it's different sometimes because I really enjoy his suites and experiments.@iamtommie44<br><br>may i compare with mainstream music for a minute here. albums are important because putting one together is an art form on its own. the best albums are often not the ones with only the good tracks. but of course there are also those you buy because of track #2 or #3<br><br>in hiphop for example, mixtapes are a big thing. they seem like a freer album form. a way for artists to test new ideas and project directions. based on the response, those ideas would show up in albums. it's a nice way of testing things (or us lol) since our taste, especially in music, changes often. sometimes these artists want to see what works and what doesn't. i wouldn't mind buying experimental stuff from my favorite composers to be honest.<br><br>but anyways, dundirk is a very good album if you ask me. it's one of those that i can listen to in a loop and not get tired of. the tracks carry you along the journey. and by the time you reach the end of the last track, it loops right back into the first one...I have higher hopes for that than his normal work, he seems to do better work when not scoring big blockbuster action. (see The Mountain Between Us, one of his best scores)Such an incredible theme! Thank you Hans. When will it be available to buy?
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 LATEST RELEASES
 NEWS
  2008, November 16
The Dark Knight's Score Disqualified From Oscar Consideration




> Hans Zimmer marching to his own tune
Composer discusses his beef with Academy rules
By Hillary Crosley, Billboard




"Like it or not, The Dark Knight is going to keep popping up in headlines all the way through to the Oscars in February, so just be prepared. This latest news is rather disappointing for those who were a fan of Hans Zimmer and James Newton Howard's score - that even I'd been strongly supporting since June. The executive committee of the Academy music branch has disqualified their score from Oscar consideration this year. This actually happened to their Batman Begins score in 2005 as well, so this isn't the first time. The Academy's reason behind the disqualification states that five names were listed as composers, and Zimmer and Howard were only credited for "more than 60%, but less than 70%" of the score."
> See full article at firstshowing.net


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  2008, November 15
Hans ZIMMER



  2008, November 12
Interview Wolfram de Marco

German composer Wolfram de Marco moved in 1999 to LA, capital of the international film industry. As a composer he had alot of experience in writing music for tv films, tv/cinema commercials and corporate commercials. For the latter he won an award. In 2003 he started to collaborate with composer Klaus Badelt, for whom he wrote some additional music and took care of the arrangements. In 2005 Wolfram wrote the score to The Wedding Party. His latest film is Loft, a belgian thriller, directed by Eric Van Looy, story by Bart De Pauw. This film is currently the number 1 film in Belgium.

> www.filmmusicsite.com


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  2008, November 11


Behind the music of Gears Of War 2 : Interview with composer Steve Jablonsky and Epic GAmes Audio Director Mike Larson
> www.music4games.net <


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  2008, November 07
Hans ZIMMER / James Newton HOWARD

Pre-order this album & more details
at TheDarkKnightScore.com




  2008, November 05
Jim Dooley signs on to score Obsessed starring Beyonce, Ali Larter, and Idris Elba. Release date in theaters February 27, 2009 !

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  2008, November 02
MOTION PICTURE SOUND EDITORS SOUND SHOW


  Richard King, Hans Zimmer & Alex Gibson


Thanks to our founder member Etienne Grignon, we can present you a look of the exploration of the sonic world of this summer's blockbuster Batman movie THE DARK KNIGHT presented last October 27th at the Egyptian Theatre, Los Angeles

Oscar and Golden Reel winning supervising sound editor/sound designer Richard King ("War of the Worlds" "Master and Commander: The Far Side of the World" "Signs") as he presents his process of creating the film's soundscape. Excerpts of the movie were presented with special "pre-dubb" mixes to illustrate the variety of elements used to create an environment of serious sound.

  

Also in the mix: award winning music editor Alex Gibson ("Natural Born Killers" "The Prestige" "John Adams") with very special guest Hans Zimmer who revealed the way the musical score was shaped to fit the dark narrative of good and evil.

As an extra special attraction, all of the sound was played through a state-of-the-art audio system developed by Meyer Sound Laboratories so that you could hear every subtle and explosive element.



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