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What’s wrong with Gemini Man?I would love to see Lorne in a superhero movie, but the truth is that his calendar is very changing and that is not good, since it gives the feeling that one day he is making a movie and the next day a different one, and it gives me  the feeling that you don't just squeeze the potential of a movie.  (I prefer to make a series and a movie and make it spectacular, to make eight movies like Gemini man)Yeah, I always thought that would be the case for the Academy Awards. Don't know about others but if it's not eligable for the Oscars I can't see Disney submitting it for consideration at any other awards either. Could be wrong - I have the vague notion BATB got an FYC despite being ineligable.<br><br>Best thing to hope for is either a leak of the 'sessions' or a future official expanded score release.John Powell composing the eternals would be a dream come true. It’d be so amazing. I also want Lorne to compose a super hero movie but he has yet to do one which is very odd considering how popular he isvery underrated score - you can't change my mind
Henry Jackman seems to be composing Black Widow, it's great news. The bad thing is that Joseph Trapanese composes The Eternals, would have preferred Powell or has one of the Gregson Williams brothers (preferably Harry).Zimmer himself confirmed on Facebook that this score wouldn't be eligible.What a beautiful score... The 'Opening Titles' is probably one of HG-W's best dramatic pieces. Very beautiful and haunting, and overall a great showcase of Harry's dramatic sensibilities. I remember reading somewhere that he's very proud of this score, and it's not hard to understand why if you listen to it.but the lion king is preexisting music that has previously won an Oscar. I don’t see that happening againHave you listened to Star Wars: The Last Jedi? <br>That was nominated and had tons of pre-existing music
I'd be very surprised if Disney submits an FYC for this score. Surely it would fall afoul of the "too much pre-existing music" rule and they wouldn't even bother.Maybe we get a FYC albumThe Guardian confirmed it. Oct 27. Great if there is a album release at the time."All the time"? I'm pretty sure this is my first comment on a Balfe score this year.Just watching this movie again, and I hope that someday they will release an expanded score edition
Edmundo - you always stalk anyone complimenting a Balfe project for some reason?<br><br>Really boring your negative comments all the timeEdmund what is wrong with you ? Using childish language is pathetic. “Jizzing” is an idiotic term.If some of us like his music the why does it irritate you.You sound like a jealous failed composer always complaining when he releases a soundtrack.Why do the Balfe loveres waste so much time jizzing over his music. Always comes of [sic] sounding like a 13-year-old fanboy discovering the internet for the first time I think.Why do the Balfe haters waste so much time moaning about his music.Always comes of sounding like an ex bitter employe I think.Gemini is as good as Fallout but it’s very cool.Great film with a classic soundtrack.one of the best action soundtracks this year.The film was though a bit slow and one one good action scene.
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 LATEST RELEASES
 NEWS
  2008, November 16
The Dark Knight's Score Disqualified From Oscar Consideration




> Hans Zimmer marching to his own tune
Composer discusses his beef with Academy rules
By Hillary Crosley, Billboard




"Like it or not, The Dark Knight is going to keep popping up in headlines all the way through to the Oscars in February, so just be prepared. This latest news is rather disappointing for those who were a fan of Hans Zimmer and James Newton Howard's score - that even I'd been strongly supporting since June. The executive committee of the Academy music branch has disqualified their score from Oscar consideration this year. This actually happened to their Batman Begins score in 2005 as well, so this isn't the first time. The Academy's reason behind the disqualification states that five names were listed as composers, and Zimmer and Howard were only credited for "more than 60%, but less than 70%" of the score."
> See full article at firstshowing.net


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  2008, November 15
Hans ZIMMER



  2008, November 12
Interview Wolfram de Marco

German composer Wolfram de Marco moved in 1999 to LA, capital of the international film industry. As a composer he had alot of experience in writing music for tv films, tv/cinema commercials and corporate commercials. For the latter he won an award. In 2003 he started to collaborate with composer Klaus Badelt, for whom he wrote some additional music and took care of the arrangements. In 2005 Wolfram wrote the score to The Wedding Party. His latest film is Loft, a belgian thriller, directed by Eric Van Looy, story by Bart De Pauw. This film is currently the number 1 film in Belgium.

> www.filmmusicsite.com


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  2008, November 11


Behind the music of Gears Of War 2 : Interview with composer Steve Jablonsky and Epic GAmes Audio Director Mike Larson
> www.music4games.net <


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  2008, November 07
Hans ZIMMER / James Newton HOWARD

Pre-order this album & more details
at TheDarkKnightScore.com




  2008, November 05
Jim Dooley signs on to score Obsessed starring Beyonce, Ali Larter, and Idris Elba. Release date in theaters February 27, 2009 !

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  2008, November 02
MOTION PICTURE SOUND EDITORS SOUND SHOW


  Richard King, Hans Zimmer & Alex Gibson


Thanks to our founder member Etienne Grignon, we can present you a look of the exploration of the sonic world of this summer's blockbuster Batman movie THE DARK KNIGHT presented last October 27th at the Egyptian Theatre, Los Angeles

Oscar and Golden Reel winning supervising sound editor/sound designer Richard King ("War of the Worlds" "Master and Commander: The Far Side of the World" "Signs") as he presents his process of creating the film's soundscape. Excerpts of the movie were presented with special "pre-dubb" mixes to illustrate the variety of elements used to create an environment of serious sound.

  

Also in the mix: award winning music editor Alex Gibson ("Natural Born Killers" "The Prestige" "John Adams") with very special guest Hans Zimmer who revealed the way the musical score was shaped to fit the dark narrative of good and evil.

As an extra special attraction, all of the sound was played through a state-of-the-art audio system developed by Meyer Sound Laboratories so that you could hear every subtle and explosive element.



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