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A fun and really nice writen score, one of my favorites this year.Sonogram, Starlings, Will & Tom, Leaving the Reservation, How It Ends, all good stuffAtli is still the best! He also never disappoint!That's sad if it is true. I remember her from videos back in the 90's and in many photos with Zimmer himself.Is Hans no longer married to Suzanne Zimmer? I saw articles from Hollywood in Vienna that hes now married to Dina De Luca.
Really fun score. Definitely on par with Elfman's effort.Chronological order is near impossible for music in an open world game.Hello everyone, Does anyone know how I can find "Homecoming" song in the movie but the film version not the soundtrack version? The homecoming song as it was played in the film itself.was anyone ever able to put the OST and the unreleased tracks together in chronological order?Year, but seriously, these genres are where Harry Gregson-Williams always succeeded  (Animation and Fantasy). I have high hopes that he will do a decent job and find back to his roots from the 2000s.
i love this score so much. this comment is for Hans and team again for making such an amazing score. if they ever read what we write here lol : )<br><br>so, i am not a movie goer and many people claim and say that scores are to serve movies, and so and forth. well, i finally watched Dunkirk and it is an excellent movie. the movie did not do justice to the score imo.<br><br>here's an example. "Variation 15" on Nimrod is the "soothing" track for me in the whole score. much more soothing than "Home". i can play it in a loop. it surprised me that the cut gave it only a mere few seconds in the movie. now, i only watched Dunkirk once but i am pretty sure it played once, and for a few seconds, while "Bane" was in the plane.<br><br>another fact is that i always felt like being in a war plane when listening to "Supermarine". not an helicopter but more like a fast moving plane. that was before watching the movie and i never read about the movie. i knew it was about war and the only war machine i could think of was that. the fact that i was able to match the music with my own images says how great Hans and team were on that.<br><br>the constant tension felt in the "Mole", "Supermarine", etc. is more intense in the movie though. i liked that.<br><br>also, i watched the movie credits to the very end. i wanted to see if they would match it with the track. they did, and it ends exactly with the starting point as i expected. for me it was a cue that "the war didn't end there". sad, yes, but the effect was on point.<br><br>so okay, i am minority here in saying that a score album put together is its own thing. doesn't need a movie to exist. great movie. great score. both in their own rights!Don't want to be a downer but, really, let's all hope things won't blow to s*** like they did with Alien: Covenant or some other annoyance.Harry gregson williams will compose mulan ??!!!!! Come on this is blowing my mind. I truly hope for hans zimmer or other great composer like desplat or silvestri. I wanted hans to score a master piece like last samurai. But no offense to harry. He is good and more than good but disney live action like mulan really wanted something special that i think the right guy is hans !Hans will cowrite the score together with Faltermeyer... :) ;)It's me
Hello?Great news! Can't wait to see the concert online or Blu-Ray.Cool that you met Hans! As for Hans doing Top Gun 2, well there's some pleasantly surprising news!Yes!Hollywood in Vienna: Hans Zimmer was amazing! One of the best concerts Ive ever been to! I ended up meeting the man himself after the concert! Amazing programme!<br><br>Btw Tom cruise said (in a recorded message that was shown at the concert) that hed be working on Top Gun 2 with Hans! Pretty cool news!
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 LATEST RELEASES
 NEWS
  2008, November 16
The Dark Knight's Score Disqualified From Oscar Consideration




> Hans Zimmer marching to his own tune
Composer discusses his beef with Academy rules
By Hillary Crosley, Billboard




"Like it or not, The Dark Knight is going to keep popping up in headlines all the way through to the Oscars in February, so just be prepared. This latest news is rather disappointing for those who were a fan of Hans Zimmer and James Newton Howard's score - that even I'd been strongly supporting since June. The executive committee of the Academy music branch has disqualified their score from Oscar consideration this year. This actually happened to their Batman Begins score in 2005 as well, so this isn't the first time. The Academy's reason behind the disqualification states that five names were listed as composers, and Zimmer and Howard were only credited for "more than 60%, but less than 70%" of the score."
> See full article at firstshowing.net


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  2008, November 15
Hans ZIMMER



  2008, November 12
Interview Wolfram de Marco

German composer Wolfram de Marco moved in 1999 to LA, capital of the international film industry. As a composer he had alot of experience in writing music for tv films, tv/cinema commercials and corporate commercials. For the latter he won an award. In 2003 he started to collaborate with composer Klaus Badelt, for whom he wrote some additional music and took care of the arrangements. In 2005 Wolfram wrote the score to The Wedding Party. His latest film is Loft, a belgian thriller, directed by Eric Van Looy, story by Bart De Pauw. This film is currently the number 1 film in Belgium.

> www.filmmusicsite.com


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  2008, November 11


Behind the music of Gears Of War 2 : Interview with composer Steve Jablonsky and Epic GAmes Audio Director Mike Larson
> www.music4games.net <


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  2008, November 07
Hans ZIMMER / James Newton HOWARD

Pre-order this album & more details
at TheDarkKnightScore.com




  2008, November 05
Jim Dooley signs on to score Obsessed starring Beyonce, Ali Larter, and Idris Elba. Release date in theaters February 27, 2009 !

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  2008, November 02
MOTION PICTURE SOUND EDITORS SOUND SHOW


Richard King, Hans Zimmer & Alex Gibson


Thanks to our founder member Etienne Grignon, we can present you a look of the exploration of the sonic world of this summer's blockbuster Batman movie THE DARK KNIGHT presented last October 27th at the Egyptian Theatre, Los Angeles

Oscar and Golden Reel winning supervising sound editor/sound designer Richard King ("War of the Worlds" "Master and Commander: The Far Side of the World" "Signs") as he presents his process of creating the film's soundscape. Excerpts of the movie were presented with special "pre-dubb" mixes to illustrate the variety of elements used to create an environment of serious sound.



Also in the mix: award winning music editor Alex Gibson ("Natural Born Killers" "The Prestige" "John Adams") with very special guest Hans Zimmer who revealed the way the musical score was shaped to fit the dark narrative of good and evil.

As an extra special attraction, all of the sound was played through a state-of-the-art audio system developed by Meyer Sound Laboratories so that you could hear every subtle and explosive element.



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