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Interesting to see Lorne Balfe replacing Jablonsky now with Micheal Bay.6 Underground is totally crazy and Balfe’s score equals it.Also has emotion like 13 Hours.<br>Doesn’t beat His Dark Materials but a great scoreSorry, das ist doch ein Witz, Dortmund ist nicht dabei :(Way too many songs.<br>Lorne Balfe score nailed it.Great to see Bay working with Balfe now.This is an RCP website, those scores aren't by RCP composers...Power anthems ???? Obviously you haven’t watched the movie.They would not fit in this movie.<br><br>Balfe’s score is really cool and not expected.Already listened to it 4 times!
I agree completely.<br><br>The movie was awesome, the score works perfectly, and the only thing I didn't like was the use of songs. Too much of them. Songs rarely work during intense action scenes. They distract.<br><br>But every time the score started, I liked it. Bay may be known as the big action guy, but when it comes to scoring the more intimate/emotional moments, he and the composer (no matter who he is) always do a good job.Greenaway for President! :))I agree with Knight.<br><br>It seems some peeps were expecting power anthems left and right. Yes, this is a big movie, but not a "Transformers-big" movie. I didn't like the use of source music (I hate songs in action movies) but when Balfe's work popped up I noticed it right away.<br><br>The more emotional cues were definitely the most memorable.What a fantastic soundtrack.<br>It’s totally crazy and works brilliantly in the film.<br>The bit emotional sections are very classic Bay but Balfe’s electronic weirdness is very unique.<br>It’s nothing like Balfe’s Dark Materials BUT why I’m earth should it be !<br>10/10Gavin should be listed as conductor
Because Ice Age was composed by David Newman and Collision Course was composed by John DebneyWhen i heard just the sound clips, i thought wtf. Sounds like the worst score, a michael bay movie ever had. Then i listened to the whole album and i have to say, there are some pretty cool tracks. I really like the electronic rhythmic stuff. Welcome to florence is awesome. The emotional moments are nice, but standard balfe stuff. In the movie, the music works really good. I think this music style is the only style, that works in THIS movie. And as hybrid says a mish mash of score and songs. The movie itself is.....strange. but at least the action rocks as hell.If "The Meltdown," "Dawn of The Dinosaurs" and "Continental Drift" are added, then how come "Ice Age" and "Collision Course" aren't?I haven't heard the album yet but there isn't much score in the film. It's like Bad Boys II meets Domino in terms of editing, songs everywhere (19 sourced songs used), short cues... Hell there's even a 13 Hours cue tracked in the film ("Getting Aboard The Plane")."Second time"... lol
Another awsome score by lorne balfe. I really like the film 6 underground directed by michael bay, is very awsome and intense and i begin to hear the score composed by lorne balfe, and its phenomenal and his second time working with michael bay since 13 hours, which i like lorne balfe's score too. Balfe's work is really inspiring in his film score.I don't expect Lorne to make a masterpiece with each movie, but it is true that most of her films are action candies, and I can't understand how she can deliver 6 underground and then make His dark materials.  It seems that within Lorne there are a thousand different composers.  And I don't know what to expect from Lorne again.Can't help noticing not one, but two Zimmer titles in here.... Tracks 14 and 16. lol.What is most disappointing is that this is a Michael Bay movie with a score being so bad. Historically his movies have fantastic scores by either Hans, Steve Jablonsky, and even Lorne Balfe. But this is hands down the worst Michael Bay score I’ve ever heard. <br><br>It’s functional, yes, but nothing compared to 13 Hours, any of the Transformers movies, The Rock, Pearl Harbor, etc. I definitely had high hopes for another good “power anthem” score... and the only cues that are any good are just Time ripoffs.<br><br>Highly disappointing.Again, if we have to expect every piece of work of one composer is have to be as good like his others pieces of work, that's pretty underwhelming and impossible.<br><br>Yeah, 6 Underground is not a good score by any means (neither Gemini Man, but is far more listenable), but works perfectly in the hiperbolic movie.
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  2009, February 27
Henry Jackman



  2009, February 19
Harry Gregson-Williams interview done the day after his concert in Madrid, June 2006.
The interview was done by Sylvain Rivaud for cinezik.org and filmed by Maxime Marion.



Comments (4)

  2009, February 18
Steve Jablonsky



  2009, February 09
The 51st Annual Grammy Awards Winner

For recordings released during the Eligibility Year October 1, 2007 through September 30, 2008



Best Score Soundtrack Album For Motion Picture, Television Or Other Visual Media :

The Dark Knight
James Newton Howard & Hans Zimmer, composers


Source : www.grammy.com


Comments (13)

  2009, February 09
ASCAP EXPO 2009

Hans Zimmer & James Newton Howard are appearing as panelists at the 2009 ASCAP "I Create Music" Expo.
They will be discussing their experiences building their career as composers, and should have some things to say about their creative process.
The Expo will held in L.A. at the Hollywood Renaissance Hotel, April 23-25.

More infos HERE

(Thanks to Edan Dover)


Comments (0)

  2009, February 01
Interview with the man behind IRON MAN's music, RAMIN DJAWADI



Inter-activities.com interviewed the man behind the heavy metal-oriented and guitar-driven score for the IRON MAN comic book film adaptation and you can find out what they talked about.

You can read the complete Interview at the following link: http://www.inter-activities.com/IRONMANRAMINDJAWADI.html

There's also a feature on the animated movie FLY ME TO THE MOON for which Ramin also provided the musical accompaniment and you can read the complete Interview here: http://www.inter-activities.com/filmsfmttmdjawadi.html



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  2009, February 01
Interview with PUSHING DAISIES' composer James Dooley



Christine Blanc of inter-activities.com interviewed the man behind the Emmy Winning TV score for the first season of the PUSHING DAISIES series.

You can read the complete Interview at the following link: http://www.inter-activities.com/JimDOOLEY/JimDooley.html

Visit the official website of the composer at the following link: http://www.jimdooley.com/


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  2009, February 01
Interview with BABYLON A.D.'s composer Atli Örvarsson



Christine Blanc of inter-activities.com had the opportunity to interview the man behind the powerful last year's score for BABYLON A.D. and shares the experience with us

You can read the complete Interview at the following link: http://www.inter-activities.com/bad/FilmBAD.html

Visit the official website of the composer at the following link: http://www.atlimusic.com/


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