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The Railroad Waits for No One is MazzaroWhat we know about Lorne's work on it? He do "Ranaway Train" aka "The Railroad Waits For No One" or "Finale"? And Zanelli did only "Finale"?Well, considering there's a lot more advanced orchestral writing in a lot of Transformers: The Game (which was composed by Jablonsky and Flood), than in many of Steve's other projects, I can't help but feel the more advanced stuff here was Flood too. Plus Flood's contribution to "Flying Battle" in D-War kind of makes him seem like the more advanced orchestra composer.Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.
Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).
Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there Mikeal
Typical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.
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  2009, February 27
Henry Jackman



  2009, February 19
Harry Gregson-Williams interview done the day after his concert in Madrid, June 2006.
The interview was done by Sylvain Rivaud for cinezik.org and filmed by Maxime Marion.



Comments (4)

  2009, February 18
Steve Jablonsky



  2009, February 09
The 51st Annual Grammy Awards Winner

For recordings released during the Eligibility Year October 1, 2007 through September 30, 2008



Best Score Soundtrack Album For Motion Picture, Television Or Other Visual Media :

The Dark Knight
James Newton Howard & Hans Zimmer, composers


Source : www.grammy.com


Comments (13)

  2009, February 09
ASCAP EXPO 2009

Hans Zimmer & James Newton Howard are appearing as panelists at the 2009 ASCAP "I Create Music" Expo.
They will be discussing their experiences building their career as composers, and should have some things to say about their creative process.
The Expo will held in L.A. at the Hollywood Renaissance Hotel, April 23-25.

More infos HERE

(Thanks to Edan Dover)


Comments (0)

  2009, February 01
Interview with the man behind IRON MAN's music, RAMIN DJAWADI



Inter-activities.com interviewed the man behind the heavy metal-oriented and guitar-driven score for the IRON MAN comic book film adaptation and you can find out what they talked about.

You can read the complete Interview at the following link: http://www.inter-activities.com/IRONMANRAMINDJAWADI.html

There's also a feature on the animated movie FLY ME TO THE MOON for which Ramin also provided the musical accompaniment and you can read the complete Interview here: http://www.inter-activities.com/filmsfmttmdjawadi.html



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  2009, February 01
Interview with PUSHING DAISIES' composer James Dooley



Christine Blanc of inter-activities.com interviewed the man behind the Emmy Winning TV score for the first season of the PUSHING DAISIES series.

You can read the complete Interview at the following link: http://www.inter-activities.com/JimDOOLEY/JimDooley.html

Visit the official website of the composer at the following link: http://www.jimdooley.com/


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  2009, February 01
Interview with BABYLON A.D.'s composer Atli Örvarsson



Christine Blanc of inter-activities.com had the opportunity to interview the man behind the powerful last year's score for BABYLON A.D. and shares the experience with us

You can read the complete Interview at the following link: http://www.inter-activities.com/bad/FilmBAD.html

Visit the official website of the composer at the following link: http://www.atlimusic.com/


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