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Bay has Lorne scoring his films now cause they established a relationship on 13 Hours, and Bay didn't even want Lorne for that; he wanted Hans but he didn't want to go through the exhausting process of another Bay blockbuster so he brought in Lorne instead.<br>And even then, Hans still worked together with Lorne very closely on the project (Hybrid said he was there for all the meetings, helped with synth programming, etc)Of cause Balfe worked on it .That is why Bay now uses Balfeyou can absolutely hear the 13 hours temp track in Battlefield and We Have to GoNot to mention that Steve and Lorne structure their power anthems differently.<br>To me this score sounds like 100% SteveI wouldn't say so, Lorne stacks his ostinatos and rhythms on top of each other (see Blackwood, Last Man on the Moon) and shotguns piano writing all over his scores in addition to using it for almost any kind of emotional scene (see Manny, Duck Shoot, Brothers Theme from Hurricane Heist)
Well, if all we're using to distinguish Lorne is ostinatos and piano writing, then in that case, he's all over this film!The interesting thing is, that if Lorne did work on it, his work is indistinguishable from Steve's cause I hear none of his ostinatos or extensive piano writing.@Hybrid, a while ago I saw a rumor stating that Lorne Balfe ghostwrote this score and dismissed it as crap.<br>But looking at the credits I see some people from his team have been involved( his assistant Queenie Li as music coordinator, and Max Aruj and Steffen Thum did arrangements..)<br>Do you know why and to which extent he was involved or why his team worked on the score?This little gem of a score is one of my favourites of Lorne's smaller projects.<br>Got a great main theme and varying instrumentations of it throughout, plus he's using a real orchestra which is always good. (Check out The Heist, very upbeat jazzy piece)Balfe - for anything than bad TV? How much did you smoke tonight? The Mission score must have been a studio decision but Balfe should not be allowed anywhere near a (any) franchise - the dude is a headcase and a total copycat. Tell me one piece that Balfe did that is original?
Balfe - for anything than bad TV? How much did you smoke tonight? The Mission score must have been a studio decision but Balfe should not be allowed anywhere near a (any) franchise - the dude is a headcase and a total copycat. Tell me one piece that Balfe did that is original?Looking forward to what Ben's going to do with that movie.Hellboy coming by Sony Classical at 4/5/19Kung Fu Fighting (Celebration Time) on KFP3 also has a HZ credit despite again the booklet not crediting him for anything on it.I noticed that on Kung Fu Fighting here, Try on KFP3, and Here Comes the Sun on Bee Movie complete that there are primary composer credits on them (HZ, JP here, HZ on Try, Rupert on Here Comes the Sun) but both the film and booklet info doesn't credit them. Did they do ghost arranging/producing on them?
Lorne Balfe score for Fallout was perfection so would be perfect for a Chris Nolan film. He also has worked with him on Dunkirk and Inception.But I expect and hope Hans is doing the score .If Hans is notworking with Nolan then Lorne Balfe should do it .So... Can it be considered as the second CD? Or something like that?<br>If Nolan is not working with Zimmer, Ludwig Göransson would be a dream choice for me. I really think he is an up and coming composer capable of great things. <br><br>But of course, I rather Nolan stick with Zimmer.Ludwig Göransson
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 NEWS
  2009, April 30
Filmmakers praise Gregson-Williams.
Collaborators extol composer's energy, vision
.



Read the article on www.variety.com


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  2009, April 30
“Linkin Park is working on the score for Transformers: Revenge of the Fallen with Hans Zimmer. We met with Hans last week, and heard some of the incredible things he and his guys have done with our new song,”.

Source : www.slashfilm.com


Comments (8)

  2009, April 29
Hans Zimmer has signed on to score Guy Ritchie’s reimagining of Sherlock Holmes.

Source : www.slashfilm.com


Comments (7)

  2009, April 29
Gears of War 2 has won "Best Sound in a Video Game" at the 3rd Annual ELAN Awards, the Canadian Awards for the Electronic and the Animated Arts. The awards show was hosted by Tom Kenny ("SpongeBob SquarePants") at the Fairmont Hotel in Vancouver, Canada on April 25th.

Source : www.music4games.net


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  2009, April 15
ANGELS & DEMONS exclusive musical clip on Apple.com




Click on the picture above then choose Sneak Peek.


  2009, April 15
Exclusive First Listen of Hans Zimmers ANGELS & DEMONS

CinemaMusica is excited to bring ou an exclusive first listen of every track on the up-coming album of Hans Zimmer new Score for "Angels & Demons".

Follow the Link, click the clips and get a frist idea of the score:

Click HERE


Comments (34)

  2009, April 15
Click here, linked to the colosseum.de website, to listen to SOUND CLIPS from the original score by Harry Gregson Williams for X-men origins: wolverine.

Comments (1)

  2009, April 13
Harry Gregson-Williams



  2009, April 05
Hans Zimmer



  2009, April 01
Ramin Djawadi




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