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This is my most anticipated score of 2019. The two previous ones were great and I hope this one is even better.<br><br>Cannot wait!Hey guys where can i download the complete soundtrack ?That's a great news!Alita ia going to be release by Milan RecordsCan't freaking wait for this. The series ends with a bang!
Coming soon !So this is basically a Mazzaro scoreIt's great but sadly it's only used in the end credits :-(<br>I suspect it might have been an alternate version of the opening scene.<br><br>Anyway the rest of the score is absolutely stunning, a good balance between heavy action and themes (and incredible choir). A new high in JXL's career, let's hope the OST release does it justice.get this a cd-release too<br>Don't forget the pointless changes like the opening title music for AUE being replaced with an E Major version of The Shire and Gandalf's Farewells for some reason. Or temp tracking earlier pieces of the film in for later scenes.
Tom just released "London Suite in C Major" on his YouTube channel, and I am really loving it. He's usually hit-or-miss for me, but this cue in particular really intrigues me. Sounds like he merged the orchestral sections of Fury Road with the flighty ballads of Hollywood Golden Age music.CD Release?Will there be a Blu-ray release for this as well. I had heard that the Hollywood in Vienna award show that is essentially the same set would get a Blu-ray release.Especially in the first one, there's a ton of LOTR themes needledropped even though Shore wrote original material for those exact scenes that you can hear on the album, and also there are themes used in scenes where they don't belong at all. Oh and the main theme of the first one and a couple of the secondary ones completely disappear from the second and third moviesLot of Mazzaro credits here
Jackson use more LOTR music than the original music created for the movie.<br><br>Altough, Watertower releases respect the material written by Shore (as he wanted)Skipped the Hobbit films. How so was the music mistreated in those?Peej only produced this film, didn't direct it, and also I sorta think he and Howard Shore don't have the warmest of relationships considering the King Kong firing and then the way the music was mistreated in the Hobbit films.Why wouldn't Peter Jackson have Howard Shore score?Both of these redesigns are great!
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 LATEST RELEASES
 NEWS
  2009, May 30


> inFAMOUS Original Soundtrack review at music4games.net

> Behind the Music of inFAMOUS: Interview with SCEA Music Team at music4games.net


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  2009, May 30
In The Studio with James Dooley



> www.music4games.net <


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  2009, May 29
James Dooley



  2009, May 27
Steve Jablonsky



  2009, May 21
Jim Dooley



  2009, May 19
Composer Talk: Interview with Jeff Rona

Jeff Rona is one of the most versatile composers working in Hollywood. He's written music for television, film and games. Jeff Rona has collaborated with composers such as Hans Zimmer, Mark Mancina, John Powell and many others. He's written music for the Ridley Scott film White Squall, for television series such as Homicide, Traffic miniseries, Earthsea. Currently he's working on the playstation 3 game God of War III and has also finished the music for the Nintendo DS version of Transformers 2. His book The Reel World has just been released in it's second edition.

> www.filmmusicsite.com


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  2009, May 13
Jim Dooley at the Miami film festival

Video from the Dreamworks Animation panel at the Miami Film Festival is now up. Click HERE
Jim Dooley spoke about working on First Flight among other things, and first appears around the 6:40 mark !

From his official website JimDOOLEY.com


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  2009, May 07
Ramin Djawadi



  2009, May 06
Angels & Demons : World Premiere
Interview with Hans ZIMMER



  2009, May 01
One project more for Hans ZIMMER

Mars Needs Moms is a Walt Disney Productions project, directed by Simon Wells.
"A young boy named Milo gains a deeper appreciation for his mom after Martians come to Earth to take her away." (imdb.com)
Release year : 2010.


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