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h ttps://www.youtube.com/watch? v=sekmQqx OhWM<br><br>From the developers.<br><br>Producer: Hans Zimmer<br>Composer: Lorne Baffle<br>Symphony Orchestra: Chamber Orchestra of London<br>Recording Studio: Abbey Road Studio<br><br>Fun theme by Lorne.But maybe at that time he didn’t have that version yet (in his mind i mean)<br>But... the intensity was crazy!Everything is great, except one thing - he did not add that intense music that played on the train when there was a battle. Well maybe I missed something while listening the album.Zimmer = Lorne is your answer.WAA WAA WAAAAAAAA
What's with the credits here? Howard Shore? No Lorne Balfe?I genuinely was surprised that they went with Richter in the first place. <br><br>Literally just came out of the movie and I can’t believe such a dull and generic score could come from the names attached. What happened? Other than that beautiful almost sweeping string theme (that went nowhere) - there’s nothing. <br>I kept waiting for the music to peak and reach a hundred but it never did. <br><br>It’s no Interstellar, no First Man, no Gravity, not even The Martian.Link to said theme?The synth man creating a mostly synthesizer score? what a shock...because that's what Hans does
Main theme is on Youtube. I quite like it. I prefer Hans doing themes like this rather than the stuff he is doing with FIFA.I'm surprised no one is talking about this one, its one of Rupert's best scores imo.Lately I have been listening to the album carefully, and the truth is that I did not quite understand why Hans did not just use a big orchestra instead of the synthesizer.It would have really been interesting to see Ritcher scoring a chase on the photo, although without a doubt his work would not have been anything generic.Richter is a conceptual artist, I love his Leftovers score, but come one, scoring to picture ?<br><br>He writes pieces that are used in scenes, not the other way around...<br><br>Richter scoring a moon buggy chase ? Hell no... lol you could see from day one it was gonna be replaced...
^ Yeah the edit floating around matches Felix’s almost to a T. Only major difference is <br><br>“Our Final Stand - Showdown - United Greece - Finale”<br><br>Which is broken up into four separate cues. Realistically you could edit it anyway you want if you prefer the smaller cues. Personally, I like the long suite-like format of this release. Kinda like the album release for “Event Horizon” lol.I hope they at least release Richter's score.My Edit:<br><br>01. Rise Of An Empire - Marathon - King Darius - Artemisia - Man To God - War (13:36)<br>= <br><br>M1A Rise of An Empire (09:48)<br>M1B From Man to God King (03:44)<br><br>02. Greek Council - Persian War Plan - Spartan Fight Training - Greek Conversation - Your Commander Is Greek (10:47) <br>=<br><br>M2 Greek Council (03:39)<br>M3 Greek Conversation (07:06)<br><br>05. Suicide - General Bandari - Circle Battle (7:30) <br>=<br><br>M6 Suicide/General Bandari (02:10)<br>M7 Circle Battle (05:16)<br><br>06. Sex - Fire Battle (12:04) <br>=<br><br>M10 Sex (05:36)<br>M11 Fire Battle (06:21)<br><br>11. Our Final Stand - Showdown - United Greece - Finale (16:08) <br>=<br><br>M15-17A Our Final Stand/Showdown Pt.1 (08:19)<br>M17B-19 Showdown Pt.2/Finale (07:37)I'm not really interested in Balfe's part of work, but it would be a big disappointment if Richter's work wouldn't released.<br><br>But I think there's a good chance that movie (and music in particular) get an Oscar nominations, so let's just hope for the best.@mpolonest123 any idea how to break up the really long cues on the complete? it’s a lot of tracks that are made up of several cues
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 LATEST RELEASES
 NEWS
  2009, May 30


> inFAMOUS Original Soundtrack review at music4games.net

> Behind the Music of inFAMOUS: Interview with SCEA Music Team at music4games.net


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  2009, May 30
In The Studio with James Dooley



> www.music4games.net <


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  2009, May 29
James Dooley



  2009, May 27
Steve Jablonsky



  2009, May 21
Jim Dooley



  2009, May 19
Composer Talk: Interview with Jeff Rona

Jeff Rona is one of the most versatile composers working in Hollywood. He's written music for television, film and games. Jeff Rona has collaborated with composers such as Hans Zimmer, Mark Mancina, John Powell and many others. He's written music for the Ridley Scott film White Squall, for television series such as Homicide, Traffic miniseries, Earthsea. Currently he's working on the playstation 3 game God of War III and has also finished the music for the Nintendo DS version of Transformers 2. His book The Reel World has just been released in it's second edition.

> www.filmmusicsite.com


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  2009, May 13
Jim Dooley at the Miami film festival

Video from the Dreamworks Animation panel at the Miami Film Festival is now up. Click HERE
Jim Dooley spoke about working on First Flight among other things, and first appears around the 6:40 mark !

From his official website JimDOOLEY.com


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  2009, May 07
Ramin Djawadi



  2009, May 06
Angels & Demons : World Premiere
Interview with Hans ZIMMER



  2009, May 01
One project more for Hans ZIMMER

Mars Needs Moms is a Walt Disney Productions project, directed by Simon Wells.
"A young boy named Milo gains a deeper appreciation for his mom after Martians come to Earth to take her away." (imdb.com)
Release year : 2010.


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