NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
You are an idiot. Hans did what Nolan asked him of not the other way around.Man, this has to be the best news for a long time. Hans has got stuck in his silly overcompensating for sound effects mode for too long. No wonder Nolan went for someone else. Who here thought balfe was getting this - the dude is a copycat and nobody. Balfe is when you dont get HZ.....luckily better people are now getting the gigs. I mean who would hire balfe out of the blue, the dude is not even a tv guyThanks for the credits updateA bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.
Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is Balfe
I hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.
@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about it
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





 .
Comments (2)   
See More...  
 LATEST RELEASES
 NEWS
  2009, May 30


> inFAMOUS Original Soundtrack review at music4games.net

> Behind the Music of inFAMOUS: Interview with SCEA Music Team at music4games.net


Comments (0)

  2009, May 30
In The Studio with James Dooley



> www.music4games.net <


Comments (1)

  2009, May 29
James Dooley



  2009, May 27
Steve Jablonsky



  2009, May 21
Jim Dooley



  2009, May 19
Composer Talk: Interview with Jeff Rona

Jeff Rona is one of the most versatile composers working in Hollywood. He's written music for television, film and games. Jeff Rona has collaborated with composers such as Hans Zimmer, Mark Mancina, John Powell and many others. He's written music for the Ridley Scott film White Squall, for television series such as Homicide, Traffic miniseries, Earthsea. Currently he's working on the playstation 3 game God of War III and has also finished the music for the Nintendo DS version of Transformers 2. His book The Reel World has just been released in it's second edition.

> www.filmmusicsite.com


Comments (2)

  2009, May 13
Jim Dooley at the Miami film festival

Video from the Dreamworks Animation panel at the Miami Film Festival is now up. Click HERE
Jim Dooley spoke about working on First Flight among other things, and first appears around the 6:40 mark !

From his official website JimDOOLEY.com


Comments (0)

  2009, May 07
Ramin Djawadi



  2009, May 06
Angels & Demons : World Premiere
Interview with Hans ZIMMER



  2009, May 01
One project more for Hans ZIMMER

Mars Needs Moms is a Walt Disney Productions project, directed by Simon Wells.
"A young boy named Milo gains a deeper appreciation for his mom after Martians come to Earth to take her away." (imdb.com)
Release year : 2010.


Comments (7)


 HANS-ZIMMER.com© 2001-2018 OST 
Stephane Vidali / Antas - Nicolas Cabarrou