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Great new podcast with Steve. Check it out, it's worth it - https://www.score-movie.com/single-post/2018/04/24/Episode-6 -Steve-Jablonsky-Behind-the-Score-Trent-Reznor-Atticus-Ross- Name-That-ScoreI'm guessing that the end credits will be where we hear what Williams wrote for the film, a concert arrangement of the new theme he contributed. So it'll start with the classic fanfare and then lead into that, and then if there's any time left to fill they'll put in some of Powell's material.For the most part I agree with you, especially in regards to continuity. Him writing a third theme for Cap makes no sense whatsoever, considering that the credits of TWS had a more traditional take on his CA theme which is basically what he ended up writing for Civil War. Same with the lack of The Falcon theme, which was even used in Ant-Man. I have a feeling this has something to do with what the Russo Bros wanted however.<br><br>As for the overall score though, I actually think it works great in context. Considering the film is a thriller, the more nuanced approach Henry took here feels very appropriate. And even though itís a short motif, I genuinely like the theme for Black Panther.Listening to all these fan made covers!!! They all are more than awesome. Its feels good how Hans Zimmer is inspiring the world around to create such a great music. Lots of applause to all the fans who have submitted their covers over here. Good luck !!!<br>I have been revisiting a lot of scores of the MCU leading up to Infinity War, and what I don't really understand is why they didn't used almost any of the previously established themes in this one. He even created a new theme for Captain America, when he could have used his own theme from Winter Soldier. In fact, I think Winter Soldier's theme is the only one returning. Age of Ultron, although it was a really chaotic score, at least had some continuity and was a lot of fun, but this score feels flat for the most part of it.<br><br>And I really enjoyed TWS but for me this was a step down. But I must recognize that there are some great action cues, especially in the Airport Battle, but apart from that I didn't found anything that remarkable.
This might sound like a rather... odd question, but I did ask it when it came to Rogue One. Is John Powell going to use a 'classic' arrangement of the End Credits Suite, or is he writing something entirely new? The end credits theme is pretty much a staple of all the films so far and it would be interesting to know what Powell has in mind for his score there.And the release date has finally come !<br><br>MAY 25th !<br><br>Will it be Powell's masterpiece ? I hope so ! But it's going difficult to sound better than HTTYD !Yep, I noticed. And in mp3<br>I guess YT is still the better wayThere's a way to do it but I won't tell you for fear that I get HULK SMASHED by Hybrid. Besides, the file is in 112 kbps, it's barely worth the trouble (and I'm not even much of an audiophile).totally agreed...<br>maybe some way to hack into
I hope the Imperial March is in the score.Thank You NotaPix. That was really helpful. :)<br>I've never found this one either. It's the biggest gap in my HGW collection probably. Wonder why it never got a proper score release, sure it's a bit mickey-mousey and insubstantial but they could have at least put 30 minutes or so on the regular album, not just one track...hello Piyush VC<br>sorry, I hope I have correctly understood your question, I do not know English (google translator).<br>I do not remember well how long my covers have been published here after my submission.<br>but if you would like to publish your own cover of the composer Hans Zimmer here, it is more correct that you address the questions of this type to 'antas' admin.<br>as I said, I hope my answer is relevant to your question.<br>bye :)Anywhere I can find a complete recording of this soundtrack? I've looked everywhere.
Hey there.. Your music score is really good, I liked them all. I wanna know within how many days after your submission, were your tracks posted over here?Can anyone point me to where I can get a copy of this? I'd love to have this in my collection.It's been nearly 27 years since this came out in 1991.Nop, you're not the only one.<br><br>I can say everything i listen John Powell is something with quality and personality.<br><br>How to Train Your Dragon is one of his best. You are missing out. <br><br>But I may be the only person who thinks Face/Off is one of his best scores. I love that score more than nearly any John Powell scores.
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  2009, July 25


Hans ZIMMER will score the next Chris NOLAN's films (?)


New cast and crew details were revealed for Christopher Nolan's upcoming film, Inception, via a press release from Warner Brothers.
Joining the cast is Academy Award nominee Tom Berenger(Platoon).
Although many suspected David Julyan would be composing the score for Inception, it has now been confirmed that Hans Zimmer will be handing the score.
The film, "a contemporary sci-fi actioner set within the architecture of the mind," hits theaters July 16th, 2010 and stars Leonardo DiCaprio, Ellen Page, Joseph Gordon-Levitt, Marion Cotillard, Tom Hardy, Cillian Murphy, Michael Caine, and Ken Watanabe. More infos

Christian Bale will slip back into his rubber Batsuit next year to begin shooting the sequel to The Dark Knight. (news from WENN)

The Hollywood actor has confirmed he will return as Bruce Wayne/Batman for the third time in director Christopher Nolan's forthcoming film, but a production schedule had yet to be released.

However, Bale's The Dark Knight co-star Gary Oldman, who portrays Commissioner Gordon in the movie adaptations, broke the news of the return of the Caped Crusader to fans at the annual Comic-Con in San Diego, California on Friday.

He told fans, "The next Batman is shooting next year. It's at least two years away. But you didn't hear it from me!"

Certainly a job for the great composer of the previous opus ; ZNH... To be continued...


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  2009, July 22
James Michael Dooley: Dorothy of Oz

James Michael Dooley, whose recent credits include Disney's direct-to-video The Little Mermaid: Ariel's Beginning as well as the theahtrical thriller Obsessed, will do the music for the animated Dorothy of Oz, a family movie currently in post-production.

For more, tune into: upcomingfilmscores.blogspot.com


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  2009, July 22
Rupert Gregson-Williams: Grown Ups

Rupert Gregson-Williams continues his working relationship with director Dennis Dugan. Their third film together, after I Now Pronounce Your Chuck and Larry and You Don't Mess With the Zohan, is Grown Ups, which is also a comedy.

for more info visit the original source, at: upcomingfilmscores.blogspot.com


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  2009, July 17
www.geoffzanelli.com

Geoff Zanelli's new website featuring unreleased music from The Last Samurai, Pirates Of The Caribbean 2 & 3, Ghost Town, Matchstick Men, Hannibal & more...


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  2009, July 12
Hans Zimmer & co : Concert at Dreamworks Animation



Thanks to Fabian Bucher


Comments (38)

  2009, July 04
Here's a new version of the site to celebrate this summer. I hope you will enjoy it and don't hesitate to post (or to contact me) if you have any technical troubles :o)
ps: a webradio will be soon available


Antas


Comments (29)

  2009, July 01
Todd Haberman



  2009, July 01
Composerís James Newton Howard and Hans Zimmer Exclusive Interview - 2009 Saturn Awards



Direct link : www.collider.com


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