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h ttps://www.youtube.com/watch? v=sekmQqx OhWM<br><br>From the developers.<br><br>Producer: Hans Zimmer<br>Composer: Lorne Baffle<br>Symphony Orchestra: Chamber Orchestra of London<br>Recording Studio: Abbey Road Studio<br><br>Fun theme by Lorne.But maybe at that time he didn’t have that version yet (in his mind i mean)<br>But... the intensity was crazy!Everything is great, except one thing - he did not add that intense music that played on the train when there was a battle. Well maybe I missed something while listening the album.Zimmer = Lorne is your answer.WAA WAA WAAAAAAAA
What's with the credits here? Howard Shore? No Lorne Balfe?I genuinely was surprised that they went with Richter in the first place. <br><br>Literally just came out of the movie and I can’t believe such a dull and generic score could come from the names attached. What happened? Other than that beautiful almost sweeping string theme (that went nowhere) - there’s nothing. <br>I kept waiting for the music to peak and reach a hundred but it never did. <br><br>It’s no Interstellar, no First Man, no Gravity, not even The Martian.Link to said theme?The synth man creating a mostly synthesizer score? what a shock...because that's what Hans does
Main theme is on Youtube. I quite like it. I prefer Hans doing themes like this rather than the stuff he is doing with FIFA.I'm surprised no one is talking about this one, its one of Rupert's best scores imo.Lately I have been listening to the album carefully, and the truth is that I did not quite understand why Hans did not just use a big orchestra instead of the synthesizer.It would have really been interesting to see Ritcher scoring a chase on the photo, although without a doubt his work would not have been anything generic.Richter is a conceptual artist, I love his Leftovers score, but come one, scoring to picture ?<br><br>He writes pieces that are used in scenes, not the other way around...<br><br>Richter scoring a moon buggy chase ? Hell no... lol you could see from day one it was gonna be replaced...
^ Yeah the edit floating around matches Felix’s almost to a T. Only major difference is <br><br>“Our Final Stand - Showdown - United Greece - Finale”<br><br>Which is broken up into four separate cues. Realistically you could edit it anyway you want if you prefer the smaller cues. Personally, I like the long suite-like format of this release. Kinda like the album release for “Event Horizon” lol.I hope they at least release Richter's score.My Edit:<br><br>01. Rise Of An Empire - Marathon - King Darius - Artemisia - Man To God - War (13:36)<br>= <br><br>M1A Rise of An Empire (09:48)<br>M1B From Man to God King (03:44)<br><br>02. Greek Council - Persian War Plan - Spartan Fight Training - Greek Conversation - Your Commander Is Greek (10:47) <br>=<br><br>M2 Greek Council (03:39)<br>M3 Greek Conversation (07:06)<br><br>05. Suicide - General Bandari - Circle Battle (7:30) <br>=<br><br>M6 Suicide/General Bandari (02:10)<br>M7 Circle Battle (05:16)<br><br>06. Sex - Fire Battle (12:04) <br>=<br><br>M10 Sex (05:36)<br>M11 Fire Battle (06:21)<br><br>11. Our Final Stand - Showdown - United Greece - Finale (16:08) <br>=<br><br>M15-17A Our Final Stand/Showdown Pt.1 (08:19)<br>M17B-19 Showdown Pt.2/Finale (07:37)I'm not really interested in Balfe's part of work, but it would be a big disappointment if Richter's work wouldn't released.<br><br>But I think there's a good chance that movie (and music in particular) get an Oscar nominations, so let's just hope for the best.@mpolonest123 any idea how to break up the really long cues on the complete? it’s a lot of tracks that are made up of several cues
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  2009, September 30
Classically Speaking
Classical music in West Virginia and Beyond


Hans Zimmer: Angels, Demons & Men in Skirts



Interview By Jim Lange


Thanks to Fabian Bucher for the tip !


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  2009, September 13
Lorne BALFE & Atli Örvarsson nominated at the World Soundtrack Awards

The World Soundtrack Academy released the list of nominees for the World Soundtrack Discovery 2009, including composer Lorne BALFE for his work on Crying with Laughter and Atli Örvarsson for his Babylon A.D.'s score.
The name of the winner will be announced on October 17 at the World Soundtrack Awards ceremony, the closing event of the Ghent International Film Festival.

More Infos

Thanks to George Brown


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  2009, September 13
COMPOSING : A COLLABORATIVE PROCESS

Some composers work in isolation, while some lead teams of writers and orchestrators who help complete their vision. Whether they're scoring huge Hollywood features or smaller indie films, they all have their own methods of working with their production teams. Each has the same goal -- to put the final storytelling stamp on a film.

"The musicians are the last actors on a movie," says Hans Zimmer, veteran composer of such blockbusters as the "Pirates of the Caribbean" trilogy and "Batman Begins" as well as the upcoming "Sherlock Holmes."...

Read the entire article on Variety.com


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  2009, September 12


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  2009, September 03
CASI DIVAS



Scoring Session with Hans Zimmer


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