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;)I'm guessing, based on the credits, that Williams worked on "Dice and Roll" directly?He is.i don't doubt it, he and the director are good frineds and fans of each other, also they worked together on Annabelle so I'm willing to bet money he's the composer which is AWESOMEWallfisch just Retweeted the Shazam! trailer. Does that mean he is scoring it then? Hybrid can you say anything about this?
On Millers water planet, those ticking noises happen every 1.25 seconds. Each tick you hear is a while day passing on Earth.@MikeOTM<br>Youíre absolutely right. Powell did an awesome job of staying within the musical sandbox of the SW musical universe but also was able to bring something fresh and original to the overall sound, something Star Wars really needs right now.Sweet. I've gotta say, this score surprised me in a good way. I've always loved Powell, but if you told me two years ago he'd write a Star Wars score, I'd have been hesitant about it. But Solo is really, really solid, even without the John Williams main theme. In fact, I like what Powell does with the JW theme better than the theme as JW wrote it.Wowww so many solo Powell!His part is not in the OST release...
No Paul Mounsey credits?Credits added !
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<br>I didn't credit here JW for every arrangements of his theme & old SW themes that can be heard throughout the score.MoS, TASM2Badelt's "Solomon"?<br><br>This must be the "famous" Dark Knight reference that the "critics" are talking about.I could have sworn I had heard the Solomon theme and some of the same<br>Chords that Kraemer had used...<br>My mistake lol<br><br>And Balfe does seem like a genuinely nice person. Hell he even takes the time to put out unreleased music, not something most composers do. <br>That is exactly why I hate when people take personal jabs at composers (usually at Junkie XL for some reason). Itís fine to not like the music, everyone has different tastes, but donít criticize a composer for writing what he was asked to write.
I agree! He actually invited me to come to a recording session in London for this film, man it killed me that I couldnít afford to go. But I was so thankful he even thought to ask! Top notch guy.Say what you want about Balfe but he's a really nice guy, and always answers my questions on FB and others on twitter.I believe him as I didn't hear anything from Kraemer.I asked Balfe on Facebook if he used any of Kraemers theme and he said noI Know, Hybrid, just sayin' that i a fan of Benjamin Wallfisch's music Scores since lights Out to Blade Runner 2049 and i say this is another excelent Work from Wallfisch
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 LATEST RELEASES
 NEWS
  2009, September 30
Classically Speaking
Classical music in West Virginia and Beyond


Hans Zimmer: Angels, Demons & Men in Skirts



Interview By Jim Lange


Thanks to Fabian Bucher for the tip !


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  2009, September 13
Lorne BALFE & Atli ÷rvarsson nominated at the World Soundtrack Awards

The World Soundtrack Academy released the list of nominees for the World Soundtrack Discovery 2009, including composer Lorne BALFE for his work on Crying with Laughter and Atli ÷rvarsson for his Babylon A.D.'s score.
The name of the winner will be announced on October 17 at the World Soundtrack Awards ceremony, the closing event of the Ghent International Film Festival.

More Infos

Thanks to George Brown


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  2009, September 13
COMPOSING : A COLLABORATIVE PROCESS

Some composers work in isolation, while some lead teams of writers and orchestrators who help complete their vision. Whether they're scoring huge Hollywood features or smaller indie films, they all have their own methods of working with their production teams. Each has the same goal -- to put the final storytelling stamp on a film.

"The musicians are the last actors on a movie," says Hans Zimmer, veteran composer of such blockbusters as the "Pirates of the Caribbean" trilogy and "Batman Begins" as well as the upcoming "Sherlock Holmes."...

Read the entire article on Variety.com


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  2009, September 12


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  2009, September 03
CASI DIVAS



Scoring Session with Hans Zimmer


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