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Awesome! I still listen to the first two scores frequently.Matthew's back, that's for sure !Just saw it as well. Honestly didn’t know it was happening lol... but that would be awesome news if Matthew and Henry are co-composing together again.It's pretty good but I think it's the Mounsey cues that sounds the most convincingly Powellish here. Which makes sense given that he's worked on like every single Powell score of the last 10 years lolSince The Lion King, in my opinion, is 99 per cent the same as the original, I simply can't be that enthusiastic about it. I would have preferred a  special 2 CD (physical) edition of Dark Phoenix.
Hans's emulation of Powell's sound is more convincing than Mousney and Balfe's.Anybody who already saw The King's Man trailer today it's really good!!thx hybrid. but why hans? isn't it the decision of fox music?Honestly, Hans is in the middle of big TLK promotion right now, so wait & see...that's true...
"Closing in on 700 signatures now, so you'd think that the petition would be gaining at least a little attention."<br><br>Hate to break it to you, but that's laughably naive. No executive is going to even notice a petition with 700 sigs, let alone be spurred to action by it.does anyone have some infos about the release?Yes, but, Sorry, but i see it ...Looking forward to hearing this when it eventually gets leaked. This was an amazing score.Didn't think there was more unreleased tracks from this score, aside from some suites, considering how much there was on the Deluxe Edition.
the real question is why hasn’t the complete page been created yet when the complete for chapping and inferno haveI never understood why Balfe never got a joint credit on this?<br>The first Sherlock was on earth of my favorite soundtracks ever. Can’t wait to see what they do on this filmSo I'm curious I've seen a lot of these unofficial complete releases on the site and I was wondering why can't there be an official release instead of just these unofficial releases?So many complete scores leaking and I want this one the most.Is it out??? I want this!!!
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 LATEST RELEASES
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  2010, January 25


  2010, January 20
Composer Zimmer on 'Holmes,' Oscar's Troubling Taste



Robert Downey Jr.’s brash, spirited performance in the title role of the Guy Ritchie film “Sherlock Holmes” may have taken home a Golden Globe on Sunday night, but a different – but equally bold – aspect of the film has a better chance to draw attention from the Academy. Hans Zimmer’s score turns action-movie music on its head, using a small group of acoustic musicians to whip up a playful, dynamic, inventive folk-based sound that plays a dominant role in the film as it trashes and reinvents the conventions for this kind of movie.

The German-born composer talked to theWrap about the film in his Santa Monica studio, where he composes in a remarkable room that manages to combine thick carpeting, plush red couches and dark carved wood bookcases with a huge array of computers, synthesizers and recording equipment.

The conversation was interrupted several times by urgent conversations about music the prolific composer had written for an upcoming episode of “The Simpsons,” which apparently hadn’t quite passed muster with that show’s producers.


Complete interview at : www.thewrap.com


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  2010, January 18
Composer Zimmer Talks Sherlock Holmes, Inception, Dark Knight, It’s Complicated


In many ways, the best thing about Sherlock Holmes is its score (released January 12), featuring exotic Hungarian and gypsy instruments. It’s one of about a hundred movie scores delivered by prolific German composer Hans Zimmer, who has earned six Oscar nominations; he won for The Lion King in 1994.

Articulate and charming, Zimmer invited me to his lair in Santa Monica, a sprawling complex housing other composers as well as rooms crammed with synthesizers, computers and towers of servers. He’s currently working on Inception for Chris Nolan, for whom he composed the score for The Dark Knight. He gave me a tour, showed me where and how he composes and explained his working process on the scores for Sherlock Holmes, It’s Complicated, Gladiator, and The Dark Knight. He even plays a bit.


More at : blogs.indiewire.com


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  2010, January 09
Meet The Musicians



Hans Zimmer recorded the score with featured soloists Lorne Balfe, Ann Marie Calhoun, Tina Guo, Aleksey Igudesman, Davey Johnstone, and Diego Stocco on a triple-neck double-bass he himself built.

Zimmer contrasted an opulent sounding chamber orchestra with these soloists and a Salvation Army Brass Band; infusing Doyle’s orderly, Victorian world with the unorthodox.

Get to know these diverse talented musicians and learn how they became involved with this project in the videos below.

> watertower-music.com/sherlockholmes/musicians/


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  2010, January 08
AUDIO: On The Score With Hans Zimmer

Daniel Schweiger interviews HANS ZIMMER about the romantic samba of IT’S COMPLICATED, and an off-the-wall score for SHERLOCK HOLMES.

> More at www.filmmusicmag.com


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  2010, January 05
Despicable Me Project



Hans Zimmer & The Neptunes


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