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Hans for Star Wars ?<br><br><br>Never.<br><br><br>Ron probably asked him first and Hans probably was like "JOHN POWELL !!"What would have happened if Ron Howard would have been the first choice to direct Solo? He would have chosen James Horner (if he wasn't dead) or try to convince Hans Zimmer to do the music. The only collaboration between Howard and maestro Williams was in the movie Far And Away.Poster in SpainA Star Wars score that sounds like a Powell score? I'm in.<br><br>From what I've heard of many people, the score is really great and apart from the Williams theme, I heard Powell also had a lot of great themes.<br><br>I cannot wait for it!Your source?
Just saw the film, really fun and faced paced movie. The score is great, it has a solid main theme by John Williams (not as great as Rey theme though) but still memorable and john powell adapts this main theme in various variations throughout the film. Star Wars fan might be dissapointed by the score because this overall sounds like a typical Powell score which doesn’t really sound like a typical Star Wars movie. Still fans of Powell will love this new score.La La-Land is going to release the scorePowell adapted ideas from Williams (i think in one interview, he saids the new themes come from tunes by Williams)Music providen by additional composers, mean like, diferent version or re-arranged parts from a cueSorry about my lack of knowledge on this...but somebody can explain me what means "Additional Music"?.<br><br>I know somebody composed the score, sometimes the same person is the arranger or orchestrator (like ussually do John Williams), but "Additional Music"??? I'm lost like always...
Anyone else think the credits are too complicated? Why not just have "Han Solo theme by John Williams" and "Score by John Powell"? I know that Powell directly quotes some Williams cues, but I dunno. That's an overly complicated cover, in my opinion.I saw it in Paris, amazing show, my favourite after Zimmer's oneI think that credit connected with John Williams's music from the original Star Wars movies. So, Herbert Spencer was the original orchstrator on the first three movies (New Hope, The Empire Strikes Back and Return Of The Jedi). More of that, he's been credited on Rogue One: A Star Wars Story as orchestrator. All other people usually works with John Williams, except Mark Graham, who's heading music preparation in almost every Hollywood movies now (Jo Ann Kane Music Services)I am increasingly seeing two separate credits for the orchestration role: one being the usual "Orchestrated By" and the other is this "Additional Orchestrations" credit. I can understand what one might mean by "additional music" but what differentiates these two orchestration roles from one another?Music Credits (From The Film):<br><br>Han Solo Theme And Original Star Wars Music By<br>JOHN WILLIAMS<br><br>Score Composed And Adapted By<br>JOHN POWELL<br><br>Additional Music And Arrangements By<br>BATU SENER<br>ANTHONY B. WILLIS<br>PAUL MOUNSEY<br><br>Supervising Orchestrator<br>JOHN ASHTON THOMAS<br><br>Orchestrated By<br>GEOFF LAWSON<br>TOMMY LAURENCE<br>ANDREW KINNEY<br>RANDY KERBER<br>RICK GIOVINAZZO<br>GAVIN GREENAWAY<br><br>Additional Orchestrations By<br>HERBERT W. SPENCER<br>MARK GRAHAM<br>GREGORY JAMROK<br>VICTOR PESAVENTO<br>PAUL HENNING<br><br>Music Editors<br>JACK DOLMAN<br>RYAN RUBIN<br>RAMIRO BELGARDT<br>SALLY BOLDT<br><br>Orchestra Conducted By<br>GAVIN GREENAWAY<br><br>Orchestra Leader<br>EMYLIN SINGLETON<br><br>Score Recorded And Mixed By<br>SHAWN MURPHY<br><br>Additional Recordings By<br>JAKE JACKSON<br>NICK WOLLAGE<br><br>Additional Mixing By<br>JOHN TRAUNWIESER<br><br>Mix Assistant<br>GORDON DAVIDSON<br><br>Scoring Editor<br>DAVID CHANNING<br><br>Digital Score Recordist<br>ERIK SWANSON<br><br>Orchestra Contractor<br>LUCY WHALLEY<br>For<br>ISOBEL GRIFFITHS LTD<br><br>Choirs<br>ETHNIC BULGARIAN CHOIR "VANYA MONEVA"<br>SOFIA SESSION CHOIR<br><br>Choir Contractor<br>GEORGE STREZOV<br><br>Vocal Contractor<br>EDIE LEHMANN BODDICKER<br><br>Solo Vocals<br>BARAK MAY<br>REID BRUTON<br><br>Music Preparation By<br>MARK GRAHAM<br>GREGORY JAMROK<br>DAVE HAGE<br><br>Score Recorded At<br>ABBEY ROAD STUDIOS, LONDON<br><br>Abbey Road Recordists<br>JOHN BARRETT<br>STEFANO CIVETTA<br>GEORGE OULTON<br><br>Score Mixed At<br>5 CAT STUDIOS, LOS ANGELES<br><br>Score Production Assistants<br>NATE UNDERKUFFLER<br>SOYA SOO
A release would be awesome! It came to my country but I noticed it too late and the tickets were gone. I hope for next year I can see it live but meanwhile listening/watching to it would be amazing!Such a great show indeed !!!<br><br><br>No idea about a release... :/Yes. You can cover credit depending on how much you wrote. Some composers don't even credit their ghost writers.Is anybody going to see the Game Of Thrones Live Experience???<br>If they do.. It’s going to be amazing!! I saw the show yesterday in Amsterdam, and it was epic!!<br><br>@hybrid: do you know if they are going to release a cd / dvd / blu-ray of the show???HZ. The draft of this theme is "Pirates, Day One, 4:56AM"<br>
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 LATEST RELEASES
 NEWS
  2010, February 27
Hans Zimmer - about Henry 4



Comments (2)

  2010, February 27
John Powell



How To Train Your Dragon


  2010, February 25
Sherlock Holmes
Discombobulate Music Video, Composed by Hans Zimmer




Comments (25)

  2010, February 25
Hans Zimmer & Henry Jackman



Henri 4


  2010, February 18


Comments (8)

  2010, February 14
John Powell



Green Zone


  2010, February 12
Composer Zimmer Talks Sherlock Holmes, Inception, Dark Knight, It’s Complicated



In many ways, the best thing about Sherlock Holmes is its score (released January 12), featuring exotic Hungarian and gypsy instruments. It’s one of about a hundred movie scores delivered by prolific German composer Hans Zimmer, who has earned six Oscar nominations; he won for The Lion King in 1994.

Articulate and charming, Zimmer invited me to his lair in Santa Monica, a sprawling complex housing other composers as well as rooms crammed with synthesizers, computers and towers of servers. He’s currently working on Inception for Chris Nolan, for whom he composed the score for The Dark Knight. He gave me a tour, showed me where and how he composes and explained his working process on the scores for Sherlock Holmes, It’s Complicated, Gladiator, and The Dark Knight. He even plays a bit.


Read more : blogs.indiewire.com


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  2010, February 11
Coca Cola : Hard Times (The Simpsons)



Hard Times features a variety of characters from The Simpsons, most notably greedy billionaire C. Montgomery Burns. As Mr. Burns faces the loss of his fortune and worldly belongings, he learns to appreciate lifes simple pleasures like friends and family. The commercial was first shown during Super Bowl XLIV (44) 2010.

Music By Hans ZIMMER & Michael LEVINE

Thanks to Jens Eriksson


Comments (3)

  2010, February 07
David Buckley



From Paris With Love


  2010, February 04
Hans Zimmer, Academy Award Press Statement

Conan Doyle realized that a successful lead character needs to play the fiddle. I wish all filmmakers did. It makes writing the score so much easier. With Guy's great encouragement we took the orchestra out of the lofty spheres of the concert hall and brought them back to the pub, where they seem right at home. After all, There is no human emotion that has not - at one time or other - been profoundly expressed in a pub, and I'm so grateful that my peers at the Academy have recognized that. This is the year where we pit the humble banjo against the might of the orchestra.

Hans Zimmer


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  2010, February 03
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  2010, February 03
The secret lair of Hans Zimmer, from where he inspires the world



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  2010, February 02
Hans ZIMMER nominated for the Oscars ceremony

The Sherlock HOLMES' score composed by Hans ZIMMER is nominated for the Oscars.

Other composers also nominated are James Horner for Avatar, Alexandre Desplat for Fantastic Mr. Fox, Michael Giacchino for Up and Marco Beltrami & Buck Sanders for The Hurt Locker.


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  2010, February 01
Hans Zimmer - Geoff Zanelli - Blake Neely



The Pacific



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