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Why would I ever do that ?<br><br><br>Tracklist is the real one... -_-New trailer for the Sonic movie.<br>https://youtu.be/szby7ZHLnkAIs there any chance of a concert in London?i mean, the page, would you update with the tracklist posted years ago?What.
Un artiste qui a une force mais d'une puissance ! Bravo depuis la France !@Hybrid would you update the complete score with the new tracklist? Thankswhat happened here?. Track 4 Bunker Bust and Track 14 River mission are the exact same track. The game itself has a couple of good themes that didn't make it onto the album.I am really sorry but WHY THERE IS NO CONCERT IN POLAND???Also where I think the "Spidey Theme" listed here is from, since what's on there is basically a slightly expanded "Spidey Logo - Flying" that doesn't quite fit in with length of the scene in the movie.
Before any of the expanded leaks came about, there was this 10 track set that apparently came from promotional materials for the film. While a good chunk of cues are from the final score, 3 seem to be demos that were much harsher in sound. Two of them being the Electro Showdown tracks listed here, which weren't added to the largest set currently out there (that has 2 other tracks from the 10 tk set).<br><br>Of course, there is the website that is forbidden to mention that you can find it on, but I'm sure it's reached other outlets as well if you know where to look. Was going to write about this earlier when the previous set of posts asking similiar questions were made, but I got sidetracked.Would love an instrumental track of this“The Alethiometer” might be my new favorite track of the year. Those chord progressions scream JNH/Jerry Goldsmith and are pretty similar to Balfe’s work on Beyond: Two Souls/Blackwood.<br><br>I’m glad to see this score getting some love, I’ve always been annoyed with how people seem to slam Balfe for his more workmanlike efforts while ignoring the stronger scores he has done over the years.I really like this score. Not a big fan of Balfe, but really enjoy this one.<br><br>And is it me or does The Tales Of Lee Scoresby really sound like Sweetwater from Westworld?Hi,<br><br>the VIP ticket prices are very high and I wonder if a Meet & Greet is included or possible?
Edit: The track "Farewell" is actually the track titled "Unused Source".<br>I've looked for a while now and can't find a track specifically titled "Farewell" that matches the one listed here. Also, both of the alternate versions of the  "Electro Showdown" are evading my search. Do they actually exist?<br>I agree, lovely choir compositions; although I find myself preferring his work on Kyrie simply due to the larger orchestral/instrumental arrangments.Tickets bought!Amazing album!
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 LATEST RELEASES
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  2010, October 17
Hans ZIMMER



RAIN MAN Official Complete Release
Limited 2000 copies


Buy this item Here


Comments (18)

  2010, October 12
Oscar Watch: Hans Zimmer Talks Inception Score



Christopher Nolan’s Inception, which has crossed the $800-million mark worldwide, certainly will be one of this year’s ten best picture Oscar nominees. Warner Bros. will bring the movie back into the public eye when it promos the DVD release in early December. One key contributor to the film’s success is composer Hans Zimmer, who has been consistently strong of late (Sherlock Holmes marked his seventh Oscar nomination; he won for The Lion King). Released on iTunes July 9, the Inception soundtrack was a top ten bestseller.
> Read more : http://blogs.indiewire.com/thompsononhollywood/2010/10/10/zimmer/#


Comments (15)

  2010, October 09
Marc Streitenfeld



Welcome To The Rileys
John Powell



Fair Game


  2010, October 09
In this audio interview Ramin Djawadi talks about his recent score to the newest game in the Medal Of Honor franchise.
Special thanks to Ramin, Ray Costa and Sarah Grace at Costa Communications.



Comments (1)

  2010, October 06
Composer Interview: Going To Town With David Buckley



"I got a chance to once more ask Dave a few questions about his recent collaboration with Harry Gregson-Williams on the new Ben Affleck film The Town. David talks about the collaborative process, using electronics as an instrument and much more."
> Read More


Comments (1)

  2010, October 04
Interview with Nick Glennie-Smith


Nicolas de Villiers (The park's president), Nick Glennie-Smith et Philippe de Villiers (The park's founder)

How did you discover the Puy Du Fou ?
They actually discovered me after hearing the Iron Mask score which I composed. After a few meetings between Los Angeles and Vendée, we eventually worked together. I immediately loved the concept of the show and the people working there.
How did you manage ?
We worked together for three years. I started from videos, scripts. Nicolas and Philippe de Villiers told me the story and gave me the color and the feeling. I personally added the orchestral music with a rock"n roll background.
Tell us about your career...
I have been working with a park for the one and unique time. I usually compose for the cinema. For example, I wrote the "Pirates of the Caribbean", "Da Vinci Code", "The Iron Mask" scores. It's more or less the same universe as the cinema, with an addition of thirteen thousand spectators. After a film, the show is over whereas, in a park, it goes on. It's more lively.
What are your projects ?
We are working on the 2011 Cinéscénie. We will have to recompose some musics. The show will be recorded with the London or Los Angeles symphonic orchestra. A Vendean musician, Laurent Tixier, is working with us.

Interview by Linda Benotmane (Ouest-France)
Thanks to Dominique Michonneau
Translation by Béatrice Cabarrou


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  2010, October 01
Hans Zimmer & Lorne Balfe



Megamind



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