NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Tracklist<br><br>1. Hostage Part 1<br>  2. Will & Sarah<br>  3. Welcome To Heaven<br>  4. Botha<br>  5. The Crane<br>  6. Chopper Ambush<br>  7. Duct Tape<br>  8. Bridge Collapse<br>  9. Proper Motivation<br>  10. Out On A Ledge<br>  11. Georgia & Henry<br>  12. Reflections<br>  13. Hostage Part 2<br>  14. Reboot<br>  15. Lucky Man<br>  16. Skyscraper<br>  17. The Pearl<br>  18. WallsSorry about my ingnorance, but what means "Additional Music" (Batu Sener, Paul Mounsey, etc)?Conrad Pope orchestrated and conducted this in New Zealand so i hope this isn’t Junkie’s regular sound design, percussion and synth score.@Edmund Meinerts:<br><br>"Hope nobody is stupid enough to think Powell was to blame." This. Following that same logic, Disney should never have let Williams back after the prequel trilogy.Has anyone been able to source this amazing soundtrack on records? <br><br>Thanks,
He already did score a masterpiece in Mad Max Fury Road, although his music for that was no masterpiece. ;)Do you say "masterpiece" based on Peter Jackson's name, or based on the trailer? Because I'm really afraid for this movie, I love Jackson's films, but it just looks too dumb :-pBest chance Junkie XL will ever have to score a masterpiece. Hope he do one this right.According to Film Music Reporter Junkie will score Mortal Engines. <br><br>http: //filmmusicreporter.com/2018/06/18/junkie-xl-scoring-mortal- engines-movie-adaptation/There wasn't really any hype for the movie, it didn't seem like people were all that interested in a Han Solo origin story. Plus it's only been half a year since Last Jedi came out and broke the internet. Unlike Marvel, Star Wars doesn't seem immune to franchise fatigue.<br><br>A shame. Hope nobody is stupid enough to think Powell was to blame.
Hi guys. Dose anybody know why solo faild in box office ?Search for "filmtracks".Sorry, just found it.Tried that, couldn't find an author named Clemmensen who reviewed it. (I don't know where to look I haven't seen this guy's reviews before).Should be easy to find with google...
Seriously guys, what site is he on? I want to see this review, but I don't know where it is.I know woodwinds, with few exception, have been completely abandoned by RCP, but man would it be nice if Steve fit woodwinds into the small scale family scenes. He's great with them, but for whatever reason he doesn't seem to be able to use them unless it's an animation, The Sims or IDEA specifically, or fantasy (even then The Last Witch Hunter had no woodwinds). They add so much to the soundscape and make any score so much richer. <br><br>I'm listening to the Lord of the Rings Trilogy again currently, and god, they'd be nothing without all of those flutes and clarinets. Even when the main instrument is brass or string, the addition of woodwinds is so cleverly implemented by Shore, and they not only blend, but they actively enhance the sound. <br><br>Of course I'd also love Steve to continue using choir. He even seems to be getting better with it, with Transformers 5's use of it resembling the Halo franchise in a number of ways. It would be a wonderful surprise though if he went back to woodwinds eventually. I'm definitely not of the belief that they can't be used in a modern day setting either (Silence of the Lambs and the Spider-Man scores use them particularly well).Steve is a very accommodating composer. So it's really up to the director's vision. With Bay, you know you gonna hear some of the best stuff Steve has to offer and that's because they share the same "musical ear".<br><br>When he's scoring Peter Berg movies, Steve often relies on sound design and his scores for those movies are not really melodic. The few exceptions aside, Berg likes sound design scores. And he likes to experiment A LOT (example: the MRI machine sound that was incorporated in the Battleship score. Bold choice!).<br><br>Where does the director of Skyscraper stand in all of this?<br><br>Personally, I think this score will be "in the middle". Little sound design there, little melodic cue over here.... : ) I don't expect power anthems, simply because - as big as the movie is - it's not "Michael Bay big". I do hope for a little choir work though. Steve is great with choir.The Solo review does look quite good.<br><br>Clemmensen comes across pretty badly in many of his reviews. Even some of the positive ones. He has some very strong preconceptions about certain things that sometimes lead him to say some reasonably aggravating stuff.<br><br>Interestingly, he stays almost reasonable in his A World's End review. I wouldn't point to that one as his most typical negative review.Additional information<br>Posted date 2016<br><br>but, It was sold for two years.<br><br>
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





 .
Comments (2)   
See More...  
 LATEST RELEASES
 NEWS
  2010, October 17
Hans ZIMMER



RAIN MAN Official Complete Release
Limited 2000 copies


Buy this item Here


Comments (18)

  2010, October 12
Oscar Watch: Hans Zimmer Talks Inception Score



Christopher Nolan’s Inception, which has crossed the $800-million mark worldwide, certainly will be one of this year’s ten best picture Oscar nominees. Warner Bros. will bring the movie back into the public eye when it promos the DVD release in early December. One key contributor to the film’s success is composer Hans Zimmer, who has been consistently strong of late (Sherlock Holmes marked his seventh Oscar nomination; he won for The Lion King). Released on iTunes July 9, the Inception soundtrack was a top ten bestseller.
> Read more : http://blogs.indiewire.com/thompsononhollywood/2010/10/10/zimmer/#


Comments (15)

  2010, October 09
Marc Streitenfeld



Welcome To The Rileys
John Powell



Fair Game


  2010, October 09
In this audio interview Ramin Djawadi talks about his recent score to the newest game in the Medal Of Honor franchise.
Special thanks to Ramin, Ray Costa and Sarah Grace at Costa Communications.



Comments (1)

  2010, October 06
Composer Interview: Going To Town With David Buckley



"I got a chance to once more ask Dave a few questions about his recent collaboration with Harry Gregson-Williams on the new Ben Affleck film The Town. David talks about the collaborative process, using electronics as an instrument and much more."
> Read More


Comments (1)

  2010, October 04
Interview with Nick Glennie-Smith


Nicolas de Villiers (The park's president), Nick Glennie-Smith et Philippe de Villiers (The park's founder)

How did you discover the Puy Du Fou ?
They actually discovered me after hearing the Iron Mask score which I composed. After a few meetings between Los Angeles and Vendée, we eventually worked together. I immediately loved the concept of the show and the people working there.
How did you manage ?
We worked together for three years. I started from videos, scripts. Nicolas and Philippe de Villiers told me the story and gave me the color and the feeling. I personally added the orchestral music with a rock"n roll background.
Tell us about your career...
I have been working with a park for the one and unique time. I usually compose for the cinema. For example, I wrote the "Pirates of the Caribbean", "Da Vinci Code", "The Iron Mask" scores. It's more or less the same universe as the cinema, with an addition of thirteen thousand spectators. After a film, the show is over whereas, in a park, it goes on. It's more lively.
What are your projects ?
We are working on the 2011 Cinéscénie. We will have to recompose some musics. The show will be recorded with the London or Los Angeles symphonic orchestra. A Vendean musician, Laurent Tixier, is working with us.

Interview by Linda Benotmane (Ouest-France)
Thanks to Dominique Michonneau
Translation by Béatrice Cabarrou


Comments (0)

  2010, October 01
Hans Zimmer & Lorne Balfe



Megamind



 HANS-ZIMMER.com© 2001-2017 OST 
Stephane Vidali / Antas - Nicolas Cabarrou