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You may be right, but I actually think Jackman did a pretty good job with his scores this year. I enjoyed Jumanji, and i may be in the minority here but i actually really enjoyed Kong as well. I tend to think he and Margeson just have a great collaborating chemistry because those Kingsman scores are two of the best scores either one of them has done.I hope he does a better job than in WW. I like the main theme, but I'm not much of a fan of the RGW score. The most striking moments of it are those in which it mentions King Arthur or The Last Samurai.Finally got around to watch this - heavily underappreciated- sequel, and listening to its fantastic score I'm almost positive Jackman had nothing to do with it and it was all Matt Margeson's work. <br><br>I liked his Jumanji, to be honest, but it "only" felt like Jackman slowly coming to his senses after years of lackluster input (Kong, Civil War, Jack Reacher etc.) - it was by no means a strong, thematic, action packed, masterfully orchestrated score as Kingsman 2 (or the first one, for that matter) was. This alone tells me volumes about the composer-listing shennanigans of this soundtrack. If this isn't Margeson through and through, I will eat my hat and chug it down with whiskey.I completely agree!Lol okay I trust you, its awesome how RGW has broken from the comedic scores and is getting some really good opportunities to create some pretty incredible music
Can't divulge the source. But it's happening.Source???? If true I'm pumped. No more of that Elfman crap lolRup's is scoring Aquaman!I’m talking about the Bruce Wayne Dream sequences (and at the beginning of preparation montage). They use the world engine effect in the background, im not sure if it’s the score or just the sfxI am pretty sure they were not incorporated in the film either.<br>You just hear them whenever the engine fires. And sometimes its timed pretty well with the music
Question for anyone whos actually heard this, are the world engine sound effects incorporated in the score like they are in the film?How do I listen to this tracklist?Hey man could any of you please help me find the film version of harry transformation from TASM 2 complete score? I got the 3:09 long one but that's the album versionAh, ok. I didn't know that was a suite, Backbiter. Thanks!superultramegaa i think that you are missing The Knight Ship from TF4.
Wow, great collection superultramega! I don't know if there are any of them missing, but with those, there is a 35-track collection. Not bad at all!The bigger question is; how many more suites did Hans record. We know about The Batman Suite, but what about Lex, etc.So digging this scoreI think I can remember all of them for you.<br><br>TF1 - Autobots, Optimus, The AllSpark, Arrival to Earth, Frenzy, Decepticons, Bumblebee, Whitwicky<br><br>TF2 - Prime, Infinite White, The Fallen, Heed Our Warning, Einstein's Wrong, The Shard<br><br>TF3 - I can't remember the album names but for the complete score there's:<br>Death and Return Suite, Sentinel Prime, Battle Glorious Suite, Battle, Our Final Hope, Megatron in DC, Conspiracy Suite, Shockwave<br><br>TF4 - Autobots Reunite, Tessa, Hunted, Lockdown, Decision, Galvatron, (and maybe I'm forgetting a few others).<br><br>TF5 - Sir Edmund Burton, We Have To Go, Sacrifice, Purity of Heart, Izzy, Merlin's Staff, Seglass Ni Tonday, VivianCould somebody help me to create a list of all the suites from the five Transformers movies? I want to make a compilation of all of them but I cannot figure out what are all of them. Thanks!
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  2010, October 17
Hans ZIMMER



RAIN MAN Official Complete Release
Limited 2000 copies


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Comments (18)

  2010, October 12
Oscar Watch: Hans Zimmer Talks Inception Score



Christopher Nolan’s Inception, which has crossed the $800-million mark worldwide, certainly will be one of this year’s ten best picture Oscar nominees. Warner Bros. will bring the movie back into the public eye when it promos the DVD release in early December. One key contributor to the film’s success is composer Hans Zimmer, who has been consistently strong of late (Sherlock Holmes marked his seventh Oscar nomination; he won for The Lion King). Released on iTunes July 9, the Inception soundtrack was a top ten bestseller.
> Read more : http://blogs.indiewire.com/thompsononhollywood/2010/10/10/zimmer/#


Comments (15)

  2010, October 09
Marc Streitenfeld



Welcome To The Rileys
John Powell



Fair Game


  2010, October 09
In this audio interview Ramin Djawadi talks about his recent score to the newest game in the Medal Of Honor franchise.
Special thanks to Ramin, Ray Costa and Sarah Grace at Costa Communications.



Comments (1)

  2010, October 06
Composer Interview: Going To Town With David Buckley



"I got a chance to once more ask Dave a few questions about his recent collaboration with Harry Gregson-Williams on the new Ben Affleck film The Town. David talks about the collaborative process, using electronics as an instrument and much more."
> Read More


Comments (1)

  2010, October 04
Interview with Nick Glennie-Smith


Nicolas de Villiers (The park's president), Nick Glennie-Smith et Philippe de Villiers (The park's founder)

How did you discover the Puy Du Fou ?
They actually discovered me after hearing the Iron Mask score which I composed. After a few meetings between Los Angeles and Vendée, we eventually worked together. I immediately loved the concept of the show and the people working there.
How did you manage ?
We worked together for three years. I started from videos, scripts. Nicolas and Philippe de Villiers told me the story and gave me the color and the feeling. I personally added the orchestral music with a rock"n roll background.
Tell us about your career...
I have been working with a park for the one and unique time. I usually compose for the cinema. For example, I wrote the "Pirates of the Caribbean", "Da Vinci Code", "The Iron Mask" scores. It's more or less the same universe as the cinema, with an addition of thirteen thousand spectators. After a film, the show is over whereas, in a park, it goes on. It's more lively.
What are your projects ?
We are working on the 2011 Cinéscénie. We will have to recompose some musics. The show will be recorded with the London or Los Angeles symphonic orchestra. A Vendean musician, Laurent Tixier, is working with us.

Interview by Linda Benotmane (Ouest-France)
Thanks to Dominique Michonneau
Translation by Béatrice Cabarrou


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  2010, October 01
Hans Zimmer & Lorne Balfe



Megamind



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