NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Greetings! I have a question regarding the placement of certain cues. Here, "Mycroft Is Nude" is placed where it plays in the film. However, on the sheets, it's shown as being after "Paris Bombing Investigation." Was the scene originally supposed to be later in the film? I'd be curious to know.just beautifulThis is a whole new side of his music as compared to what we normally hear.Black Widow has been moved to Nov. 6th, so we'll het Balfe's sckre at the end of the year.<br><br>Mulan has been moved to July 24th.Beautiful score! Matches well with The Lion King and Whispers
Booklet credits:<br><br>"Wedding"<br>Lyrics: Joanna Wallfisch<br>Elenor Bowers-Jolley: Vocals<br><br>"Siren's Lullaby"<br>Lyrics: Joanna Wallfisch<br>Sarah Lee, Elenor Bowers-Jolley: Vocals<br><br>Yuja Wang: Piano<br>Jack Liebeck: Violin<br>Raphael Wallfisch: Cello<br><br>The Chamber Orchestra of London<br>Janice Graham: Leader<br><br>Music Composed and Conducted by Benjamin Wallfisch<br><br>Score Recorded at Air Studios, London, September 2012<br>Piano Recorded at Avatar Studios, New York, September 2012<br>Music Mixed at Squadron Sound<br>Music Producer: Benjamin Wallfisch<br>Additional Orchestration: Ben Foskett<br>Orchestra Contractor: Gareth Griffiths<br>Score Recorded and Mixed by Jake Jackson<br>Scoring Co-Producer: Alexander van Ingen<br>Assistant Engineer: Chris Barrett<br>Mix Assistant: Adam Miller<br>Music Preparation: Global Music Services, Ltd<br>Publisher: Du Vinage Publishing Ltd<br>Executive Producer DG: Christian Badzura<br>Project Coordinator DG: Burkhard Bartsch<br><br>Booklet Editor: Jens Schünemeyer<br>Photos: Summer in February Films<br>Cover Design: The Creative Partnership<br>Package Design: Mareike Walter<br>Art Direction: Merle KerstenBooklet credits:<br><br>Music Composed by Benjamin Wallfisch<br><br>Music Orchestrated and Produced by Benjamin Wallfisch<br>Executive Producer: Robert Townson <br>Vocal Improvisations by Sussan Deyhim (tracks 2 & 7)<br>Additional vocals: Joanna Wallfisch (tracks 1 & 8) <br>Guitars: Owen Gurry<br>Score Performed by Macedonian Radio Symphony Orchestra<br>Conductor: Oleg Kondratenko<br>Orchestra Leader: Ana Kondratenko<br>Orchestra Contractor: Laurent Koppitz<br>Score Recorded by Giorgi Hristovski<br>Assistant Engineer: Boban Apostolov<br>Score Mixed by Benjamin Wallfisch<br>Orchestra Recorded at MRTV, Macedonia<br>Music Mixed at Fifth Street Music, Santa Monica<br>Music Programming: Benjamin Wallfisch<br>Mastered by Patricia Sullivan<br><br>Special Thanks from the composer to: Afshin Ghaffarian, Richard Raymond, Pippa Cross, Akram Khan, Bob Bowen, Sussan Deyhim, Andrew Shulman, Owen Gurry, Joanna Wallfisch, Robert Townson, Laurent Koppitz and Darrell AlexanderHmmm, according to Batu's website he worked on the first half of L3 & Millennium FalconLovely score with beautiful themes, atmospheric vocal parts and a nice orchestration.This is a highly underrated album. It's nothing short of a masterpiece, a modern opera. The choir is beautiful, and the choice of gospel for the first track gives it a unique identity, though I'm not sure how well it meshes with the orchestra. It feels a bit off, but will hopefully improve for me on further listens. <br><br>The composition, has to me, elevated Powell to the status of the second best living composer (Williams is still first for now). It's pure orchestral beauty and mastery with variety of texture, color, and style, with seamless tonal transitions. The complexity rivals some of the great works of the past. <br><br>It's strange to me that this is called "choral works". Sure the choir is an important element, but it really should be named "Hubris Symphony", or "Hubris: The Opera", because that's the status the album deserves.
My Attempt at a chronological order with edits (feel free to correct any mistakes or if I missed anything) <br><br>1. A Storm Is Coming (0:00 - 0:36) (Logos) <br>2. Should You Choose To Accept (0:00 - 0:52) <br>3. Good Evening, Mr. Hunt (4:19) <br>4. Plutonium Trade (2:53) <br>5. A Terrible Choice (2:55) <br>6. The Manifesto (1:44)  <br>7. Fallout (1:30)  <br>8. Your Mission (2:14)  <br>9. Free Fall (4:14) <br>10. As Ugly As They Come (2:26) <br>11. The White Widow (4:42) <br>12. Should You Choose To Accept (0:52 - 2:34) <br>13. Framing Ethan (2:01)  <br>14. The Exchange (5:55)  <br>15. Escape Through Paris (5:05) <br>16. Steps Ahead (1:02)  <br>17. Je Suis De Sole (1:06)  <br>18. We Are Never Free (6:57)  <br>19. Trapped (3:26)  <br>20. The Mission Is Terminated (2:09)  <br>21. No Hard Feelings (4:20)  <br>22. Stairs And Rooftops (6:00)  <br>23. Kashmir (4:29) <br>24. Fate Whispers To The Warrior (3:54) <br>25. And The Warrior Whispers Back (3:56) <br>26. Scalpel And Hammer (0:00 - 2:19) <br>27. Cutting On One (0:00 - 2:23) <br>28. Unfinished Business (1:49)  <br>29. A Storm Is Coming (0:36 - 1:12) <br>30. I Am The Storm (2:07)  <br>31. Scalpel And Hammer (2:19 - 5:10) <br>32. Cutting On One (2:23 - 3:42) <br>33. The Last Resort (2:55)  <br>34. Mission: Accomplished (1:15) <br>BONUS TRACKS: <br>35. The Syndicate (Unused) (6:00) <br>36. Change Of Plan (Unused) (5:47)Rogue One is a bit of an odd one. From what I'd heard, Desplat had joined on the condition he'd be allowed to do his own thing and not ape Williams. But once they decided to overhaul the film, they pressured him to go that exact direction. Things stayed still for a while (in which he still got paid) before he was finally let go very late into production. So the idea he sorta just left is interesting, so I'm curious to hear what that was about.<br><br>For BW, it seems very likely to me that Marvel simply were unsure about Alexandre's music, so I'm guessing they hired Balfe to do some demos and decided from there. Who knows what the exact timeline is, but I'd wager it'd have to at least be this year if he's been on it a bit. Especially with AD's name having stayed on the posters during it.Hybrid, Desplat left Rogue One just for his own idea? I know he left that movie beacuse schedule conflict for the reshoots. <br>But for Black Widow seems that the replacement was since months ago with Lorne writing and recording the score at the same timeht tp:// filmmusicreporter. com/2020/04/01/ track-list-for-disneys-live-action-mulan -soundtrack-album-revealed/<br><br>Why release a tracklist for an album that won't be released for another 6 months at least. That's just a punch in the gut, in my opinionSo it won't be a last minute and hasty job?
No idea but he was on it for a bit, I think.Hybrid, do you know how long Lorne had to score?Score is recorded already.Yup, which makes me wonder if they had to wait before announcing it, considering Desplat was still being listed in posters prior to the delay.I think Lorne teased this some time ago by sending a picture of researching Russian music on insta (maybe)
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





 .
Comments (1)   
See More...  
 LATEST RELEASES
 NEWS
  2010, December 21
WEBRADIO IS CHANGING FOR A NEW SERVER

Click HERE to listen the new adress. The Webradio page will be updated in a few hours.


  2010, December 19
Daft Punk



Tron Legacy


  2010, December 14
Hans ZIMMER nominated for the Golden Globes Awards

The HFPA nominated the INCEPTION's soundtrack for "BEST ORIGINAL SONG – MOTION PICTURE" category.

Other nominated composers are :

Alexandre DESPLAT (The King's speech)
Danny ELFMAN (Alice In Wonderland)
A.R. RAHMAN (127 Hours)
Trent REZNOR, Atticus ROSS (The Social Netwok)

The show will be broadcast nationwide live on NBC, in HD, Sunday, January 16, 2011 from 5:00-8:00 (PST)/8:00-11:00 (EST) from the Beverly Hilton Hotel.


Comments (52)

  2010, December 14
Sound Byte: Meet the Composer - Disney Epic Mickey's Jim Dooley

James (or Jim) Dooley is an Emmy-award-winning composer who graduated from New York University. (He was also a speaker at this year's PAX, which you can read about here.) In 1999, he began working with Hans Zimmer on Gladiator, which then led him to work on movies such as The Da Vinci Code, Pirates of the Caribbean: The Curse of the Black Pearl, King Arthur, and many more. In addition to having an extensive background in film, he's a prolific composer in other forms of media, including television, where in 2008 he won an Emmy for his music in the hit ABC series Pushing Daisies. When it comes to video games, though, he has worked on Jak and Daxter: The Lost Frontier, a couple of SOCOM games, and, of course, Disney Epic Mickey. Watch our interview below to find out what kinds of challenges he faced when it came to reimagining some of Disney's most famous tunes.

Complete video interview : http://www.gamespot.com/wii/adventure/disneyepicmickey/news.html?sid=6284470


Comments (0)

  2010, December 14
Composers Find New Playgrounds In Video Games

The game, Epic Mickey, has just been released for the Nintendo Wii. The man who wrote the music, Jim Dooley, has worked on some of the biggest TV and movie projects in the past decade. Dooley told All Things Considered host Guy Raz that video games present interesting challenges to the modern day composer.

Read more : http://www.npr.org/blogs/therecord/2010/12/01/131702650/composers-find-new-playgrounds-in-video-games


Comments (0)

  2010, December 14
The Pirates of the Caribbean: The Curse of the Black Pearl
Complete score world premiere live (full symphony Orchestra and chorus)
On 20/21 January 2011




For further informations and/or ticket ordering go to www.artproductions.ch


Comments (12)

  2010, December 13
Matthew Margeson Gets In Line With The Sky

I started banging around on an old organ that my parents had in the house when I was about 4 years old or so. My parents thought it would be a good idea to start some lessons very soon after. When I turned 5... they hired this old, old man to come to our house every week and give lessons. I think he was maybe 72 years old or so when he started teaching me, and he actually was my private instructor for the next 12 years.

Throughout my youth, I was very much involved in musical theatre. I was involved in a lot of community theatre, doing musical direction for performances. During this time, I also had a little part-time job working at a small local video rental store. Because there was very little foot traffic at the store - the employees basically just hung around all day and watched films. I think both of these situations were a good recipe for me to have a strong interest in film music. I watched a lot of movies, I played a lot of music, and had quite a bit of experience performing music live to people acting on stage.

I studied Film Scoring & Composition at Berklee College of Music in Boston, and shortly after - drove out to Los Angeles. That, and a little bit of working with the right people in LA kind of brings us to where I am today.


> Read the complete interview


Comments (2)

  2010, December 07
Hans Zimmer to join Hollywood Walk Of Fame -UPDATED-



Hans Zimmer is to be honoured with a star on Hollywood's Walk of Fame, organizers announced Thursday.

The 53-year-old will receive star number 2426 at an unveiling ceremony tomorrow. Guests are to include director Christopher Nolan, whose recent films Inception, The Dark Knight and Batman Begins are all accompanied by Zimmer's music.

The composer said he would dedicate his star to agent Ronni Chasen who was murdered in Hollywood last month, shot in her car on Sunset Boulevard. Chasen had represented Zimmer for many years.

Hans Zimmer was nominated twice for a Grammy this week, for his work on Sherlock Holmes and Inception.

source : monsterandcritics.com

Here are some pictures and videos from this event...







Comments (16)

  2010, December 03
Hans Zimmer confirmed to score new Pirates movie

Hans Zimmer is set to start scoring the fourth part in the Pirates of the Caribbean series in January of next year. In Pirates of the Caribbean: On Stranger Tides, Jack Sparrow and Barbossa embark on a quest to find the elusive fountain of youth, only to discover that Blackbeard and his daughter are after it too.



Comments (35)


 HANS-ZIMMER.com© 2001-2018 OST 
Stephane Vidali / Antas - Nicolas Cabarrou