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I don’t care about those. Sure, I hope they get released for everyone who does want them badly, but I personally have zero interest in those. I will say it would also be nice to get Dunkirk and Inferno released at some point as well.last big grail chappie and kfp3? what about tears of the sun? what about beyond rangoon? what about spanglish?This and KFP3 are definitely 2 of my last big “Zimmer Grails”. Some great stuff missing.NOPE!Has a complete/expanded score been leaked?
Feel free to correct me if I made a mistakeOkay so after cross-referencing the OST to the complete <br>and rearranging in chronological order heres what I came up with:<br>1234 A.D. - Atli Örvarsson, Martin Tillman<br>Season of the Witch - Atli Örvarsson<br>Behmen - Atli Örvarsson<br>Crusades - Atli Örvarsson, Matthew Margeson<br>The Plague - Atli Örvarsson, David Fleming<br>The Village - Atli Örvarsson<br>Is That the Witch? - Atli Örvarsson<br>Behmen & the Girl - Atli Örvarsson<br>Teach Him Some Manners - Atli Örvarsson<br>Eckhart's Funeral - Atli Örvarsson<br>Crossing the Bridge - Atli Örvarsson<br>Wormwood - Atli Örvarsson<br>Wolf Attack - Atli Örvarsson<br>Road to Severac - Atli Örvarsson<br>Clavis Salomonis - Atli Örvarsson<br>Dead Monks - Atli Örvarsson<br>Like Cockroaches - Atli Örvarsson, David Fleming<br>Kill the Demon - Atli Örvarsson, Bobby Tahouri<br>I Was There - Atli Örvarsson<br>Felson & Kay Fight (Alternate) - Atli Örvarsson<br>Anna & Kay (Alternate) - Atli ÖrvarssonThere were a few others but they aren't named on albumAccording to what I found on ASCAP, Metzger co-wrote:<br>Pontoons<br>We Got the Gear Box<br>It's Hip to be Cad<br>Cheers<br>Fire by the Lodge<br>Evacuation<br>Tourist Trapped<br>Rescue Harvey & WinnieHello everyone. I have recently watched "Son of God" and was blown away by the music in the scene where Jesus was lashed by the Romans. It's a slower and dramatic version of the main-theme. I was looking to find it on this soundtrack and also in "The Bible", but can't find it somehow?! Is it really not on the soundtrack, or am I just unable to find it? ^^<br><br>Please everyone, can you help me to find this cue or isn't it on the soundtracks? Thank you so much in advance and hope for your help.<br>
Fleming doesn't seem to have done much, and both Dave and Vorlander are credited on the Simulation Pt I.After digging through ASCAP a bit, I found Dave Fleming's and Vorlander's credits on this so here's what I found: <br><br>David Fleming:<br>1M01 Opening (this is a guess as there he is credited on a cue just named Divergent)<br>3M24 Grab the Rail<br>4M30 Weapon of Choice<br>5M56a Simulation of Four's Fears, Part I<br><br>Christian Vorländer:<br>1M03 Lining up for the Test<br>1M04 Simulation<br>2M08 Jumping from the Train<br>3M16 Training Begins<br>3M17 Tris Sees Tori<br>3M26 Knife Throwing<br>3M27 Jeanine at Dauntless<br>4M28 Tris vs. Peter<br>4M30 Weapon of Choice<br>4M31 Climbing the Ferris Wheel<br>4M32 Capture the Flag<br>4M38 Simulation / Crow Attack<br>5M42 Simulation / Trapped Water<br>5M49 Tris Attacked / Four Saves Tris<br>5M56a Simulation of Four's Fears, Part I<br>6M63 Zombies<br>Tris Takes the Final Sim TestThis album is the best!! I Love the movie and the music makes it.Does anyone know about the live performance of Fallout ?That makes perfect sense and I fully agree with you :p
Science & Religion on the OST is comprised of 4m25a Black Tongue part A and 6m38 God Save Us. Hope this helps!I was never extremely gung ho about any of the films, but I do agree that there feels like a bit of charm was missing from this one. Especially in the tidy way everything wrapped up. I also found the villain to be extremely forgettable, basically a lesser version of Drago. But hey, at least the visuals were great.<br><br>And I do partially agree on the score, although I think it is hard to give a fair opinion until the music has actually been released. But while HTTYD1 has all of the best highlights and HTTYD2 (my personal favorite) has the best narrative development, I feel like this one works as a solid score on it’s own. The weakest of the three but still a pretty good score, if that makes sense.Can someone please tell me which parts make Science & Religion and the rest of the Original Soundtrack release?I have to say I'm a little bit disappointed, movie wise and score wise. Although it's a very good score, it seems like all the highlights are when old themes come back. I'll definitely have to check it on album to see if this impression holds up, maybe it's only because I'm overly familiar with those themes, and new ones still have to grow on me (like with litterally every Powell release).<br><br>As for the movie, it felt like the charm and beautiful story of #1 have partly been replaced by poor jokes and loads of explosive action. There are moving moments here and there, but overall it left me quite cold.Assuming McQ changing up the crew for newer installments applies to the composers too, I'd certainly like to see someone else take the mantle. Would be interesting to see David Arnold tackle a different sort of spy film, or John Ottman taking a stab at it.<br><br>Though if anyone were to return, it'll likely be Balfe, just from all the buzz Fallout got. Would love to see Kraemer again, but the supposed BTS issues make that unlikely.
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  2010, December 21
WEBRADIO IS CHANGING FOR A NEW SERVER

Click HERE to listen the new adress. The Webradio page will be updated in a few hours.


  2010, December 19
Daft Punk



Tron Legacy


  2010, December 14
Hans ZIMMER nominated for the Golden Globes Awards

The HFPA nominated the INCEPTION's soundtrack for "BEST ORIGINAL SONG – MOTION PICTURE" category.

Other nominated composers are :

Alexandre DESPLAT (The King's speech)
Danny ELFMAN (Alice In Wonderland)
A.R. RAHMAN (127 Hours)
Trent REZNOR, Atticus ROSS (The Social Netwok)

The show will be broadcast nationwide live on NBC, in HD, Sunday, January 16, 2011 from 5:00-8:00 (PST)/8:00-11:00 (EST) from the Beverly Hilton Hotel.


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  2010, December 14
Sound Byte: Meet the Composer - Disney Epic Mickey's Jim Dooley

James (or Jim) Dooley is an Emmy-award-winning composer who graduated from New York University. (He was also a speaker at this year's PAX, which you can read about here.) In 1999, he began working with Hans Zimmer on Gladiator, which then led him to work on movies such as The Da Vinci Code, Pirates of the Caribbean: The Curse of the Black Pearl, King Arthur, and many more. In addition to having an extensive background in film, he's a prolific composer in other forms of media, including television, where in 2008 he won an Emmy for his music in the hit ABC series Pushing Daisies. When it comes to video games, though, he has worked on Jak and Daxter: The Lost Frontier, a couple of SOCOM games, and, of course, Disney Epic Mickey. Watch our interview below to find out what kinds of challenges he faced when it came to reimagining some of Disney's most famous tunes.

Complete video interview : http://www.gamespot.com/wii/adventure/disneyepicmickey/news.html?sid=6284470


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  2010, December 14
Composers Find New Playgrounds In Video Games

The game, Epic Mickey, has just been released for the Nintendo Wii. The man who wrote the music, Jim Dooley, has worked on some of the biggest TV and movie projects in the past decade. Dooley told All Things Considered host Guy Raz that video games present interesting challenges to the modern day composer.

Read more : http://www.npr.org/blogs/therecord/2010/12/01/131702650/composers-find-new-playgrounds-in-video-games


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  2010, December 14
The Pirates of the Caribbean: The Curse of the Black Pearl
Complete score world premiere live (full symphony Orchestra and chorus)
On 20/21 January 2011




For further informations and/or ticket ordering go to www.artproductions.ch


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  2010, December 13
Matthew Margeson Gets In Line With The Sky

I started banging around on an old organ that my parents had in the house when I was about 4 years old or so. My parents thought it would be a good idea to start some lessons very soon after. When I turned 5... they hired this old, old man to come to our house every week and give lessons. I think he was maybe 72 years old or so when he started teaching me, and he actually was my private instructor for the next 12 years.

Throughout my youth, I was very much involved in musical theatre. I was involved in a lot of community theatre, doing musical direction for performances. During this time, I also had a little part-time job working at a small local video rental store. Because there was very little foot traffic at the store - the employees basically just hung around all day and watched films. I think both of these situations were a good recipe for me to have a strong interest in film music. I watched a lot of movies, I played a lot of music, and had quite a bit of experience performing music live to people acting on stage.

I studied Film Scoring & Composition at Berklee College of Music in Boston, and shortly after - drove out to Los Angeles. That, and a little bit of working with the right people in LA kind of brings us to where I am today.


> Read the complete interview


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  2010, December 07
Hans Zimmer to join Hollywood Walk Of Fame -UPDATED-



Hans Zimmer is to be honoured with a star on Hollywood's Walk of Fame, organizers announced Thursday.

The 53-year-old will receive star number 2426 at an unveiling ceremony tomorrow. Guests are to include director Christopher Nolan, whose recent films Inception, The Dark Knight and Batman Begins are all accompanied by Zimmer's music.

The composer said he would dedicate his star to agent Ronni Chasen who was murdered in Hollywood last month, shot in her car on Sunset Boulevard. Chasen had represented Zimmer for many years.

Hans Zimmer was nominated twice for a Grammy this week, for his work on Sherlock Holmes and Inception.

source : monsterandcritics.com

Here are some pictures and videos from this event...







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  2010, December 03
Hans Zimmer confirmed to score new Pirates movie

Hans Zimmer is set to start scoring the fourth part in the Pirates of the Caribbean series in January of next year. In Pirates of the Caribbean: On Stranger Tides, Jack Sparrow and Barbossa embark on a quest to find the elusive fountain of youth, only to discover that Blackbeard and his daughter are after it too.



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