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Interesting to see Lorne Balfe replacing Jablonsky now with Micheal Bay.6 Underground is totally crazy and Balfe’s score equals it.Also has emotion like 13 Hours.<br>Doesn’t beat His Dark Materials but a great scoreSorry, das ist doch ein Witz, Dortmund ist nicht dabei :(Way too many songs.<br>Lorne Balfe score nailed it.Great to see Bay working with Balfe now.This is an RCP website, those scores aren't by RCP composers...Power anthems ???? Obviously you haven’t watched the movie.They would not fit in this movie.<br><br>Balfe’s score is really cool and not expected.Already listened to it 4 times!
I agree completely.<br><br>The movie was awesome, the score works perfectly, and the only thing I didn't like was the use of songs. Too much of them. Songs rarely work during intense action scenes. They distract.<br><br>But every time the score started, I liked it. Bay may be known as the big action guy, but when it comes to scoring the more intimate/emotional moments, he and the composer (no matter who he is) always do a good job.Greenaway for President! :))I agree with Knight.<br><br>It seems some peeps were expecting power anthems left and right. Yes, this is a big movie, but not a "Transformers-big" movie. I didn't like the use of source music (I hate songs in action movies) but when Balfe's work popped up I noticed it right away.<br><br>The more emotional cues were definitely the most memorable.What a fantastic soundtrack.<br>It’s totally crazy and works brilliantly in the film.<br>The bit emotional sections are very classic Bay but Balfe’s electronic weirdness is very unique.<br>It’s nothing like Balfe’s Dark Materials BUT why I’m earth should it be !<br>10/10Gavin should be listed as conductor
Because Ice Age was composed by David Newman and Collision Course was composed by John DebneyWhen i heard just the sound clips, i thought wtf. Sounds like the worst score, a michael bay movie ever had. Then i listened to the whole album and i have to say, there are some pretty cool tracks. I really like the electronic rhythmic stuff. Welcome to florence is awesome. The emotional moments are nice, but standard balfe stuff. In the movie, the music works really good. I think this music style is the only style, that works in THIS movie. And as hybrid says a mish mash of score and songs. The movie itself is.....strange. but at least the action rocks as hell.If "The Meltdown," "Dawn of The Dinosaurs" and "Continental Drift" are added, then how come "Ice Age" and "Collision Course" aren't?I haven't heard the album yet but there isn't much score in the film. It's like Bad Boys II meets Domino in terms of editing, songs everywhere (19 sourced songs used), short cues... Hell there's even a 13 Hours cue tracked in the film ("Getting Aboard The Plane")."Second time"... lol
Another awsome score by lorne balfe. I really like the film 6 underground directed by michael bay, is very awsome and intense and i begin to hear the score composed by lorne balfe, and its phenomenal and his second time working with michael bay since 13 hours, which i like lorne balfe's score too. Balfe's work is really inspiring in his film score.I don't expect Lorne to make a masterpiece with each movie, but it is true that most of her films are action candies, and I can't understand how she can deliver 6 underground and then make His dark materials.  It seems that within Lorne there are a thousand different composers.  And I don't know what to expect from Lorne again.Can't help noticing not one, but two Zimmer titles in here.... Tracks 14 and 16. lol.What is most disappointing is that this is a Michael Bay movie with a score being so bad. Historically his movies have fantastic scores by either Hans, Steve Jablonsky, and even Lorne Balfe. But this is hands down the worst Michael Bay score I’ve ever heard. <br><br>It’s functional, yes, but nothing compared to 13 Hours, any of the Transformers movies, The Rock, Pearl Harbor, etc. I definitely had high hopes for another good “power anthem” score... and the only cues that are any good are just Time ripoffs.<br><br>Highly disappointing.Again, if we have to expect every piece of work of one composer is have to be as good like his others pieces of work, that's pretty underwhelming and impossible.<br><br>Yeah, 6 Underground is not a good score by any means (neither Gemini Man, but is far more listenable), but works perfectly in the hiperbolic movie.
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  2011, March 31
Nick Glennie-Smith



The Secret Adventures Of Jules Vernes (TV Series)

> Interview with Gergely Hubai, who edited the album and wrote the liner notes for it and extended audio examples of the score's highlights <


  2011, March 30
Hans Zimmer - Making Of Inception Soundtrack



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  2011, March 26
Composer Interview: Lorne Balfe

The fun and animated Lorne Balfe takes time to talk about his upbringing, starting in commercials, video game composing on Call Of Duty: Modern Warfare 2 and Crysis 2, genre jumping and getting to the essential emotional core of music. Lorne has been working with Hans Zimmer for the past few years and has co-composed scores like Megamind and The Dilemma with Hans. He's worked on Sherlock Holmes, The Dark Knight and Inception as well to name a few. His solo works include the small but brilliant Crying With Laughter and the recent Ironclad. A fun and extremely informative interview.

Read more : http://www.filmmusicmedia.com/interviews/composerinterviewlornebalfe


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  2011, March 26
John Powell



Rio
Henry Jackman



Winnie The Pooh


  2011, March 23
Running now through April 4th, for every sale of the soundtrack for the hit animated film Rango, $1 dollar will be donated to Junior Achievement (JA) of Southern California. Contributions will help support the JA mission, which helps teach young people how to build the foundation for financial responsibility and success in life.Buy your copy now on itunes or wherever music is sold and support a great foundation while you get your Rango on!

http://www.loslobos.org/site/news.shtml


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  2011, March 21
Jim Dooley



Carmel-By-The-Sea
Steve Jablonsky



Your Highness


  2011, March 15
HANS ZIMMER ; Des Mélodies Pour Hollywood

This 52' program was broadcasted on the german-french TV-channel ARTE yesterday,
that's why the versions availables are only French & German

(not available anymore)


Comments (37)

  2011, March 04
John Powell



Mars Needs Moms
Mark Mancina



Money Train (Limited)


  2011, March 01
ANTI- RECORDS TO RELEASE RANGO SOUNDTRACK

Percentage of iTunes Sales Will Be Donated To Charity


Anti-Records will release the soundtrack for the new Paramount Pictures / Nickelodeon Movies feature film RANGO on March 01. Directed by Gore Verbinski of "The Pirates of the Caribbean," RANGO features Johnny Depp in an original animated comedy-adventure set in the Wild West. With a cast that includes Depp, Isla Fisher, Abigail Breslin, Alfred Molina, Bill Nighy, Harry Dean Stanton, Ray Winstone and Timothy Olyphant as the Spirit of the West, RANGO is an exciting new twist on the classic Western legend of the outsider who saves a town - and himself in the process.

The soundtrack combines a soaring score from best-selling Academy Award® -winning composer Hans Zimmer ("The Dark Knight," "Inception," "Pirates of the Caribbean") with original songs performed by the acclaimed band Los Lobos and other artists. With driving Norteño melodies mixing with Western-inspired orchestral themes, RANGO is a soundtrack for both kids and adults alike. The film opens nationwide on March 4th and the soundtrack will be released digitally March 1st and in stores March 15th.

During the first week of release, from 3/1 to 3/8, a dollar for every RANGO Soundtrack purchased on iTunes will be donated on behalf of all the artists to ServiceNation, a campaign to inspire a new era of voluntary citizen service. The ServiceNation Coalition is comprised of hundreds of organizations who believe in the power of service and are committed to expanding those opportunities to make a critical difference.

To purchase the soundtrack to RANGO at iTunes, just go to: http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=418673669

For further information, please contact Hilary Okun at Hilary@epitaph.com or 213-355-5022.


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