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It's 2018, everything is shittyLOL so they wanted a score with no themes...Just random stuff against action music....Makes sense.I know this is another random question, but does anyone know who composed the music for Pirates Of The Caribbean Online? There's an album cover that says:<br><br>Music by Hans Zimmer<br>Additional Tracks by New Ages and Amir Baghiri<br><br>But on IMDB it says the in-game music was done by a completely different team of composers. Anyone have any sources, or any validation on which is correct?You guys are hilarious.and that means, tom did the perfect job. they wanted a shitty score and tom delivered. i am sure they would have fired desplat, williams or whoever, just because they would have failed. the task was to compose a shitty score and tom did that. their problem, if nobody buys the soundtrack album or avoid to see the film, just because of a bad filmscore. for us it is great, because we save money.
The fact that the directors insisted on a shitty score doesn't absolve the score from being shitty.Go to JXL's Youtube channel and watch his latest video. He talks about the process of scoring the film. If you have a problem with the score, direct your criticism and complains at the director/producers/studio because JXL delivered the score they wanted. They wanted to stay away from themes and wanted an a very alternative score. If Tom didn't deliver that, they would've found someone else who would've done the job and you'll still complain that it doesn't sound how you wanted lol. <br><br>I've heard a couple of tracks which I liked a lot. <br><br>Stretcher Carry is avaibale on soundcloud. It' merely recreation but it's awesome almost like film version.How can I answer that ?<br><br><br>"At the moment ?" is my only true answer for you lol
Olive, if you think Brothers In Arms is nothing more than a RCP power anthem, then you're obviously missing something... To me it's one of the most brilliant action tracks of the last few years.Ola team ! <br>Maybe you do know Joe Kramer won't return to score Mission Impossible 6. And no one seems to know who will.<br>So here's my question : any chance to see someone from RC doing this ? <br><br>Thanks for reading me. Keep goin' your good job here, it's appreciated. :)<br>Wow. Pretty solid! It keeps the core track intact and, somehow, adds even more raw power into it. Thanks for sharing!@MrZimmerFan<br><br><Is better because there is variety and orchestration><br><br>It is not because a score is orchestrated that it is automatically superior to one half orchestrated and half electronic. My problem with JL is that it's a small score for a composer with as many facets as Elfman. The music is uninspired and (taking one or another track) ends as it begins, nothing catches yours ears beyond of the romantic moments and of the new interpretations of the themes for the heroes.<br><br>@mpolonest<br><br><I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force the classic themes.><br><br>Elfman had two paths: Ignore everything and do things his way or respect what Zimmer did and maintain the sound of previous films. What did he do? He made an uninspiring hybrid of both.<br><br>@HybridSoldier<br><br><Leagues above, and yet I doubt Ben will be able to write something like "Brothers In Arms" from Mad Max.><br><br>Everyone in RCP knows how to do a power anthem these days.<br><br>@Mephariel<br><br><I would not have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence.><br><br>Obviously not. It could be in smaller jobs and present some potential for years to come.<br>I think I just sharted myself. Thanks!
I'm surprised to have not seen more discussion of this score; I honestly think it represents some of the best music out of RCP in the past half-decade. Yeah, it still has the Journey to the Line / Time four-chord power anthem thing going on, but outside of those themes you have some really creative material that at times doesn't even feel stylistically RCP, and hell, even those structurally-simplistic themes are unusually well-orchestrated. And there's a real orchestra!Some of you may like this guy's cover of Brothers in Arms! Pretty epic, honestly. <br><br> com/watch?v=LCIY41hopq4This score has improved my mood on more than one occasion. Nancy Meyers needs to make another movie, so Hans can score it. lol.Hello great team of Hans Zimmer,<br><br>I was recently listening to "The Might of Rome" (Gladiator soundtrack) and I am craving to listen the long version of the piece around 2:38 - 2:48 (something like an oriental flute). Does it exist as a standalone composition? Is it inspired from some third party artist, if yes, can you please tell my which one?<br><br>Thanks!@Olive<br><br>Wallfisch's career unquestionably benefited from his involvement with Zimmer. He wouldn't have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence. Wallfisch is a very talented composer, but let's be honest here, his music doesn't immediately strikes anyone as a big action guy. Having Zimmer's name pushing you helps.

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  2011, March 31
Nick Glennie-Smith

The Secret Adventures Of Jules Vernes (TV Series)

> Interview with Gergely Hubai, who edited the album and wrote the liner notes for it and extended audio examples of the score's highlights <

  2011, March 30
Hans Zimmer - Making Of Inception Soundtrack

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  2011, March 26
Composer Interview: Lorne Balfe

The fun and animated Lorne Balfe takes time to talk about his upbringing, starting in commercials, video game composing on Call Of Duty: Modern Warfare 2 and Crysis 2, genre jumping and getting to the essential emotional core of music. Lorne has been working with Hans Zimmer for the past few years and has co-composed scores like Megamind and The Dilemma with Hans. He's worked on Sherlock Holmes, The Dark Knight and Inception as well to name a few. His solo works include the small but brilliant Crying With Laughter and the recent Ironclad. A fun and extremely informative interview.

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  2011, March 26
John Powell

Henry Jackman

Winnie The Pooh

  2011, March 23
Running now through April 4th, for every sale of the soundtrack for the hit animated film Rango, $1 dollar will be donated to Junior Achievement (JA) of Southern California. Contributions will help support the JA mission, which helps teach young people how to build the foundation for financial responsibility and success in life.Buy your copy now on itunes or wherever music is sold and support a great foundation while you get your Rango on!

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  2011, March 21
Jim Dooley

Steve Jablonsky

Your Highness

  2011, March 15
HANS ZIMMER ; Des Mélodies Pour Hollywood

This 52' program was broadcasted on the german-french TV-channel ARTE yesterday,
that's why the versions availables are only French & German

(not available anymore)

Comments (37)

  2011, March 04
John Powell

Mars Needs Moms
Mark Mancina

Money Train (Limited)

  2011, March 01

Percentage of iTunes Sales Will Be Donated To Charity

Anti-Records will release the soundtrack for the new Paramount Pictures / Nickelodeon Movies feature film RANGO on March 01. Directed by Gore Verbinski of "The Pirates of the Caribbean," RANGO features Johnny Depp in an original animated comedy-adventure set in the Wild West. With a cast that includes Depp, Isla Fisher, Abigail Breslin, Alfred Molina, Bill Nighy, Harry Dean Stanton, Ray Winstone and Timothy Olyphant as the Spirit of the West, RANGO is an exciting new twist on the classic Western legend of the outsider who saves a town - and himself in the process.

The soundtrack combines a soaring score from best-selling Academy Award® -winning composer Hans Zimmer ("The Dark Knight," "Inception," "Pirates of the Caribbean") with original songs performed by the acclaimed band Los Lobos and other artists. With driving Norteño melodies mixing with Western-inspired orchestral themes, RANGO is a soundtrack for both kids and adults alike. The film opens nationwide on March 4th and the soundtrack will be released digitally March 1st and in stores March 15th.

During the first week of release, from 3/1 to 3/8, a dollar for every RANGO Soundtrack purchased on iTunes will be donated on behalf of all the artists to ServiceNation, a campaign to inspire a new era of voluntary citizen service. The ServiceNation Coalition is comprised of hundreds of organizations who believe in the power of service and are committed to expanding those opportunities to make a critical difference.

To purchase the soundtrack to RANGO at iTunes, just go to:

For further information, please contact Hilary Okun at or 213-355-5022.

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Stephane Vidali / Antas - Nicolas Cabarrou