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Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats trueCan't think of a more meaningless and laughable award than the Oscar.an oscar for this one? nahh...<br>maybe he gets a nomination for dune or bond
Maybe WW1984May know how to downloaddamn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOLYeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.
Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photoHah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.
I like the tracksWow!!!Still my favorite score from the X-Men series.Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2
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 LATEST RELEASES
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  2011, April 30
Game of Thrones Soundtrack in June



Varese Sarabande, leading publisher of soundtracks, has announced that the Game of Thrones soundtrack by Ramin Djawadi is on its way! Due June 14th, there’s no more information about just how many tracks there’ll be, but we can be sure that the title theme (and perhaps one or two variations) are going to be a part of it.


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  2011, April 21
We are very glad to present you the new version of the Hans-Zimmer.com website.

A big thanks to Karel Antonín for his precious help and involvement on this project.

Don't hesitate to contact us if you have problems with any of these pages or if you wish to send us comments (go to the About/Feedback page)

Enjoy !


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  2011, April 11
NDI Commemorates International Day of Roma
with Film from Academy Award Winner Hans Zimmer.




The 10 million Roma living in Europe make up the fastest growing ethnic group on the continent and face disproportionate challenges from poverty to violence. Today NDI celebrated the culture and achievements – and highlighted the plight – of these unique European people, commonly called “gypsies,” in honor of the 40th anniversary of International Roma Day.

In addition, NDI used the occasion to debut a short public awareness film, “Who Are the Roma?” with original music by Academy Award winning composer Hans Zimmer.

Read More & comments on our music page


  2011, April 07
La-La Land Records and Dark Delicacies invite you to meet and get your CDs autographed by the composers of new/recent La-La Land releases. There will be Christopher Lennertz & Ramin Djawadi (Medal Of Honnor Box Set), Cliff Martinez (Solaris), Jeremy Zuckerman & Benjamin Wynn (DC Showcase). Also sheduled to attend are Ryan Shore, Mark Isham, Stu Phillips and Scott Glascow.

Be there on April 16th at 2PM

Dark Delicacies
3512 W. Magnolia
Burbank, CA 91505 U.S.A.


  2011, April 06
Heitor Pereira to score THE SMURFS

Heitor Pereira has been hired to score the upcoming film adaptation of The Smurfs. The film marks Sony Pictures Animation’s first live-action/animated hybrid film and stars Neil Patrick Harris, Hank Azaria and Sofia Vergara in the primary live-action roles.

Read More at Filmusicreporter.com


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  2011, April 04
Hans Zimmer



Crysis 2 (VG)


  2011, April 01
Interview



Atli Örvarsson
Atli Örvarsson is on the rise and with each new score his music is becoming more defined as a prominant voice in the industry. Atli has worked on a number of Hans Zimmer's scores from Pirates Of The Caribbean: At World's End, Angels & Demons and a few more. He wrote additional music for the hugely popular Call Of Duty: Modern Warfare 2 and he played the accordion on Hans' score to Sherlock Holmes as well. Some of his solo works include The Last Confederate, The Fourth Kind, Babylon A.D., Vantage Point, Season Of The Witch and now his music can be heard in the new Kevin MacDonald film The Eagle. I asked Atli a few questions about his background and methods.

...


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  2011, April 01
RANGO - Hans Zimmer



The soundtrack, to be released by Anti Records, can be pre-ordered now with the official release on March 1st.
http://itunes.apple.com/us/preorder/rango-music-from-motion-picture/id419249544

For every pre-purchase and download of the album between now and March 8th, $1.00 will be donated to the organization Service Nation, a campaign to increase service opportunities and elevate service as a core ideal and problem-solving strategy in our society.

http://www.servicenation.org/
You can enjoy the music and help a charity!


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  2011, April 01
Hans Zimmer



The Best Of Hans Zimmer



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