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You realize there is a very easy and free method to get the music from that site, dont you?Random thought but this got me thinking about Zanelli's history with fantasy.<br><br>Whatever happened to his score for Delgo?  I know it's been accused of being super derivative of his other works anyways but still, it's weird to see a RCP score just drop off the face of the Earth like that.There's just something really charming about seeing a prototype for a famous future theme showing up in an old score.<br><br>Or in PotC's case, SCORES.The only ones I've seen properly confirmed are the cues Badelt had listed on his website. The issue with everything else is that there's certain themes that's been associated with certain people, but aren't credited for every appearance. Not to mention that I've never really seen much official credits elsewhere, so I take any that I've seen with a grain of salt.This comment was made before that was properly confirmed, so he was likely going to do it solo at the time.
I thought Hans was collaborating with Faltermayer For Top Gun 2From both ASCAP and GEMACan these be accessed anywhere?The dream is collapsing... :oHoly f*ck, just listened to "Too Many Notes..." and its containing pirates theme itself from Pirates of the caribbean
'No Good About Goodbye' was never the intended song for QOS. It was composed after the film was completed using thematic material from the film for Shirley Bassey to perform on her, David Arnold produced album, 'The Performance'Those files are just sitting there.<br><br>Undownloadable.<br><br>Taunting me.@Ds<br>Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br><br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br><br>I already discussed 300 and Pacific Rim.  Clearly deep scripts aren't what I'm aiming for here when I talk about good blockbusters.<br><br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br><br>300's a great example of this, though unfortunately a lot of Snyder's other work isn't, and Bay is close behind.  Their films get bogged with way too much obnoxious bullshit to make the odd sequence worth it.<br><br>The Scorponok sequence from TF1, the warehouse fight from BvS, that's real standout stuff.  Stuff that loses a lot of its luster when surrounded by two-and-a-half, or god forbid THREE, hours of self-serious pretense, lazy humor, and/or annoying characters.<br><br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br><br>They just aren't very good filmmakers on the whole, and need to learn to consolidate their efforts into something that brings out their best and subdues their worst.  Snyder in particular has SERIOUSLY misjudged where his talent is lately.Well, Steve, about the score, says he still working on it.<br><br>I can't wait.A snippet of the verse (at 0:49) also shows up occasionally in the score, in Somebody Wants to Kill You, the end of Greene and Camille, and Field Trip.
Ist there any chance for concert in Poland during this tour?How do I listen to this ?Hybrid, what about any credits for this score?Looking to travel to Berlin for the kickoff. Reckon the concert is in german instead in english?100% agree.<br><br>“You Know My Name”, “Skyfall”, “Goldfinger”, etc. all stand out because they embrace the grander aspects of 007. Having a calm and reflective Bond song can be just as effective though. I feel like “No Time to Die” is basically trying to do what “Writing on the Wall” tried but succeeding much better.
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 LATEST RELEASES
 NEWS
  2011, November 18
*** UPDATED ***

After contacting RCProds, the studio doesn't confirm such a project for Hans Zimmer nor for collaborators.

The french singer Patricia KAAS plans to go on scene for a 2hours30 minutes show, "Patricia KAAS Chante PIAF"(Patricia Kaas sings Piaf) dedicated to Edith PIAF. Patricia KAAS describes this show as something grandiose with a particularly well staged, and would like to work with a film composer, preferably with Hans ZIMMER. Approaching 50 years of the death of "La môme", the singer is working on a cover songs album, wich will be sold in 45 countries and a mondial tour dedicated to Mrs. PIAF, beginning in Paris at renowned Bruno COQUATRIX' OLYMPIA from february the 26th. to March the 3rd. 2013. Hans ZIMMER already worked on Edith PIAF' song "Je Ne Regrette Rien" in his soundtrack "Inception" (see exemple below). Here's the french interview where Patricia KAAS speaks from this upcoming show (around 20th. minute).


Patricia Kaas se livre pour tourner la page par republicain-lorrain


And here's an exemple of work Hans Zimmer did on Inception' soundtrack.



Thanks to Vincent.iao


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  2011, November 12
How To Train Your Dragon Live
At the Hollywood In ViennaConcert




Video taped on September the 23th. 2011 in Vienna
More Info on the Official Website


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  2011, November 04
We need to hear your voices! Now and Loud! We are creating the sound of a worldwide chant.

Everyone come and be part of it :
www.ujam.com/campaigns/darkknightrises/introduction



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  2011, November 03
IMMORTALS : Creating The Score


More to come on the DVD bonus !


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