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Greetings! I have a question regarding the placement of certain cues. Here, "Mycroft Is Nude" is placed where it plays in the film. However, on the sheets, it's shown as being after "Paris Bombing Investigation." Was the scene originally supposed to be later in the film? I'd be curious to know.just beautifulThis is a whole new side of his music as compared to what we normally hear.Black Widow has been moved to Nov. 6th, so we'll het Balfe's sckre at the end of the year.<br><br>Mulan has been moved to July 24th.Beautiful score! Matches well with The Lion King and Whispers
Booklet credits:<br><br>"Wedding"<br>Lyrics: Joanna Wallfisch<br>Elenor Bowers-Jolley: Vocals<br><br>"Siren's Lullaby"<br>Lyrics: Joanna Wallfisch<br>Sarah Lee, Elenor Bowers-Jolley: Vocals<br><br>Yuja Wang: Piano<br>Jack Liebeck: Violin<br>Raphael Wallfisch: Cello<br><br>The Chamber Orchestra of London<br>Janice Graham: Leader<br><br>Music Composed and Conducted by Benjamin Wallfisch<br><br>Score Recorded at Air Studios, London, September 2012<br>Piano Recorded at Avatar Studios, New York, September 2012<br>Music Mixed at Squadron Sound<br>Music Producer: Benjamin Wallfisch<br>Additional Orchestration: Ben Foskett<br>Orchestra Contractor: Gareth Griffiths<br>Score Recorded and Mixed by Jake Jackson<br>Scoring Co-Producer: Alexander van Ingen<br>Assistant Engineer: Chris Barrett<br>Mix Assistant: Adam Miller<br>Music Preparation: Global Music Services, Ltd<br>Publisher: Du Vinage Publishing Ltd<br>Executive Producer DG: Christian Badzura<br>Project Coordinator DG: Burkhard Bartsch<br><br>Booklet Editor: Jens Schünemeyer<br>Photos: Summer in February Films<br>Cover Design: The Creative Partnership<br>Package Design: Mareike Walter<br>Art Direction: Merle KerstenBooklet credits:<br><br>Music Composed by Benjamin Wallfisch<br><br>Music Orchestrated and Produced by Benjamin Wallfisch<br>Executive Producer: Robert Townson <br>Vocal Improvisations by Sussan Deyhim (tracks 2 & 7)<br>Additional vocals: Joanna Wallfisch (tracks 1 & 8) <br>Guitars: Owen Gurry<br>Score Performed by Macedonian Radio Symphony Orchestra<br>Conductor: Oleg Kondratenko<br>Orchestra Leader: Ana Kondratenko<br>Orchestra Contractor: Laurent Koppitz<br>Score Recorded by Giorgi Hristovski<br>Assistant Engineer: Boban Apostolov<br>Score Mixed by Benjamin Wallfisch<br>Orchestra Recorded at MRTV, Macedonia<br>Music Mixed at Fifth Street Music, Santa Monica<br>Music Programming: Benjamin Wallfisch<br>Mastered by Patricia Sullivan<br><br>Special Thanks from the composer to: Afshin Ghaffarian, Richard Raymond, Pippa Cross, Akram Khan, Bob Bowen, Sussan Deyhim, Andrew Shulman, Owen Gurry, Joanna Wallfisch, Robert Townson, Laurent Koppitz and Darrell AlexanderHmmm, according to Batu's website he worked on the first half of L3 & Millennium FalconLovely score with beautiful themes, atmospheric vocal parts and a nice orchestration.This is a highly underrated album. It's nothing short of a masterpiece, a modern opera. The choir is beautiful, and the choice of gospel for the first track gives it a unique identity, though I'm not sure how well it meshes with the orchestra. It feels a bit off, but will hopefully improve for me on further listens. <br><br>The composition, has to me, elevated Powell to the status of the second best living composer (Williams is still first for now). It's pure orchestral beauty and mastery with variety of texture, color, and style, with seamless tonal transitions. The complexity rivals some of the great works of the past. <br><br>It's strange to me that this is called "choral works". Sure the choir is an important element, but it really should be named "Hubris Symphony", or "Hubris: The Opera", because that's the status the album deserves.
My Attempt at a chronological order with edits (feel free to correct any mistakes or if I missed anything) <br><br>1. A Storm Is Coming (0:00 - 0:36) (Logos) <br>2. Should You Choose To Accept (0:00 - 0:52) <br>3. Good Evening, Mr. Hunt (4:19) <br>4. Plutonium Trade (2:53) <br>5. A Terrible Choice (2:55) <br>6. The Manifesto (1:44)  <br>7. Fallout (1:30)  <br>8. Your Mission (2:14)  <br>9. Free Fall (4:14) <br>10. As Ugly As They Come (2:26) <br>11. The White Widow (4:42) <br>12. Should You Choose To Accept (0:52 - 2:34) <br>13. Framing Ethan (2:01)  <br>14. The Exchange (5:55)  <br>15. Escape Through Paris (5:05) <br>16. Steps Ahead (1:02)  <br>17. Je Suis De Sole (1:06)  <br>18. We Are Never Free (6:57)  <br>19. Trapped (3:26)  <br>20. The Mission Is Terminated (2:09)  <br>21. No Hard Feelings (4:20)  <br>22. Stairs And Rooftops (6:00)  <br>23. Kashmir (4:29) <br>24. Fate Whispers To The Warrior (3:54) <br>25. And The Warrior Whispers Back (3:56) <br>26. Scalpel And Hammer (0:00 - 2:19) <br>27. Cutting On One (0:00 - 2:23) <br>28. Unfinished Business (1:49)  <br>29. A Storm Is Coming (0:36 - 1:12) <br>30. I Am The Storm (2:07)  <br>31. Scalpel And Hammer (2:19 - 5:10) <br>32. Cutting On One (2:23 - 3:42) <br>33. The Last Resort (2:55)  <br>34. Mission: Accomplished (1:15) <br>BONUS TRACKS: <br>35. The Syndicate (Unused) (6:00) <br>36. Change Of Plan (Unused) (5:47)Rogue One is a bit of an odd one. From what I'd heard, Desplat had joined on the condition he'd be allowed to do his own thing and not ape Williams. But once they decided to overhaul the film, they pressured him to go that exact direction. Things stayed still for a while (in which he still got paid) before he was finally let go very late into production. So the idea he sorta just left is interesting, so I'm curious to hear what that was about.<br><br>For BW, it seems very likely to me that Marvel simply were unsure about Alexandre's music, so I'm guessing they hired Balfe to do some demos and decided from there. Who knows what the exact timeline is, but I'd wager it'd have to at least be this year if he's been on it a bit. Especially with AD's name having stayed on the posters during it.Hybrid, Desplat left Rogue One just for his own idea? I know he left that movie beacuse schedule conflict for the reshoots. <br>But for Black Widow seems that the replacement was since months ago with Lorne writing and recording the score at the same timeht tp:// filmmusicreporter. com/2020/04/01/ track-list-for-disneys-live-action-mulan -soundtrack-album-revealed/<br><br>Why release a tracklist for an album that won't be released for another 6 months at least. That's just a punch in the gut, in my opinionSo it won't be a last minute and hasty job?
No idea but he was on it for a bit, I think.Hybrid, do you know how long Lorne had to score?Score is recorded already.Yup, which makes me wonder if they had to wait before announcing it, considering Desplat was still being listed in posters prior to the delay.I think Lorne teased this some time ago by sending a picture of researching Russian music on insta (maybe)
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 LATEST RELEASES
 NEWS
  2013, April 30
BEYOND - TWO SOULS Tribeca Trailer



We mentioned Beyond - Two Souls a few days ago. Watch this new trailer featuring Lorne Balfe's music.




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  2013, April 30
HANS ZIMMER JOINS THE VARESE SARABANDE 35TH ANNIVERSARY GALA!


Varese Sarabande announcement :

"Another of our oldest friends joins the big party! We are thrilled to announce that Hans Zimmer will perform at the Varese Sarabande 35th Anniversary All-Star Concert Gala with the Golden State Pops Orchestra. We've been working with Hans since Driving Miss Daisy and have been honored to be part of so many of our favorite Zimmer scores from Green Card and Pacific Heights to Drop Zone and Tears of the Sun. From The Holiday and Frost/Nixon to Kung Fu Panda 2! This is a film music concert for the history books! One night only! Don't miss Hans Zimmer performing as part of Varese Sarabande's historic 35th Anniversary Gala with the GSPO May 11, 2013 ! What a night this is going to be!"

GSPO.com


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  2013, April 29
PACIFIC RIM trailer



Watch the trailer for Ramin Djawadi's Pacific Rim.




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  2013, April 23
Harry Gregson-Williams' tribute to TONY SCOTT



"Today felt like a good day to share an edit I made of some of the music I'd written for Tony Scott films that I had hoped to have played at his Memorial Celebration held in LA earlier this year. Although I did indeed have the honor of speaking at that event, there was no chance for this to be heard. So rather than have it fade away on the cutting room floor, here it is. I hope it evokes dome decent memories from his wonderfully diverse films for one or two of you, and it makes you smile just a bit.

It did me!"


Harry (from his official Facebook page)

soundcloud.com/hgw


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  2013, April 18
New THE LONE RANGER trailer



Watch the new trailer for Hans Zimmer's latest project, The Lone Ranger.




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  2013, April 17
New RAMIN DJAWADI interview


New interview with Ramin Djawadi about the season 3 of Game Of Thrones currently airing on HBO.

Read the article HERE


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  2013, April 17
New MAN OF STEEL trailer



Check out the last trailer for the upcoming Man Of Steel, featuring the first bits of Hans Zimmer's new score.




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  2013, April 14
Lorne Balfe to score the video game BEYOND - TWO SOULS


Lorne Balfe (Assassin's Creed III, The Frozen Ground) will compose the score for Quantic Dream's (Heavy Rain) groundbreaking new game, Beyond: Two Souls. The revolutionary game will also feature the vocal talents of Academy Award-nominees Ellen Page and Willem Dafoe and is set to release October 8, 2013 for Playstation 3.

Recently announced, Beyond: Two Souls will have its world premiere at the Tribeca Film Festival on April 27th. After a preview of the game, creator David Cage and actors Ellen Page, Kareem Hardison and Eric Winter will share behind-the-scenes information and answer questions as part of the festival's program, Tribeca Talks: After the Movie. Beyond: Two Souls, garnering praise for blurring the lines between film and game, is the first video game of its kind to be featured at the Tribeca Film Festival.




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  2013, April 12
Atli Örvarsson News



The Mortal Instruments - City Of Bones

Atli Örvarsson has been hired to score Harald Zwart's new film, The Mortal Instruments - City Of Bones, set to release on August 23rd, 2013. Atli previously worked with Zwart on The Karate Kid (2010) but was ultimately replaced by James Horner...

Among his other projects, Atli recently completed the score to the upcoming czech film Colette. He also completed in 2012 two films yet to be released : A Single Shot and Evidence. Atli also helped Hans Zimmer writing music for the upcoming Man Of Steel.

Other than film scoring, Atli has started a band, Torrek, "fusing Gaelic & Scandinavian folk elements under the umbrella of cinematic electronica" with Hilda Örvarsdóttir, the Neff brothers (who had worked with Atli on The Eagle score) and Satnam Ramgotra (regular percussionist at Remote Control).



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  2013, April 12
Dominic Lewis to score FREE BIRDS


Dominic Lewis has been hired to score Jimmy Hayward's next animated feature FREE BIRDS.

It is Dominic's first feature film assignment. He previously worked with John Powell, Hans Zimmer, Ramin Djawadi or Henry Jackman on a wide variety of projects such as Rio, How To Train Your Dragon, Wreck-It Ralph or X-Men - First Class.

Hayward previously directed Dr. Seuss' Horton Hears A Who! and Jonah Hex. Free Birds is set to release on november 1st, 2013.


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