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Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats trueCan't think of a more meaningless and laughable award than the Oscar.an oscar for this one? nahh...<br>maybe he gets a nomination for dune or bond
Maybe WW1984damn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOLYeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photo
Hah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.I like the tracks
Wow!!!Still my favorite score from the X-Men series.Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2That recording footage makes it all the more baffling to me why the end product sounds the way it does.
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 LATEST RELEASES
 NEWS
  2013, April 30
BEYOND - TWO SOULS Tribeca Trailer



We mentioned Beyond - Two Souls a few days ago. Watch this new trailer featuring Lorne Balfe's music.




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  2013, April 30
HANS ZIMMER JOINS THE VARESE SARABANDE 35TH ANNIVERSARY GALA!


Varese Sarabande announcement :

"Another of our oldest friends joins the big party! We are thrilled to announce that Hans Zimmer will perform at the Varese Sarabande 35th Anniversary All-Star Concert Gala with the Golden State Pops Orchestra. We've been working with Hans since Driving Miss Daisy and have been honored to be part of so many of our favorite Zimmer scores from Green Card and Pacific Heights to Drop Zone and Tears of the Sun. From The Holiday and Frost/Nixon to Kung Fu Panda 2! This is a film music concert for the history books! One night only! Don't miss Hans Zimmer performing as part of Varese Sarabande's historic 35th Anniversary Gala with the GSPO May 11, 2013 ! What a night this is going to be!"

GSPO.com


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  2013, April 29
PACIFIC RIM trailer



Watch the trailer for Ramin Djawadi's Pacific Rim.




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  2013, April 23
Harry Gregson-Williams' tribute to TONY SCOTT



"Today felt like a good day to share an edit I made of some of the music I'd written for Tony Scott films that I had hoped to have played at his Memorial Celebration held in LA earlier this year. Although I did indeed have the honor of speaking at that event, there was no chance for this to be heard. So rather than have it fade away on the cutting room floor, here it is. I hope it evokes dome decent memories from his wonderfully diverse films for one or two of you, and it makes you smile just a bit.

It did me!"


Harry (from his official Facebook page)

soundcloud.com/hgw


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  2013, April 18
New THE LONE RANGER trailer



Watch the new trailer for Hans Zimmer's latest project, The Lone Ranger.




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  2013, April 17
New RAMIN DJAWADI interview


New interview with Ramin Djawadi about the season 3 of Game Of Thrones currently airing on HBO.

Read the article HERE


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  2013, April 17
New MAN OF STEEL trailer



Check out the last trailer for the upcoming Man Of Steel, featuring the first bits of Hans Zimmer's new score.




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  2013, April 14
Lorne Balfe to score the video game BEYOND - TWO SOULS


Lorne Balfe (Assassin's Creed III, The Frozen Ground) will compose the score for Quantic Dream's (Heavy Rain) groundbreaking new game, Beyond: Two Souls. The revolutionary game will also feature the vocal talents of Academy Award-nominees Ellen Page and Willem Dafoe and is set to release October 8, 2013 for Playstation 3.

Recently announced, Beyond: Two Souls will have its world premiere at the Tribeca Film Festival on April 27th. After a preview of the game, creator David Cage and actors Ellen Page, Kareem Hardison and Eric Winter will share behind-the-scenes information and answer questions as part of the festival's program, Tribeca Talks: After the Movie. Beyond: Two Souls, garnering praise for blurring the lines between film and game, is the first video game of its kind to be featured at the Tribeca Film Festival.




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  2013, April 12
Atli Örvarsson News



The Mortal Instruments - City Of Bones

Atli Örvarsson has been hired to score Harald Zwart's new film, The Mortal Instruments - City Of Bones, set to release on August 23rd, 2013. Atli previously worked with Zwart on The Karate Kid (2010) but was ultimately replaced by James Horner...

Among his other projects, Atli recently completed the score to the upcoming czech film Colette. He also completed in 2012 two films yet to be released : A Single Shot and Evidence. Atli also helped Hans Zimmer writing music for the upcoming Man Of Steel.

Other than film scoring, Atli has started a band, Torrek, "fusing Gaelic & Scandinavian folk elements under the umbrella of cinematic electronica" with Hilda Örvarsdóttir, the Neff brothers (who had worked with Atli on The Eagle score) and Satnam Ramgotra (regular percussionist at Remote Control).



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  2013, April 12
Dominic Lewis to score FREE BIRDS


Dominic Lewis has been hired to score Jimmy Hayward's next animated feature FREE BIRDS.

It is Dominic's first feature film assignment. He previously worked with John Powell, Hans Zimmer, Ramin Djawadi or Henry Jackman on a wide variety of projects such as Rio, How To Train Your Dragon, Wreck-It Ralph or X-Men - First Class.

Hayward previously directed Dr. Seuss' Horton Hears A Who! and Jonah Hex. Free Birds is set to release on november 1st, 2013.


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