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h ttps://www.youtube.com/watch? v=sekmQqx OhWM<br><br>From the developers.<br><br>Producer: Hans Zimmer<br>Composer: Lorne Baffle<br>Symphony Orchestra: Chamber Orchestra of London<br>Recording Studio: Abbey Road Studio<br><br>Fun theme by Lorne.But maybe at that time he didn’t have that version yet (in his mind i mean)<br>But... the intensity was crazy!Everything is great, except one thing - he did not add that intense music that played on the train when there was a battle. Well maybe I missed something while listening the album.Zimmer = Lorne is your answer.WAA WAA WAAAAAAAA
What's with the credits here? Howard Shore? No Lorne Balfe?I genuinely was surprised that they went with Richter in the first place. <br><br>Literally just came out of the movie and I can’t believe such a dull and generic score could come from the names attached. What happened? Other than that beautiful almost sweeping string theme (that went nowhere) - there’s nothing. <br>I kept waiting for the music to peak and reach a hundred but it never did. <br><br>It’s no Interstellar, no First Man, no Gravity, not even The Martian.Link to said theme?The synth man creating a mostly synthesizer score? what a shock...because that's what Hans does
Main theme is on Youtube. I quite like it. I prefer Hans doing themes like this rather than the stuff he is doing with FIFA.I'm surprised no one is talking about this one, its one of Rupert's best scores imo.Lately I have been listening to the album carefully, and the truth is that I did not quite understand why Hans did not just use a big orchestra instead of the synthesizer.It would have really been interesting to see Ritcher scoring a chase on the photo, although without a doubt his work would not have been anything generic.Richter is a conceptual artist, I love his Leftovers score, but come one, scoring to picture ?<br><br>He writes pieces that are used in scenes, not the other way around...<br><br>Richter scoring a moon buggy chase ? Hell no... lol you could see from day one it was gonna be replaced...
^ Yeah the edit floating around matches Felix’s almost to a T. Only major difference is <br><br>“Our Final Stand - Showdown - United Greece - Finale”<br><br>Which is broken up into four separate cues. Realistically you could edit it anyway you want if you prefer the smaller cues. Personally, I like the long suite-like format of this release. Kinda like the album release for “Event Horizon” lol.I hope they at least release Richter's score.My Edit:<br><br>01. Rise Of An Empire - Marathon - King Darius - Artemisia - Man To God - War (13:36)<br>= <br><br>M1A Rise of An Empire (09:48)<br>M1B From Man to God King (03:44)<br><br>02. Greek Council - Persian War Plan - Spartan Fight Training - Greek Conversation - Your Commander Is Greek (10:47) <br>=<br><br>M2 Greek Council (03:39)<br>M3 Greek Conversation (07:06)<br><br>05. Suicide - General Bandari - Circle Battle (7:30) <br>=<br><br>M6 Suicide/General Bandari (02:10)<br>M7 Circle Battle (05:16)<br><br>06. Sex - Fire Battle (12:04) <br>=<br><br>M10 Sex (05:36)<br>M11 Fire Battle (06:21)<br><br>11. Our Final Stand - Showdown - United Greece - Finale (16:08) <br>=<br><br>M15-17A Our Final Stand/Showdown Pt.1 (08:19)<br>M17B-19 Showdown Pt.2/Finale (07:37)I'm not really interested in Balfe's part of work, but it would be a big disappointment if Richter's work wouldn't released.<br><br>But I think there's a good chance that movie (and music in particular) get an Oscar nominations, so let's just hope for the best.@mpolonest123 any idea how to break up the really long cues on the complete? it’s a lot of tracks that are made up of several cues
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  2013, July 31updated by Antas 
Movie Music Chart 2013



Love film music? Vote for your favourite movie soundtrack and see which film composer reaches the top of this year's chart - you could win some brand new music on iTunes too...

http://www.classicfm.com/composers/zimmer/


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  2013, July 24updated by Nicolas 
ZIMMER VS ZIMMER ??
It's now official : Batman will meet Superman in Man Of Steel 2 released for the summer 2015.


Zack Snyder and Warner Bros. made use of the Comic-Con 2013 to announce a project that excites already fans of the DC Comics universe: the encounter between Batman and Superman on the big screen.

Fans gathered in San Diego in Hall H of Comic-Con 2013 do not expected as much. A Man of Steel 2, no doubt. A Justice League, maybe. But clearly not a feature confronting for the first time Batman and Superman !

In two years, The Dark Knight and the Man of Steel will cross (and face) in a sequel of Man of Steel, which is already one of the most anticipated movies of the summer 2015. Zack Snyder signs up behind the camera and screenplay (with David S. Goyer), while Henry Cavill (Clark Kent / Kal-El) will regain the mantle of the hero, surrounded by Amy Adams, Diane Lane and Laurence Fishburne. The "new Batman" has yet to be chosen by the director and Warner Bros., knowing that this film (yet untitled) should serve as a springboard for a reboot of the adventures of Batman and of the Justice League project. There is someone who was involved in the last two superheroes franchise and has great chances to be involved in this next project ; guess who...


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  2013, July 16updated by Hybrid Soldier 
Nick Glennie-Smith to score HEAVEN IS FOR REAL


According to the Gorfaine/Schwartz Agency, Nick Glennie-Smith has been hired to score HEAVEN IS FOR REAL, directed by Randall Wallace. Nick previously scored three films for Wallace : The Man In The Iron Mask (1998), We Were Soldiers (2002) and Secretariat (2010). The film is set to release on April the 16th, 2014.


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  2013, July 15updated by Hybrid Soldier 
12 YEARS A SLAVE trailer



Watch the trailer for Hans Zimmer's new score for Steve McQueen's 12 Years A Slave.




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  2013, July 14updated by Hybrid Soldier 
HEITOR PEREIRA interview




Watch the interview with Heitor PEREIRA conducted by Kaya Savas for FilmMusicMedia.com.





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