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Any news about Hans Next project?Does Hans compose music for releasing as his own records? I wish he'll make someI think BGM stands for any sort of background music, e.g. caffe music, game themes and, sometimes, film scores. But, IMO, "score" sounds way beter than "BGM"<br><br>p.s. Plz, do not my English, imma russian...One last topic I want to cover for this score, and that's the references to past films. I've found quite a few new ones that may be interesting.<br><br>"Today We Hunt" - Reference to "Bumblebee" at the end of the track.<br><br>"History of Transformers" - Reference to "Bumblebee", the end of "Are You Ladiesman 217?", and a sort of rebuilding of the Autobot theme using it's main notes.<br><br>"Two Moons" - Contains the main 2 notes of "Decepticons" repeated through the entire track, and of course elements of "We Were Gods Once".<br><br>"Prime Versus Bee" - Contains the drum beat featured in "Optimus vs Megatron"<br><br>"Your Voice" - Reference to "Optimus", the escalation of notes featured in scenes where Optimus is almost defeated ("Optimus vs Megatron" and the beginning of "I Claim Your Sun"), the 3 notes of "We Were Gods Once" when Optimus is about to be killed, and of course "Arrival to Earth/There Is No Plan".<br><br>"Battlefield" - Basic notes of the end of "You're A Soldier Now" and the Autobot theme in the 3 note horn section.<br><br>"Did You Forget Who I Am" - Autobot theme plays in the build-up before the "You're a Soldier Now" reprise. (Also maybe a hint of "Skorponok" at the end?)<br><br>The rest has already been pointed out on this website.Bring Him Home and Future King are great
The show is very good.we managed to watch the show in two days!the music by Gregson-Williams and Balfe is perfect. The score is some of the best TV music at the moment.going to defiantly buy the album now and see what itís like2049 is by Ben, confirmed.generalizing all direct and indirects participations in Zimmer's career, I think this role is of Glennie Smith...<br><br>Second half of 1970-forever.@Ben: "Hans' last and only Oscar-wining score was Lion King, and that one wasn't so remarkable either."<br><br>The original presentation, of 1994, is not very good to confess. They left out the score to emphasize the songs. However the latest launches "expanded score" and "Legacy Collection" (in my opinion) are among the best as Gladiator, the last Samurai,Prince of Egypt, House of Spirits, Rain Man,<br>Backdraft, regarding Henry,Beyond Ragoon, the Rock, King Arthur, Interstellar, Rush, At worlds End and the Dark Knight (The Collector's version). I like many themes by Hans, but when I come to head the organization factor of the albums most satisfactory these are some of the few that comes to mind.What's the involvement of EW in the Mermaid Suite? I always imagined it that way: Hans being responsible for the first part of the suite, the calmest, Geoff taking care of the piece that corresponds to the moment of the sirens attack and that Eric inserted the choir to finish the composition.
In the last 7 years or so the only Oscar that I think was deserved is Gravity by Steven price. By the way hybrid it was a tough comment for me. Thanks to all people here who think it was.<br>I totally agree that the music fit the movie perfectly Hans always did great job in this but as a standalone music for me and again (for me) the docking in interstellar do all the job on Dunkirk ( I mean suspense) so for me all Dunkirk soundtrack = docking in interstellar.<br>quote: "This score is nothing compared to interstellar or even to POTC 3."<br><br>How do you know or how do you judge? By musical complexity, number of themes, etc.? I think the Dunkirk score perfectly serves the movie - which is what it's supposed to do.<br><br>Hans' last and only Oscar-wining score was Lion King, and that one wasn't so remarkable either - on its own. So it would kind of make sense for a score like Dunkirk to get him the award.<br><br>After all, when it comes to the academy, I don't think they look at a score in isolation - like we do as Zimmer fans - but rather how well it serves the film. If they love a film and let it win best picture and other categories, it's very likely they'll also give it "best original score".Great this is geting a release!<br>I am from Greece and the same is Nikos Mastorakis, the director.<br>He always recalls working with Hans Zimmer and Stanley Myers here.Ultimate masterpiece... 8-) lolVery impressed with the music from this season. Enjoying listening to it.there doesnít seem to be much of the main theme used ?
man, i think i haven't listened to "A Dark Knight" deep enough. so many things i picked up from listening to it recently. oh by the way, it's Dunkirk that's making me go back and listen to the old scores.One of the most beautiful choral pieces of the 21st C. Mr. Zimmer please make this original London recording available in a cd (320kbps) or a lostless version to be able to enjoy its full beauty. The version on YouTube is just muddy cruddy. And the version on the Prague cd is not a chorus of this caliber. Plz plz plz! Gratefully, Philip...why is Eric Whitacre's credit being omitted?Music is royal and grand and the show is very good. Looking forward to more seasonsGreat score! Lots of fun.
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 LATEST RELEASES
 NEWS
  2013, August 23updated by Antas 


MOVIESCORE MEDIA/KRONOS RECORDS RELEASES TWO SCORES BY 'MORTAL INSTRUMENTS' COMPOSER ATLI ÷RVARSSON


MovieScore Media/Kronos Records will release two new CDs featuring new film scores by composer Atli ÷rvarsson whose other current films include The Mortal Instruments: City of Bones, based on the bestselling books by Cassandra Clare, and Hansel & Gretel: Witch Hunters.

MovieScore Media/Kronos Records' first release with the composer will be David M. Rosenthalís A Single Shot (2013), which opens theatrically in the USA on September 20, 2013, distributed by Well Go. The film stars Sam Rockwell, William H. Macy and Ted Levine. Based on the novel by Matthew F. Jones, A Single Shot tells the story of John Moss (Rockwell), a hunter whose life goes to hell after killing a girl during a hunting accident. Recorded with a chamber group of musicians from the London Metropolitan Orchestra, ÷rvarssonís music provides low-key suspense for the deadly game of cat-and-mouse between John Moss and his pursuers. The album will feature a special suite featuring the complex atonal and aleatoric parts of the score entitled "The John Moon Variations".

The second release will be the score to the Czech/Slovakian co-production Colette (2013), Milan Cieslarís powerful screen adaptation of A Girl from Antwerp, a novel by Pulitzer Prize nominated author Arnoöt Lustig. Based on the writerís own experiences of several escape attempts from the hell of Auschwitz, the film follows the story of Vili, a Holocaust survivor who shares his memories of Colette, a Belgian Jewess who happened to be his first true love. Elegant and tragic like the main character, ÷rvarssonís score for Colette highlights the composerís more lyrical side we rarely get to hear in his more mainstream commissions. Colette opens theatrically in the Czech Republic on September 12, 2013, and is expected to get international distribution later in the year.

Both albums will be released in September 2013. The digital release date for A Single Shot is September 17, 2013, followed by a physical release date of September 24, 2013. The digital release date for Colette is September 10, 2013, followed by a physical release date of October 8, 2013.

Visit MovieScore Media at http://www.moviescoremedia.com
Visit Kronos Records at http://www.kronosrecords.com


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  2013, August 22updated by Hybrid Soldier 
Hans Zimmer & Lorne Balfe on composing BEYOND: Two Souls Soundtrack





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  2013, August 14updated by Hybrid Soldier 
HANS ZIMMER to receive Key Prize at Classic Brits





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  2013, August 13updated by Hybrid Soldier 
STAN LEE & HANS ZIMMER to be Honored at The Hollywood Reporter's KEY ART AWARDS





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  2013, August 12updated by Hybrid Soldier 
Sony/ATV's EXTREME MUSIC & HANS ZIMMER Form Joint Venture: The Bleeding Fingers Custom Music Shop





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  2013, August 08updated by Hybrid Soldier 
MARK MANCINA interview




Once again a new interview conducted by Kaya Savas, this time with Mark Mancina for FilmMusicMedia.com.




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  2013, August 07updated by Hybrid Soldier 
Geoff Zanelli to score KILLING KENNEDY (TV)





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  2013, August 05updated by Hybrid Soldier 
MATTHEW MARGESON interview



Check this new interview with Matthew MARGESON regarding his work on the upcoming Kick-Ass 2 for FilmMusicSite.com.


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