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;)I'm guessing, based on the credits, that Williams worked on "Dice and Roll" directly?He is.i don't doubt it, he and the director are good frineds and fans of each other, also they worked together on Annabelle so I'm willing to bet money he's the composer which is AWESOMEWallfisch just Retweeted the Shazam! trailer. Does that mean he is scoring it then? Hybrid can you say anything about this?
On Millers water planet, those ticking noises happen every 1.25 seconds. Each tick you hear is a while day passing on Earth.@MikeOTM<br>Youíre absolutely right. Powell did an awesome job of staying within the musical sandbox of the SW musical universe but also was able to bring something fresh and original to the overall sound, something Star Wars really needs right now.Sweet. I've gotta say, this score surprised me in a good way. I've always loved Powell, but if you told me two years ago he'd write a Star Wars score, I'd have been hesitant about it. But Solo is really, really solid, even without the John Williams main theme. In fact, I like what Powell does with the JW theme better than the theme as JW wrote it.Wowww so many solo Powell!His part is not in the OST release...
No Paul Mounsey credits?Credits added !
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<br>I didn't credit here JW for every arrangements of his theme & old SW themes that can be heard throughout the score.MoS, TASM2Badelt's "Solomon"?<br><br>This must be the "famous" Dark Knight reference that the "critics" are talking about.I could have sworn I had heard the Solomon theme and some of the same<br>Chords that Kraemer had used...<br>My mistake lol<br><br>And Balfe does seem like a genuinely nice person. Hell he even takes the time to put out unreleased music, not something most composers do. <br>That is exactly why I hate when people take personal jabs at composers (usually at Junkie XL for some reason). Itís fine to not like the music, everyone has different tastes, but donít criticize a composer for writing what he was asked to write.
I agree! He actually invited me to come to a recording session in London for this film, man it killed me that I couldnít afford to go. But I was so thankful he even thought to ask! Top notch guy.Say what you want about Balfe but he's a really nice guy, and always answers my questions on FB and others on twitter.I believe him as I didn't hear anything from Kraemer.I asked Balfe on Facebook if he used any of Kraemers theme and he said noI Know, Hybrid, just sayin' that i a fan of Benjamin Wallfisch's music Scores since lights Out to Blade Runner 2049 and i say this is another excelent Work from Wallfisch
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 LATEST RELEASES
 NEWS
  2013, August 23updated by Antas 


MOVIESCORE MEDIA/KRONOS RECORDS RELEASES TWO SCORES BY 'MORTAL INSTRUMENTS' COMPOSER ATLI ÷RVARSSON


MovieScore Media/Kronos Records will release two new CDs featuring new film scores by composer Atli ÷rvarsson whose other current films include The Mortal Instruments: City of Bones, based on the bestselling books by Cassandra Clare, and Hansel & Gretel: Witch Hunters.

MovieScore Media/Kronos Records' first release with the composer will be David M. Rosenthalís A Single Shot (2013), which opens theatrically in the USA on September 20, 2013, distributed by Well Go. The film stars Sam Rockwell, William H. Macy and Ted Levine. Based on the novel by Matthew F. Jones, A Single Shot tells the story of John Moss (Rockwell), a hunter whose life goes to hell after killing a girl during a hunting accident. Recorded with a chamber group of musicians from the London Metropolitan Orchestra, ÷rvarssonís music provides low-key suspense for the deadly game of cat-and-mouse between John Moss and his pursuers. The album will feature a special suite featuring the complex atonal and aleatoric parts of the score entitled "The John Moon Variations".

The second release will be the score to the Czech/Slovakian co-production Colette (2013), Milan Cieslarís powerful screen adaptation of A Girl from Antwerp, a novel by Pulitzer Prize nominated author Arnoöt Lustig. Based on the writerís own experiences of several escape attempts from the hell of Auschwitz, the film follows the story of Vili, a Holocaust survivor who shares his memories of Colette, a Belgian Jewess who happened to be his first true love. Elegant and tragic like the main character, ÷rvarssonís score for Colette highlights the composerís more lyrical side we rarely get to hear in his more mainstream commissions. Colette opens theatrically in the Czech Republic on September 12, 2013, and is expected to get international distribution later in the year.

Both albums will be released in September 2013. The digital release date for A Single Shot is September 17, 2013, followed by a physical release date of September 24, 2013. The digital release date for Colette is September 10, 2013, followed by a physical release date of October 8, 2013.

Visit MovieScore Media at http://www.moviescoremedia.com
Visit Kronos Records at http://www.kronosrecords.com


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  2013, August 22updated by Hybrid Soldier 
Hans Zimmer & Lorne Balfe on composing BEYOND: Two Souls Soundtrack





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  2013, August 14updated by Hybrid Soldier 
HANS ZIMMER to receive Key Prize at Classic Brits





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  2013, August 13updated by Hybrid Soldier 
STAN LEE & HANS ZIMMER to be Honored at The Hollywood Reporter's KEY ART AWARDS





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  2013, August 12updated by Hybrid Soldier 
Sony/ATV's EXTREME MUSIC & HANS ZIMMER Form Joint Venture: The Bleeding Fingers Custom Music Shop





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  2013, August 08updated by Hybrid Soldier 
MARK MANCINA interview




Once again a new interview conducted by Kaya Savas, this time with Mark Mancina for FilmMusicMedia.com.




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  2013, August 07updated by Hybrid Soldier 
Geoff Zanelli to score KILLING KENNEDY (TV)





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  2013, August 05updated by Hybrid Soldier 
MATTHEW MARGESON interview



Check this new interview with Matthew MARGESON regarding his work on the upcoming Kick-Ass 2 for FilmMusicSite.com.


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