NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
So why exactly did Hans fight for Rupert with Wonder Woman and why is he scoring '84? Not criticizing, I just remember him thinking that it was better for more women to be involved as composers or performers on Wonder Woman projects. <br><br>I don't even necessarily agree with the concept that a woman needs to score a movie about women, I'm just curious why he wanted Rupert in and why he himself took over for the sequel if he felt that way?I would have gone with...<br>Music was good, didn't fit the DCEU, film was the worst thing ever. <br><br>Hans is fine, prefer his older stuff.Hybrid, do you have the Inception credits?Hybrid? Any chance you could upload some unreleased tracks from this to your channel? Or just that suite, that you did but was removed :/Welp, necro thread i guess.
Back then people still used CDs from time to time and a CD can only fit a little more than an hour worth of MP3s on it.Music was good, film was better. Nay, good. nothing, better than Hans<br><br>Hans, for you. <3<br><br>Sincerely,<br>RicardoSometimes, I wish the world was, one with iself. This, music and harmony set into one man's vision. Hans, you inspire us. You, alone. <br><br>Sincerely,<br>RicardoIt's not officially available but a clear version can be found on the bleeding fingers website under Andrew Christie.Can someone ask Powell or Zimmer to put up some demos or suites from this score for study. It's such a great score and a real demonstration that a team effort can produce real quality.
@Hybrid Soldier<br>Did HZ just do the first season of wormhole and then his stuff gets reused/rearranged by Jacob Shea or did he consistently write throughout several seasons?Thanks for the great insight as always Hybrid!Any idea when can we expect a track list of Tom's score ?It depens on person, you don't like it but this ost got millions of likes. You are only free to express your opinion.Mmmh yeah let's say he acted like a music producer until Rupert was in, even as early as 2016 (right after BVS) he met with Patty Jenkins, he was never gonna do it because he was on tour anyway but he had the ideas as to who could/should score it. He had many ideas, submitted names etc.<br><br>Rupert got the gig in the end. Rupert I think could actually have come back to WW84, WW was a tough project but there was no problem (hell, he nailed it with Aquaman too, which was much easier cause there was no "legacy" to follow), but it really is Hans who showed interest to actually do it. Hans got really attached to Wonder Woman, playing the theme in his 2017 Live Tour. I think he wanted more than be the "WW Theme Writer", he wanted to have a full WW score.
@Hybrid to what extent was HZ involved on the first Wonder Woman?<br>He said in an interview for WW84 that he was reluctant to accept because he had « fought hard to get Rupert the gig »<br>Is it a case of the producers/director wanted him and he said « I can’t do it but Ruper can »? And was the first one a mess, hence the fact that RGW isn’t scoring the sequel?It’s encouraging to know that Tom was proud of this score, as excited as I am to hear his reuse of themes I am just as excited to see what new ideas he came up with for the project. <br>Someone who supposedly heard a bit of the music on here (I think they worked as his assistant) said it sounded a bit like Fury Road and Deadpool mixed, but who knows. <br><br>If the score hasn’t been recorded yet my personal wish is for Conrad Pope to be involved somehow lolHey, so...a new expanded album for KFP2 seems to have leaked last January, and I haven't seen it listed on this site yet.  I bring it up because it finally honest-to-God included a cue from the Zen Ball sequence I've been waiting to hear isolated for years, since BOTH the other albums just completely omitted it.  And I dunno, I guess I feel like it deserves some acknowledgement.It would be cool if Junkie has the chance to use Rubert's Aquaman theme as well now that we have it. It would make the score feel even more complete!Only things I can say about the whole Hans / Superheroes / Justice League thing from a few years ago, or why Hans didn't want to return for JL, is simply because he didn't like doing Batman again. Just too weird, being committed to the TDK trilogy for so many years and have to redo it.<br><br>But the good part for him in BVS was that without it, no Wonder Woman, and he's glad to be expanding that since he was so close to production of the first score and did WW84.<br><br>But it's not like there was a problem with Snyder or Superheroes in general, more like just "Please, I'm done with Batman" ! :D<br><br>As for Tom's score for Justice League, Hans had not heard it, but he knew Tom was proud of it. So yeah, I'm glad we'll finally see that happening. Hans wrote enough material for Superman, Batman, WW and other themes in these movies, I'm sure Tom could have a lot of fun using all that and add his own touch. I honestly don't know if it was really finished or not, recorded, even partially (BVS was recorded in august/september 2015, 6 months before the film was released, and the score was reworked until the very end for the Ultimate Edition). Wait & see !
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





 .
Comments (1)   
See More...  
 LATEST RELEASES
 NEWS
  2013, October 31updated by Hybrid Soldier 
Inside The Mind (And Studio) Of Hollywood’s Music Maestro



From The Holiday to Inception, Man of Steel to 12 Years a Slave, how Hans Zimmer’s gorgeous studio has helped him make memorable music for some of Hollywood’s most popular films.
More here : http://www.buzzfeed.com/adambvary/hans-zimmer-film-composer-inside-his-studio


Comments (4)

  2013, October 29updated by Antas 
The Amazing Spider-Man 2 to Be Scored by Hans Zimmer & Pharrell Williams


In an interview with Billboard, Pharrell revealed that he will be working closely with Hans Zimmer on the score for The Amazing Spider-Man 2. This would not be the first time Pharrell has worked with Zimmer – the pair have worked together multiple times, including on the scores for Man of Steel and the 84th Annual Academy Awards in 2012.
More here : http://screenrant.com/amazing-spider-man-2-pharrell-williams-hans-zimmer-score/


Comments (31)

  2013, October 28updated by Hybrid Soldier 
Hans ZIMMER Interviewed by Scott Feinberg



Comments (8)

  2013, October 21updated by Hybrid Soldier 
Hans Zimmer Percussion: HZ01 : Behind The Scenes



Comments (7)

  2013, October 18updated by Antas 
Hans Zimmer ‘Might Not Feel Right’ Scoring ‘Batman Vs. Superman’



For Man of Steel, Hans Zimmer took on the task that many Hollywood composers would outright refuse: attempt to craft a Superman score that would somehow be able to stand outside of John Williams’ iconic shadow. His solution was to work with director Zack Snyder to craft something not better, but different.

The new Superman theme gave many goosebumps, but it seems that Zimmer is in no hurry to sign on for the sequel, Batman vs. Superman. In a recent interview, the composer explains why he’s unsure, and why a return to Batman “might not feel right.”

This news is anything but a bombshell, since Hans Zimmer isn’t exactly in need of work, and made it clear from the very first announcement that the dark knight would appear in a Man of Steel sequel that he “thought he was done with Batman.” For his part, Zimmer has supported the decision to cast Ben Affleck as a new caped crusader, but has maintained that a second crack at Batman’s music isn’t something he’s aching to take part in.

More here : http://screenrant.com/batman-vs-superman-hans-zimmer-score/


Comments (34)

  2013, October 15updated by Nicolas 
12 Years A Slave soundtrack to be release by Columbia Records on November the 11.
Soundtrack from & inspired by...



Hans and Zoe Zimmer
Los Angeles premiere of '12 Years A Slave' at Directors Guild Of America
2013, October the 14.


Comments (6)

  2013, October 14updated by Antas 
Harry Gregson-Williams came to Paris on the weekend of 5 and 6 October
for the second festival of “Festival des Musiques a l’Image”




Harry Gregson-Williams came to Paris on the weekend of 5 and 6 October for the second festival of “Festival des Musiques a l’Image”.

The annual festival, hosted by Audi invited the composer this year for a master class on Saturday at the Gaite Lyrique and for the first part of the great concert, which paid tribute this year to the legendaries 40 years of collaboration between composer John Williams (“the other Williams” said the amusing Harry Gregson-Williams) and director Steven Spielberg on Sunday at the French theater Le Grand Rex.

The British composer delivered in a stunning master class his method of composing by analyzing live different pieces of its composition: Shrek, Arthur Christmas, Kingdom of Heaven, Veronica Guerin, Man on Fire, Unstoppable and Team America.

A great learning time!

Hailed by a conquered prosecutor, Harry Gregson-Williams leads on Sunday the “Orchestre de Paris” in the first part of the concert.

Directed with verve and vivacity, the Orchestra performs with perfection the talented composer’s music for the pleasure of the audience, delighted by the beauty of the scores (Shrek, Shrek 2, Bridgestone 2, Prince of Persia.)

A moment of pure happiness and escape!

© Raphaël Bellamy for Hans-Zimmer.com


Comments (2)

  2013, October 13updated by Nicolas 
Hans ZIMMER Talks Amazing Spider-Man 2 Characters & Score



Comments (116)

  2013, October 10updated by Nicolas 
Kung-Fu Panda on the Great Wall Of China
By the Piano Guys



Comments (1)

  2013, October 04updated by Nicolas 
Hans ZIMMER's interview on the red carpet & after winning at the BRIT AWARDS CEREMONY 2013
for "Best Composer" & "Outstanding Contribution to Music"





Comments (2)


 HANS-ZIMMER.com© 2001-2018 OST 
Stephane Vidali / Antas - Nicolas Cabarrou