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you added credits! finnaly we can see at least who was working on it, hopefully there will be releaseAND "Monza 1976".... <br><br>Holy shit! What an awesome cue!Looks like "Need You Busting My Balls - Main On Ends" is on YouTube. Sounds pretty legit to me :DTo each his own.This is an awesome collection, but does anyone out there know how to rearrange these tracks chronologically, especially Combines Assault?
Were did you heared that? I want to listen to it too... I hope that you say is true.mpolonest123 I totally agree with you. It's not that I don't like Gladiator (is an awesome score) but I think The Last Samurai is one of Zimmer's most underrated scores and for me is one of his bests'Goldsmith's original is epic, this is boring and generic crap.It's some kind of arabic, I can verify that theory myself. It's Deshi Basar'a, Go Quickly! or Rise Quickly!Well here is my last response... this is beyond absurd... & I feel Mr MK is somebody with a weird agenda posing as a fan.  Yes, I AM THE REAL PEDRO EUSTACHE [not somebody "posing" for me] & I truly think this is useless... specially with people impossible to exchange honest, constructive opinions with... Please, whoever MK is, please, before you "tear me down" do your homework, & check out what God has blessed me with [yes, even if you don't believe in him, he is real tome... WHEN I ALMOST COMMITTED SUICIDED AFTER MY DAUGHTER—THREE-YEARS OF AGE— DIED OF BRAIN CANCER, JESUS SAVED MY LIVE, SIR!!  YES, HE IS THAT REAL TO ME... IN SPITE OF YOUR MOCKERY & DISRESPECTFUL SARCASM... you might be surprised… I have composed & performed a 47 minute long, 12 movement concerto for 21 solo wind instruments of the world with Mtro. Gustavo Dudamel & his extraordinary orchestra, for example, in which I perform Raga Todi in a unique 15-hole bansuri built by myself, or when I mix a fugue Bach-style with Spanish “Bulería” Flamenca, or use a “mirror-form” in the Armenian piece in which the actual musical orchestral score—literally!—‘draws’ the silhouette of mount Ararat, the symbol of Armenia, or a 21/8 piece for the Easter-European section that starts with 12 upright basses slapping & doing ‘pizzicato Bartok’, or etc… you get the picture!!…] or recording three times with Mtro John Williams [missed the fourth time just now: “Star Wars VIII” due to being in world tour w Hans,,, (recordings where in May 2 & 4)—besides MANY other movie scores with Hans, John Powell, John Debney, James-Newton Howard, etc... or building more than 100 instruments, including unique instruments that nobody else in the world has, after doing research in acoustics with highly specialized Ph, D’s in flute & wind acoustics like Dr. John Coltman & Dr. Peter Hoekje, for example… & etc, ETC… My point: this is ridiculous!! I do not have to defend myself from such absurdity... Ah, forgot to mention: I just finished a 242 pages long book on "How to Write our Own Cadenzas in Mozart Style", or my studies of “Musical Phenomenology” with Mtro Markand Thakar--disciple of the genius Sergiu Celibidache--or that I have more than 7 years of Symphonic experience, studied Indian classical music with luminaries like Pnd Ravi Shankar—yes, THE legendary, iconic, irreplaceable & historic Ravi Shankar!— & Pndt. Hariprasad Chaurasia... but wait... I'm wasting my time!!… Mr MK might not even know who these geniuses are!… He just thinks I am a "jazz player”… such rubbish!! …And concerning your mockery of the Creator, please do not make public your ignorance in such an obvious way... THE GREATEST MUSICIAN IN ALL HISTORY: J.S. BACH SAID THAT MUSIC EXISTS TO "GLORIFY GOD & TO SUBLIMATE THE HUMAN SOUL'... but of course, you might not even know who J. S. Bach is… So, I will refrain from honoring your absurdly useless, empty, & strangely biased criticism... And no, sorry, I love Hans, BUT HE IS NOT GOD... He is a wonderful human being with great talent & wonderful heart... Only God is GOD--whether you believe on Him or not--May GOD BLESS YOU sir!! I will not waist more of my time in this... Blessings to all!!
It's feel like they all look like images they use for merchandise books and magazine's, also the posters look like they are for a movie for children. But that's my opinion. The postes for all other films were fantastic, these feel like a big downgrade. Maybe that's why I don't like them.Great!Hi, how long is the average concert? Specifically the one in the Qudos Bank Aetna, Sydney Olympic Park.The first trailer had a bit of Tessa's music at the start, the second a bit of Lockdown's theme, the big kinda orchestral bit, instead of the electronic braaaaams.Got a special chance to hear a part of salazar's theme, sounds like a varied version of blackbeard's theme but it fits appropriately, very evil. You all should like it.
Woops! Made a typo. <br><br>What was used in the final trailer *wasn't* exactly what ended up being used in the film ;)Sounds like a suite<br><br>And wasn't it only the final trailer that used material from the actual score? It was Lockdown's theme. But what was used in the trailer was exactly what ended up being used in the film.@MrTweedy <br>That is true, and you do get the guitars in "Barbarian Horde" (not sure where else though).<br><br>I have to admit, as revolutionary as Gladiator was at the time, I think it's one of Zimmer's more overrated scores. Not that I necessarily think it's bad, but IMO both Last Samurai and King Arthur show a much stronger balance of themes and action writing, yet unfortunately were never as recognized by the mainstream the same way Gladiator was.That synth in the main theme! I didn't expect that. It's really good.@mpolonest123<br>Actually, there's a small hint at the "spaniard" guitar theme after the sequence where he escapes his execution (track "Homecoming" on the More Music album).
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 LATEST RELEASES
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  2013, October 31updated by Hybrid Soldier 
Inside The Mind (And Studio) Of Hollywood’s Music Maestro



From The Holiday to Inception, Man of Steel to 12 Years a Slave, how Hans Zimmer’s gorgeous studio has helped him make memorable music for some of Hollywood’s most popular films.
More here : http://www.buzzfeed.com/adambvary/hans-zimmer-film-composer-inside-his-studio


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  2013, October 29updated by Antas 
The Amazing Spider-Man 2 to Be Scored by Hans Zimmer & Pharrell Williams


In an interview with Billboard, Pharrell revealed that he will be working closely with Hans Zimmer on the score for The Amazing Spider-Man 2. This would not be the first time Pharrell has worked with Zimmer – the pair have worked together multiple times, including on the scores for Man of Steel and the 84th Annual Academy Awards in 2012.
More here : http://screenrant.com/amazing-spider-man-2-pharrell-williams-hans-zimmer-score/


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  2013, October 28updated by Hybrid Soldier 
Hans ZIMMER Interviewed by Scott Feinberg



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  2013, October 21updated by Hybrid Soldier 
Hans Zimmer Percussion: HZ01 : Behind The Scenes



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  2013, October 18updated by Antas 
Hans Zimmer ‘Might Not Feel Right’ Scoring ‘Batman Vs. Superman’



For Man of Steel, Hans Zimmer took on the task that many Hollywood composers would outright refuse: attempt to craft a Superman score that would somehow be able to stand outside of John Williams’ iconic shadow. His solution was to work with director Zack Snyder to craft something not better, but different.

The new Superman theme gave many goosebumps, but it seems that Zimmer is in no hurry to sign on for the sequel, Batman vs. Superman. In a recent interview, the composer explains why he’s unsure, and why a return to Batman “might not feel right.”

This news is anything but a bombshell, since Hans Zimmer isn’t exactly in need of work, and made it clear from the very first announcement that the dark knight would appear in a Man of Steel sequel that he “thought he was done with Batman.” For his part, Zimmer has supported the decision to cast Ben Affleck as a new caped crusader, but has maintained that a second crack at Batman’s music isn’t something he’s aching to take part in.

More here : http://screenrant.com/batman-vs-superman-hans-zimmer-score/


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  2013, October 15updated by Nicolas 
12 Years A Slave soundtrack to be release by Columbia Records on November the 11.
Soundtrack from & inspired by...



Hans and Zoe Zimmer
Los Angeles premiere of '12 Years A Slave' at Directors Guild Of America
2013, October the 14.


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  2013, October 14updated by Antas 
Harry Gregson-Williams came to Paris on the weekend of 5 and 6 October
for the second festival of “Festival des Musiques a l’Image”




Harry Gregson-Williams came to Paris on the weekend of 5 and 6 October for the second festival of “Festival des Musiques a l’Image”.

The annual festival, hosted by Audi invited the composer this year for a master class on Saturday at the Gaite Lyrique and for the first part of the great concert, which paid tribute this year to the legendaries 40 years of collaboration between composer John Williams (“the other Williams” said the amusing Harry Gregson-Williams) and director Steven Spielberg on Sunday at the French theater Le Grand Rex.

The British composer delivered in a stunning master class his method of composing by analyzing live different pieces of its composition: Shrek, Arthur Christmas, Kingdom of Heaven, Veronica Guerin, Man on Fire, Unstoppable and Team America.

A great learning time!

Hailed by a conquered prosecutor, Harry Gregson-Williams leads on Sunday the “Orchestre de Paris” in the first part of the concert.

Directed with verve and vivacity, the Orchestra performs with perfection the talented composer’s music for the pleasure of the audience, delighted by the beauty of the scores (Shrek, Shrek 2, Bridgestone 2, Prince of Persia.)

A moment of pure happiness and escape!

© Raphaël Bellamy for Hans-Zimmer.com


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  2013, October 13updated by Nicolas 
Hans ZIMMER Talks Amazing Spider-Man 2 Characters & Score



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  2013, October 10updated by Nicolas 
Kung-Fu Panda on the Great Wall Of China
By the Piano Guys



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  2013, October 04updated by Nicolas 
Hans ZIMMER's interview on the red carpet & after winning at the BRIT AWARDS CEREMONY 2013
for "Best Composer" & "Outstanding Contribution to Music"





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