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Fleming doesn't seem to have done much, and both Dave and Vorlander are credited on the Simulation Pt I.After digging through ASCAP a bit, I found Dave Fleming's and Vorlander's credits on this so here's what I found: <br><br>David Fleming:<br>1M01 Opening (this is a guess as there he is credited on a cue just named Divergent)<br>3M24 Grab the Rail<br>4M30 Weapon of Choice<br>5M56a Simulation of Four's Fears, Part I<br><br>Christian Vorländer:<br>1M03 Lining up for the Test<br>1M04 Simulation<br>2M08 Jumping from the Train<br>3M16 Training Begins<br>3M17 Tris Sees Tori<br>3M26 Knife Throwing<br>3M27 Jeanine at Dauntless<br>4M28 Tris vs. Peter<br>4M30 Weapon of Choice<br>4M31 Climbing the Ferris Wheel<br>4M32 Capture the Flag<br>4M38 Simulation / Crow Attack<br>5M42 Simulation / Trapped Water<br>5M49 Tris Attacked / Four Saves Tris<br>5M56a Simulation of Four's Fears, Part I<br>6M63 Zombies<br>Tris Takes the Final Sim TestThis album is the best!! I Love the movie and the music makes it.Does anyone know about the live performance of Fallout ?That makes perfect sense and I fully agree with you :p
Science & Religion on the OST is comprised of 4m25a Black Tongue part A and 6m38 God Save Us. Hope this helps!I was never extremely gung ho about any of the films, but I do agree that there feels like a bit of charm was missing from this one. Especially in the tidy way everything wrapped up. I also found the villain to be extremely forgettable, basically a lesser version of Drago. But hey, at least the visuals were great.<br><br>And I do partially agree on the score, although I think it is hard to give a fair opinion until the music has actually been released. But while HTTYD1 has all of the best highlights and HTTYD2 (my personal favorite) has the best narrative development, I feel like this one works as a solid score on it’s own. The weakest of the three but still a pretty good score, if that makes sense.Can someone please tell me which parts make Science & Religion and the rest of the Original Soundtrack release?I have to say I'm a little bit disappointed, movie wise and score wise. Although it's a very good score, it seems like all the highlights are when old themes come back. I'll definitely have to check it on album to see if this impression holds up, maybe it's only because I'm overly familiar with those themes, and new ones still have to grow on me (like with litterally every Powell release).<br><br>As for the movie, it felt like the charm and beautiful story of #1 have partly been replaced by poor jokes and loads of explosive action. There are moving moments here and there, but overall it left me quite cold.Assuming McQ changing up the crew for newer installments applies to the composers too, I'd certainly like to see someone else take the mantle. Would be interesting to see David Arnold tackle a different sort of spy film, or John Ottman taking a stab at it.<br><br>Though if anyone were to return, it'll likely be Balfe, just from all the buzz Fallout got. Would love to see Kraemer again, but the supposed BTS issues make that unlikely.
You seriously mean to tell me "Light The Fuse" isn't fun or creative in the slightest? Probably is my favorite rendition of theme regarding just the films. III was certainly dull, but GP proved Gia had a voice for the series.<br><br>Balfe does do some cool things with The Plot, but I fail to see how his renditions of the main theme add anything new. Even the epic choir gets mostly dialed out in the final film. They're perfectly solid, but nothing that I'd say is great.I don't know if it's just me but the music doesn't sound as amazing to me like it did for HTTYD 1 & 2, granted i've only listened to the previews but i did the same for 1 & 2 and it got me hyped. I hope I'm wrongSo having seen the film I can say that this is tonally the most mature score of the series. The old themes all get their moment to shine, but surprisingly are used far less than the previous 2. There also seem to be some temped moments, with one scene using portions of “Battle of the Bewilderbeast” and so on. It will be interesting to see what is missing from the album.<br><br>In terms of new stuff, both “The Hidden World” cue and the “Fury Love Theme” are obviously the standouts. Especially in the way they develop throughout. And without spoiling anything, there are some beautiful choral moments in the last 15 minutes. As for the villain material, there wasn’t really anything distinctive that I picked up, which might change with a few listens.As everyone has said for the billionth time, NO. These are all unofficial fan-made edits or rips.Is this cd of the complete score available for purchase somewhere?
I loved it a lot like you and was searching and searching with no result for a long time.... and know what? Did not forget about it UNTIL NOW!!! It was in a change room at my fitness studio when I heard a very faint sound and was tunderstruck!!! The melody I was looking for for so long!!! And Shazam helped me out: it is a song from the christians from 1995 or so, called: Words! You‘re welcome :-)))and tracklist<br><br>Pictures. Visit the official movie website for more information.<br><br>Here’s the album track list:<br><br><br> <br>1. Serenity<br>2. The Beast<br>3. Suit<br>4. Karen<br>5. Baker Dill<br>6. Patrick<br>7. Memory<br>8. Deliver Me From Temptation<br>9. He Wants Justice<br>10. Girl at the Bridge<br>11. I Am the Rules<br>12. Plymouth Island<br>13. I Remember You<br>14. Catch That Fish<br>15. How We See It<br>16. Creator<br>17. Justice<br>18. Alternate Reality<br>19. It’s Dad<br><br>Saying Balfe has no imagination is beyond stupid. Take a listen at some of his work on animated movies (Home, or his work on KFP2-3), it's definitely not to work of someone without imagination.<br><br>On Fallout in particular, I honestly think he makes the best use of the classic themes in the series. That's maybe not "imaginative", as these themes aren't his, but it's definitely clever and not something every composer can do. Even an experienced guy like Michael Giacchino had 2 stabs at this franchise, and yet failed not only to give a memorable score, but also failed in using these classic themes in such a fun way.JohnWilliams Started out or rather got more into the realm of composing being doing Tv SHowsMeistermind - what’s wrong with being a TV composer ?<br><br>You sound like those idiots on Film music forum that think they know so much .The keyboard comment is exactly the nonsense said.<br><br>Fallout is one of the best action films ever in my opinion with a brilliant soundtrack.<br><br>
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  2013, October 31updated by Hybrid Soldier 
Inside The Mind (And Studio) Of Hollywood’s Music Maestro



From The Holiday to Inception, Man of Steel to 12 Years a Slave, how Hans Zimmer’s gorgeous studio has helped him make memorable music for some of Hollywood’s most popular films.
More here : http://www.buzzfeed.com/adambvary/hans-zimmer-film-composer-inside-his-studio


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  2013, October 29updated by Antas 
The Amazing Spider-Man 2 to Be Scored by Hans Zimmer & Pharrell Williams


In an interview with Billboard, Pharrell revealed that he will be working closely with Hans Zimmer on the score for The Amazing Spider-Man 2. This would not be the first time Pharrell has worked with Zimmer – the pair have worked together multiple times, including on the scores for Man of Steel and the 84th Annual Academy Awards in 2012.
More here : http://screenrant.com/amazing-spider-man-2-pharrell-williams-hans-zimmer-score/


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  2013, October 28updated by Hybrid Soldier 
Hans ZIMMER Interviewed by Scott Feinberg



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  2013, October 21updated by Hybrid Soldier 
Hans Zimmer Percussion: HZ01 : Behind The Scenes



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  2013, October 18updated by Antas 
Hans Zimmer ‘Might Not Feel Right’ Scoring ‘Batman Vs. Superman’



For Man of Steel, Hans Zimmer took on the task that many Hollywood composers would outright refuse: attempt to craft a Superman score that would somehow be able to stand outside of John Williams’ iconic shadow. His solution was to work with director Zack Snyder to craft something not better, but different.

The new Superman theme gave many goosebumps, but it seems that Zimmer is in no hurry to sign on for the sequel, Batman vs. Superman. In a recent interview, the composer explains why he’s unsure, and why a return to Batman “might not feel right.”

This news is anything but a bombshell, since Hans Zimmer isn’t exactly in need of work, and made it clear from the very first announcement that the dark knight would appear in a Man of Steel sequel that he “thought he was done with Batman.” For his part, Zimmer has supported the decision to cast Ben Affleck as a new caped crusader, but has maintained that a second crack at Batman’s music isn’t something he’s aching to take part in.

More here : http://screenrant.com/batman-vs-superman-hans-zimmer-score/


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  2013, October 15updated by Nicolas 
12 Years A Slave soundtrack to be release by Columbia Records on November the 11.
Soundtrack from & inspired by...



Hans and Zoe Zimmer
Los Angeles premiere of '12 Years A Slave' at Directors Guild Of America
2013, October the 14.


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  2013, October 14updated by Antas 
Harry Gregson-Williams came to Paris on the weekend of 5 and 6 October
for the second festival of “Festival des Musiques a l’Image”




Harry Gregson-Williams came to Paris on the weekend of 5 and 6 October for the second festival of “Festival des Musiques a l’Image”.

The annual festival, hosted by Audi invited the composer this year for a master class on Saturday at the Gaite Lyrique and for the first part of the great concert, which paid tribute this year to the legendaries 40 years of collaboration between composer John Williams (“the other Williams” said the amusing Harry Gregson-Williams) and director Steven Spielberg on Sunday at the French theater Le Grand Rex.

The British composer delivered in a stunning master class his method of composing by analyzing live different pieces of its composition: Shrek, Arthur Christmas, Kingdom of Heaven, Veronica Guerin, Man on Fire, Unstoppable and Team America.

A great learning time!

Hailed by a conquered prosecutor, Harry Gregson-Williams leads on Sunday the “Orchestre de Paris” in the first part of the concert.

Directed with verve and vivacity, the Orchestra performs with perfection the talented composer’s music for the pleasure of the audience, delighted by the beauty of the scores (Shrek, Shrek 2, Bridgestone 2, Prince of Persia.)

A moment of pure happiness and escape!

© Raphaël Bellamy for Hans-Zimmer.com


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  2013, October 13updated by Nicolas 
Hans ZIMMER Talks Amazing Spider-Man 2 Characters & Score



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  2013, October 10updated by Nicolas 
Kung-Fu Panda on the Great Wall Of China
By the Piano Guys



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  2013, October 04updated by Nicolas 
Hans ZIMMER's interview on the red carpet & after winning at the BRIT AWARDS CEREMONY 2013
for "Best Composer" & "Outstanding Contribution to Music"





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