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You are an idiot. Hans did what Nolan asked him of not the other way around.Man, this has to be the best news for a long time. Hans has got stuck in his silly overcompensating for sound effects mode for too long. No wonder Nolan went for someone else. Who here thought balfe was getting this - the dude is a copycat and nobody. Balfe is when you dont get HZ.....luckily better people are now getting the gigs. I mean who would hire balfe out of the blue, the dude is not even a tv guyThanks for the credits updateA bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.
Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is Balfe
I hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.
@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about it
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  2013, October 31updated by Hybrid Soldier 
Inside The Mind (And Studio) Of Hollywood’s Music Maestro



From The Holiday to Inception, Man of Steel to 12 Years a Slave, how Hans Zimmer’s gorgeous studio has helped him make memorable music for some of Hollywood’s most popular films.
More here : http://www.buzzfeed.com/adambvary/hans-zimmer-film-composer-inside-his-studio


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  2013, October 29updated by Antas 
The Amazing Spider-Man 2 to Be Scored by Hans Zimmer & Pharrell Williams


In an interview with Billboard, Pharrell revealed that he will be working closely with Hans Zimmer on the score for The Amazing Spider-Man 2. This would not be the first time Pharrell has worked with Zimmer – the pair have worked together multiple times, including on the scores for Man of Steel and the 84th Annual Academy Awards in 2012.
More here : http://screenrant.com/amazing-spider-man-2-pharrell-williams-hans-zimmer-score/


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  2013, October 28updated by Hybrid Soldier 
Hans ZIMMER Interviewed by Scott Feinberg



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  2013, October 21updated by Hybrid Soldier 
Hans Zimmer Percussion: HZ01 : Behind The Scenes



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  2013, October 18updated by Antas 
Hans Zimmer ‘Might Not Feel Right’ Scoring ‘Batman Vs. Superman’



For Man of Steel, Hans Zimmer took on the task that many Hollywood composers would outright refuse: attempt to craft a Superman score that would somehow be able to stand outside of John Williams’ iconic shadow. His solution was to work with director Zack Snyder to craft something not better, but different.

The new Superman theme gave many goosebumps, but it seems that Zimmer is in no hurry to sign on for the sequel, Batman vs. Superman. In a recent interview, the composer explains why he’s unsure, and why a return to Batman “might not feel right.”

This news is anything but a bombshell, since Hans Zimmer isn’t exactly in need of work, and made it clear from the very first announcement that the dark knight would appear in a Man of Steel sequel that he “thought he was done with Batman.” For his part, Zimmer has supported the decision to cast Ben Affleck as a new caped crusader, but has maintained that a second crack at Batman’s music isn’t something he’s aching to take part in.

More here : http://screenrant.com/batman-vs-superman-hans-zimmer-score/


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  2013, October 15updated by Nicolas 
12 Years A Slave soundtrack to be release by Columbia Records on November the 11.
Soundtrack from & inspired by...



Hans and Zoe Zimmer
Los Angeles premiere of '12 Years A Slave' at Directors Guild Of America
2013, October the 14.


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  2013, October 14updated by Antas 
Harry Gregson-Williams came to Paris on the weekend of 5 and 6 October
for the second festival of “Festival des Musiques a l’Image”




Harry Gregson-Williams came to Paris on the weekend of 5 and 6 October for the second festival of “Festival des Musiques a l’Image”.

The annual festival, hosted by Audi invited the composer this year for a master class on Saturday at the Gaite Lyrique and for the first part of the great concert, which paid tribute this year to the legendaries 40 years of collaboration between composer John Williams (“the other Williams” said the amusing Harry Gregson-Williams) and director Steven Spielberg on Sunday at the French theater Le Grand Rex.

The British composer delivered in a stunning master class his method of composing by analyzing live different pieces of its composition: Shrek, Arthur Christmas, Kingdom of Heaven, Veronica Guerin, Man on Fire, Unstoppable and Team America.

A great learning time!

Hailed by a conquered prosecutor, Harry Gregson-Williams leads on Sunday the “Orchestre de Paris” in the first part of the concert.

Directed with verve and vivacity, the Orchestra performs with perfection the talented composer’s music for the pleasure of the audience, delighted by the beauty of the scores (Shrek, Shrek 2, Bridgestone 2, Prince of Persia.)

A moment of pure happiness and escape!

© Raphaël Bellamy for Hans-Zimmer.com


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  2013, October 13updated by Nicolas 
Hans ZIMMER Talks Amazing Spider-Man 2 Characters & Score



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  2013, October 10updated by Nicolas 
Kung-Fu Panda on the Great Wall Of China
By the Piano Guys



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  2013, October 04updated by Nicolas 
Hans ZIMMER's interview on the red carpet & after winning at the BRIT AWARDS CEREMONY 2013
for "Best Composer" & "Outstanding Contribution to Music"





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