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The 'Allentown Brothers' track is pretty damn awesome (find it on YouTube). It's like a mix between gothic Elfman, Desperate Housewives and Transformers. I love it.<br><br>It's one of those scores that people don't talk about much but it's actually pretty cool. <br><br>An awesome venue would be the Opera House in Odessa.Want this so bad!!!Does anyone have a breakdown of this with the official score album?<br>Hats off to Batu Sener for working on many of the score's best cues though!
It all comes to personal preference I think. Personally I’ve moved on from collecting cd’s (or anything really) and would rather have everything digital simply to utilize space. <br><br>That being said, I completely understand the appeals of having physical media, it would be sad to see that go away for the people who really love it.It's not only to appreciate the work, its to have something "real" in your hands, for your music collection. I don't like only to have a digital music archive. Of course, i rip all the cds i own to WAV and MP3. But i want to have them in my physical music collection.These day, sure. But we usually get news of the next one by the time he's finished wrapping up the current one.Powell only does 1 score a year.Still no news on his next score? Is he taking a break or something? Working on more concert stuff?
Was pleasantly surprised by this one when I first heard it. Outside of the ‘modern scoring’ portions you get some fun noir music for the squad, solid action writing, and even some good emotional cues.<br><br>Also gotta love the rhythmic idea from Antz popping up here...Also, the use of the guitars by Jablonsky, are still the best since the 90sI give a spin (almost 4 years after my last listening), it grown on me (still don't consider of the best of Jab), but much better than Skyscraper (ok score) and Battleship (guilty pleasure, but not a good score by any means), i like the style of Jablonsky in this one, his rhythms (but i still don't care about the 'motif' for Cohen or certain sound design tracks like 'You Can't Shoot Me' or 'You Know the Drill')<br><br>But still has such cool action moments (Hot Potato With a Grenade) and emotional/romantic moments, and still enjoyed that from this.<3 Buck Takes the LeadHybrid do you know what cues Mancina worked on here? I read in the Twister booklet that the director heard a cue from this and wanted Hans for Twister but he told him that it was actually Mark.
100% for HybridSoldier!I am very glad we have 2 scores by Steve this year. Waiting for Spenser Confidential.Agree!!!!! Please organize a concert in Budapest again! The 2017 live concert and this year's World of HZ concert was totally full house in Budapest!thank you, I appreciate that:) I should say that I am inspired by the music of the 90's, I started producing music on a cheap 200$ Yamaha between 1998-2000, and thanks to a few projects I worked on was able to purchase A more high end synthesizer. Right now I kind of just make music as a hobby but hopefully one day could compose A score for A Movie or even A video Game, that would be pretty cool. I'll be adding more tracks as well for this particular project. The next track I am planning will be a more orchestral reprise of the Miami Heat track I uploaded. I'm trying to get better at themes which is an area that I'm trying to improve on.Damn Powell is doing a lot of music on his own now a days with not many additional writers. I hope he takes on more project that aren’t just animated. I really miss his music, he’s so ridiculously talented.
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 LATEST RELEASES
 NEWS
  2013, November 13updated by Nicolas 
Hans ZimmerTells Juicy Stories About The Classical Films He's Scored

You dream of details about The Thin Red Line, Inception, Pirates Of The Caribean or The Lion King, here's the article you must read !



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  2013, November 12updated by Antas 
Upcoming release of Hans' Percussion library : Spitfire HZ01 Percussion



HANS ZIMMER is one of the most successful, influential and prolific film composers of his generation. Having won countless awards (including an Oscar accompanied by an embarrassment of academy nominations). HZ’s scores have underscored a generation of hugely successful films, that have turned over billions of dollars, countless awards and critical acclaim. Hans has defined not only a compositional style, but also production approach and sonic innovation that has influenced a generation of composers. Hans trailblazed and combined early sample technology with orchestral elements which defined a new age of writing for screen big and small. He created the opportunity for composers to represent their intentions to directors before recording the orchestra itself. He made orchestras cool again. In so doing he also innovated and pushed the envelope of a new orchestral genus.

It is often forgot that by developing this technological approach he also provided a roadway for creatives the world over with dreams of orchestral compositions to realise them without years of theoretical study.

Spitfire Audio are delighted and honoured to present a series of products produced by Hans Zimmer and his diamond class team of grammy winning engineers, musicians and technicians. Where Hans Zimmer’s style approach to sonic creation is often copied or emulated we’re proud to present to the world at large HZ’s definitive take on his trailblazing approach to cinematic percussion production. Herein lies not an emulation or synthesis of his approach, but a recreation. The same studio, musicians, instruments, signal chain and talented engineers, sitting alongside a decade of experience, innovation and refinement overseen in every detail by Hans himself. The same excrutiating attention to detail, perfection but most importantly the endless choice for tweakability and customisation you’d expect of the greatest of sound-smiths.

More informations here : http://www.spitfireaudio.com/novemberannouncement.html


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  2013, November 07updated by Hybrid Soldier 
David Buckley Interviewed by Kaya Savas for Film Music Media



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  2013, November 03updated by Hybrid Soldier 
Steve Jablonsky Interviewed by Kaya Savas for Film Music Media



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  2013, November 01updated by Hybrid Soldier 
Dominic Lewis Interviewed by Kaya Savas for Film Music Media



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Stephane Vidali / Antas - Nicolas Cabarrou