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The track titles are really vague. Haha. <br>I thought Shall We Begin was going to be included in the Dragonstone track because it's probably the end credits cue from episode 1. <br><br>Anyway the score has a good amount of tracks for a 7 episode season. Season 6 had 19 tracks and 7 bonus tracks but those are mostly underscore. Didn't hear much of those in season 7.Going by titles<br>the Jon/Drogon and Jon/'Dany' scene is on there tooeh that could be 'Message for Cersei' instead<br>I mean Euron kept using the word 'Gift' so I think that fits moreThe Gift has probably something to do with the wight that they brought for Cerseior The Gift is the dungeon scene<br>that works too
I am the Storm sounds like it could fit Euron too<br>so who knows<br>Lions Legacy may be the downfall of Highgarden with the Lannister theme. (They always give us endcredit music lately)<br>But I suppose that could alsio be 'The Queens Justice'<br>But I am hoping that Queens Justice is the Martell dungeon scene<br><br>Frozen lake may be 'against all odds' or 'army of the dead' or both<br>The score is clearly not chronological, seeing where they put Casterly Rock's musicI think A Lion's Legacy Truth and Winter is Here are from episode 7And it seems like almost the complete battle qith the loot train is on there!!Maybe 'Ironborn' for the sea battle. And for the frozen lake maybe 'The Army Of The Dead' or 'I Am The Storm'.Tracklist has been revealed on Amazon.<br><br>Anyone know what tracks could be the first sea battle, the sc&#232;nes in Oldtown and the frozen lake sc&#232;ne from ep 6 ? <br> <br>1. Main Titles<br>2. Dragonstone<br>3. Shall We Begin?<br>4. The Queen's Justice<br>5. A Game I Like to Play<br>6. I Am the Storm<br>7. The Gift<br>8. Dragonglass<br>9. Spoils of War, Pt. 1<br>10. Spoils of War, Pt. 2<br>11. The Dagger<br>12. Home<br>13. Gorgeous Beasts<br>14. The Long Farewell<br>15. Against All Odds<br>16. See You for What You Are<br>17. Casterly Rock<br>18. A Lion's Legacy<br>19. Message for Cersei<br>20. Ironborn<br>21. No One Walks Away from Me<br>22. Truth<br>23. The Army of the Dead<br>24. Winter Is Here
It would be great to see someone the people on this site that mock composers having a go at this compatition !!!I am enjoying this soundtrack a lot. Lots of very nice Middle-Eastern instruments and tone colours throughout. Only things that are holding it back from being as good as Uncharted 4 are memorable themes and no real orchestra (just orchestral samples). I understand that not being able to have the score recorded by a real orchestra is not Henry's fault, but it does detract from the overall sound and impact of the music (in a few areas). However, Henry does do a good job using other ambient sounds and pulses to cover up noticeably synthetic parts, which I think works well and is not too much of a distraction. A solid 3.5 / 5 from me.Yes, I knew it! The night isn't full of terrors after all.The Lord of Light is watching over us!Good news guy! It releases this Friday Ramin confirmed on twitter.<br><br>https://twitter.com/Djawadi_Ramin/status/900139465129172992
Does anyone know where you could find the variations on Duck Shoot, specifically the one during the King's death in Episode 2?Wanna go see Hans and/or Lorne ? Here's your chance !This score is growing on me more and more every day :DWill there be CD by La-La Land Records as well?Lol I avoid spoilers at all cost! I checked the ost after the finale last year!
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  2013, November 13updated by Nicolas 
Hans ZimmerTells Juicy Stories About The Classical Films He's Scored

You dream of details about The Thin Red Line, Inception, Pirates Of The Caribean or The Lion King, here's the article you must read !



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  2013, November 12updated by Antas 
Upcoming release of Hans' Percussion library : Spitfire HZ01 Percussion



HANS ZIMMER is one of the most successful, influential and prolific film composers of his generation. Having won countless awards (including an Oscar accompanied by an embarrassment of academy nominations). HZ’s scores have underscored a generation of hugely successful films, that have turned over billions of dollars, countless awards and critical acclaim. Hans has defined not only a compositional style, but also production approach and sonic innovation that has influenced a generation of composers. Hans trailblazed and combined early sample technology with orchestral elements which defined a new age of writing for screen big and small. He created the opportunity for composers to represent their intentions to directors before recording the orchestra itself. He made orchestras cool again. In so doing he also innovated and pushed the envelope of a new orchestral genus.

It is often forgot that by developing this technological approach he also provided a roadway for creatives the world over with dreams of orchestral compositions to realise them without years of theoretical study.

Spitfire Audio are delighted and honoured to present a series of products produced by Hans Zimmer and his diamond class team of grammy winning engineers, musicians and technicians. Where Hans Zimmer’s style approach to sonic creation is often copied or emulated we’re proud to present to the world at large HZ’s definitive take on his trailblazing approach to cinematic percussion production. Herein lies not an emulation or synthesis of his approach, but a recreation. The same studio, musicians, instruments, signal chain and talented engineers, sitting alongside a decade of experience, innovation and refinement overseen in every detail by Hans himself. The same excrutiating attention to detail, perfection but most importantly the endless choice for tweakability and customisation you’d expect of the greatest of sound-smiths.

More informations here : http://www.spitfireaudio.com/novemberannouncement.html


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  2013, November 07updated by Hybrid Soldier 
David Buckley Interviewed by Kaya Savas for Film Music Media



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  2013, November 03updated by Hybrid Soldier 
Steve Jablonsky Interviewed by Kaya Savas for Film Music Media



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  2013, November 01updated by Hybrid Soldier 
Dominic Lewis Interviewed by Kaya Savas for Film Music Media



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