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Fox Three you right mate,i love all of this soundtrack,Lorne Balfe and Hans Zimmer did a good job.Soap,Price,Ghost etc. memourable team,good scenario,best graphics and this soundtracks.This game and this soundtrack will not be forgotten.R.I.P. Simon Ghost Riley.And the gulag scene ohh my god !Hey Hybrid, is Jeff still with RCP? I just read a review of his new score for an Indian movie named "Veeram".Hybrid, it's been a while since somebody asked but in Dead Man's Chest there are 18 missing cues on a grand total of 15 minutes. In At World's End there are 2 missing cues of gramd total of 5 minutes.<br><br>My question is if you know if they are ever going to be released??<br>Thanks very muchSame here!!<br>Loved that score and prefer it to lego batman. The main theme is cool, and there's an "out-of-nowhere" throwback to the 90s in the cue "barfmitzvah", what can I ask more??Not bad! The "Love" cue has great orchestral moments. At least *** score after the first listen.
Conrad Pope was here? That's surprising!Great score, love the action cues and the constant use of main theme in different variations throughout the whole score. Honestly I prefer this one over the Lego Batman soundtrack...Moonlight also reminds me of parts of Chappie!Oh yeah it's great, Moonlight In Vermont even has Beckett's Death from POTC 3 !Thanks
Wow! I thought I recognized the name of the channel. Awesome dude. Thank you so much.Thank you.Yeah, Dimitris, it was your channel. Thanks man! :)Where do you listen to this guys? In my channel? I have the album in my channel.And in the Track 4 isn't that a bit of Inception?
Yo dude. Thanks for pointing this out. Listening to it now. Sounds excellent.Holy shit. So I just listened to this album on YouTube and it's FANTASTIC. So much 80s cheeseball fun. And the first track even has the riff in it that would go on to become the First Born theme and then, later on, way way way down the road, 160 BPM from Angels & Demons. It's really incredible how distinct Hans' voice is even as early as 1983. As much as I enjoy the vocals, I'd kill to get instrumental versions of some of these songs.Sure, pal.<br><br>Blue female troops theme (heard in "Nameless Order")<br>Great Wall theme ("What a Wall")<br>William's theme ("The Great Wall")<br>Tao Tei (monsters) theme (first heard in "First Battle")<br>Tovar's guitar motif (briefly heard in "First Battle")<br><br>These are the most prominent/identifiable ones.Just a few of the cuesheet titles from ASCAP if anyone is interested, not sure if it's the whole thing (And not in order)<br><br>INFERNO MAIN TITLE THEME<br>ZOBRIST AND SIENNA LOVE PT 1<br>ZOBRIST AND SIENNA LOVE PT 2<br>DECIPHER<br>TED TALK<br>ISTANBUL PT 1-6<br>ARRIVE IN VENICE / ESCAPE CHURCH PT 1-6<br>THE CISTERN <br>VASARI PAINTING PT 1-4<br>BOCHARD / DECYPHER IMAGE PT 1-4<br>LANGDON CHECKS HIS EMAIL PT 1<br>LANGDON CHECKS HIS EMAIL PT 2<br>THE MASK IS MISSING PT 1-6<br>IN FLORENCE PT 1-3<br>ESCAPE TRAIN PT 1<br>ESCAPE TRAIN PT 2<br>TUBE OPENED / FARADAY PROJECTION PT 1-3<br>EMPLOYMENT OF A MAD MAN PT 1-3<br>ESCAPE TO ATTIC PT 1-3<br>MASK RECOVERED PT 1<br>MASK RECOVERED PT 2<br>DANTES MASK/INFERNO END TITLE THEME<br>INFERNO END TITLE THEME PT 2<br>Can anybody give me a list of the names of themes and motifs in the movie. I would appreciate it.
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 LATEST RELEASES
 NEWS
  2013, November 13updated by Nicolas 
Hans ZimmerTells Juicy Stories About The Classical Films He's Scored

You dream of details about The Thin Red Line, Inception, Pirates Of The Caribean or The Lion King, here's the article you must read !



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  2013, November 12updated by Antas 
Upcoming release of Hans' Percussion library : Spitfire HZ01 Percussion



HANS ZIMMER is one of the most successful, influential and prolific film composers of his generation. Having won countless awards (including an Oscar accompanied by an embarrassment of academy nominations). HZ’s scores have underscored a generation of hugely successful films, that have turned over billions of dollars, countless awards and critical acclaim. Hans has defined not only a compositional style, but also production approach and sonic innovation that has influenced a generation of composers. Hans trailblazed and combined early sample technology with orchestral elements which defined a new age of writing for screen big and small. He created the opportunity for composers to represent their intentions to directors before recording the orchestra itself. He made orchestras cool again. In so doing he also innovated and pushed the envelope of a new orchestral genus.

It is often forgot that by developing this technological approach he also provided a roadway for creatives the world over with dreams of orchestral compositions to realise them without years of theoretical study.

Spitfire Audio are delighted and honoured to present a series of products produced by Hans Zimmer and his diamond class team of grammy winning engineers, musicians and technicians. Where Hans Zimmer’s style approach to sonic creation is often copied or emulated we’re proud to present to the world at large HZ’s definitive take on his trailblazing approach to cinematic percussion production. Herein lies not an emulation or synthesis of his approach, but a recreation. The same studio, musicians, instruments, signal chain and talented engineers, sitting alongside a decade of experience, innovation and refinement overseen in every detail by Hans himself. The same excrutiating attention to detail, perfection but most importantly the endless choice for tweakability and customisation you’d expect of the greatest of sound-smiths.

More informations here : http://www.spitfireaudio.com/novemberannouncement.html


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  2013, November 07updated by Hybrid Soldier 
David Buckley Interviewed by Kaya Savas for Film Music Media



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  2013, November 03updated by Hybrid Soldier 
Steve Jablonsky Interviewed by Kaya Savas for Film Music Media



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  2013, November 01updated by Hybrid Soldier 
Dominic Lewis Interviewed by Kaya Savas for Film Music Media



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